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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Grow
Non classifié
759
Piano & claviers
Piano seul
526
Piano, Voix et Guitare
329
Piano, Voix
303
Piano Facile
235
Orgue
40
Instruments en Do
34
1 Piano, 4 mains
26
Piano grosses notes
21
Accordéon
7
Accompagnement Piano
6
Piano Quatuor: piano, 2 violons, violoncelle
3
2 Pianos, 8 mains
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
Piano (partie séparée)
1
Ensemble de Pianos
1
2 Pianos, 4 mains
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
89
Ligne De Mélodie, (Paroles) et Accords
72
Guitare
35
Paroles et Accords
34
Ukulele
27
2 Guitares (duo)
11
4 Guitares (Quatuor)
9
3 Guitares (trio)
8
Banjo
2
Guitare (partie séparée)
2
Basse electrique
2
Dulcimer
2
+ 7 instrumentations
Retracter
Voix
Chorale SATB
383
Chorale Unison
175
Chorale 3 parties
111
Chorale 2 parties
83
Chorale TTBB
47
Chorale SSAA
33
Voix duo, Piano
18
Pack Instrumental pour Chorale
11
Chorale
10
Voix seule
9
Voix duo
8
Voix haute
4
Voix Alto, Piano
4
Voix Baryton, Piano
4
Voix Soprano, Piano
3
Chorale SSAATTBB
2
Voix Tenor, Piano
2
Chorale SSATB
1
Chorale SSATBB
1
Voix Tenor
1
Soli, choeur mixte et accompagnement
1
+ 16 instrumentations
Retracter
Vents
Flûte traversière et Piano
55
Hautbois, Piano (duo)
44
Flûte traversière
38
Clarinette et Piano
38
Clarinette
32
Quatuor de Saxophones: 4 saxophones
28
Saxophone Alto
23
Saxophone Alto et Piano
23
2 Saxophones (duo)
22
Saxophone Tenor
21
Saxophone (partie séparée)
21
Saxophone Soprano et Piano
21
Saxophone Tenor et Piano
21
Flûte et Guitare
18
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
18
Flûte, Hautbois, Clarinette, Basson
17
Hautbois (partie séparée)
16
Saxophone Baryton, Piano
16
Flûte à Bec
15
Quatuor de Clarinettes: 4 clarinettes
14
Hautbois
13
Saxophone Baryton
12
Quintette de Saxophone: 5 saxophones
12
Saxophone Soprano
11
2 Flûtes traversières (duo)
9
2 Clarinettes (duo)
9
Quatuor de Flûtes : 4 flûtes
8
Clarinette (partie séparée)
8
Ensemble de Clarinettes
6
Ensemble de Flûtes
5
2 Hautbois (duo)
5
Ensemble de saxophones
4
Flûte, Violon
3
Trio de Flûtes: 3 flûtes
3
Clarinette, Basson (duo)
3
3 Clarinettes (trio)
3
Flûte à bec Soprano
3
Flute (partie séparée)
3
Clarinette, Guitare (duo)
3
Flûte à bec Alto, Piano
2
2 Flûtes traversières, Guitare
2
Cor Anglais
2
Hautbois, Violoncelle
2
Flûte, Violon, Piano
2
Harmonica
2
Instruments en Mib
2
Hautbois, Guitare (duo)
2
Clarinette, Violon (duo)
2
Saxophone
2
Flûte, Clarinette (duo)
2
Flûte, Violoncelle
2
Hautbois, violon (duo)
1
Saxophone et Orgue
1
Flûte, Clarinette et Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto
1
Flûte, Saxophone (duo)
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Clarinette (trio)
1
3 Saxophones (trio)
1
Flûte, Alto (duo)
1
Saxophone et Guitare
1
Clarinette, Trompette (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette Basse, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Alto et Piano
1
Flûte, Hautbois, Violon
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte, Basson et Piano
1
Flûte, Hautbois, Piano (trio)
1
3 Flûtes à bec (trio)
1
Hautbois et alto (duo)
1
Flûte, Hautbois (duo)
1
Clarinette, Violoncelle (duo)
1
Saxophone, Tuba (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes à bec
1
+ 76 instrumentations
Retracter
Cuivres
Trompette
46
Trompette, Piano
39
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
35
Cor et Piano
33
Trombone et Piano
30
Trombone
25
Cor
21
Tuba
19
Tuba et Piano
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Trompette (partie séparée)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Trombone (partie séparée)
9
2 Trompettes (duo)
7
2 Trombones (duo)
6
2 Cors (duo)
6
Cor (partie séparée)
5
Quatuor de Cuivres
4
2 Tubas (duo)
3
Euphonium
3
Instruments en Sib
2
Cor Anglais
2
Bass Clef Instruments
2
Ensemble de Cors
2
Instruments en Fa
2
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
1
Euphonium, Piano (duo)
1
Trombone basse
1
Tuba et Orgue
1
Tuba (partie séparée)
1
3 Trombones (trio)
1
Trompette, Trombone (duo)
1
Ensemble de Trombones
1
Quatuor de cuivres: 4 trombones
1
+ 30 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violoncelle, Piano
49
Violon et Piano
48
Violoncelle
39
Violon
39
Alto seul
38
Alto, Piano
33
Contre Basse
22
Harpe
18
Contrebasse, Piano (duo)
15
2 Violons (duo)
14
Violon (partie séparée)
12
Violon, Violoncelle (duo)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Violoncelles (duo)
8
Trio à Cordes: violon, alto, violoncelle
8
2 Altos (duo)
6
Alto (partie séparée)
5
Violon, Alto (duo)
4
Piano Trio: Violon, Alto, Piano
4
2 Harpes (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
2 Contrebasses (duo)
2
Contrebasse (partie séparée)
2
Violoncelle, Contrebasse (duo)
1
Trio à cordes: 3 violins
1
Violon, Basson (duo)
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Alto, Guitare (duo)
1
Alto, Violoncelle (duo)
1
Violoncelle (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
489
Orchestre
50
Cloches
44
Orchestre à Cordes
40
Ensemble de cuivres
35
Orchestre de chambre
29
Ensemble Jazz
26
Percussion (partie séparée)
5
Jazz combo
3
Ensemble de Percussions
2
Marimba
2
Fanfare
2
Batterie (partie séparée)
2
Xylophone, Piano
1
Caisse Claire
1
Timbales (partie séparée)
1
Vibraphone
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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VIOLONCELLE
XYLOPHONE
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COUNTRY
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ENFANTS : EVEIL - IN…
FILM - TV
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FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Crtitères actifs :
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Orchestre
Partitions à imprimer
50 partitions trouvées
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1
26
Only from Blood Does Freedom Grow (Full Score and Parts)
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Orchestre
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FACILE
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Stanley M Hoffman
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Stanley M Hoffman
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Only from Blood Does Freedom G
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. St...
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Full Orchestra - Level 2 - SKU: A0.1465707 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 21st Century,Classical,Patriotic. 136 pages. Stanleymhoffman.com #1044317. Published by stanleymhoffman.com (A0.1465707). Based on one of only several poems written by my mother, Jewish Holocaust survivor Rita Hoffman of blessed memory (1927–2018), Only from Blood Does Freedom Grow echoes the words of Hatikvah (The Hope), the national anthem of Israel. I have to believe that she wrote this poem around 1948 because of how it is worded. I of course knew the source of inspiration for this poem when I reread it not long ago—something I had not done since the 1990s—but its having been inspired by Hatikvah was really driven home to me by a Facebook comment. That comment inspired me to compose a piece in which the opening and closing sections are based on the opening melody of Hatikvah, but in which the middle section is newly composed. “Israel was not created in order to disappear - Israel will endure and flourish. It is the child of hope and the home of the brave. It can neither be broken by adversity nor demoralized by success. It carries the shield of democracy, and it honors the sword of freedom.” —John F. KennedyMy mother’s brief memoirs are housed at the United States Holocaust Memorial Museum in Washington, DC. https://collections.ushmm.org/search/catalog/irn502129—Stanley M. Hoffman, 25 June 2024—Only from Blood Does Freedom Grow For so many years a voice sounded in Jewish hearts saying,“We want to have a home, we want to have a life again.”Enough blood has already streamed through rivers,the blood shed by our brothers *[and sisters],they, who for freedom of strangers and nation died.Now, the dream we dreamt for a long time has been awakened in us.We want to fight for our state, our country.The moment that we have been waiting for and been praying fortwo thousand years has brought us a spark of hope.We must not despair, for we are nevertheless Jews.We must and must want to persevere.A time will come which itself will become a symbol of our tragedy,and which will remain forever in our hearts -a burning flame, and a joyful feast. —Rita Hoffman (1927–2018)Words: © Copyright 1948 by The Estate of Rita Hoffman.All rights reserved. Used by permission.—Instrumentation 2 Flutes (2 Piccolos)2 Oboes2 Clarinets in Bb2 Bassoons 4 Horns in F2 Trumpets in Bb2 TrombonesTubaTam-tamTimpaniStringsDurationca. 2:30
$68.00
Grown-Up Christmas List
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Amy Grant
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Paul Murtha
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Grown-Up Christmas List
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Murtha Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1516967 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Paul Murtha. Christmas,Contempo...
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Full Orchestra - Level 4 - SKU: A0.1516967 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Paul Murtha. Christmas,Contemporary,Holiday,Pop. 81 pages. Murtha Music Services #1091146. Published by Murtha Music Services (A0.1516967). This is a transcription, one whole step lower, of the classic Natalie Cole version of this iconic Christmas Tune.
$50.00
Grown-Up Christmas List
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Amy Grant
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David Itkin
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Grown-Up Christmas List
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DCI Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1518539 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by David Itkin. Christian,Christma...
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Full Orchestra - Level 4 - SKU: A0.1518539 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by David Itkin. Christian,Christmas,Contemporary,Praise & Worship,Spiritual. 48 pages. DCI Music #1092641. Published by DCI Music (A0.1518539). Vocal solo with full orchestra in a professional level orchestration.
$49.99
Grown-up Christmas List
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Amy Grant
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Daryl McKenzie
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Grown-up Christmas List
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - By Amy Grant. By David "Babyface" Foster and Linda Thompson-Jenner. Arranged by Daryl McKenzie. Christmas, Cont...
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Full Orchestra - Level 4 - By Amy Grant. By David "Babyface" Foster and Linda Thompson-Jenner. Arranged by Daryl McKenzie. Christmas, Contemporary, Holiday, Pop. Score and parts. 58 pages. Daryl McKenzie #789538. Published by Daryl McKenzie
$99.99
Grown-up Christmas List
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Amy Grant
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Daryl McKenzie
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Grown-up Christmas List
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1285538 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Daryl McKenzie. Christmas,Conte...
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Full Orchestra - Level 4 - SKU: A0.1285538 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Daryl McKenzie. Christmas,Contemporary,Holiday,Pop. 68 pages. Daryl McKenzie #876643. Published by Daryl McKenzie (A0.1285538). Arranged in the style of David Foster and Natalie Cole for Vocal with Pops Orchestra Voice, 2Fl, 2Ob, Cl, BCl, 2Bsn, 4Hn, 3Trpt, 3Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of Eb (starting key).Similar charts for Big band (Male & Female Keys) plus this same arrangement a tone lower: Search hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
Grown-up Christmas List - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Amy Grant
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Shereen Cheong
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Grown-up Christmas List - Scor
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Shereen Cheong Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.836878 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Shereen Cheong. Broadway,Christm...
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Full Orchestra - Level 4 - SKU: A0.836878 By Amy Grant. By David Babyface Foster and Linda Thompson-Jenner. Arranged by Shereen Cheong. Broadway,Christmas,Contemporary,Film/TV,Holiday,Musical/Show. Score and parts. 25 pages. Shereen Cheong Music #443597. Published by Shereen Cheong Music (A0.836878). An original orchestral arrangement by Shereen Cheong.
$20.00
Legacy
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published ...
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Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
The Valley of the Dry Bones
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Orchestre
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AVANCÉ
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Zsigmond Rosarion
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and it was full of bones
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The Valley of the Dry Bones
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Zsigmond Rosarion
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond...
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Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
Curiosity for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Britt Andrew Burns
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Curiosity for Orchestra
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Indie Classical Publications
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1489317 Composed by Britt Andrew Burns. 21st Century,Classical,Contemporary. 90 pages. Indie Classical Publications #...
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Full Orchestra - Level 3 - SKU: A0.1489317 Composed by Britt Andrew Burns. 21st Century,Classical,Contemporary. 90 pages. Indie Classical Publications #1066176. Published by Indie Classical Publications (A0.1489317). He orchestral version of Curiosity was completed in August, 2024. The work was inspired largely by my infant son, who reminded me when we lose our sense of curiosity in the world, we grow old. This high-energy work contains a simple motive in which all the thematic material is inspired from. A softer, more melodic middle section is lead by a longer theme. The work concludes with the original motive building in intensity until it reaches the climatic ending. Each part is carefully written to give each musician an energetic part, yet also with consideration to the instrument's nature.
$60.00
A DREAM (SATB Chorus [divisi] and Orchestra) - Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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A DREAM
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1388556 Composed by Stanley M Hoffman. 21st Century,Classical. 155 pages. Stanleymhoffman.com #972057. Published by s...
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Full Orchestra - Level 4 - SKU: A0.1388556 Composed by Stanley M Hoffman. 21st Century,Classical. 155 pages. Stanleymhoffman.com #972057. Published by stanleymhoffman.com (A0.1388556). Program Notes: The fact that the text for this work even exists is a miracle. It was written by Abraham (Abramek) Koplowicz, a Jewish boy who was exterminated by the Nazis during the Holocaust. Abramek was born in 1930 in Lodz, Poland, and died 1944 in that country's infamous concentration camp at Auschwitz-Birkenau. He wrote this poem during the time that his family was trapped in the Lodz ghetto. This poem was not found until 1983 when Eliezer (Lolek) Grynfeld, the poet's half-brother, discovered it among their late father's belongings. Choristers who sing this work will be transported on a magical flight around the world through time and space along with their audiences. â??A Dream (Marzenie)When I am twenty years of age,I will burst forth from this cageAnd begin to see our splendid EarthFor the first time since my birth!In my motorized bird Iâ??ll soar so highAbove the world, up in the sky,Over rivers and the seas, With such stupefying ease,With my brother wind and sister cloud, Iâ??llMarvel at the Euphrates and the Nile;The goddess Isis ruled the land that linksThe Pyramids and the massive Sphynx.I will glide above Niagara Falls,And sunbathe where the Sahara calls;If I want to escape the scorching heat,I will fly up north to an Arctic retreat.I will top the cloudy peaks of Tibetan fameAnd survey the fabled land whence the Magi came.From the Island of KangaroosIâ??ll take my time and cruiseTo the ruins of Pompeii      At the edge of Naples Bay,Iâ??ll continue to the Holy Land, then seekThe home of Homer, the celebrated Greek.More and more astonished will I growAt the beauty of the Earth below.In all my travelling Iâ??ll be twinnedWith my siblings, cloud and wind.â??Abraham (â??Abramekâ?) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau)Translation by Sarah Lawson and MaÅ?gorzata Koraszewska© Copyright 1993 by Eliezer Grynfeld. All rights reserved.Used by permission of Eliezer Grynfeld.â??Music: © Copyright 2024 by Stanley M. Hoffman.www.stanleymhoffman.comAll rights reserved.
$77.50
All Creatures of Our God and King - instrumental for orchestra
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Orchestre
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Musique Sacrée
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Gospel Spirituel
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Public Domain
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Jeff D
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All Creatures of Our God and K
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AnderKamp Music
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SheetMusicPlus
Full Orchestra - SKU: A0.742700 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 102 ...
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Full Orchestra - SKU: A0.742700 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 102 pages. AnderKamp Music #3639389. Published by AnderKamp Music (A0.742700). This powerful arrangement of this majestic and well known hymn will be a welcome addition to your orchestral library. Jeff arranged this with a more modern cinematic approach to orchestra. This means that although the arrangement may sound big and bombastic, it is not extremely difficult to play and does not require a huge group for a successful performance. A lot of the brass are in unison or octaves so you don’t have to have four french horns to play this piece. Though four horns would be NICE. The flexibility in this arrangement is that this modern film score approach means you can play this arrangement when you only have a couple trumpets and a horn BUT you can absolutely play this piece with four horns, tons of trumpets and a huge low brass section and it will be gigantic! Most of the giant action films you hear today record with 6-8 (French) horns and they are often playing in unison or octaves. That is part of the massive sound. So, this arrangement can absolutely grow with your group. And if you’ve got extra folks that want to play, this is the PERFECT opportunity to feature a large group.Instrumentation is: Flute 1 & 2 Oboe Clarinet 1 & 2 Bassoon Horn Trumpets 1-3 (these parts are in octaves) Trombone 1-3 Bass Trombone/Tuba Violin 1 & 2 Viola Cello Bass Timpani Percussion 1-3 Harp Piano Supplemental Parts: Bass Clarinet for Bassoon Alto Sax for Horn Tenor Sax 1 & 2 for Trombone 1 & 2 String Synth 1 String Synth 2 String Synth 3 String Synth 4
$69.95
Ceremonial Music and March Suite No. 2 for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Ceremonial Music and March Sui
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730279 Composed by James Nathaniel Holland. Concert,Graduation,Holiday,Wedding. Score and parts. 158 pages. James Nat...
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Full Orchestra - Level 4 - SKU: A0.730279 Composed by James Nathaniel Holland. Concert,Graduation,Holiday,Wedding. Score and parts. 158 pages. James Nathaniel Holland #2001843. Published by James Nathaniel Holland (A0.730279). Advanced Intermediate In 5 Movements Prelude Pre-Processional March The Country Manor House Processional March Solemn Music Exit Music Total Duration: 23:09 American composer James Nathaniel Holland brings you Suite No. 2, music to play for weddings, graduations or almost any occasion. Here arranged for small full orchestra. Fl1.2, Ob 1.2, Clar. Bb 1.2., Bsn. 1.2, Hrn1.2, Trmpt 1.2., Timp., Harp, Perc. Cym BD, Glk/Chimes, String soloist v1.2, vla, cell. and string section. YouTube Video Presentation: https://www.youtube.com/watch?v=cPzYXj89KeY Elegant and beautiful, your audience will grow to love these pieces.
$14.95
Nocturne for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Madelyn Byrne
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Nocturne for Orchestra
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Madelyn Byrne
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Published by Madel...
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Full Orchestra - Level 3 - SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Published by Madelyn Byrne (A0.986832). Nocturne for Orchestra began as a piece that would celebrate the 400th Anniversary of Galileo’s telescope while using a musical language that would be in keeping with a program of American music. I thought that The Unanswered Question by Ives, and the emotional depth and poignancy of much of Copland’s music, would be a perfect compliment to a tribute to Galileo. But then two friends passed away and the piece turned into a tribute to them, with the night sky and the Unanswered Questions that surround us creating a consoling environment for this effort. The songlike themes of Nocturne grow out of my journey from mourning the premature deaths of my friends to celebrating their rich and vibrant lives. Section A is the dreamlike introductory section, B is a transition to the song-like section, and C is where the songlike themes are stated outright. D is a development section, E is an interruption - returning to the dreamlike music, F merges the dream music with the thematic material, G is the expressive high point of the piece and is articulated by the violin and cello solos. The remaining sections are intended to convey freedom and celebration. This is followed by a brief coda.
$10.00
Chopstix (A Symphonic Diversion)
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Orchestre
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INTERMÉDIAIRE
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James H
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Chopstix
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Alicorn Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.596709 Composed by James H. Marler, II. Children,Classical,Concert,Contemporary,Standards. Score and parts. 89 pages....
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Full Orchestra - Level 3 - SKU: A0.596709 Composed by James H. Marler, II. Children,Classical,Concert,Contemporary,Standards. Score and parts. 89 pages. Alicorn Music (ASCAP) #3676121. Published by Alicorn Music (ASCAP) (A0.596709). Based on The Chopsticks Waltz by Euphemia Allen - and the first song that most people learn on piano - this short diversion for orchestra is a fun, and funny, piece to add to your orchestra program. From the opening piano flourish and simple opening theme, this piece grows from beginning to middle; then it pauses for a moving canon and then grows some more. There’s a lot here to unpack. Most important is the triangle feature in the last six bars.
$34.97
Horseshoe Curve
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Horseshoe Curve
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published ...
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Full Orchestra - Level 4 - SKU: A0.755129 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 157 pages. Sy Brandon #3397035. Published by Sy Brandon (A0.755129). Horseshoe Curve was composed for the Altoona Area High School Orchestra, Kelly Detwiller, director. This composition is in three movements. The first movement, Man Versus Nature, is moderate and intense, paying tribute to the designers and laborers for the Horseshoe Curve project. It uses parts of three railroad songs, Drill, Ye Tarriers by Thomas Casey, I’ve Been Working on the Railroad, and Dinah. The introduction uses phrases from I’ve Been Working on the Railroad that are disguised by ending on a different note than the traditional song. The main body of the movement uses phrases of Drill, Ye Tarriers that are interrupted by phrases of the other two songs as well as original material by the composer. It developes in intensity as the movement progresses, but ends softly, suggesting the ongoing labor of the project. The second movement, Doorway to the West is a celebration of the completion of the project. It uses She’ll Be Coming ’Round the Mountain in fragments, in canon, and as a basis for a hoe down and a waltz variation. The celebration becomes wild at the end as all ideas come together at once. The third movement, Growth and Opportunity is slow and expansive in the beginning with a quicker section at the end. It depicts the growth of Altoona as a result of Horseshoe Curve. The initial idea that appears in the celli is expanded and developed, therefore evolving into a constant stream of new, but related, ideas.The score prints on legal size paper and the parts on letter.
$39.99
Incompatibility Issues
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Orchestre
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FACILE
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Joe Wiedemann
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Incompatibility Issues
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Joe Wiedemann
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1011588 Composed by Joe Wiedemann. 20th Century,Contemporary. Score and parts. 147 pages. Joe Wiedemann #3420153. Pub...
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Full Orchestra - Level 2 - SKU: A0.1011588 Composed by Joe Wiedemann. 20th Century,Contemporary. Score and parts. 147 pages. Joe Wiedemann #3420153. Published by Joe Wiedemann (A0.1011588). Fun concert starter for educational and civic orchestras. Highlights the frustration of dealing with technology. Just add a homegrown video of error messages for extra effect.
$19.98
A Dream Deferred - score
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Orchestre
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AVANCÉ
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Contemporain
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Philip Orem
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A Dream Deferred - score
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Philip Orem
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.872673 Composed by Philip Orem. Contemporary. Score and parts. 59 pages. Philip Orem #3684671. Published by Philip Or...
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Full Orchestra - Level 5 - SKU: A0.872673 Composed by Philip Orem. Contemporary. Score and parts. 59 pages. Philip Orem #3684671. Published by Philip Orem (A0.872673). A Dream Deferred is a clarinet concerto written in response to what I perceive as the growing racism, misogyny, homophobia, xenophobia, religious discrimination and antagonism to the most vulnerable in our society. The first movement, If Not Now, When? is a whirl of activity, questioning, often angry. The second, The Weariness, the Fear and the Resistance, starts with a bluesy melody before growing into an eerie section that is followed by a macabre waltz. The first melody returns at the end. The last movement, Nevertheless, We Must Persist, is a march towards justice. This is a very virtuosic piece for the solo clarinet and has lots for the orchestra to do.Here is a link to audio for all three movements. https://drive.google.com/open?id=1rc9XT-qSW4etC24MjMOWGM9anrsbRWqRSCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$50.00
Forgotten Cities
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Orchestre
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AVANCÉ
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Greg Engell
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Greg Engell
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Forgotten Cities
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Greg Engell
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1348856 Composed by Greg Engell. Arranged by Greg Engell. Classical,Film/TV,Instructional. 77 pages. Greg Engell #933...
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Full Orchestra - Level 5 - SKU: A0.1348856 Composed by Greg Engell. Arranged by Greg Engell. Classical,Film/TV,Instructional. 77 pages. Greg Engell #933586. Published by Greg Engell (A0.1348856). Written as a follow-up to WORLDS UNKNOWN, this epic style orchestral piece takes the listener on a journey of sadness and majesty as they explore the ruins of three cities each represented by a different musical theme. As each city is introduced the mood of the piece grows from refelective and sad to grand and majectic and ending with a combination of all three themes.
$75.00
I Write The Songs
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Barry Manilow
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Kevin Riley
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I Write The Songs
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Ke...
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Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Goblins
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Orchestre
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INTERMÉDIAIRE
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Halloween
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Kathryn Ellis
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Goblins
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Ellis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.885234 Composed by Kathryn Ellis. Contemporary,Halloween. Score and parts. 37 pages. Ellis #6400803. Published by Ell...
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Full Orchestra - Level 3 - SKU: A0.885234 Composed by Kathryn Ellis. Contemporary,Halloween. Score and parts. 37 pages. Ellis #6400803. Published by Ellis (A0.885234). Goblins for orchestra is a whimsical piece about an unusual event, a Goblin Ball. A four measure motif opens Mvt I depicting the invitation to the Ball being passed along. The invitation gains momentum as it is passed along and excitement grows. Mvt II is the Goblin Waltz, which incorporates an orchestra hit to signify an accidental crash on the dance floor, and ends with the dancers all sliding to the floor with the last note being struck by a triangle. Mvt III, Finale - is The party's Over piece, with a mix and mingling of all the motifs, as the party goers return home to their caves, happy and exhausted. .
$29.99
Carson Cooman: Remembering Tomorrow: Trombone Concerto (2004) for trombone and orchestra), score plu
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Pu...
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Full Orchestra - Level 5 - SKU: A0.533655 Composed by Carson Cooman. Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #3035627. Published by Musik Fabrik Music Publishing (A0.533655). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$29.95
Carson Cooman: Remembering Tomorrow: Trombone Concerto - Score Only
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Remembering Tom
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Pu...
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Full Orchestra - Level 5 - SKU: A0.533654 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3035625. Published by Musik Fabrik Music Publishing (A0.533654). Commissioned by and is dedicated to trombonist Haim Avitsur. Throughout the work, the trombone is placed into a variety of different musical contexts—sometimes with bleakness and sometimes with warmth. The work begins with the tubular bells alone, presenting the principal musical material of the work. The strings enter with a suspended tapestry, through which the trombone plays its opening melodies. In this section, the trombone has a cantorial role—singing and interacting with the orchestra. These opening musical ideas are developed as the trumpet, horn, and clarinet join the trombone in soloistic roles. A signal gesture on the trumpet is heard once, interrupting the tapestry. When the signal is heard again, the music accelerates into the second section. The second section is fast and bell-like as the trombone sings excited lines through ringing masses of sound. Whirring figurations emerge in the winds and are picked up by the strings. The sectiongrows wilder until it climaxes in hammer chords. From this, the trumpet, bells, and trombone emerge—maintaining and propelling the energy of thesection. Gradually, the energy is released, leading into the third section. The third section is chorale-like, combining again suspended sounds in the strings with harmonic motion in the winds in brass. The trombone again plays a cantorial role. A build up of energy occurs at the end of this section, leading into the fourth and final section—the cadenza. The trombone bursts into the cadenza, not with a forceful shout, but with a whisper. The work winds down to its conclusion—without a loss of speed or energy, but rather by the increase of silence. Instrumentation: 2111/1100/timp/1perc/soloTbn/strings The score by itself is available as another item. The parts are on rental from the publisher.
$25.95
Into Love's Light (full orchestra)
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Orchestre
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M
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Into Love's Light
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M. L. Daniels
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SheetMusicPlus
Full Orchestra - SKU: A0.834138 Composed by M. L. Daniels. 20th Century,Romantic Period. Score and parts. 42 pages. M. L. Daniels #12293. Published by M...
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Full Orchestra - SKU: A0.834138 Composed by M. L. Daniels. 20th Century,Romantic Period. Score and parts. 42 pages. M. L. Daniels #12293. Published by M. L. Daniels (A0.834138). Into Love's Light is for full orchestra, and begins gently, but grows as it proceeds. It has a climax near the end that has made it very popular with the Williamson County Symphony Orchestra for whom it was written. Audiences have commented that it brings chill bumps or tears. Time of performance is 4:50. It is fairly easy to play, and was selected by two junior all-region orchestras in Texas. However, to obtain the best results, a mature orchestra is recommended in order to pull off the big climax near the end.
$25.00
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