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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Good Idea
Sheetmusicplus
Non classifié
134
Piano & claviers
Piano seul
81
Piano Facile
27
Piano, Voix et Guitare
26
Instruments en Do
21
Piano, Voix
7
Orgue
6
2 Pianos, 4 mains
1
Piano (partie séparée)
1
1 Piano, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Guitare
34
Guitare notes et tablatures
3
Mandoline
3
Guitare (partie séparée)
1
Dulcimer
1
2 Ukuleles
1
Basse electrique
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
76
Chorale 3 parties
10
Chorale 2 parties
5
Chorale SSAA
5
Chorale TTBB
4
Voix Soprano, Piano
3
Voix Alto, Piano
3
Voix duo
2
Chorale Unison
2
Voix Tenor
1
Voix seule
1
+ 6 instrumentations
Retracter
Vents
Flûte traversière et Piano
16
Quatuor de Saxophones: 4 saxophones
15
Hautbois, Piano (duo)
13
Clarinette et Piano
12
Flûte traversière
11
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
10
Flûte, Hautbois, Clarinette, Basson
10
Quatuor de Clarinettes: 4 clarinettes
9
Saxophone Tenor et Piano
8
Saxophone Soprano et Piano
7
Saxophone Alto et Piano
7
Saxophone Alto
7
Clarinette
7
Quintette de Saxophone: 5 saxophones
5
Saxophone (partie séparée)
5
2 Flûtes traversières (duo)
5
Saxophone Tenor
5
2 Clarinettes (duo)
4
Hautbois
4
2 Saxophones (duo)
4
Quatuor de Flûtes : 4 flûtes
3
3 Saxophones (trio)
3
Clarinette Basse, Piano
3
Flûte, Clarinette (duo)
3
Saxophone Baryton, Piano
3
Hautbois, Basson (duo)
2
Flûte, Alto (duo)
2
Saxophone Baryton
2
Ensemble de Clarinettes
2
Hautbois, trombone (duo)
2
Saxophone Soprano
2
Clarinette, Basson (duo)
2
Clarinette, Violon (duo)
2
Clarinette, Tuba
2
Hautbois, Clarinette (duo)
2
Hautbois (partie séparée)
2
2 Saxophones, Piano
1
Flûte, Hautbois, Basson
1
Clarinette Basse
1
Flûte, Violon
1
Ensemble de saxophones
1
Clarinette, Trombone (duo)
1
Saxophone
1
Flûte à bec Soprano
1
Flûte, Tuba (duo)
1
3 Clarinettes (trio)
1
Quatuor de Flûtes à bec
1
Flute, harpe et violon
1
Flûte à Bec
1
Clarinette, Violoncelle, Piano (trio)
1
Cor anglais, Piano
1
+ 46 instrumentations
Retracter
Cuivres
Trompette
12
Trombone et Piano
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette, Piano
9
Cor
8
Cor et Piano
7
Trombone
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Trombone (duo)
3
Quatuor de Cuivres
3
Tuba
3
Tuba et Piano
3
Quatuor de cuivres: 4 cors
3
Euphonium
2
Quatuor de cuivres: 4 trompettes
2
Trombone, Violon (duo)
2
Trompette (partie séparée)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Trompette, Tuba (duo)
2
3 Trombones (trio)
2
Euphonium, Tuba (duo)
2
Quatuor de cuivres: 4 trombones
2
2 Trompettes (duo)
1
Trombone (partie séparée)
1
2 Trombones (duo)
1
Trompette, Cor (duo)
1
3 Euphoniums
1
Ensemble de Trompettes
1
Trombone, Cor (duo)
1
Ensemble de Trombones
1
Trombone, Tuba (duo)
1
4 Tubas
1
Euphonium, Piano (duo)
1
Cor anglais, Piano
1
+ 29 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon et Piano
15
Violon
11
Trio à Cordes: violon, alto, violoncelle
11
Alto, Piano
8
Violoncelle
6
2 Violoncelles (duo)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contrebasse, Piano (duo)
5
Violoncelle, Piano
4
Violon, Alto (duo)
4
Violon, Violoncelle (duo)
4
Alto seul
4
Trio à Cordes: 2 violons, violoncelle
3
2 Violons (duo)
3
Contre Basse
3
Violon, Basson (duo)
2
2 Harpes (duo)
2
Trio à Cordes: 3 violoncelles
2
Harpe
2
Violon, Tuba (duo)
2
Contrebasse (partie séparée)
1
Violon, Guitare (duo)
1
4 Violoncelles
1
2 Altos (duo)
1
+ 20 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
20
Ensemble Jazz
18
Orchestre à Cordes
12
Orchestre d'harmonie
11
Orchestre
9
Cloches
8
Orchestre de chambre
6
Marimba
2
Jazz combo
2
Ensemble de Percussions
2
Xylophone ou Marimba ou Vibraphone
1
Fanfare
1
Percussion (partie séparée)
1
Batterie
1
Xylophone, Piano
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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CORNET
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Vous avez sélectionné:
Good Idea
SheetMusicPlus
Partitions à imprimer
9 partitions trouvées
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1
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Where Eagles Dare (Theme) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569...
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Full Orchestra - Level 3 - SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
Ballade For An Entablature
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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All Women's Orchestra, Norwich
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Ballade For An Entablature
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,...
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Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.
$45.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Dwarves, Op. 10
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ian Deterling
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Dwarves, Op. 10
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Ian Deterling
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.742984 Composed by Ian Deterling. 20th Century,Children,Contemporary,Film/TV. 89 pages. Ian Deterling #4641591. Publi...
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Full Orchestra - Level 4 - SKU: A0.742984 Composed by Ian Deterling. 20th Century,Children,Contemporary,Film/TV. 89 pages. Ian Deterling #4641591. Published by Ian Deterling (A0.742984). Composed by Ian Deterling, published by Deterling Music I wrote Dwarves in 2018 for Brian Langley - a good friend and wonderful band director. One day over a cup of coffee, he suggested that I should look into writing/arranging works for Flex-Band - a way of scoring music so that ensembles that frequently have to deal with ‘incomplete’ instrumentation (‘incomplete’ as far as traditional concert band ensembles go) can still perform works with the guarantee that all the parts are covered and the ensemble is properly balanced. Dwarves is the first piece I wrote specifically for Flex-Band. This orchestral arrangement was made specifically for the Northshore Philharmonic Orchestra - Tracey Gibbens, conductor. I always find it fascinating yet challenging (in a good way) whenever I revisit a work/adapt and rewrite it for a different instrumentation. Dwarves was definitely no exception. While working on different chord voicing, counter melodies, and having the full pallet of orchestral timbres at my disposal, I decided to transpose the piece up to B Minor (original key of G Minor). I felt this added an extra degree of brilliance while allowing some melodies and musical ideas to be dropped an octave for a contrasting heavier low end. Dwarves is based primarily on two different themes - the A theme (minor and serious) and the B (major, a bit more uplifting). There is a ‘C’ section, but it is loosely based on a variation of the A theme.
$60.00
Elegy Sentimentale for Orchestra
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Orchestre
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Keith Terrett
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Elegy Sentimentale for Orchest
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Keith Terrett
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SheetMusicPlus
Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748)....
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Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
Kabuki Pieces, Op. 20
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Orchestre
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AVANCÉ
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Chris Knapp
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Kabuki Pieces, Op. 20
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Chris Knapp
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chr...
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Full Orchestra - Level 5 - SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chris Knapp (A0.1373704). Kabuki pieces takes influence and inspiration from Japanese Kabuki theatre productions. In this work, the main aspects of Kabuki theatre are explored through the 'deconstructed' Orchestra. Kabuki theatre employs the principles of jo-ha-kyu which helps sets the pace for a dramatic play. Jo-ha-kyustates that a play should start slow, get quicker and end fast. Kabuki employs this technique over a series of 5 acts, hence this composition uses 5 movements and the pace of the work as a whole speeds up as it moves through.1. Introduction - Like with all good pieces of theatre, the first act sets the scene and establishes characters. In this compositon, the scene is set by the Cello accompanied by a selection of percussion (a characteristic trait of Kabuki theatre).2. Battle #1 - In Kabuki theatre there are always a number of battles, these usually occur during the 2nd and 4th acts. This composition similarly mimics the chaos of a battle and features the Woodwind section.3. Tragedy - During the 3rd act, a Tragedy or emotional event usually occurs, thus this composition hopes to mirror that with an emotional outpouring of melodic ideas introducing the Brass.4. Battle #2 - In the 2nd battle of this work, the feature is placed more on the Xylophone who takes a solo role and sets out a frantic tune which provides the basis for a Fugue of sorts picked up by the Strings.5. Conclusion - The conclusion to most Kabuki plays are satisfying and short, this is mirrored by the very brief conclusion to this work.
$35.99
Spirit of Freedom
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Orchestre
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INTERMÉDIAIRE
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Paul Barker Music
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Spirit of Freedom
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Paul Barker Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.725203 By Paul Barker Music. By Paul Barker. 21st Century,Contemporary,Contest,Festival,Holiday,Patriotic. Score and ...
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Full Orchestra - Level 3 - SKU: A0.725203 By Paul Barker Music. By Paul Barker. 21st Century,Contemporary,Contest,Festival,Holiday,Patriotic. Score and Parts. 84 pages. Paul Barker Music #5853995. Published by Paul Barker Music (A0.725203). Spirit of Freedom begins with a rousing fanfare, bursting with energy, drive and positivity. The work quickly develops using stoic themes and majestic orchestration echoing strong musical emotions of freedom and Liberty. Ideal for graduations, ceremonies and formal occasions: A true and feel - good dedication to all this is good in this world.       Level: Intermediate (UK Grade 5+ and USA 2+)
$29.95
20 Carols for Orchestra Volume 2
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Various
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Trevor Davies
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Good King Wenceslas
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20 Carols for Orchestra Volume
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Musicworks.co.uk
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1404520 Composed by Various. Arranged by Trevor Davies. Christmas,Classical,Praise & Worship. 117 pages. Musicworks.c...
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Full Orchestra - Level 3 - SKU: A0.1404520 Composed by Various. Arranged by Trevor Davies. Christmas,Classical,Praise & Worship. 117 pages. Musicworks.co.uk #906443. Published by Musicworks.co.uk (A0.1404520). 20 Carols for Orchestra Volume 2. God Rest You Merry, Gentlemen; Good King Wenceslas; Hark! The Herald Angels Sing. This set of arrangements is ideal for the ever popular “Audience Participation†type of Carol Concert as well as traditional carol services. Set at an intermediate standard, the arrangements are accessible to a broad ability range and are mostly based on the standard choral arrangements. The orchestration is standard with a range of optional cover parts, eg clarinet/oboe etc.Originally produced in 1997 for an Oxford Middle School, this resource has found its way to schools as far afield as Portugal and New Zealand as well as many establishments in the UK.
$14.95
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