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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Guitar Chords
Non classifié
4 115
Piano & claviers
Piano, Voix et Guitare
35 389
Piano grosses notes
3 298
Piano, Voix
2 698
Orgue
1 527
Instruments en Do
550
Piano Facile
541
Piano seul
220
Clavier
59
Accompagnement Piano
51
Piano Trio: piano, violon, violoncelle
10
1 Piano, 4 mains
6
Piano (partie séparée)
1
2 Accordéons
1
2 Pianos, 4 mains
1
Tous Les Instruments
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
+ 12 instrumentations
Retracter
Guitares
Paroles et Accords
17 388
Ligne De Mélodie, (Paroles) et Accords
6 558
Guitare notes et tablatures
4 876
Guitare
2 045
Guitare (partie séparée)
695
Basse electrique
544
Ukulele
334
Dulcimer
174
2 Guitares (duo)
81
Piano, Guitare (duo)
53
Mandoline
35
Ensemble de guitares
21
2 Dulcimers (duo)
21
4 Guitares (Quatuor)
12
3 Guitares (trio)
10
Banjo
5
Dobro
3
Mandoline, Guitare (duo)
1
Guitare, Orchestre
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
240
Chorale 3 parties
180
Chorale 2 parties
122
Chorale Unison
105
Voix duo, Piano
56
Chorale
26
Voix seule
21
Chorale TTBB
18
Voix duo
16
Chorale SSAA
16
Voix, Guitare
3
Voix haute
3
Voix Alto, Piano
3
Voix basse
2
Pack Instrumental pour Chorale
2
Voix moyenne, Piano
2
Voix Soprano
1
Voix Mezzo-Soprano, Piano
1
Voix Tenor
1
Voix Soprano, Piano
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière
250
2 Flûtes traversières (duo)
82
Flûte et Guitare
67
Flûte à bec Alto
45
Flûte à bec Soprano
38
Hautbois (partie séparée)
29
Hautbois, Piano (duo)
19
Saxophone Alto et Piano
17
Flûte traversière et Piano
17
Saxophone et Guitare
17
Clarinette
15
Saxophone Tenor et Piano
14
Quatuor de Saxophones: 4 saxophones
13
Saxophone Alto
12
Flûte, Violon
11
Saxophone Tenor
11
Hautbois, Guitare (duo)
11
Clarinette, Guitare (duo)
11
Saxophone (partie séparée)
10
Flûte, Hautbois, Clarinette, Basson
10
Clarinette et Piano
10
2 Saxophones (duo)
9
Flûte à Bec
5
Saxophone Soprano et Piano
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Harmonica
4
Cor anglais, Guitare (duo)
4
2 Flûtes traversières, Guitare
3
2 Flûte à bec (duo)
3
Quintette de Saxophone: 5 saxophones
3
2 Clarinettes (duo)
3
Flûte, Saxophone (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte, Violon, Guitare
2
Flûte irlandaise
2
Saxophone, Clarinette (duo)
2
Ensemble de saxophones
2
2 Hautbois (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Clarinette (duo)
2
Quatuor de Flûtes : 4 flûtes
1
Saxophone Baryton, Piano
1
Hautbois, Clarinette (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette et Basson
1
2 Cors Anglais Et Pianoforte
1
Clarinette et Alto
1
Flûte, Trompette (duo)
1
Flûte, Violon et Violoncelle
1
2 Clarinettes, Piano
1
Clarinette, Violon (duo)
1
3 Clarinettes (trio)
1
Ensemble de Clarinettes
1
Flûte, Hautbois (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Violoncelle, Guitare
1
Flûte, Basson et Piano
1
Clarinette, Basson (duo)
1
Clarinette, Trompette (duo)
1
3 Saxophones (trio)
1
Flute, harpe et violon
1
+ 57 instrumentations
Retracter
Cuivres
Trombone
8
Trompette et Guitare
8
Trompette
7
Trompette, Piano
7
Trombone (partie séparée)
5
Trompette (partie séparée)
5
Trombone et Piano
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor anglais, Guitare (duo)
4
Euphonium
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres
2
Cor
2
Cor et Piano
2
4 Tubas
1
Tuba
1
Tuba et Piano
1
3 Trompettes (trio)
1
2 Cors Anglais Et Pianoforte
1
2 Trombones (duo)
1
Trompette, Saxophone (duo)
1
Trompette, Trombone (duo)
1
2 Trompettes (duo)
1
+ 19 instrumentations
Retracter
Cordes
Violon et Piano
109
Violon
87
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon, Guitare (duo)
38
Violoncelle
31
Alto seul
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
Violoncelle , Guitare (duo)
21
Alto, Piano
19
Violoncelle, Piano
18
Harpe
15
2 Violons (duo)
13
Alto, Guitare (duo)
8
Violon, Violoncelle (duo)
7
Violoncelle (partie séparée)
7
2 Altos (duo)
5
Trio à Cordes: violon, alto, violoncelle
5
Violon, Alto (duo)
4
2 Violoncelles (duo)
4
Contrebasse, Piano (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
2
Harpe, Voix
2
Autoharp
2
2 Harpes (duo)
1
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse (partie séparée)
1
Violon (partie séparée)
1
Contre Basse
1
Violoncelle, Contrebasse (duo)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
57
Orchestre à Cordes
35
Jazz combo
21
Orchestre d'harmonie
14
Orchestre
14
Orchestre de chambre
5
Ensemble de cuivres
5
Batterie
4
Cloches
4
Vibraphone
1
Fanfare
1
Batterie (partie séparée)
1
+ 7 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Matériel de musique
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
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Vous avez sélectionné:
Guitar Chords
Orchestre
Partitions à imprimer
14 partitions trouvées
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1
Concerto for Guitar and Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Robert E
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Concerto for Guitar and Orches
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by ...
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Full Orchestra - Level 5 - SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
mrfiddle's Tango!
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Orchestre
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INTERMÉDIAIRE
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Latin/Musique du monde
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Don Hicks
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mrfiddle's Tango!
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Don Hicks
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.844028 Composed by Don Hicks. Latin. Score and parts. 12 pages. Don Hicks #2859947. Published by Don Hicks (A0.844028...
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Full Orchestra - Level 3 - SKU: A0.844028 Composed by Don Hicks. Latin. Score and parts. 12 pages. Don Hicks #2859947. Published by Don Hicks (A0.844028). This is a piece for intermediate level string orchestra or string quartet. There is a repeating four bar section in the middle to all different players to improvise solos.All parts included. Piano accompaniment also has guitar chords.
$6.99
Let It Snow! Let It Snow! Let It Snow!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Lady Antebellum
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Javier Sambrano
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Let It Snow! Let It Snow! Let
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Sambrano Music
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SheetMusicPlus
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1032990 By Lady Ante...
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.1032990 By Lady Antebellum. By Jule Styne. Arranged by Javier Sambrano. Contemporary. Score and parts. 76 pages. Sambrano Music #6204495. Published by Sambrano Music (A0.1032990). A swinging big band version of Let It Snow. Features short solos of Trumpet 2, Tenor Sax 1, Trombone 1, and Alto Sax 1. The solos are written out and chords are also provided for those that enjoy improvising. The piano is written out with small fills and written out voicings, but the chords are also provided for those feeling more comfortable with the chords notations. The guitar part was written in the style of Freddie Green(one note rhythm) and chords are also provided for the guitarist to adjust to their style. A mp3 file will be uploaded soon. Trumpet lead goes to D(C Concert).
$43.00
Burden Of Lives Full Score: Band & Parts
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Orchestre
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AVANCÉ
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Suraj Synthesist
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Burden Of Lives Full Score: Ba
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Suraj Synthesist
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1152218 By Suraj Synthesist. By Suraj Synthesist. 20th Century,Contemporary,Multicultural,New Age,Rock,World. Score a...
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Full Orchestra - Level 5 - SKU: A0.1152218 By Suraj Synthesist. By Suraj Synthesist. 20th Century,Contemporary,Multicultural,New Age,Rock,World. Score and parts. 68 pages. Suraj Synthesist #752423. Published by Suraj Synthesist (A0.1152218). Track number 5, approx 5:35mins in the album Consume this album, A fiction of medieval Feudal times/land. A revenge song. This sheet music consists of Vocal lead and choral harmony, the Harpsichord &Organ Parts , Lead & Rhythm Guitars & Bass Guitar's tabs & Clefs, and Drums . Based on Phrygian Dominant and Phrygian or Hanumatodi, Vakulabharanam, and the Hindustani Raagas of Bhairavi. Double bass drumming in 10/8 with a strong polyrhythm, to groovy common time, Sweep arpeggios and chords of Diminished, Augmented, Flat9 , Major7-Sharp 11. Technical Prog Metal/Rock.
$14.99
If It was now
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Orchestre
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FACILE
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Suraj Synthesist
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If It was now
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Suraj Synthesist
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.518778 Composed by Suraj Synthesist. Multicultural,Pop,Renaissance,Rock,Traditional,World. Score and parts. 16 pages....
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Full Orchestra - Level 2 - SKU: A0.518778 Composed by Suraj Synthesist. Multicultural,Pop,Renaissance,Rock,Traditional,World. Score and parts. 16 pages. Suraj Synthesist #129489. Published by Suraj Synthesist (A0.518778). Track number 7, the last track from the album Consume this album...(Before the ban). This sheet music consists of Lyrics with vocal lines & chords, (Electric & Funky) Piano parts, Glockenspiel, Guitars & Bass in standard tuning tabs & Clefs, Drums & 2 trumpets along with a Tuba &Euphonium. Find which ragas are closer &the way composer fit Indian classical ragas parallel here. A full score of the piece.
$12.00
In White Trousers
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Orchestre
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FACILE
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O
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Andrepianoart
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In White Trousers
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DafnaArt
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1188552 Composed by O. Kopenkov. Arranged by Andrepianoart. 20th Century,Children,Classical,Comedy,Folk. Score and Pa...
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Full Orchestra - Level 2 - SKU: A0.1188552 Composed by O. Kopenkov. Arranged by Andrepianoart. 20th Century,Children,Classical,Comedy,Folk. Score and Parts. 30 pages. DafnaArt #788160. Published by DafnaArt (A0.1188552). It's added the sound of a small symphony orchestra to the solo melody. In the score, the solo sound of the guitar and the orchestra alternate. This is an ideal piece for the first experience of playing guitar with an orchestra. The guitar part has different types of sound: chords, plucking of strings, tapping on the soundboard. Various strokes and sound effects are also used in the orchestra: pizzicato, characteristic sound of castanets, smooth melody in brass instrumentsÂ
$11.00
You Really Know How To Hurt A Guy
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Orchestre
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AVANCÉ
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Jan Berry, Jill Gibson, and Ro
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Jan Berry and George Tipton
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You Really Know How To Hurt A
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Fiji Printing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1406759 Composed by Jan Berry, Jill Gibson, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Centur...
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Full Orchestra - Level 5 - SKU: A0.1406759 Composed by Jan Berry, Jill Gibson, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Century,Pop,Rock. 48 pages. Fiji Printing #989513. Published by Fiji Printing (A0.1406759). You Really Know How to Hurt a Guy — Orchestral Arrangement.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's Pop Symphony album in 1965.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry (McFarland 2021) and The Jan & Dean Record (McFarland 2016).Fiji Printing #13. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for college, state, and local orchestras who want to tackle this classic track from 1965.Full Music Score and Individual Charts.WOODWINDS: Flute; Oboe; English Horn; Clarinet; Bass Clarinet; Bassoon; Contrabassoon.BRASS: French Horn 1-2; Trumpet 1-3; Trombone.STRINGS: Violin 1-8; Viola 1-2; Cello 1-2; Contrabass.RHYTHM: Timpani; Percussion (Wind Chimes, Vibraphone, Glockenspiel, Marimba, Xylophone, Chimes); Drums; Piano; Celeste; Guitar 1; Guitar 2; Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on the Pop Symphony album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.40 distinct chords.48 Pages.; 11 x 17.Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$49.99
O Come, O Come Emmanuel - 8 Core Orchestra
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Orchestre
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Musique Sacrée
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Public Domain
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Jeff D
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O Come, O Come Emmanuel - 8 Co
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AnderKamp Music
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SheetMusicPlus
Full Orchestra - SKU: A0.742704 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 9...
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Full Orchestra - SKU: A0.742704 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 90 pages. AnderKamp Music #3639421. Published by AnderKamp Music (A0.742704). The longing for Emmanuel. This solemn and reverent approach to this well loved hymn for Advent and Christmas will be a welcome addition to any Christmas/Advent service. This full orchestra arrangement in our ‘Cinematic Worship Service’ will require very little rehearsal time and features both a beautiful cello solo and acoustic guitar (written out). Instrumentation: Flute 1-2 Oboe Clarinet 1-2 Bassoon Horn 1-2 Trumpet 1-3 Trombone 1-3 Tuba Timpani Percussion (2 players – Bells, Suspended Cymbal, Wind Chimes/Tree/Crash Cymbal) Harp Violin 1-2 Viola Cello Double Bass Piano (written out with chords for optional rhythm section) Acoustic Guitar Substitution Parts: Bass Clarinet (Bassoon) Alto Sax 1-2 (Horn 1-2) Tenor Sax 1-2 (Trombone 1-2) Bari Sax (Tuba) String Synth 1 (Violins/Viola) String Synth 2 (Viola/Cello) String Synth 3 (Cello/Bass) String Synth 4 (String Reduction)As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tuba2018 Holiday Contest Entry
$69.95
Ride The Wild Surf
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Orchestre
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AVANCÉ
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Jan and Dean
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Jan Berry
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Ride The Wild Surf
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Fiji Printing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1227318 By Jan and Dean. By Brian Wilson, Jan Berry, and Roger Christian. Arranged by Jan Berry. 20th Century,Film/TV...
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Full Orchestra - Level 5 - SKU: A0.1227318 By Jan and Dean. By Brian Wilson, Jan Berry, and Roger Christian. Arranged by Jan Berry. 20th Century,Film/TV,Pop,Rock. 52 pages. Fiji Printing #823311. Published by Fiji Printing (A0.1227318). Jan Berry's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's hit single in 1964. The song also served as the title track for the Columbia Pictures film Ride the Wild Surf. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local ensembles who want to tackle this classic '60s hitInstrumentation includes: WOODWINDS: Oboe, English Horn; RHYTHM: Guitar 1-3 (including Danelectro 6-string bass guitar, with standard notation and tablature), Bass 1-2 (Fender electric and upright acoustic, with standard notation and tablature); Percussion (suspended cymbal and Hawaiian pu'ili sticks); Drums, Piano; STRINGS: Violin 1-2, Viola, Cello; VOCALS: Lead, Falsetto, Alto, Tenor, Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Jan Berry's arrangement and recording process; (3) Song chronology with recording session details; (4) Full music score and individual charts for original studio backing track; (5) Full music score and individual charts for original vocal arrangement; and (6) Illustrations, including images from Jan Berry’s music archive.Number of Pages: 52Number of Distinct Chords: 30Note: This arrangement is categorized as Orchestra because no other available category in ArrangeMe accurately reflects the instrumentation.
$49.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Jesus, What a Wonderful Child with Amen
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Orchestre
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Joel Raney
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Jesus, What a Wonderful Child
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Hope Publishing - Digital
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SheetMusicPlus
Orchestra - SKU: H1.C6106ODP Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra or Rhythm. Christmas, Spiritual. Set of Instrumental Pa...
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Orchestra - SKU: H1.C6106ODP Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra or Rhythm. Christmas, Spiritual. Set of Instrumental Parts. 90 pages. Hope Publishing - Digital #C6106ODP. Published by Hope Publishing - Digital (H1.C6106ODP). Luke 2.Traditional Spiritual Ideal for both church and school Christmas celebrations, this high energy arrangement also includes the spiritual Amen, and comes from Joel's best-selling cantata, Joy! (Code No. 8721). It may be accompanied simply with piano, or with an added rhythm section, or full orchestra. Any way you choose, choirs will enjoy the upbeat rhythms and joyous proclamation of the birth of Jesus. This rhythm chart is written in lead-sheet style with chords for piano, guitar and bass. Four copies are included. There is no separate drum part.
$89.95
O Come All Y'all Faithful (Soloist & Orch.)
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Ric Flauding
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O Come All Y'all Faithful
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Denise Lea Flauding
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.867962 Composed by Traditional. Arranged by Ric Flauding. 20th Century,Celtic,Christmas,Country,Sacred. Score and par...
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Full Orchestra - Level 3 - SKU: A0.867962 Composed by Traditional. Arranged by Ric Flauding. 20th Century,Celtic,Christmas,Country,Sacred. Score and parts. 55 pages. Denise Lea Flauding #3543505. Published by Denise Lea Flauding (A0.867962). New orchestrated version of Ric's very popular arrangement of O Come All Ye Faithful as recorded on several albums. Extremely unique and fun! PLEASE NOTE: Though the audio example features guitar(s), the soloist part may be played by any instrument with the melody & chords contained in the Rhythm part. Duration: 3:25.flaudingmusic.com
$45.00
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