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MANDOLINE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
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ENFANTS : EVEIL - IN…
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NOËL
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OPERA
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Note4Piano
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difficulté (tous)
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expert
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Non classifié
3972
PIANO & CLAVIERS
Piano, Voix et Guitare
35053
Piano grosses notes
3038
Piano, Voix
2695
Orgue
1393
Piano Facile
535
Instruments en Do
392
Piano seul
152
Accompagnement Piano
51
Clavier
50
1 Piano, 4 mains
6
Piano Trio: piano, violon, violoncelle
3
Piano (partie séparée)
2
Accordéon
1
Tous Les Instruments
1
2 Accordéons
1
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
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GUITARES
Paroles et Accords
17013
Ligne De Mélodie, (Paroles) et Accords
6414
Guitare notes et tablatures
4754
Guitare
1857
Guitare (partie séparée)
694
Basse electrique
472
Ukulele
329
Dulcimer
159
2 Guitares (duo)
73
Piano, Guitare (duo)
53
Mandoline
34
2 Dulcimers (duo)
21
Ensemble de guitares
21
4 Guitares (Quatuor)
10
3 Guitares (trio)
6
Banjo
5
Dobro
3
Guitare, Orchestre
1
Mandoline, Guitare (duo)
1
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VOIX
Chorale SATB
227
Chorale 3 parties
173
Chorale 2 parties
109
Chorale Unison
96
Voix duo, Piano
54
Voix seule
20
Chorale
18
Chorale TTBB
18
Voix duo
15
Chorale SSAA
14
Voix, Guitare
3
Voix basse
2
Voix moyenne, Piano
2
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Voix Tenor
1
Voix Alto, Piano
1
Voix Soprano
1
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VENTS
Flûte traversière
244
2 Flûtes traversières (duo)
82
Flûte et Guitare
62
Flûte à bec Alto
43
Flûte à bec Soprano
34
Hautbois (partie séparée)
29
Hautbois, Piano (duo)
19
Saxophone (partie séparée)
18
Saxophone et Guitare
17
Flûte traversière et Piano
16
Clarinette
14
Saxophone Alto et Piano
14
Saxophone Tenor et Piano
14
Quatuor de Saxophones: 4 saxophones
13
Flûte, Violon
11
Clarinette et Piano
10
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Alto
10
Hautbois, Guitare (duo)
9
2 Saxophones (duo)
9
Clarinette, Guitare (duo)
7
Saxophone Soprano et Piano
5
Flûte à Bec
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Harmonica
4
Cor anglais, Guitare (duo)
4
2 Flûtes traversières, Guitare
3
2 Flûte à bec (duo)
3
2 Clarinettes (duo)
3
Quintette de Saxophone: 5 saxophones
3
Flûte, Violon, Guitare
2
Saxophone, Clarinette (duo)
2
2 Hautbois (duo)
2
Ensemble de saxophones
2
Flûte, Saxophone (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte irlandaise
2
Trio de Flûtes: 3 flûtes
2
Flûte, Hautbois (duo)
1
Flûte, Violoncelle, Guitare
1
2 Cors Anglais Et Pianoforte
1
Clarinette, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Clarinette, Violon (duo)
1
Saxophone Baryton, Piano
1
Clarinette, Basson (duo)
1
Flûte, Trompette (duo)
1
Flûte, Basson et Piano
1
Flute, harpe et violon
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Flûte, Clarinette (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Saxophone Tenor
1
3 Saxophones (trio)
1
Flûte, Clarinette et Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon et Violoncelle
1
Ensemble de Clarinettes
1
2 Clarinettes, Piano
1
3 Clarinettes (trio)
1
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CUIVRES
Trombone
8
Trompette et Guitare
8
Trompette
7
Trompette, Piano
7
Trombone (partie séparée)
5
Trompette (partie séparée)
5
Trombone et Piano
5
Cor anglais, Guitare (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Cor
2
Quatuor de Cuivres
2
Euphonium
2
Cor et Piano
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
2 Trompettes (duo)
1
3 Trompettes (trio)
1
2 Trombones (duo)
1
Tuba
1
2 Cors Anglais Et Pianoforte
1
4 Tubas
1
Trompette, Saxophone (duo)
1
Tuba et Piano
1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Trompette, Trombone (duo)
1
Instrumentations suivantes
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CORDES
Violon et Piano
105
Violon
82
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violon, Guitare (duo)
35
Violoncelle (partie séparée)
29
Alto seul
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Violoncelle , Guitare (duo)
21
Violoncelle, Piano
18
Alto, Piano
18
Harpe
15
2 Violons (duo)
13
Alto, Guitare (duo)
7
Violon, Violoncelle (duo)
7
Violoncelle
6
2 Altos (duo)
5
Violon, Alto (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
4
Contrebasse, Piano (duo)
3
Trio à Cordes: 2 violons, violoncelle
3
Alto (partie séparée)
2
Harpe, Voix
2
Autoharp
2
Harpe, Flûte (duo)
1
Piano Trio: Violon, Alto, Piano
1
2 Harpes (duo)
1
Contrebasse (partie séparée)
1
Contre Basse
1
Violon (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
49
Orchestre à Cordes
21
Jazz combo
17
Orchestre
13
Orchestre d'harmonie
11
Orchestre de chambre
4
Ensemble de cuivres
4
Batterie
4
Cloches
4
Batterie (partie séparée)
1
Vibraphone
1
Instrumentations suivantes
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AUTRES
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Guitar Chords
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1
Concerto for Guitar and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809837 Composed by Robert E. Proctor. Contemporary. Score and parts. 179 pages. R. E. Proctor #3526877. Published by R. E. Proctor (A0.809837). Concerto for Guitar and Orchestra – Description and performance notes. The concerto provides a challenge for the performer and is delightful to the listener. It is written in the standard three movement concerto format: fast – slow – fast. A variety of musical colors, rhythms, and techniques are used. The first movement begins with an Adagio section which is marked Poco Rubato, followed by Allegro for the balance of the movement. The second movement is darker, and perhaps, a little sullen. The third movement is bright and harkens back to the guitar’s Spanish roots. The movement is happy and light, it has an abrupt and unexpected ending. Throughout the concerto the guitarist will use a wide range of techniques. The full sound spectrum of the guitar is utilized. The guitarist is asked to perform several rapid arpeggios (noted as Finger Roll) wherein the performer utilizes the thumb and fingers to rapidly play the notes in a chord. In other places, chords are to be played with three fingers playing up and the thumb to play down, using the nail (Flamenco style) – up and down referring to pitch. In the first movement, the thumb is used to tap the sound board. The guitar part is partially edited with suggested fingerings for clarity of intent. The balance is left for to the performer’s interpretation. In the second movement there is a completed tremolo section which requires the player to include the little or c finger. The inclusion of the c finger keeps the melodic line following without interruption. The second movement also has the melody played in artificial harmonics with the thumb playing simple a bass line. The third movement is the shortest. It has a challenging arpeggio pattern that uses the fingers strumming up and the thumb strumming down with rapid chord changes. The movements are in 4/4, 6/8, and 3/4 time respectively. Duration is approx. 13:18.
$19.95
18.42 €
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Orchestre
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Robert E
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Concerto for Guitar and Orchestra
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R. E. Proctor
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SheetMusicPlus
mrfiddle's Tango!
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.844028 Composed by Don Hicks. L…
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Full Orchestra - Level 3 - Digital Download SKU: A0.844028 Composed by Don Hicks. Latin. Score and parts. 12 pages. Don Hicks #2859947. Published by Don Hicks (A0.844028). This is a piece for intermediate level string orchestra or string quartet. There is a repeating four bar section in the middle to all different players to improvise solos.All parts included. Piano accompaniment also has guitar chords.
$6.99
6.45 €
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Orchestre
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Don Hicks
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mrfiddle's Tango!
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Don Hicks
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SheetMusicPlus
Burden Of Lives Full Score: Band & Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1152218 By Suraj Synthesist. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1152218 By Suraj Synthesist. By Suraj Synthesist. 20th Century,Contemporary,Multicultural,New Age,Rock,World. Score and parts. 68 pages. Suraj Synthesist #752423. Published by Suraj Synthesist (A0.1152218). Track number 5, approx 5:35mins in the album Consume this album, A fiction of medieval Feudal times/land. A revenge song. This sheet music consists of Vocal lead and choral harmony, the Harpsichord &Organ Parts , Lead & Rhythm Guitars & Bass Guitar's tabs & Clefs, and Drums . Based on Phrygian Dominant and Phrygian or Hanumatodi, Vakulabharanam, and the Hindustani Raagas of Bhairavi. Double bass drumming in 10/8 with a strong polyrhythm, to groovy common time, Sweep arpeggios and chords of Diminished, Augmented, Flat9 , Major7-Sharp 11. Technical Prog Metal/Rock.
$14.99
13.84 €
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Orchestre
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Suraj Synthesist
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Burden Of Lives Full Score: Band & Parts
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Suraj Synthesist
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SheetMusicPlus
If It was now
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.518778 Composed by Suraj Synthe…
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Full Orchestra - Level 2 - Digital Download SKU: A0.518778 Composed by Suraj Synthesist. Multicultural,Pop,Renaissance,Rock,Traditional,World. Score and parts. 16 pages. Suraj Synthesist #129489. Published by Suraj Synthesist (A0.518778). Track number 7, the last track from the album Consume this album...(Before the ban). This sheet music consists of Lyrics with vocal lines & chords, (Electric & Funky) Piano parts, Glockenspiel, Guitars & Bass in standard tuning tabs & Clefs, Drums & 2 trumpets along with a Tuba &Euphonium. Find which ragas are closer &the way composer fit Indian classical ragas parallel here. A full score of the piece.
$12.00
11.08 €
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Orchestre
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Suraj Synthesist
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If It was now
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Suraj Synthesist
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SheetMusicPlus
In White Trousers
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1188552 Composed by O. Kopenkov…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1188552 Composed by O. Kopenkov. Arranged by Andrepianoart. 20th Century,Children,Classical,Comedy,Folk. Score and Parts. 30 pages. DafnaArt #788160. Published by DafnaArt (A0.1188552). It's added the sound of a small symphony orchestra to the solo melody. In the score, the solo sound of the guitar and the orchestra alternate. This is an ideal piece for the first experience of playing guitar with an orchestra. The guitar part has different types of sound: chords, plucking of strings, tapping on the soundboard. Various strokes and sound effects are also used in the orchestra: pizzicato, characteristic sound of castanets, smooth melody in brass instrumentsÂ
$11.00
10.16 €
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Orchestre
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O
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Andrepianoart
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In White Trousers
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DafnaArt
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SheetMusicPlus
You Really Know How To Hurt A Guy
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1406759 Composed by Jan Berry, …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1406759 Composed by Jan Berry, Jill Gibson, and Roger Christian. Arranged by Jan Berry. 20th Century,Pop,Rock. 48 pages. Fiji Printing #989513. Published by Fiji Printing (A0.1406759). You Really Know How to Hurt a Guy — Orchestral Arrangement.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's Pop Symphony album in 1965.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry (McFarland 2021) and The Jan & Dean Record (McFarland 2016).Fiji Printing #13. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for college, state, and local orchestras who want to tackle this classic track from 1965.Full Music Score and Individual Charts.WOODWINDS: Flute; Oboe; English Horn; Clarinet; Bass Clarinet; Bassoon; Contrabassoon.BRASS: French Horn 1-2; Trumpet 1-3; Trombone.STRINGS: Violin 1-8; Viola 1-2; Cello 1-2; Contrabass.RHYTHM: Timpani; Percussion (Wind Chimes, Vibraphone, Glockenspiel, Marimba, Xylophone, Chimes); Drums; Piano; Celeste; Guitar 1; Guitar 2; Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on the Pop Symphony album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.40 distinct chords.48 Pages.; 11 x 17.Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$49.99
46.16 €
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Orchestre
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Jan Berry, Jill Gibson, and Roger Christian
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Jan Berry
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You Really Know How To Hurt A Guy
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Fiji Printing
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SheetMusicPlus
O Come, O Come Emmanuel - 8 Core Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.742704 Composed by Public Domain. Arrange…
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Full Orchestra - Digital Download SKU: A0.742704 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 90 pages. AnderKamp Music #3639421. Published by AnderKamp Music (A0.742704). The longing for Emmanuel. This solemn and reverent approach to this well loved hymn for Advent and Christmas will be a welcome addition to any Christmas/Advent service. This full orchestra arrangement in our ‘Cinematic Worship Service’ will require very little rehearsal time and features both a beautiful cello solo and acoustic guitar (written out). Instrumentation: Flute 1-2 Oboe Clarinet 1-2 Bassoon Horn 1-2 Trumpet 1-3 Trombone 1-3 Tuba Timpani Percussion (2 players – Bells, Suspended Cymbal, Wind Chimes/Tree/Crash Cymbal) Harp Violin 1-2 Viola Cello Double Bass Piano (written out with chords for optional rhythm section) Acoustic Guitar Substitution Parts: Bass Clarinet (Bassoon) Alto Sax 1-2 (Horn 1-2) Tenor Sax 1-2 (Trombone 1-2) Bari Sax (Tuba) String Synth 1 (Violins/Viola) String Synth 2 (Viola/Cello) String Synth 3 (Cello/Bass) String Synth 4 (String Reduction)As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tuba2018 Holiday Contest Entry
$69.95
64.59 €
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Orchestre
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Public Domain
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Jeff D
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O Come, O Come Emmanuel - 8 Core Orchestra
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AnderKamp Music
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SheetMusicPlus
Ride The Wild Surf
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1227318 By Jan and Dean. By Bri…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1227318 By Jan and Dean. By Brian Wilson, Jan Berry, and Roger Christian. Arranged by Jan Berry. 20th Century,Film/TV,Pop,Rock. 52 pages. Fiji Printing #823311. Published by Fiji Printing (A0.1227318). Jan Berry's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's hit single in 1964. The song also served as the title track for the Columbia Pictures film Ride the Wild Surf. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local ensembles who want to tackle this classic '60s hitInstrumentation includes: WOODWINDS: Oboe, English Horn; RHYTHM: Guitar 1-3 (including Danelectro 6-string bass guitar, with standard notation and tablature), Bass 1-2 (Fender electric and upright acoustic, with standard notation and tablature); Percussion (suspended cymbal and Hawaiian pu'ili sticks); Drums, Piano; STRINGS: Violin 1-2, Viola, Cello; VOCALS: Lead, Falsetto, Alto, Tenor, Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Jan Berry's arrangement and recording process; (3) Song chronology with recording session details; (4) Full music score and individual charts for original studio backing track; (5) Full music score and individual charts for original vocal arrangement; and (6) Illustrations, including images from Jan Berry’s music archive.Number of Pages: 52Number of Distinct Chords: 30Note: This arrangement is categorized as Orchestra because no other available category in ArrangeMe accurately reflects the instrumentation.
$49.99
46.16 €
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Orchestre
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Jan and Dean
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Jan Berry
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Ride The Wild Surf
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Fiji Printing
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.08 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.08 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.08 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Jesus, What a Wonderful Child with Amen
Orchestre
Orchestra - Digital Download SKU: H1.C6106ODP Arranged by Joel Raney. Piano Accompa…
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Orchestra - Digital Download SKU: H1.C6106ODP Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra or Rhythm. Christmas, Spiritual. Set of Instrumental Parts. 90 pages. Hope Publishing - Digital #C6106ODP. Published by Hope Publishing - Digital (H1.C6106ODP). Luke 2.Traditional Spiritual Ideal for both church and school Christmas celebrations, this high energy arrangement also includes the spiritual Amen, and comes from Joel's best-selling cantata, Joy! (Code No. 8721). It may be accompanied simply with piano, or with an added rhythm section, or full orchestra. Any way you choose, choirs will enjoy the upbeat rhythms and joyous proclamation of the birth of Jesus. This rhythm chart is written in lead-sheet style with chords for piano, guitar and bass. Four copies are included. There is no separate drum part.
$89.95
83.06 €
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Orchestre
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Joel Raney
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Jesus, What a Wonderful Child with Amen
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Hope Publishing - Digital
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SheetMusicPlus
O Come All Y'all Faithful (Soloist & Orch.)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.867962 Composed by Traditional.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.867962 Composed by Traditional. Arranged by Ric Flauding. 20th Century,Celtic,Christmas,Country,Sacred. Score and parts. 55 pages. Denise Lea Flauding #3543505. Published by Denise Lea Flauding (A0.867962). New orchestrated version of Ric's very popular arrangement of O Come All Ye Faithful as recorded on several albums. Extremely unique and fun! PLEASE NOTE: Though the audio example features guitar(s), the soloist part may be played by any instrument with the melody & chords contained in the Rhythm part. Duration: 3:25.flaudingmusic.com
$45.00
41.55 €
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Orchestre
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Traditional
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Ric Flauding
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O Come All Y'all Faithful
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Denise Lea Flauding
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SheetMusicPlus
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