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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Good Time
Sheetmusicplus
Non classifié
794
Piano & claviers
Piano seul
483
Piano Facile
467
Piano, Voix
417
Piano, Voix et Guitare
182
Instruments en Do
35
Orgue
20
Accompagnement Piano
12
1 Piano, 4 mains
9
Piano (partie séparée)
9
Piano grosses notes
7
Accordéon
5
Piano Trio: piano, violon, violoncelle
5
Orgue, Trompette (duo)
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Clavecin
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 4 mains
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
89
Guitare
59
Ligne De Mélodie, (Paroles) et Accords
41
Paroles et Accords
17
Guitare (partie séparée)
15
Ukulele
12
Basse electrique
10
Mandoline
7
Banjo
3
Dulcimer
3
4 Guitares (Quatuor)
3
Basse électrique (partie séparée)
3
Piano, Guitare (duo)
2
3 Guitares (trio)
2
2 Guitares (duo)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
298
Chorale 2 parties
98
Chorale 3 parties
81
Voix duo, Piano
50
Chorale TTBB
44
Chorale Unison
41
Chorale SSAA
32
Voix duo
13
Voix Alto, Piano
7
Voix seule
4
Voix haute
4
Voix Soprano, Piano
3
Voix Tenor, Piano
2
Voix Soprano, Orchestre
1
Chorale SSAATTBB
1
+ 10 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
67
Saxophone (partie séparée)
62
Flûte, Hautbois, Clarinette, Basson
47
Quatuor de Clarinettes: 4 clarinettes
46
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Hautbois, Piano (duo)
40
Clarinette et Piano
40
2 Saxophones (duo)
38
Saxophone Alto et Piano
36
Flûte traversière et Piano
36
Trio de Flûtes: 3 flûtes
33
Saxophone Tenor et Piano
25
Saxophone Soprano et Piano
24
2 Flûtes traversières (duo)
22
Quintette de Saxophone: 5 saxophones
22
2 Clarinettes (duo)
19
Saxophone Alto
18
Clarinette
18
3 Saxophones (trio)
17
Flûte traversière
16
Quatuor de Flûtes : 4 flûtes
15
Saxophone Tenor
14
Clarinette (partie séparée)
13
3 Clarinettes (trio)
11
Saxophone, Clarinette (duo)
11
Ensemble de Flûtes
11
Saxophone Baryton, Piano
10
Flute (partie séparée)
9
Clarinette, Violon (duo)
9
Hautbois (partie séparée)
8
Quintette de Clarinettes: 5 clarinettes
8
Hautbois, Basson (duo)
7
Ensemble de Clarinettes
7
Flûte à bec Soprano
6
Clarinette Basse, Piano
6
Clarinette, Trompette (duo)
6
Cor anglais, Piano
6
Flûte, Clarinette (duo)
6
Ensemble de saxophones
5
Quintette de Flûte : 5 flûtes
5
Flûte, Violon
5
Flûte, Clarinette, Piano (trio)
4
2 Flûte à bec (duo)
4
Quatuor de Flûtes à bec
4
Hautbois, Flûte
4
Clarinette et Alto
4
Flûte et Guitare
4
Flûte, Saxophone (duo)
4
2 Hautbois (duo)
4
Flûte, Clarinette et Basson
3
Flûte, Violon et Violoncelle
3
Flûte, Trompette (duo)
3
Flûte, Alto (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Hautbois, Clarinette (duo)
3
Clarinette, Guitare (duo)
3
Flûte à bec Alto, Piano
2
Harmonica
2
Flûte, Violon, Piano
2
Clarinette, Basson (duo)
2
Flûte irlandaise
2
3 Flûtes à bec (trio)
2
Flûte à bec Alto
2
Hautbois
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Saxophone Baryton
2
3 Hautbois
1
Cor Anglais
1
Cor anglais, Guitare (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Ensemble de Hautbois
1
Flûte, trombone et piano
1
Flute, harpe et violon
1
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Flûte, Hautbois, Piano (trio)
1
Ocarina
1
Saxophone Soprano
1
4 Hautbois
1
Flûte traversière, Orgue (duo)
1
2 Flûtes traversières, Piano
1
Hautbois, Violoncelle et Piano
1
Flûte à Bec
1
Saxophone
1
Flûte, Hautbois, Clarinette (trio)
1
2 Clarinettes, Piano
1
Hautbois, Violoncelle
1
+ 84 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Trombone (partie séparée)
51
Trompette (partie séparée)
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Trombone et Piano
27
Trompette
26
Trompette, Piano
25
Cor et Piano
21
Trombone
18
Cor
14
2 Trompettes (duo)
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
2 Trombones (duo)
9
Cor (partie séparée)
9
Trompette, Trombone (duo)
9
Trompette, Saxophone (duo)
8
Quatuor de cuivres: 4 trombones
8
Quatuor de Cuivres
8
Tuba
8
Tuba (partie séparée)
7
Euphonium, Piano (duo)
6
Quatuor de cuivres: 4 cors
6
Cor anglais, Piano
6
Ensemble de Cors
5
Quatuor de cuivres: 4 trompettes
4
Tuba et Piano
4
4 Tubas
3
2 Tubas (duo)
3
Ensemble de Trombones
3
3 Trombones (trio)
3
Euphonium
3
Trombone, Orgue
2
3 Trompettes (trio)
2
2 Cors (duo)
2
2 Euphoniums et 2 Tubas
2
Ensemble de Trompettes
2
Cor Anglais
1
Cor anglais, Guitare (duo)
1
Ensemble de Tubas
1
3 Cors (trio)
1
Tuba ou Euphonium ou Saxhorn
1
3 Euphoniums
1
3 Tubas (trio)
1
Bass Clef Instruments
1
Trompette, Cor (duo)
1
Trompette, Violoncelle et Piano
1
Trombone, Cor (duo)
1
+ 42 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
138
Violon et Piano
61
Alto, Piano
40
Violon
37
Violoncelle, Piano
31
Violoncelle
29
2 Violons (duo)
26
Trio à Cordes: violon, alto, violoncelle
25
Violon, Violoncelle (duo)
22
Harpe
20
Contrebasse (partie séparée)
15
Violon, Alto (duo)
14
Trio à Cordes: 2 violons, violoncelle
13
Violon (partie séparée)
12
Contrebasse, Piano (duo)
10
4 Violoncelles
10
Alto seul
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Altos (duo)
8
2 Violoncelles (duo)
8
Trio à cordes: 3 violins
6
Trio à Cordes: 3 violoncelles
5
Piano Trio: Violon, Alto, Piano
4
Contre Basse
4
2 Harpes (duo)
4
Quatuor à cordes : 4 altos
4
Alto (partie séparée)
4
Quatuor à cordes: 4 violons
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Harpe, Voix
2
Trio à cordes: 3 altos
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
1
Alto, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Violoncelle, Orgue
1
Trio à cordes
1
+ 32 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
243
Ensemble Jazz
100
Fanfare
70
Orchestre à Cordes
69
Orchestre
65
Ensemble de cuivres
35
Orchestre de chambre
26
Cloches
20
Ensemble de Percussions
17
Batterie (partie séparée)
14
Batterie
13
Jazz combo
13
Percussion (partie séparée)
7
Marimba
7
Percussion
4
Vibraphone
3
Xylophone
2
Vibraphone (partie séparée)
2
Quintette de Cuivres: autres combinaisons
2
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Vous avez sélectionné:
Good Time
SheetMusicPlus
Partitions à imprimer
65 partitions trouvées
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51
Elegy Sentimentale for Orchestra
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Orchestre
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Keith Terrett
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Elegy Sentimentale for Orchest
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Keith Terrett
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SheetMusicPlus
Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748)....
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Full Orchestra - SKU: A0.746748 Composed by Keith Terrett. Contemporary,World. 33 pages. Keith Terrett #3129265. Published by Keith Terrett (A0.746748). ere at last is my ’’Elegy sentimentale’’ for orchestra, and my first original composition (opus 1), for full symphony orchestra.I hope it makes an excellent piece for amateur and professional orchestras alike; with some challenging and interesting string, woodwind and brass writing for all.I envisage the ’’Elegy’’ eventually making a good piece of film music, and in consequence any directors or producers looking for a movie theme; please feel free to contact me!Elegy Sentimenatle is a mournful & melancholic work, suited for performances on the concert platform.A Supreme Work of Art!The Elegy Sentimentale opens impressively. Keith Terrett plants a C deep in virgin soil; orchestrated brilliantly for bassoon, harp and delineated by pizzicato double basses this bass line is a tree of a forest; and we are at once held by the strength of the roots. The tonality is immediately clear, and there is a grand feeling of space and power in the wide layout of the score. A lone solo clarinet high in the tessitura accompanied by a solo cello with a counter subject state the opening eight bar theme which embodies the seeds of two ideas, which supplies the generating force for the slightly agitated Piu Mosso which follows. The counter subject given by the solo cello at the beginning is now reiterated by the plaintive voice of a solo oboe and a third motif makes an appearance in the solo clarinet; oboe and clarinet duet beautifully over arpeggiated rhythmic impulses in the harp. A new subject of an accompanying nature, derived from all the material thus far presented now comes off at a tangent on the strings cascading downwards and accompanying woodwind who, play the chief melodic subject while horns cry in anguish. This first section is then repeated; I found the whole experience spiritual, detached and wondering, intensified by the breath-taking stillness. Mr Terrett in the middle section that follows now uses his full orchestral forces; after a key change the emotional charge that follows is cataclysmic in its cry of anguish; the main theme is stated in a full dress orchestral tutti, which is then repeated. The music ebbs and flows with slight variations in the woodwind recalling the main ideas; at the very end high strings bring consolation and finally peace. Keith Terrett shows an admirable command of orchestration and melodic construction and combines these qualities with rare imagination and insight.Gerald Manning
$30.00
Con Te Partiro (time To Say Goodbye)
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Orchestre
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INTERMÉDIAIRE
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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Flavio Regis Cunha
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,C...
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Full Orchestra - Level 3 - SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99
Con Te Partiro (time To Say Goodbye) - Score Only
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Orchestre
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INTERMÉDIAIRE
#
Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
#
FRC Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1138797 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,C...
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Full Orchestra - Level 3 - SKU: A0.1138797 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Christmas,Film/TV,Opera,Wedding. Score and parts. 16 pages. FRC Music #739100. Published by FRC Music (A0.1138797). Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra. Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS. Sheet music download, complete score FOR REFERENCE ONLY. Advanced Intermediate.Format: Concert, 9 x 12 inches.16 pages.
$49.99
Time To Say Goodbye
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Orchestre
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INTERMÉDIAIRE
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Andrea Bocelli & Sarah Brightm
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Flavio Regis Cunha
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Time To Say Goodbye
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Flavio Regis Cunha
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1139867 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by...
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Full Orchestra - Level 3 - SKU: A0.1139867 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by Flavio Regis Cunha. Contest,Festival,Film/TV,Opera,Pop,Wedding. Score and parts. 59 pages. Flavio Regis Cunha #740139. Published by Flavio Regis Cunha (A0.1139867). Time To Say Goodbye (FULL SCORE and Parts) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Arranger Flavio Regis Cunha COMPLETE version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra. Orchestration: FLUTE 1 FLUTE 2 OBOE 1 OBOE 2 CLARINET 1 IN Bb CLARINET 2 IN Bb BASSOON 1 BASSOON 2 HORN 1 IN F HORN 2 IN F HORN 3 IN F TRUMPET 1 IN Bb TRUMPET 2 IN Bb TROMBONE 1 TROMBONE 2 BASS TROMBONE TUBA PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players HARP PIANO CHOIR (SATB) VIOLIN 1 VIOLIN 2 VIOLA VIOLONCELLO DOUBLE BASS. Sheet music download, complete score and all individual instrument and voice parts.
$69.99
The Good, The Bad And The Ugly (main Title)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Ennio Morricone
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Brandon C Stanley
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The Good, The Bad And The Ugly
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Brandon C Stanley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1244564 Composed by Ennio Morricone. Arranged by Brandon C Stanley. Film/TV. Score and Parts. 92 pages. Brandon C Sta...
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Full Orchestra - Level 4 - SKU: A0.1244564 Composed by Ennio Morricone. Arranged by Brandon C Stanley. Film/TV. Score and Parts. 92 pages. Brandon C Stanley #839516. Published by Brandon C Stanley (A0.1244564). Track #1 from academy award winning Ennio Morricone's Original Motion Picture Soundtrack for the 1966 Italian epic spaghetti Western film The Good, The Bad And The Ugly directed by Sergio Leone. This arrangement gives the orchestra everything it needs to sound like the OST. With guitars, ocarina and harmonica, along with shouts, grunts and whistles from a full choir, this arrangement will sound just as it is heard on the big screen.Flute 1,2Bass FluteOboe 1,2Clarinet in Bb 1,2Bass Clarinet in BbBassoon 1,2ContrabassoonOcarina in CHorn in F 1-4Trumpet in Bb 1,2Piccolo TrumpetTrombone 1,2Bass TromboneTubaTimpiniPercussion 1-4Acoustic GuitarElectric GuitarHarmonicaChoirViolin 1,2ViolaVioloncelloContrabassFor the orchestra lacking guitars, ocarinas, and choir, sufficient cues are available to ensure a full sound for this epic cue.Film orchestrator Brandon C Stanley presents this cue as it would appear on the scoring stage with no key signatures and large time signatures. Both a C Score and Transposing Score are provided with this download.
$79.99
Good Wassail - Orchestra & Choir
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Orchestre
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AVANCÉ
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Bradley Sowash
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Bradley Sowash
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Good Wassail - Orchestra &
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Bradley Sowash
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.750100 By Bradley Sowash. By Heinrich Suso. Arranged by Bradley Sowash. Christmas,Classical,Jazz. Score and parts. 84...
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Full Orchestra - Level 5 - SKU: A0.750100 By Bradley Sowash. By Heinrich Suso. Arranged by Bradley Sowash. Christmas,Classical,Jazz. Score and parts. 84 pages. Bradley Sowash #4631. Published by Bradley Sowash (A0.750100). A blending of Good Christian Men Rejoice and Here We Come a Wassailing begins with a quiet choir feature that moves into an Afro Pop groove with an optional steel drum part (can also be performed on keyboard). A medium swing section follows before the big double time ending. Could also be performed as an instrumental with minor adjustments. (6:33 minutes) PDF format includes a license to make photocopies. Video: http://youtu.be/w2XJRlUEtBE Symphony Orchestra and optional Choir: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 French Horns, 3 Trumpets, Violins I, II, Violas, Cellos, Contrabasses, Percussion, Piano, Amplified Bass, Drum Set, SATB Choir Learn more about the arranger: http://bradleysowash.com.
$50.00
Time To Say Goodbye
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Orchestre
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AVANCÉ
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Pop musique
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Andrea Bocelli & Sarah Brightm
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poon
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Time To Say Goodbye
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poon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1435657 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by...
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Full Orchestra - Level 5 - SKU: A0.1435657 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by poon. Pop. 38 pages. Poon #1015746. Published by poon (A0.1435657). Time To Say Goodbye - Andrea Bocelli & Sarah Brightman - Symphony Orchestra Full Score and Parts.
$49.99
Time To Say Goodbye
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Andrea Bocelli & Sarah Brightm
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Matt Amy
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Time To Say Goodbye
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1410113 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by...
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Full Orchestra - Level 4 - SKU: A0.1410113 By Andrea Bocelli & Sarah Brightman. By Francesco Sartori, Frank Peterson, and Lucio Quarantotto. Arranged by Matt Amy. Classical,Contemporary,Pop. 76 pages. Matt Amy Music #992570. Published by Matt Amy Music (A0.1410113). Key: G majorBPM: 62Style: BalladDuration: 3:27“ Ensemble type: Pops OrchestraFull Recording (MIDI): Time To Say Goodbye (MIDI)Instrumentation- Flute 1, 2- Oboe 1, 2- Clarinet 1, 2- Bassoon 1, 2- Horn 1, 2- Horn 3, 4- Trumpet 1, 2, 3- Trombone 1, 2, 3- Tuba- Voice- Piano- Guitar- Acoustic Bass (Rhythm Section)- Drums- Percussion 1 - Percussion 2 - Timpani- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt hereÂ
$75.00
Con Te Partiro (time To Say Goodbye)
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Orchestre
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INTERMÉDIAIRE
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Andrea Bocelli
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Bojan Mladenović
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Parts in pdf file
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Con Te Partiro
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Bojan Mladenovic
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1265495 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Bojan Mladenović. 20th Century...
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Full Orchestra - Level 3 - SKU: A0.1265495 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Bojan Mladenović. 20th Century,21st Century,Classical,Multicultural,World. Score and Parts. 46 pages. Bojan Mladenovic #858296. Published by Bojan Mladenovic (A0.1265495). Orchestra arrangement for Con Te Partiro (Time To Say Goodbye) - Complete Score & Parts in pdf file.
$120.00
Life Is Good
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Orchestre
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INTERMÉDIAIRE
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Zane Kuchera
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performance: Zane Kuchera
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Life Is Good
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Zane Kuchera Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1406091 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Broadway,Classical,Contemporary,Jazz...
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Full Orchestra - Level 3 - SKU: A0.1406091 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Broadway,Classical,Contemporary,Jazz,Musical/Show. 5 pages. Zane Kuchera Music #989182. Published by Zane Kuchera Music (A0.1406091). Https://album.link/cgddc8zcfgxhx3/21/24 Zane Kuchera Music released “Life Is Good†(Pop/AC/Jazz). When all is said and done, enduring hardships, reflecting back, looking forward, choosing to look at the bright side, together, we are stronger and better. “We still have neighbors in our neighborhood, when you need a hand, it's understood, times are hard but life is goodâ€. Words: Paul Tapp , music & performance: Zane Kuchera.
$4.99
Good Times
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Chic
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Matt Smith
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Good Times
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Matt Smith
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SheetMusicPlus
By Chic. By Bernard Edwards and Nile Rodgers. Arranged by Matt Smith. Disco, Pop. Score and parts. 125 pages. Matt Smith #760462. Published by Matt Sm...
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By Chic. By Bernard Edwards and Nile Rodgers. Arranged by Matt Smith. Disco, Pop. Score and parts. 125 pages. Matt Smith #760462. Published by Matt Smith
$79.99
Let The Good Times Roll
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Shirley & Lee
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Lee
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Let The Good Times Roll
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Daryl McKenzie
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SheetMusicPlus
By Shirley & Lee. By Fleecie Moore and Sam Theard. Arranged by Daryl McKenzie. Contemporary. Score and parts. 89 pages. Daryl McKenzie #6569623. P...
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By Shirley & Lee. By Fleecie Moore and Sam Theard. Arranged by Daryl McKenzie. Contemporary. Score and parts. 89 pages. Daryl McKenzie #6569623. Published by Daryl McKenzie
$89.99
Concerto for Electric Guitar and Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Concerto for Electric Guitar a
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Publish...
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Full Orchestra - Level 3 - SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paul™ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fender™ Stratocaster or Telecaster guitar; a Gibson™ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960’s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3™ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.
$19.95
CONJUNCTION: The Christmas Star of 2020
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Orchestre
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INTERMÉDIAIRE
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Noël
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Sta
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WheatMyer Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #649...
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Full Orchestra - Level 3 - SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
Time To Say Goodbye Easy Version
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Orchestre
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DÉBUTANT
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Classique
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Lucio Quarantotto Francesco Sa
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Time To Say Goodbye Easy Versi
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SheetmusicLAB
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SheetMusicPlus
Orchestra (Flute, Clarinet, Violin, Viola, Cello, Piano) - Elementary - SKU: P5.CL-CRO-26566 Composed by Lucio Quarantotto Francesco Sartori. Classical....
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Orchestra (Flute, Clarinet, Violin, Viola, Cello, Piano) - Elementary - SKU: P5.CL-CRO-26566 Composed by Lucio Quarantotto Francesco Sartori. Classical. Score and Parts. 29 pages. SheetmusicLAB #CL-CRO-26566. Published by SheetmusicLAB (P5.CL-CRO-26566). 8.3 x 11.7 inches.
$29.09
Con Te Partiro (time To Say Goodbye)
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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FRC Music
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SheetMusicPlus
Full Orchestra - Level 3 - By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. Christmas, Contemporary, C...
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Full Orchestra - Level 3 - By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. Christmas, Contemporary, Contest, Festival, Opera, Pop. Score and parts. 59 pages. FRC Music #740148. Published by FRC Music
$89.99
Time To Say Goodbye
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Orchestre
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INTERMÉDIAIRE
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Noël
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Andrea Bocelli & Sarah B
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Flavio Regis Cunha
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Time To Say Goodbye
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FRC Music
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SheetMusicPlus
Full Orchestra - Level 3 - By Andrea Bocelli & Sarah Brightman. By Frank Peterson, Francesco Sartori, and Lucio Quarantotto. Arranged by Flavio ...
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Full Orchestra - Level 3 - By Andrea Bocelli & Sarah Brightman. By Frank Peterson, Francesco Sartori, and Lucio Quarantotto. Arranged by Flavio Regis Cunha. Christmas, Classical, Contest, Festival, Film/TV, Opera. Score and parts. 59 pages. FRC Music #740147. Published by FRC Music
$89.99
Time To Say Goodbye - Score Only
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Orchestre
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INTERMÉDIAIRE
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Noël
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Andrea Bocelli & Sarah B
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Flavio Regis Cunha
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Time To Say Goodbye - Score On
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FRC Music
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SheetMusicPlus
By Andrea Bocelli & Sarah Brightman. By Frank Peterson, Francesco Sartori, and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century, Ch...
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By Andrea Bocelli & Sarah Brightman. By Frank Peterson, Francesco Sartori, and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century, Christmas, Film/TV, Opera, Wedding. Score and parts. 15 pages. FRC Music #739094. Published by FRC Music
$49.99
Time To Say Goodbye
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Andrea Bocelli & Sarah B
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John Hoesly
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Time To Say Goodbye
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PRS&B
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SheetMusicPlus
Full Orchestra - Level 4 - By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John Hoesly. Contemporary. Score and parts. 67...
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Full Orchestra - Level 4 - By Andrea Bocelli & Sarah Brightman. By Francesco Sartori. Arranged by John Hoesly. Contemporary. Score and parts. 67 pages. PRS&B #6504085. Published by PRS&B
$80.00
Time To Say Goodbye
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Orchestre
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FACILE
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Contemporain
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Andrea Bocelli & Sarah B
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Paul Lorenz
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Time To Say Goodbye
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - By Andrea Bocelli & Sarah Brightman. By Frank Peterson, Francesco Sartori, and Lucio Quarantotto. Arranged by Paul Lo...
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Full Orchestra - Level 2 - By Andrea Bocelli & Sarah Brightman. By Frank Peterson, Francesco Sartori, and Lucio Quarantotto. Arranged by Paul Lorenz. Broadway, Contemporary, Contest, Festival, Film/TV, Musical/Show, Pop. Score and parts. 40 pages. Paul Lorenz #203716. Published by Paul Lorenz
$159.99
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
CH141ORC - Chansonnette 141 - The ballad of the king's cook
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Orchestre
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INTERMÉDIAIRE
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Carl Van Pevenage
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CH141ORC - Chansonnette 141 -
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Carl Van Pevenage
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.921201 Composed by Carl Van Pevenage. Classical,Folk,Romantic Period,World. Score and parts. 25 pages. Carl Van Peven...
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Full Orchestra - Level 3 - SKU: A0.921201 Composed by Carl Van Pevenage. Classical,Folk,Romantic Period,World. Score and parts. 25 pages. Carl Van Pevenage #4325959. Published by Carl Van Pevenage (A0.921201). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 141 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.This song is variation on the old song Pastime with good company (almost identical but not minor), known also as The ballad of the king as it was written King Henry V. So this is about pastime with a good cake in the kitchen.
$19.95
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
White Horses
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Orchestre
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FACILE
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Ben Nisbet and Michael Carr
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Kevin Riley
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White Horses
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.872299 Composed by Ben Nisbet and Michael Carr. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pa...
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Full Orchestra - Level 2 - SKU: A0.872299 Composed by Ben Nisbet and Michael Carr. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 26 pages. Kevin Riley #478743. Published by Kevin Riley (A0.872299). The theme song to the German version was played by Ivo Robić. The UK theme song - written by Michael Carr and Ben Nisbet and later back dubbed onto all versions, was simply titled White Horses, and credited to Jacky - was sung by Irish-born Jackie Lee. It became a top 10 hit in the UK charts in April 1968. The book The Penguin Television Companion claimed it to be the best television theme in history.[3] It has been copied and used many times since, including: The theme was covered in 1968 by Claudine Longet, as a B-side to the single Nothing to Lose. Trixie's Big Red Motorbike covered the song on their second John Peel session in 1983.[4] Scottish female group Sophisticated Boom Boom covered the song in 1982 on their Peel Session. Jamie Wednesday recorded the track for their EP Vote for Love in 1987. The Trashcan Sinatras featured a version of the song on their EP Circling the Circumference (1990) The English band Kitchens of Distinction recorded a cover of the theme song during the sessions for what would be their final album, Cowboys and Aliens (1994). The song was first released in the UK as a b-side on the album's first single, Now It's Time to Say Goodbye; it was later released in the US as a b-side on the album's title track Morwenna Banks released a cover version in 1995 as her Absolutely character, The Little Girl. The film Me Without You (2001) used the Jacky stereo version on its opening credits, and a version by Lucy Street during the end credits Cerys Matthews performed the song on the compilation Songs for the Young at Heart (2007) The theme was covered by Dean and Britta on their album Back Numbers (2007) The theme was covered by Andrea Ross on her album Moon River (2007) The theme was covered by Mari Wilson on her album Pop Deluxe (2016).
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