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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Have You Heard
Non classifié
391
Piano & claviers
Piano seul
182
Piano, Voix
61
Piano Facile
61
Piano, Voix et Guitare
37
Instruments en Do
17
Orgue
17
1 Piano, 4 mains
14
Accompagnement Piano
8
Piano Trio: piano, violon, violoncelle
5
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
Piano (partie séparée)
1
Clavier
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
36
Guitare
26
Ligne De Mélodie, (Paroles) et Accords
10
Ukulele
9
Guitare (partie séparée)
4
Paroles et Accords
3
Piano, Guitare (duo)
3
Basse electrique
3
Mandoline
1
Ensemble de guitares
1
Mandoline, Guitare (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
79
Chorale 3 parties
18
Chorale 2 parties
13
Voix duo, Piano
9
Chorale Unison
8
Chorale TTBB
7
Chorale
5
Voix duo
5
Chorale SSAA
4
Voix seule
2
Chorale SSATTB
1
Voix Alto, Piano
1
+ 7 instrumentations
Retracter
Vents
2 Flûtes traversières (duo)
34
2 Clarinettes (duo)
27
2 Saxophones (duo)
26
Saxophone Tenor et Piano
25
Saxophone Alto et Piano
24
Flûte traversière et Piano
23
Quatuor de Clarinettes: 4 clarinettes
20
Flûte, Hautbois, Clarinette, Basson
20
Clarinette et Piano
20
Quatuor de Saxophones: 4 saxophones
19
Hautbois, Piano (duo)
16
Saxophone (partie séparée)
15
Saxophone Soprano et Piano
15
Ensemble de Flûtes
15
Flûte traversière
14
3 Saxophones (trio)
14
3 Clarinettes (trio)
13
Quintette de Saxophone: 5 saxophones
12
Clarinette
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Ensemble de Clarinettes
11
Trio de Flûtes: 3 flûtes
9
Saxophone Alto
8
Saxophone Tenor
7
Cor anglais, Piano
7
Flûte, Clarinette et Basson
7
Clarinette (partie séparée)
7
Quatuor de Flûtes : 4 flûtes
7
Flûte, Clarinette (duo)
7
Flûte, Hautbois, Clarinette (trio)
7
Ensemble de saxophones
6
Flûte, Hautbois, Basson
6
Hautbois (partie séparée)
6
Saxophone Baryton, Piano
6
Flûte, Hautbois (duo)
5
Clarinette, Guitare (duo)
4
Clarinette Basse, Piano
4
2 Hautbois (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Hautbois, Clarinette (duo)
4
Flute (partie séparée)
4
Flûte, Violon, Piano
4
Flûte à Bec
4
Flûte, Clarinette, Piano (trio)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Saxophone, Clarinette (duo)
3
Cor Anglais
3
Flûte et Guitare
3
2 Flûtes traversières, Piano
3
Flûte, Violon
3
Clarinette, Violon (duo)
3
Hautbois
2
Clarinette, Trompette (duo)
2
Saxophone Soprano
2
2 Clarinettes, Piano
2
Quintette de Flûte : 5 flûtes
2
Ocarina
2
Flûte, Hautbois, Piano (trio)
2
Hautbois, Flûte
2
Clarinette, Violoncelle (duo)
2
Flûte, Violoncelle, Piano (trio)
1
Flûte, Harpe et Violoncelle
1
Flûte, Violoncelle
1
Ensemble à vent
1
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
Flûte irlandaise
1
Flute, harpe et violon
1
Flûte à bec Soprano
1
2 Flûte à bec (duo)
1
Clarinette et Alto
1
Ensemble De Flûte à bec
1
Flûte, Trompette (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Harpe (duo)
1
+ 71 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Quatuor de cuivres: 4 trombones
15
Trompette
15
Trombone et Piano
13
Cor et Piano
13
Trombone (partie séparée)
12
2 Trompettes (duo)
11
Trompette, Piano
11
2 Trombones (duo)
9
Cor
8
Trompette (partie séparée)
8
Tuba et Piano
8
Trombone
7
Cor anglais, Piano
7
Tuba
6
Quatuor de Cuivres
6
Trio de Cuivres
5
Cor (partie séparée)
5
Ensemble de Trombones
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Quatuor de cuivres: 4 cors
4
Cor Anglais
3
Tuba (partie séparée)
3
Trompette, Trombone (duo)
3
Euphonium
3
2 Euphoniums et 2 Tubas
3
Euphonium, Piano (duo)
3
Ensemble de Trompettes
3
3 Trombones (trio)
2
2 Cors (duo)
2
Trompette, Saxophone (duo)
2
Euphonium, Tuba (duo)
1
Trompette, Violoncelle et Piano
1
4 Tubas
1
2 Trompettes, Clavier (piano ou orgue)
1
2 Tubas (duo)
1
Trompette, Cor (duo)
1
+ 33 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
52
Violon et Piano
44
2 Violons (duo)
33
Violoncelle, Piano
30
Harpe
20
Alto, Piano
17
Trio à Cordes: violon, alto, violoncelle
16
Violon, Violoncelle (duo)
14
2 Violoncelles (duo)
12
Violon, Alto (duo)
12
2 Altos (duo)
11
Violon
10
Trio à Cordes: 2 violons, violoncelle
10
Violoncelle
9
Alto (partie séparée)
7
Violon (partie séparée)
7
Alto, Violoncelle (duo)
6
Contre Basse
6
Violoncelle, Contrebasse (duo)
6
Contrebasse, Piano (duo)
6
Trio à Cordes: 2 violons, alto
6
Trio à cordes: 3 violins
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto seul
5
Contrebasse (partie séparée)
3
Violoncelle (partie séparée)
3
2 Contrebasses (duo)
3
Violon, Guitare (duo)
3
Ensemble de Violons
2
Trio à cordes: 3 altos
2
Harpe, Violon (duo)
2
Trio à Cordes: 3 violoncelles
2
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
Harpe, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Violon, Trompette et Piano
1
Trio à cordes
1
Quatuor à cordes: 4 violons
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
123
Orchestre
39
Orchestre à Cordes
35
Ensemble Jazz
22
Ensemble de cuivres
19
Cloches
9
Orchestre de chambre
6
Jazz combo
4
Percussion (partie séparée)
3
Batterie (partie séparée)
2
Fanfare
2
Vibraphone
1
Orchestre, Violon
1
Marimba
1
Ensemble de Percussions
1
Xylophone, Piano
1
Batterie
1
Instrumentation Flexible
1
+ 13 instrumentations
Retracter
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ACCORDEON
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CORNET
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DULCIMER
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
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GUITARE
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HARMONICA
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LUTH, THEOR…
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VIOLON
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Have You Heard
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Partitions à imprimer
39 partitions trouvées
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1
26
Have You Heard? - Set of Parts (Digital Download)
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Orchestre
#
Noël
#
Joel Raney
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Away in a Manger
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Have You Heard? - Set of Parts
#
Lorenz Publishing - Digital Sheet Music
#
SheetMusicPlus
Instrumental Parts, Full Orchestra - SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas....
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Instrumental Parts, Full Orchestra - SKU: LX.30-3732L A Celtic Christmas Celebration. Composed by Joel Raney. Choral Cantatas. Advent, Christmas. Set of Parts (). 481 pages. Lorenz Publishing - Digital Sheet Music #e30/3732L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3732L). Orchestrated by Ed Hogan.Digital Set of Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!
$249.95
Angels We Have Heard on High (Gloria in Excelsis Deo)- Andrea Bocelli- Voice, Choir and Pops Orch
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
#
Andrea Bocelli
#
Daryl McKenzie
#
Angels We Have Heard on High
#
Daryl McKenzie
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.733964 By Andrea Bocelli. By James Chadwick. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship,Sacred. 9...
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Full Orchestra - Level 4 - SKU: A0.733964 By Andrea Bocelli. By James Chadwick. Arranged by Daryl McKenzie. Christmas,Holiday,Praise & Worship,Sacred. 96 pages. Daryl McKenzie #3865165. Published by Daryl McKenzie (A0.733964). Angels We Have Heard on High (Gloria in Excelsis Deo) as recorded by Andrea Bocelli. Tenor Voice, Choir and Pops Orchestra (Fl1, Fl2/Picc, 2 Ob, 2Cl, BCl, 2Bsn, 4 F Horns, 3 Trumpets, 3 Trombones, Tuba, Guitar, Bass Guitar, Piano, 2nd Keyboard, Drums, Tympani, Percussion, Harp, Vln 1, Vln 2, Vla, Vcl, CB) or Big Band (Fl1, Fl2/Picc, 2Cl, BCl, 4 Trumpets, 4 Trombones, Guitar, Bass Guitar, Piano, 2nd Keyboard, Drums, Percussion) Can combine Big Band with any Orchestra instruments e.g.. Big Band and Strings. Start in Key of G then modulates to Eb (choir chorus) then B (solo voice and choir) to fine. Great arrangement for Christmas concerts.NOTE; Can also be sung by Female (see https://youtu.be/18Y1mzoV3dg)Same arrangement also available for Big Band , same arrangement for Orchestra a minor 3rd lower: Search here More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH Â
$99.99
Angels We Have Heard on High (Gloria in Excelsis Deo)- Andrea Bocelli- Voice, Choir and Pops Orch
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Musique Sacrée
#
Andrea Bocelli
#
Daryl McKenzie
#
Angels We Have Heard on High
#
Daryl McKenzie
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1312685 By Andrea Bocelli. By James Chadwick. Arranged by Daryl McKenzie. Christian,Christmas,Holiday,Praise & Worshi...
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Full Orchestra - Level 4 - SKU: A0.1312685 By Andrea Bocelli. By James Chadwick. Arranged by Daryl McKenzie. Christian,Christmas,Holiday,Praise & Worship,Religious. 108 pages. Daryl McKenzie #901533. Published by Daryl McKenzie (A0.1312685). Angels We Have Heard on High (Gloria in Excelsis Deo) as recorded by Andrea Bocelli. Tenor Voice, Choir and Pops Orchestra (Fl1, Fl2/Picc, 2 Ob, 2Cl, BCl, 2Bsn, 4 F Horns, 3 Trumpets, 3 Trombones, Tuba, Guitar, Bass Guitar, Piano, 2nd Keyboard, Drums, Tympani, Percussion, Harp, Vln 1, Vln 2, Vla, Vcl, CB) or Big Band (Fl1, Fl2/Picc, 2Cl, BCl, 4 Trumpets, 4 Trombones, Guitar, Bass Guitar, Piano, 2nd Keyboard, Drums, Percussion) Can combine Big Band with any Orchestra instruments e.g.. Big Band and Strings. Start in Key of E then modulates to C (choir chorus) then G# (solo voice and choir) to fine. Great arrangement for Christmas concerts.NOTE; Can also be sung by Female (see https://youtu.be/18Y1mzoV3dg)Same arrangement also available for Big Band , same arrangement for Orchestra a minor 3rd higher: Search hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
Angels We Have Heard On High (Orchestral Accompaniment)
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Orchestre
#
INTERMÉDIAIRE
#
Noël
#
Traditional
#
Sam Cardon, Garrett Breeze
#
Angels We Have Heard On High
#
Lagom Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.723457 Composed by Traditional. Arranged by Sam Cardon, Garrett Breeze. Christmas. Score and parts. 100 pages. Lagom ...
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Full Orchestra - Level 3 - SKU: A0.723457 Composed by Traditional. Arranged by Sam Cardon, Garrett Breeze. Christmas. Score and parts. 100 pages. Lagom Music #6610375. Published by Lagom Music (A0.723457). This upbeat, joyous arrangement of Angels We Have Heard on High by Sam Cardon and Garrett Breeze begins with an extended introduction, followed by an initial statement of the chorus. The men and women each sing a respective verse before coming together for a triumphant, majestic final verse. Also available in SAB, SSA, TTB, and Two-Part Choir. Orchestral accompaniment sold separately.
$125.00
Angels We Have Heard From Glory
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Noël
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James Marler
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Alicorn Music (ASCAP)
#
Angels We Have Heard From Glor
#
Alicorn Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.596707 Composed by James Marler. Arranged by Alicorn Music (ASCAP). 20th Century,Christian,Christmas,Classical,Sacred...
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Full Orchestra - Level 4 - SKU: A0.596707 Composed by James Marler. Arranged by Alicorn Music (ASCAP). 20th Century,Christian,Christmas,Classical,Sacred. Score and parts. 131 pages. Alicorn Music (ASCAP) #3662435. Published by Alicorn Music (ASCAP) (A0.596707). This sound collage of various traditional Christmas themes is a perfectoverture, prologue, or even finale for your holiday season’s concert. Written with nods to classical concerto forms and the epic films of Hollywood’s Golden Era, this piece is a sonic feast for your audiences.
$59.97
What Are You Doing New Year's Eve?
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
#
Frank Loesser
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Bryan Kidd
#
French Horn, F-sharp 5
#
What Are You Doing New Year's
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BryanKiddMusic.com
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1285486 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score and Parts. 57 page...
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Full Orchestra - Level 4 - SKU: A0.1285486 Composed by Frank Loesser. Arranged by Bryan Kidd. Christmas,Holiday,Jazz,Standards. Score and Parts. 57 pages. BryanKiddMusic.com #876592. Published by BryanKiddMusic.com (A0.1285486). A beautifully orchestrated and dreamy arrangement. Although Frank Loesser wrote this as an anytime-of-the-year question, most often it’s heard during the Christmas Season. A veritable who’s who have covered it since first being introduced in 1947 by Margaret Whiting. A partial list includes Ella Fitzgerald, Ramsey Lewis, Joe Williams, Nancy Wilson, Johnny Mathis, Idina Menzel, Seth MacFarlane, Barbra Streisand, Andy Williams, Lee Ann Womack, Lena Horne and The Carpenters. Full Orchestra with Vocal Soloist (G3 to A-flat 4) Brass high note: Trumpet F 5; French Horn, F-sharp 5; Trombone E 4 Saxophones are optional NOTE: a letter-size (8.5x11) score is included with the set; a more easily read Tabloid-size (11x17) score is available separately (RECOMMENDED). For the Tabloid-size score, click here. Please visit BryanKiddMusic.com    With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C.  Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.
$65.00
Rosary Sonatas: The Finding of the Child Jesus in the Temple
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Finding of
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 48 pages. JMJ Arrangements #685713. Published by JMJ Arrangements (A0.1081597). Now his parents went to Jerusalem every year at the feast of the Passover. And when he was twelve years old, they went up according to custom; and when the feast was ended, as they were returning, the boy Jesus stayed behind in Jerusalem. His parents did not know it, but supposing him to be in the company they went a day’s journey, and they sought him among their kinsfolk and acquaintances; and when they did not find him, they returned to Jerusalem, seeking him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions; and all who heard him were amazed at his understanding and his answers. And when they saw him they were astonished; and his mother said to him, 'Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.' And he said to them, 'How is it that you sought me? Did you not know that I must be in my Father’s house?' And they did not understand the saying which he spoke to them. And he went down with them and came to Nazareth, and was obedient to them; and his mother kept all these things in her heart. And Jesus increased in wisdom and in stature, and in favor with God and man. (Luke 2:41-52, RSV-CE).
$19.99
Sally's Song
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Orchestre
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INTERMÉDIAIRE
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Danny Elfman
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Victor Pesavento
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Sally's Song
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Victor Pesavento
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1503431 Composed by Danny Elfman. Arranged by Victor Pesavento. Broadway,Christmas,Film/TV,Halloween,Holiday,Musical/...
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Full Orchestra - Level 3 - SKU: A0.1503431 Composed by Danny Elfman. Arranged by Victor Pesavento. Broadway,Christmas,Film/TV,Halloween,Holiday,Musical/Show. 47 pages. Victor Pesavento #1078880. Published by Victor Pesavento (A0.1503431). Solo Vocal with Orchestra arrangement of Sally's Song from Tim Burton's The Nightmare Before Christmas.Includes optional Accordion and Alto Saxophone parts.Score & Parts (in the original key)FLUTE 1-2ALTO FLUTEOBOEENGLISH HORNBb CLARINET 1-2BASS CLARINETBASSOON 1-2ALTO SAXOPHONE (optional)F HORNS 1-4Bb TRUMPET 1-3TROMBONE 1-2BASS TROMBONETUBAPERCUSSION 1: GlockenspielPERCUSSION 2: Vibraphone, Finger CymbalsHARPCELESTAACCORDION (optional)SOLO VOICEVIOLIN IVIOLIN IIVIOLACELLOCONTRABASSAbout the arranger:Victor Pesavento is a Los Angeles based orchestrator and arranger. Recent notable orchestration projects include the films Hocus Pocus 2 (2022), Luck (2022), Ice Age: Adventures of Buck Wild (2022), The New Mutants (2020), Dora and the Lost City of Gold (2019), Solo: A Star Wars Story (2018) and Maze Runner: The Death Cure (2018), as well as episodes of The Simpsons, The Orville, Halo, Green Eggs & Ham, and The Mandalorian.Victor has worked with composers John Williams, Alan Silvestri, James Newton Howard, John Debney, John Powell, Alexandre Desplat and others on over 600 motion pictures that have included West Side Story, Star Wars: Episodes VII-VIII-IX, Frozen, The Avengers and How To Train Your Dragon. Other film credits include various installments of the Indiana Jones, Harry Potter, Hunger Games and Lord of the Rings franchises, as well as Tony Award nominated musicals Catch Me If You Canand Beautiful: The Carole King Musical.Victor’s arrangements have been heard on numerous Academy Awards shows and American Idol broadcasts and have been recorded by the London Symphony Orchestra, the Los Angeles Film Orchestra and the Royal Philharmonic Orchestra, performed by such notable artists and ensembles as Barbra Streisand, Jennifer Hudson, Kristen Bell, the National Symphony Orchestra, and featured in the Ghent Film Festival, the Tenerife International Film Music Festival and Hollywood In Vienna (Festival der Filmmusik).
$49.99
Christmas (Baby Please Come Home)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Darlene Love
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Victor Pesavento
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Christmas
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Victor Pesavento
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1496317 By Darlene Love. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by Victor Pesavento. Christmas,Co...
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Full Orchestra - Level 4 - SKU: A0.1496317 By Darlene Love. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by Victor Pesavento. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. 75 pages. Victor Pesavento #1072885. Published by Victor Pesavento (A0.1496317). Solo Vocal with Background Choir & Orchestra + Rhythm Section arrangement of this Christmas song by Michael Bublé.Perfect for pops orchestra holiday concerts.Score & Parts (in the key of D) - Also available in the original key of Gb as a separate listing.About the arranger:Victor Pesavento is a Los Angeles based orchestrator and arranger. Recent notable orchestration projects include the films Hocus Pocus 2 (2022), Luck (2022), Ice Age: Adventures of Buck Wild (2022), The New Mutants (2020), Dora and the Lost City of Gold (2019), Solo: A Star Wars Story (2018) and Maze Runner: The Death Cure (2018), as well as episodes of The Simpsons, The Orville, Halo, Green Eggs & Ham, and The Mandalorian.Victor has worked with composers John Williams, Alan Silvestri, James Newton Howard, John Debney, John Powell, Alexandre Desplat and others on over 600 motion pictures that have included West Side Story, Star Wars: Episodes VII-VIII-IX, Frozen, The Avengers and How To Train Your Dragon. Other film credits include various installments of the Indiana Jones, Harry Potter, Hunger Games and Lord of the Rings franchises, as well as Tony Award nominated musicals Catch Me If You Can and Beautiful: The Carole King Musical.Victor’s arrangements have been heard on numerous Academy Awards shows and American Idol broadcasts and have been recorded by the London Symphony Orchestra, the Los Angeles Film Orchestra and the Royal Philharmonic Orchestra, performed by such notable artists and ensembles as Barbra Streisand, Jennifer Hudson, Kristen Bell, the National Symphony Orchestra, and featured in the Ghent Film Festival, the Tenerife International Film Music Festival and Hollywood In Vienna (Festival der Filmmusik).
$85.00
Christmas (Baby Please Come Home)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mariah Carey
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Victor Pesavento
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Christmas
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Victor Pesavento
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1496314 By Mariah Carey. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by Victor Pesavento. Christmas,Co...
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Full Orchestra - Level 4 - SKU: A0.1496314 By Mariah Carey. By Ellie Greenwich, Jeff Barry, and Phil Spector. Arranged by Victor Pesavento. Christmas,Contemporary,Holiday,Pop,Singer/Songwriter. 74 pages. Victor Pesavento #1072882. Published by Victor Pesavento (A0.1496314). Solo Vocal with Background Choir & Orchestra + Rhythm Section arrangement of this Christmas song by Michael Bublé.Perfect for pops orchestra holiday concerts.Score & Parts (in the original key of Gb) - Also available in the key of D as a separate listing.About the arranger: Victor Pesavento is a Los Angeles based orchestrator and arranger. Recent notable orchestration projects include the films Hocus Pocus 2 (2022), Luck (2022), Ice Age: Adventures of Buck Wild (2022), The New Mutants (2020), Dora and the Lost City of Gold (2019), Solo: A Star Wars Story (2018) and Maze Runner: The Death Cure (2018), as well as episodes of The Simpsons, The Orville, Halo, Green Eggs & Ham, and The Mandalorian.Victor has worked with composers John Williams, Alan Silvestri, James Newton Howard, John Debney, John Powell, Alexandre Desplat and others on over 600 motion pictures that have included West Side Story, Star Wars: Episodes VII-VIII-IX, Frozen, The Avengers and How To Train Your Dragon. Other film credits include various installments of the Indiana Jones, Harry Potter, Hunger Games and Lord of the Rings franchises, as well as Tony Award nominated musicals Catch Me If You Can and Beautiful: The Carole King Musical.Victor’s arrangements have been heard on numerous Academy Awards shows and American Idol broadcasts and have been recorded by the London Symphony Orchestra, the Los Angeles Film Orchestra and the Royal Philharmonic Orchestra, performed by such notable artists and ensembles as Barbra Streisand, Jennifer Hudson, Kristen Bell, the National Symphony Orchestra, and featured in the Ghent Film Festival, the Tenerife International Film Music Festival and Hollywood In Vienna (Festival der Filmmusik).
$85.00
Overture in March Style
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Orchestre
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AVANCÉ
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Classique
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Giacomo Meyerbeer
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Overture in March Style
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Trevor Denyer
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1346797 Composed by Giacomo Meyerbeer. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. 21...
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Full Orchestra - Level 5 - SKU: A0.1346797 Composed by Giacomo Meyerbeer. Arranged by Typeset by Susan & Trevor Denyer. 19th Century,Romantic Period. 210 pages. Trevor Denyer #931578. Published by Trevor Denyer (A0.1346797). This is a work that I have never heard performed; indeed Meyerbeer is a most neglected composer these days, when he was (justifiably) quite a celebrity in his day. This piece is an inventive and effective piece for full orchestra that deserves to be performed as a fine work of the romantic period. I hope you enjoy it.As with all my scores, print the parts double-sided as presented (including title pages) and the page turns will work.
$40.00
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Otto
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Flavio Regis Cunha
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Wachet auf, ruft uns die Stimm
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1280391 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Cla...
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Full Orchestra - Level 4 - SKU: A0.1280391 By Johann Sebastian Bach and Ottorino Respighi. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Classical,Contemporary,Contest,Festival,Sacred,Wedding. Score and Parts. 32 pages. Flavio Regis Cunha #871838. Published by Flavio Regis Cunha (A0.1280391). Wachet auf, ruft uns die Stimme (from 3 Corali - DAI CHORALVORSPIELE, PER ORGANO) from Bach - 3 chorales, P. 167, N.3.Let your church, school and professional orchestra stand out with this unique and beautiful arrangement of 'Wachet auf, ruft uns die Stimme' composed in the traditional style of Johann Sebastian Bach and embellished by Ottorino Respighi. Resonating with complexity and elegance, it's perfect for special services, concerts or educational purposes. Let your performance envelope the auditorium in a peaceful warmth created by its grand choral accompaniment. Sumptuous and profound, it's an excellent way to touch the hearts of all your audiences. Make this timeless masterpiece the centerpiece of your repertoire with our exclusive sheet music and own a part of history!Advanced IntermediateFormat: 9 x 12 inchesFull Score and Orchestral PartsSize: 32 pagesDuration: 4min.InstrumentationCLARINET 1 IN Bb CLARINET 2 IN Bb BASSOON 1 BASSOON 2 CONTRABASSOON HORN 1 IN F HORN 2 IN F HORN 3 IN F HORN 4 IN F TRUMPET 1 IN Bb TRUMPET 1 IN Bb TRUMPET 1 IN Bb TROMBONE 1 TROMBONE 2 BASS TROMBONE VIOLIN 1 VIOLIN 2 VIOLA 1 VIOLA 2 VIOLONCELLO DOUBLE BASSNotesBach's beloved Wachet auf, ruft uns die Stimme, is known for its solemn beauty and is often referred to as the first choral prelude. Written for organ, it has been composed by Johann Sebastian Bach and lovingly arranged by Otorino Respighy for a modern music audience. This timeless piece is a beautifully layered statement of faith, representing the Church of the Great Awakening that swept through northern Europe in the 17th century. From the opening of the Passion Choral to its closing codetta, Bach's devotion runs deep as his majestic and undulating organ structures propel the work towards its soaring climax. Whether you have heard this classic before or not, we invite to join us to experience the power of this musical devotion. You are bound to be moved and surprised by its radiant beauty.
$49.99
Festival
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
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Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
A Festival of Carols: 4th F Horn
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Douglas E
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A Festival of Carols: 4th F Ho
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0014690_H4 4th F Horn. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet M...
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Full Orchestra - SKU: AX.00-PC-0014690_H4 4th F Horn. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014690_H4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014690_H4). UPC: 038081405230.A Festival of Carols -- What a versatile holiday collection! This one will work as a stand-alone full orchestra, stand-alone string orchestra, or either can accompany the partner choral arrangements [SATB Chorus (SVM05043) or Three-Part Mixed Chorus (SVM05044)]. You can feature your entire music department on this holiday concert closer! The medley features Hark! The Herald Angels Sing, While by my Sheep, God Rest Ye Merry Gentlemen, Still, Still, Still, and Angels, We Have Heard on High. (4:23)Concert/Contest; Festival.
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A Festival of Carols: Flute
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Douglas E
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A Festival of Carols: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0014690_F1 Flute. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music ...
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Full Orchestra - SKU: AX.00-PC-0014690_F1 Flute. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014690_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014690_F1). UPC: 038081405230.A Festival of Carols -- What a versatile holiday collection! This one will work as a stand-alone full orchestra, stand-alone string orchestra, or either can accompany the partner choral arrangements [SATB Chorus (SVM05043) or Three-Part Mixed Chorus (SVM05044)]. You can feature your entire music department on this holiday concert closer! The medley features Hark! The Herald Angels Sing, While by my Sheep, God Rest Ye Merry Gentlemen, Still, Still, Still, and Angels, We Have Heard on High. (4:23)Concert/Contest; Festival.
$3.00
A Festival of Carols: 3rd F Horn
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Douglas E
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A Festival of Carols: 3rd F Ho
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0014690_H3 3rd F Horn. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet M...
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Full Orchestra - SKU: AX.00-PC-0014690_H3 3rd F Horn. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014690_H3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014690_H3). UPC: 038081405230.A Festival of Carols -- What a versatile holiday collection! This one will work as a stand-alone full orchestra, stand-alone string orchestra, or either can accompany the partner choral arrangements [SATB Chorus (SVM05043) or Three-Part Mixed Chorus (SVM05044)]. You can feature your entire music department on this holiday concert closer! The medley features Hark! The Herald Angels Sing, While by my Sheep, God Rest Ye Merry Gentlemen, Still, Still, Still, and Angels, We Have Heard on High. (4:23)Concert/Contest; Festival.
$3.00
A Festival of Carols: Bassoon
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Douglas E
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A Festival of Carols: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0014690_B1 Bassoon. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Musi...
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Full Orchestra - SKU: AX.00-PC-0014690_B1 Bassoon. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014690_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014690_B1). UPC: 038081405230.A Festival of Carols -- What a versatile holiday collection! This one will work as a stand-alone full orchestra, stand-alone string orchestra, or either can accompany the partner choral arrangements [SATB Chorus (SVM05043) or Three-Part Mixed Chorus (SVM05044)]. You can feature your entire music department on this holiday concert closer! The medley features Hark! The Herald Angels Sing, While by my Sheep, God Rest Ye Merry Gentlemen, Still, Still, Still, and Angels, We Have Heard on High. (4:23)Concert/Contest; Festival.
$3.00
A Festival of Carols: Score
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Douglas E
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A Festival of Carols: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0003006 Score. Arranged by Douglas E. Wagner. Instructional. Score. 28 pages. Alfred Music - Digital Sheet Music #...
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Full Orchestra - SKU: AX.00-PR-0003006 Score. Arranged by Douglas E. Wagner. Instructional. Score. 28 pages. Alfred Music - Digital Sheet Music #00-PR-0003006. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0003006). UPC: 038081405230.A Festival of Carols -- What a versatile holiday collection! This one will work as a stand-alone full orchestra, stand-alone string orchestra, or either can accompany the partner choral arrangements [SATB Chorus (SVM05043) or Three-Part Mixed Chorus (SVM05044)]. You can feature your entire music department on this holiday concert closer! The medley features Hark! The Herald Angels Sing, While by my Sheep, God Rest Ye Merry Gentlemen, Still, Still, Still, and Angels, We Have Heard on High. (4:23)Concert/Contest; Festival.
$9.00
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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AVANCÉ
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
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