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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Half and Half
Non classifié
871
Piano & claviers
Piano seul
505
Piano Facile
371
Piano, Voix et Guitare
173
Piano, Voix
90
Orgue
29
Accordéon
26
1 Piano, 4 mains
22
Instruments en Do
13
Piano Trio: piano, violon, violoncelle
13
Accompagnement Piano
11
Piano (partie séparée)
6
Clavecin
3
2 Pianos, 4 mains
2
Piano grosses notes
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
1
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
93
Guitare
46
Ligne De Mélodie, (Paroles) et Accords
32
Paroles et Accords
21
Basse electrique
15
2 Guitares (duo)
15
Guitare (partie séparée)
13
Ukulele
8
Dulcimer
4
4 Guitares (Quatuor)
4
Partitions De Groupes
2
Banjo
2
Mandoline, Piano (duo)
1
3 Guitares (trio)
1
Guitare Pedal Steel
1
Mandoline
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
201
Chorale 3 parties
53
Chorale 2 parties
46
Chorale TTBB
33
Chorale SSAA
19
Voix duo, Piano
10
Voix Soprano, Piano
7
Chorale Unison
7
Voix duo
5
Voix Baryton, Piano
3
Voix haute
3
Chorale SSAATTBB
3
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Soli, choeur mixte et accompagnement
2
Voix Tenor
1
Voix seule
1
Voix Alto, Piano
1
Voix basse, Piano
1
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Chorale SSAB, Piano
1
+ 17 instrumentations
Retracter
Vents
2 Saxophones (duo)
313
Saxophone, Clarinette (duo)
173
2 Clarinettes (duo)
141
Clarinette, Violon (duo)
114
2 Flûtes traversières (duo)
106
Clarinette, Trompette (duo)
92
Flûte traversière et Piano
79
Flûte, Clarinette (duo)
75
Saxophone (partie séparée)
71
2 Hautbois (duo)
60
Hautbois, Clarinette (duo)
58
Clarinette et Alto
56
Flûte, Violon
56
Clarinette et Piano
56
Hautbois, Flûte
54
Flûte, Saxophone (duo)
53
Hautbois, Basson (duo)
52
Hautbois, Piano (duo)
48
Flûte, Trompette (duo)
46
Saxophone Alto et Piano
44
Saxophone Tenor et Piano
43
Flûte, Alto (duo)
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
37
2 Flûtes traversières, Piano
28
Clarinette (partie séparée)
28
Clarinette
27
Saxophone Soprano et Piano
26
Quatuor de Saxophones: 4 saxophones
25
Ensemble de saxophones
25
Flûte traversière
24
Saxophone Alto
23
Saxophone Tenor
21
Trio de Flûtes: 3 flûtes
19
Quatuor de Clarinettes: 4 clarinettes
18
Saxophone Baryton, Piano
16
3 Clarinettes (trio)
16
Ensemble de Flûtes
15
Flute (partie séparée)
15
Hautbois (partie séparée)
15
Flûte, Hautbois, Clarinette, Basson
14
Ensemble de Clarinettes
13
Clarinette Basse, Piano
13
Quatuor de Flûtes : 4 flûtes
9
Quintette de Saxophone: 5 saxophones
8
2 Flûte à bec (duo)
8
Cor anglais, Piano
6
Quintette de Clarinettes: 5 clarinettes
5
Hautbois
4
3 Saxophones (trio)
4
3 Flûtes à bec (trio)
4
Flûte, Violoncelle
4
Flûte, Clarinette, Piano (trio)
4
Saxophone Soprano
4
2 Clarinettes, Piano
3
Cor Anglais
3
Flûte et Guitare
3
Clarinette, Guitare (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Flûte, Violon, Piano
3
Saxophone et Orgue
3
Flûte à bec Soprano
3
Instruments en Mib
3
Clarinette, Violoncelle (duo)
2
Flûte, Hautbois (duo)
2
2 Saxophones, Piano
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Hautbois, Piano (trio)
2
Flûte à Bec, Piano
2
Flûte à bec Tenor
2
Clarinette, Orgue
1
Flûte, Clarinette et Basson
1
2 Flûtes à bec, Piano
1
Clarinette Basse
1
Saxophone et Guitare
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Soprano, Piano
1
Piccolo
1
Ocarina
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Tuba
1
Ensemble à vent
1
Flûte, Basson et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Basson, Piano (trio)
1
Hautbois, Basson et Piano
1
Clarinette, Contrebasse (duo)
1
Hautbois, violon (duo)
1
Saxophone Baryton
1
Quatuor de Flûtes à bec
1
Flute, harpe et violon
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Trombone (duo)
1
+ 89 instrumentations
Retracter
Cuivres
Trompette, Saxophone (duo)
117
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
64
2 Trombones (duo)
62
Trompette, Trombone (duo)
62
2 Trompettes (duo)
60
Trombone (partie séparée)
59
Trompette (partie séparée)
46
Trompette, Piano
40
Trombone et Piano
36
Cor et Piano
30
Trompette
30
Trombone
17
Cor
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
16
Cor (partie séparée)
15
Tuba et Piano
13
Quatuor de Cuivres
13
Tuba (partie séparée)
9
Euphonium, Piano (duo)
7
Cor anglais, Piano
6
Tuba
6
Ensemble de Trombones
6
Trompette, Cor (duo)
4
Ensemble de Trompettes
4
Cor Anglais
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Ensemble de Cors
3
3 Trompettes (trio)
3
2 Tubas (duo)
3
Instruments en Sib
3
Bass Clef Instruments
3
2 Cors (duo)
2
Quatuor de cuivres: 4 trombones
2
Euphonium
2
Quatuor de cuivres: 4 trompettes
1
Trompette, Violoncelle et Piano
1
2 Euphoniums et 2 Tubas
1
3 Trombones (trio)
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Euphonium (duo)
1
Trombone, Orgue
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
129
Violon et Piano
105
Violon, Violoncelle (duo)
85
Violon, Alto (duo)
74
Harpe
72
2 Violons (duo)
69
2 Altos (duo)
64
2 Violoncelles (duo)
62
Violoncelle, Piano
60
Alto, Piano
54
Violon
53
Violoncelle
32
Trio à Cordes: violon, alto, violoncelle
26
Alto seul
24
Contrebasse, Piano (duo)
19
Violon (partie séparée)
18
Contrebasse (partie séparée)
16
Contre Basse
12
Alto (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
5
Violoncelle (partie séparée)
5
Trio à cordes: 3 violins
4
Violoncelle , Guitare (duo)
3
Piano Trio: Violon, Alto, Piano
3
Harpe, Voix
3
Violoncelle, Orgue
3
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Alto et Harpe
2
4 Violoncelles
2
Ensemble de Violons
1
Ensemble d'Altos
1
Flûte, Contrebasse (duo)
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Orgue
1
Trio à cordes: 3 altos
1
Harpe et mandoline
1
Ensemble de Violoncelles
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
371
Fanfare
193
Orchestre à Cordes
153
Orchestre
58
Cloches
52
Ensemble Jazz
47
Ensemble de cuivres
46
Orchestre de chambre
25
Percussion (partie séparée)
22
Batterie
18
Ensemble de Percussions
14
Jazz combo
10
Xylophone, Piano
8
Batterie (partie séparée)
7
Timbales (partie séparée)
6
2 Xylophones
4
Percussion
4
Xylophone
2
Vibraphone
1
+ 14 instrumentations
Retracter
Autres
Formation musicale - Solfège
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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Partitions à imprimer
58 partitions trouvées
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51
SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
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Orchestre
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Classique
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Schubert/Crossland
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SCHUBERT SYMPHONY NO. 8 IN B M
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Neil Crossland
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SheetMusicPlus
Full Orchestra - SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossl...
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Full Orchestra - SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.
$69.99
A DREAM (SATB Chorus [divisi] and Orchestra) - Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stanley M Hoffman
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A DREAM
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stanleymhoffman.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1388556 Composed by Stanley M Hoffman. 21st Century,Classical. 155 pages. Stanleymhoffman.com #972057. Published by s...
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Full Orchestra - Level 4 - SKU: A0.1388556 Composed by Stanley M Hoffman. 21st Century,Classical. 155 pages. Stanleymhoffman.com #972057. Published by stanleymhoffman.com (A0.1388556). Program Notes: The fact that the text for this work even exists is a miracle. It was written by Abraham (Abramek) Koplowicz, a Jewish boy who was exterminated by the Nazis during the Holocaust. Abramek was born in 1930 in Lodz, Poland, and died 1944 in that country's infamous concentration camp at Auschwitz-Birkenau. He wrote this poem during the time that his family was trapped in the Lodz ghetto. This poem was not found until 1983 when Eliezer (Lolek) Grynfeld, the poet's half-brother, discovered it among their late father's belongings. Choristers who sing this work will be transported on a magical flight around the world through time and space along with their audiences. â??A Dream (Marzenie)When I am twenty years of age,I will burst forth from this cageAnd begin to see our splendid EarthFor the first time since my birth!In my motorized bird Iâ??ll soar so highAbove the world, up in the sky,Over rivers and the seas, With such stupefying ease,With my brother wind and sister cloud, Iâ??llMarvel at the Euphrates and the Nile;The goddess Isis ruled the land that linksThe Pyramids and the massive Sphynx.I will glide above Niagara Falls,And sunbathe where the Sahara calls;If I want to escape the scorching heat,I will fly up north to an Arctic retreat.I will top the cloudy peaks of Tibetan fameAnd survey the fabled land whence the Magi came.From the Island of KangaroosIâ??ll take my time and cruiseTo the ruins of Pompeii      At the edge of Naples Bay,Iâ??ll continue to the Holy Land, then seekThe home of Homer, the celebrated Greek.More and more astonished will I growAt the beauty of the Earth below.In all my travelling Iâ??ll be twinnedWith my siblings, cloud and wind.â??Abraham (â??Abramekâ?) Koplowicz (b. 1930, Lodz, Poland, d. 1944, Auschwitz-Birkenau)Translation by Sarah Lawson and MaÅ?gorzata Koraszewska© Copyright 1993 by Eliezer Grynfeld. All rights reserved.Used by permission of Eliezer Grynfeld.â??Music: © Copyright 2024 by Stanley M. Hoffman.www.stanleymhoffman.comAll rights reserved.
$77.50
Concerto in Bb Major for Double Bass and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Robert E
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Concerto in Bb Major for Doubl
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102...
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Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
Praise and Glory
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Orchestre
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AVANCÉ
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Tim Olt
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Praise and Glory
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Olt Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.759428 Composed by Tim Olt. Christian,Contemporary,Sacred. Score and parts. 116 pages. Olt Music #6438357. Published ...
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Full Orchestra - Level 5 - SKU: A0.759428 Composed by Tim Olt. Christian,Contemporary,Sacred. Score and parts. 116 pages. Olt Music #6438357. Published by Olt Music (A0.759428). This work was written for Dr. Selmer Spitzer and the Southern Nevada Symphony Orchestra. The piece is written for piano, organ, narrator, 3 tenors and orchestra, and features text from Psalm 150. The first half of the work is an exploration by the listener of various religions through hymns of various denominations offset with the seeker melody. There is a brief narration that is juxtaposed with antiphonal trumpet, and then the setting of Psalm 150 for the remainder of the piece. This features the 3 tenors and utilizes both English and Latin text. The work is 10 minutes in duration.
$150.00
THE STARS AND STRIPES FOREVER - for full orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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John Philip Sousa
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Isaiah Castro
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THE STARS AND STRIPES FOREVER
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Maestro Castro Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1353979 Composed by John Philip Sousa. Arranged by Isaiah Castro. 19th Century,Classical,March,Patriotic. 79 pages. M...
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Full Orchestra - Level 4 - SKU: A0.1353979 Composed by John Philip Sousa. Arranged by Isaiah Castro. 19th Century,Classical,March,Patriotic. 79 pages. Maestro Castro Publishing #938704. Published by Maestro Castro Publishing (A0.1353979). This arrangement of John Philip Sousa's The Stars and Stripes Forever has been adapted to be performed by a full sized orchestra. In order to accommodate the string section, the key has been lowered by a half-step to the key of D Major.InstrumentationPiccolo2 Flutes2 Oboes2 Clarinets in ABass Clarinet2 Bassoons4 Horns in F3 Trumpets in C3 TrombonesTubaPercussion 1: Snare Drum, Bass Drum (2 players)Percussion 2: Piatti, BellsHarpStringsPage size: 9 x 12.
$55.00
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Pieces of Loathing: Thugnderdome
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Orchestre
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AVANCÉ
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Michael Jeffrey Indrawan
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Pieces of Loathing: Thugnderdo
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Man Model Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1118972 Composed by Michael Jeffrey Indrawan. Contemporary,March. Score and Parts. 115 pages. Man Model Music #720379...
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Full Orchestra - Level 5 - SKU: A0.1118972 Composed by Michael Jeffrey Indrawan. Contemporary,March. Score and Parts. 115 pages. Man Model Music #720379. Published by Man Model Music (A0.1118972). A piece (somewhat) based on things in Asymmetric’s Kingdom of Loathing! This movement is a march, with a rousing half and a calming other half.
$37.00
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
Frank J. Halferty: Lochs And Glens (COMPLETE) - orchestra
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Orchestre
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INTERMÉDIAIRE
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Frank J. Halferty
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Virtualsheetmusic
Instantly printable sheet music by Frank J. Halferty for orchestra of MEDIUM skill level. / concert
Instantly printable sheet music by Frank J. Halferty for orchestra of MEDIUM skill level. / concert
$52.99
Sure On This Shining Night
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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James Agee and Z
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Matthew Armstrong
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Sure On This Shining Night
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0 To 60 Music Services, LLC
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1246491 Composed by James Agee and Z. Randall Stroope. Arranged by Matthew Armstrong. 20th Century,Classical. Score a...
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Full Orchestra - Level 3 - SKU: A0.1246491 Composed by James Agee and Z. Randall Stroope. Arranged by Matthew Armstrong. 20th Century,Classical. Score and Parts. 54 pages. 0 To 60 Music Services, LLC #704299. Published by 0 To 60 Music Services, LLC (A0.1246491). This product is the Instrument Parts only. Â See the Conductor's Score (sold separately) for details about the arrangement and where to find the Choral Scores.Instrumentation 2 Flutes (Piccolo played by Flute 1) 1 Oboe 2 Clarinets 1 Bass Clarinet 2 Bassoons 2 Horns 3 Trumpets 2 Trombones 1 Bass Trombone Tuba Timpani (3 drums) 2 Percussionists Harp Violins 1 & 2 Viola Cello Double Bass Editor's Note:These Instrument Parts are formatted for 12 x 18 paper and designed to be printed double-sided on any standard photocopier and folded in half. Â They can easily fit on 11 x 17 (Tabloid-sized) paper by printing the pages at 90% scale.
$64.99
Armful Of Trouble
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Bestor/buckley
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Armando Garrido
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Armful Of Trouble
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GMS Ediciones Musicales
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1275557 By Bestor/buckley. By Jerome Kern and Otto Harbach. Arranged by Armando Garrido. 20th Century,Broadway,Film/T...
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Full Orchestra - Level 4 - SKU: A0.1275557 By Bestor/buckley. By Jerome Kern and Otto Harbach. Arranged by Armando Garrido. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Score and Parts. 80 pages. GMS Ediciones Musicales #867428. Published by GMS Ediciones Musicales (A0.1275557). Armful Of Trouble from Jerome Kern's Roberta was deleted from the final iteration of the musical only some underscoring using it's melody remained, here it is presented in a lovely arrangement for Vocalist & Symphony Orchestra, includes an interlude for Strings & Brass. Solotone mute passages may be played instead with a Harmon mute with half-stem in.Instrumentation:2-2-2(+Bs. Clarinet)-2/3-3-3-1/Perc. (Bells)-Dr. Set-Harp-Guitar-Piano/Strings.Duration Approx.: 2:13 mins.
$70.00
Arizona Centennial Overture - Orchestra Version
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Sy Brandon
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Arizona Centennial Overture -
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #338457...
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Full Orchestra - Level 4 - SKU: A0.755101 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 124 pages. Sy Brandon #3384577. Published by Sy Brandon (A0.755101). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close.The score prints on legal size paper and the parts on letter.
$39.99
JOSHUA FOUGHT THE BATTLE OF JERICHO
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Orchestre
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INTERMÉDIAIRE
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ALEJANDRO VIVAS PUIG
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JOSHUA FOUGHT THE BATTLE OF JE
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ALEJANDRO VIVAS
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1337193 Composed by ALEJANDRO VIVAS PUIG. Jazz,Spiritual. 46 pages. ALEJANDRO VIVAS #922971. Published by ALEJANDRO V...
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Full Orchestra - Level 3 - SKU: A0.1337193 Composed by ALEJANDRO VIVAS PUIG. Jazz,Spiritual. 46 pages. ALEJANDRO VIVAS #922971. Published by ALEJANDRO VIVAS (A0.1337193). Black spiritual believed to have been composed by slaves during the first half of the 19th century.
$80.00
Music
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Orchestre
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INTERMÉDIAIRE
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John Miles
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Flavio Regis Cunha
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Music
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FRC Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1042766 Composed by John Miles. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Instructional,Pop,Rock....
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Full Orchestra - Level 3 - SKU: A0.1042766 Composed by John Miles. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Instructional,Pop,Rock. Score and parts. 109 pages. FRC Music #647546. Published by FRC Music (A0.1042766). John MILES: Music (Was My First Love) for Orchestra (FULL SCORE and Parts) Powerful and thrilling arrangement for Orchestra. The message echoed the words of Miles's biggest hit: Music was my first love / And it will be my last / Music of the future / And music of the past. Miles wrote the track in just half an hour, while killing time in Leeds between concerts. It's a relatively simple song - consisting of eight repeated lines extolling his love of music - but the rich, elaborate orchestration made it a pop landmark to rival MacArthur Park and Bohemian Rhapsody. You, your musicians will love playing this amazing arrangement. above all, your audience will be impressed by the power of this song. Advancede Intermediate (Grade 3) Format: Concert 9 x 12 inches. 108 pages.
$49.99
Music
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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John Miles
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Flavio Regis Cunha
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Music
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1043069 Composed by John Miles. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Instructional,Pop,Rock....
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Full Orchestra - Level 4 - SKU: A0.1043069 Composed by John Miles. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Instructional,Pop,Rock. Score and Parts. 108 pages. Flavio Regis Cunha #647773. Published by Flavio Regis Cunha (A0.1043069). Powerful and thrilling arrangement for Orchestra. The message echoed the words of Miles's biggest hit: Music was my first love / And it will be my last / Music of the future / And music of the past. Miles wrote the track in just half an hour, while killing time in Leeds between concerts. It's a relatively simple song - consisting of eight repeated lines extolling his love of music - but the rich, elaborate orchestration made it a pop landmark to rival MacArthur Park and Bohemian Rhapsody. You, your musicians will love playing this amazing arrangement. above all, your audience will be impressed by the power of this song. Advancede Intermediate (Grade 3)Format: Concert 9 x 12 inches.108 pages.Full Score + Orchestral Parts
$49.99
Music - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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John Miles
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Flavio Regis Cunha
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Music - Score Only
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1040901 Composed by John Miles. Arranged by Flavio Regis Cunha. 20th Century,Film/TV,Instructional,Pop,Rock. Score an...
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Full Orchestra - Level 4 - SKU: A0.1040901 Composed by John Miles. Arranged by Flavio Regis Cunha. 20th Century,Film/TV,Instructional,Pop,Rock. Score and parts. 28 pages. Flavio Regis Cunha #645520. Published by Flavio Regis Cunha (A0.1040901). Arrangement for Orchestra. The message echoed the words of Miles's biggest hit: Music was my first love / And it will be my last / Music of the future / And music of the past. Miles wrote the track in just half an hour, while killing time in Leeds between concerts. It's a relatively simple song - consisting of eight repeated lines extolling his love of music - but the rich, elaborate orchestration made it a pop landmark to rival MacArthur Park and Bohemian Rhapsody. Intermediate level Format: Concert 9 x 12 inches. 28 pages.
$18.99
Main Titles of America - Orchestral Composition (Finalist in National Young Composers Challenge)
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Orchestre
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INTERMÉDIAIRE
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Caleb Liu
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Main Titles of America - Orche
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Caleb Liu
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu...
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Full Orchestra - Level 3 - SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu #6683167. Published by Caleb Liu (A0.955621). Main Titles of America was composed during shelter-in-place in July 2020. The piece was premiered in Winter of 2020 and was selected as a finalist in the 2021 National Young Composers Challenge. The composition was largely inspired by film music. In a film score, there is often a piece called Main Titles that plays during the opening scenes of the film. Typically, this piece encaptures all the major musical motifs present in the score of the movie. As the name suggests, Main Titles of America portrays the major themes of America in musical form. The three themes the piece highlights are opportunity, freedom, and love.The main musical motif appears early in the piece and is supported with eight notes and triplets from the harp and violas. The overall feel is adventurous and hopeful with energy building. The main motif is prominent throughout the piece, and almost every instrument plays the motif at some point. Each instrument represents a unique person who has the opportunity to flourish in America. The second motif represents freedom, and it is primarily played by the woodwinds. In particular, the flutes with their light, feathery sound help to express this idea. This motif is more playful and adds a touch of cheerfulness and lightness to the piece. It reflects the happiness of being free. The main motif and the second motif are intertwined just like opportunity and freedom. The third motif represents love and is prominent in the second half of the piece. The same eighth notes and triplets provide seamless energy and flow. While still maintaining a dream-like feel, this motif is meant to sound more grandiose and emotional. The sweeping themes and romantic harmonies are intended to portray the feeling of an ideal relationship. The piece ends with a triumphant brass chorale (the same motif from the beginning) followed by a tutti chord. It’s the musical representation of look how far we’ve come! The piece highlights the infamous American Dream - that anyone in America has the opportunity to pursue their dreams, find love, and create their own destiny.
$34.99
Manheim Sinfonietta
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Orchestre
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INTERMÉDIAIRE
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Sy Brandon
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Manheim Sinfonietta
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.755143 Composed by Sy Brandon. 20th Century,Classical,Concert,Contemporary. Score and parts. 194 pages. Sy Brandon #3...
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Full Orchestra - Level 3 - SKU: A0.755143 Composed by Sy Brandon. 20th Century,Classical,Concert,Contemporary. Score and parts. 194 pages. Sy Brandon #3406023. Published by Sy Brandon (A0.755143). This three movement piece is in a neo-classic style and is greatly influenced by characteristics of the Mannheim Orchestra of the pre-classic period, said to be the finest during that time. The composers of the Mannheim School wrote in a style that took advantage of the orchestra’s technical capabilities. These include boldly contrasted dynamics, presto movements, calculated use of crescendo and decrescendo, tremolo, and rockets (rising arpeggiated figures). The style was also known for the use of the Mannheim sigh (a half step descending figure). All of these are incorporated into Manheim Sinfonietta. The score prints on legal size paper and the parts on letter.
$39.99
Santa Falls from the Housetop
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Orchestre
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INTERMÉDIAIRE
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M
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M
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Santa Falls from the Housetop
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M. L. Daniels
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.834139 Composed by M. L. Daniels. Arranged by M. L. Daniels. 20th Century,Christmas,Contemporary. Score and parts. 57...
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Full Orchestra - Level 3 - SKU: A0.834139 Composed by M. L. Daniels. Arranged by M. L. Daniels. 20th Century,Christmas,Contemporary. Score and parts. 57 pages. M. L. Daniels #13363. Published by M. L. Daniels (A0.834139). This orchestra music is just for fun, as you can hear when the audience laughs at the end of the recording. Someone must tell the audience what to expect in order to get a good response. The music is made up mostly of public domain Christmas music, woven together in unusual ways, including different melodies appearing at the same time. The audience is told that Santa has had too much Christmas Cheer to drink, and the smears in the trombones indicate his condition. Half the fun is when the melodies bump into each other, and when pieces of Stars and Stripes and National Emblem March find their way into the mix. At the end, the music indicates Santa is falling, and lands with a big thud. Enjoy!
$25.00
A Well-Traveled Road
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Orchestre
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AVANCÉ
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Contemporain
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Daniel Burwasser
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A Well-Traveled Road
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Head and Stem
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Ste...
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Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
All Time High
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporar...
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Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
All Time High
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,P...
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Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
Silent Night / Stille Nacht (Full Orchestra+Solo Vocal)
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Orchestre
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INTERMÉDIAIRE
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Noël
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Franz Xaver Gruber
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Jan Angermüller
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Silent Night / Stille Nacht
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Elbsound.studio
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1178351 Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standards....
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Full Orchestra - Level 3 - SKU: A0.1178351 Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standards. Score and parts. 71 pages. Elbsound.studio #744905. Published by Elbsound.studio (A0.1178351). Silent Night (Stille Nacht) wonderfully arranged for full symphony orchestra and vocal (or solo instrument). The melody spans one and a half octaves (Bb3 to F5) and is probably singable by all registers and most solo instruments. Playback (without vocal): https://www.youtube.com/watch?v=h4kqIhdAQyk Can be played both by professional orchestras and school orchestras. Also available for chamber orchestra Instrumentation: 2122-3331 (3rd trumpet optional), Glockenspiel, Tubular Bells (optional), Harp (or Piano), Strings, Vocal or Solo Instrument The key moves from Bb to C major. Duration: 4m00s Includes score only (68 pages and three preview pages) The score is also available separately.
$79.99
Silent Night / Stille Nacht (Full Orchestra+Solo Vocal) - Score Only
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Orchestre
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INTERMÉDIAIRE
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Noël
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Franz Xaver Gruber
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Jan Angermüller
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Silent Night / Stille Nacht
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Elbsound.studio
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1178350 Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standards....
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Full Orchestra - Level 3 - SKU: A0.1178350 Composed by Franz Xaver Gruber. Arranged by Jan Angermüller. Christian,Christmas,Holiday,Sacred,Standards. Score and parts. 10 pages. Elbsound.studio #744902. Published by Elbsound.studio (A0.1178350). Silent Night (Stille Nacht) wonderfully arranged for full symphony orchestra and vocal (or solo instrument). The melody spans one and a half octaves (Bb3 to F5) and is probably singable by all registers and most solo instruments.Playback (without vocal): https://www.youtube.com/watch?v=h4kqIhdAQykCan be played both by professional orchestras and school orchestras. Also available for chamber orchestra separately.Instrumentation: 2122-3331 (3rd trumpet optional), Glockenspiel, Tubular Bells (optional), Harp (or Piano), Strings, Vocal or Solo Instrument The key moves from Bb to C major. Duration: 4m00s Includes score only (10 pages) The parts are also available separately.
$16.99
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