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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
How Far I
Non classifié
305
Piano & claviers
Piano seul
162
Piano, Voix
56
Piano Facile
53
Piano, Voix et Guitare
36
Accordéon
19
1 Piano, 4 mains
17
Piano grosses notes
15
Instruments en Do
10
Orgue
8
Piano (partie séparée)
4
2 Pianos, 4 mains
1
Accordéon, Voix
1
Piano Trio: piano, violon, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
14
Guitare
13
Ukulele
11
Ligne De Mélodie, (Paroles) et Accords
11
Paroles et Accords
8
Basse electrique
2
Basse électrique (partie séparée)
2
Piano, Guitare (duo)
1
Guitare (partie séparée)
1
Banjo
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
44
Chorale 3 parties
20
Chorale 2 parties
13
Chorale SSAA
8
Chorale TTBB
7
Chorale
4
Voix seule
2
Voix duo, Piano
2
Chorale SSATTB
1
Voix Soprano, Piano
1
Voix duo
1
Chorale SSAB a cappella
1
Pack Instrumental pour Chorale
1
Chorale Unison
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
24
Clarinette
21
Saxophone Alto
21
Flûte traversière
20
Saxophone Tenor
19
2 Clarinettes (duo)
12
Clarinette et Piano
12
Saxophone (partie séparée)
12
Flûte, Hautbois, Clarinette, Basson
11
Flûte à Bec
11
Quatuor de Saxophones: 4 saxophones
11
2 Flûte à bec (duo)
10
2 Flûtes traversières (duo)
10
Saxophone Alto et Piano
10
3 Saxophones (trio)
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Saxophone Soprano
8
Hautbois, Piano (duo)
8
Flûte traversière et Piano
7
Saxophone Tenor et Piano
7
Clarinette (partie séparée)
6
Saxophone, Clarinette (duo)
6
3 Clarinettes (trio)
6
Flûte à bec Soprano
5
Quatuor de Clarinettes: 4 clarinettes
5
Hautbois (partie séparée)
5
Quintette de Saxophone: 5 saxophones
5
Cor Anglais
4
Flute (partie séparée)
4
Hautbois, Basson (duo)
4
Clarinette, Trompette (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
Hautbois, Flûte
3
Quatuor de Flûtes : 4 flûtes
3
Hautbois, Clarinette (duo)
3
Trio de Flûtes: 3 flûtes
3
2 Hautbois (duo)
3
Flûte, Clarinette (duo)
3
Clarinette, Violon (duo)
3
3 Hautbois
2
Quintette de Clarinettes: 5 clarinettes
2
Saxophone
2
Flûte, Saxophone (duo)
2
Saxophone Soprano et Piano
2
Ocarina
2
Clarinette et Alto
2
Flûte, Alto (duo)
2
Clarinette, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Alto
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Ensemble de Flûtes
1
Ensemble de Clarinettes
1
Flûte, Trompette (duo)
1
Hautbois, Violon, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Clarinette, Violon (trio)
1
Saxophone et Orgue
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Violon
1
Quintette de Flûte : 5 flûtes
1
Hautbois
1
Clarinette, Guitare (duo)
1
+ 60 instrumentations
Retracter
Cuivres
Trompette
20
Trombone
18
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
17
Trompette (partie séparée)
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Cor
10
Euphonium
9
Trombone et Piano
9
2 Trompettes (duo)
8
2 Trombones (duo)
8
Trombone (partie séparée)
6
Trompette, Trombone (duo)
5
Trompette, Piano
5
Trompette, Saxophone (duo)
4
Cor Anglais
4
Tuba (partie séparée)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Cor et Piano
3
2 Cors (duo)
3
Quatuor de cuivres: 4 trombones
2
Cor (partie séparée)
2
Tuba et Piano
1
Cor, Tuba (duo)
1
Trompette, Cor (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone, Cor (duo)
1
Tuba
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon
31
Violon, Violoncelle (duo)
28
2 Violons (duo)
18
Violoncelle
18
Violon et Piano
17
Alto seul
14
Alto, Piano
12
Violoncelle, Piano
10
Violon (partie séparée)
9
2 Altos (duo)
8
Harpe
8
2 Violoncelles (duo)
7
Violon, Alto (duo)
7
Alto (partie séparée)
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Trio à Cordes: 2 violons, violoncelle
4
Trio à Cordes: violon, alto, violoncelle
4
Violoncelle (partie séparée)
3
Alto, Violoncelle (duo)
2
Trio à Cordes: 3 violoncelles
2
Trio à cordes: 3 violins
2
Contre Basse
2
Trio à cordes: 3 altos
2
2 Harpes (duo)
2
Contrebasse, Piano (duo)
1
2 Contrebasses (duo)
1
Contrebasse (partie séparée)
1
Harpe, Voix
1
4 Violoncelles
1
Piano Trio: Violon, Alto, Piano
1
Trio à Cordes: 2 violons, alto
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Fanfare
35
Orchestre d'harmonie
31
Orchestre
31
Orchestre à Cordes
18
Ensemble de cuivres
13
Percussion (partie séparée)
9
Orchestre de chambre
5
Ensemble Jazz
5
Cloches
4
Batterie (partie séparée)
3
Vibraphone
3
Jazz combo
2
Batterie
2
Ensemble de Percussions
2
Marimba
1
Timbales (partie séparée)
1
+ 11 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
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Partitions Gratuites
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Partitions Numériques
31
Librairie Musicale
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
How Far I
Orchestre
Partitions à imprimer
31 partitions trouvées
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1
26
How Far I'll Go
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Orchestre
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AVANCÉ
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Film Walt Disney
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Alessia Cara
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Henrik Torolphi
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vocal soloist, alto.
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How Far I'll Go
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Henrik Torolphi
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1271914 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Henrik Torolphi. Broadway,Children,Film/TV,Musical/Show. ...
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Full Orchestra - Level 5 - SKU: A0.1271914 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Henrik Torolphi. Broadway,Children,Film/TV,Musical/Show. Score and Parts. 102 pages. Henrik Torolphi #864265. Published by Henrik Torolphi (A0.1271914). The arrangement of this beloved Disney song expands from a gentle breeze on a peaceful and inviting tropical beach to a full Hollywood tsunami. We get the wind in the sails and the splash from the waves in the woodwind’s tone cascades. The sun is high in the sky and illuminates our minds with the bright heights of the strings. The brass gives fanfares worthy of a female chief. We sail out with harp, marimba and percussion to a world where Moana sees no boundaries.Henrik Torolphi 2023Instrumentation: 3222 4331 timp 2 perc 1 mal hrp strings & vocal soloist, alto.
$150.00
How Far I'll Go
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Orchestre
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INTERMÉDIAIRE
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Alessia Cara
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Henrik Torolphi
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How Far I'll Go
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Henrik Torolphi
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1385490 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Henrik Torolphi. Broadway,Film/TV,Musical/Show. 118 pages...
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Full Orchestra - Level 3 - SKU: A0.1385490 By Alessia Cara. By Lin-Manuel Miranda. Arranged by Henrik Torolphi. Broadway,Film/TV,Musical/Show. 118 pages. Henrik Torolphi #969472. Published by Henrik Torolphi (A0.1385490). Choir and orchestraArrengement for Side by SideInternational Music CampGothenburg 15â??19 June 2024Flute 1-2PiccoloOboe 1-2Clarinett 1-2 in BbBass Clarinett in BbBasson 1-2Alto Saxophone 1-2Tenor Saxophone 1-2Baritone SaxophoneHorn in F 1-2Trumpet in Bb 1-3Trumpet in Bb 2Trumpet in Bb 3Baritone (in C and Bb)Trombone 1-3Trombone 2Tuba Timpani (4 timpani)Percussion (4-5 players)Bass Drum, Cabasa Egg Shaker, Rain Stick,Wind Chimes / Sus. Cymbal, CongasGlockenspielChoir S1S2ATBViolin IViolin IIViolaVioloncelloContrabass.
$150.00
How Far I'll Go
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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Alessia Cara
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Paul Campbell
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How Far I'll Go
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Paul Campbell
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SheetMusicPlus
By Alessia Cara. By Lin-Manuel Miranda (1980-). Arranged by Paul Campbell. Broadway, Children, Classical, Film/TV, Musical/Show. Score and parts. 72 p...
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By Alessia Cara. By Lin-Manuel Miranda (1980-). Arranged by Paul Campbell. Broadway, Children, Classical, Film/TV, Musical/Show. Score and parts. 72 pages. Paul Campbell #641371. Published by Paul Campbell
$109.99
How Far I'll Go
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Orchestre
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INTERMÉDIAIRE
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Pop musique
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Alessia Cara
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Matteo Delfino
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How Far I'll Go
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Matteo Delfino
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SheetMusicPlus
By Alessia Cara. By Lin-Manuel Miranda (1980-). Arranged by Matteo Delfino. Pop. Score and parts. 40 pages. Matteo Delfino #6759867. Published by Matt...
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By Alessia Cara. By Lin-Manuel Miranda (1980-). Arranged by Matteo Delfino. Pop. Score and parts. 40 pages. Matteo Delfino #6759867. Published by Matteo Delfino
$89.99
How Far I'll Go
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Orchestre
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INTERMÉDIAIRE
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Pop musique
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Takida
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Daryl McKenzie
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How Far I'll Go
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.718670 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged...
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Full Orchestra - Level 3 - SKU: A0.718670 By Takida. By Christian Bror Rehn, Lin-Manuel Miranda, Robert Karl Pettersson, and Thomas Jan Vallin. Arranged by Daryl McKenzie. Pop. Score and parts. 99 pages. Daryl McKenzie #6494049. Published by Daryl McKenzie (A0.718670). Arranged in the style of Alessia Cara for Vocal, Backing Vocals with Pops Orchestra (Picc, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, 4 Perc, 3 Keyboards, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB) Key of E with a key change to F.More arrangements by Daryl McKenzie: https://tinyurl.com/y4tjxfen
$89.99
Karrinyup Fanfare
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Ben Clapton
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Karrinyup Fanfare
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Ben Clapton
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published b...
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Full Orchestra - Level 4 - SKU: A0.1205401 Composed by Ben Clapton. Classical,Contemporary. Score and parts. 103 pages. Ben Clapton #803587. Published by Ben Clapton (A0.1205401). An Orchestral Fanfare, written for the Metropolitan Symphony Orchestra, Perth. 2 Flutes (2nd doubling Piccolo), 2 Oboes, 2 Bb Clarinet, 2 Bassoon, 4 French Horns, 2 Trumpets in Bb, 2 Trombones, 1 Tuba, 4 Percussion (Timpani, Bass Drum, Snare Drum, Cymbals), Harp, StringsComposer's notes:2022 was a year that sparked inspiration for me. I am not talking about just one spark either, but a series that beautifully led me to the creation of my piece. After seeing the 2022 MetSO program it was evident that it lightly using the Brass players, and I knew they were feeling a bit underutilised. Which sparked the first idea in my mind to write a piece that would take full advantage of their skills, and heavily use brass instruments. The program coincided with the 45th Anniversay of the Orchestra which started it life as the Karrinyup Symphony Orchestra. Rekindling the orchestra’s relationship with the City of Stirling and returning to the City of Stirling as a rehearsal venue in 2023, was another spark of inspiration which led me towards the piece’s naming… the ‘Karrinyup Fanfare’. The last spark of inspiration was a query inside my mind. The opening of the piece contrasts two somewhat conflicting meanings of the word Karrinyup. During an Aboriginal Studies unit, I discovered that Karrinyup is a Noongar word that translates to “the place where there are spidersâ€. However, this differs from the City of Stirling official meaning of the name Karrinyup on the website. It states the word means “the place where Kangaroos drinkâ€, possibly because it sounds much more pleasant and doesn’t inspire the fear that spiders often do. It was this contrary interpretation of the word ‘Karrinyup’ which provided the final spark of inspiration I needed for this composition. You see, when you listen to the opening, the theme jumps up and down through the horns, and represents the Kangaroo – Yongka. Whilst as the fanfare continues, you will notice the second theme – the crawling strings represent the spider – Kar. I hope you enjoy it as much as I did creating it. May it, and this new year, spark inspiration for you.
$75.00
You're the One That I Want (from Grease): Electric Bass
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Orchestre
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John Farrar
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Douglas E
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Concert/Contest.
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You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0001161_EBA Electric Bass. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. A...
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Full Orchestra - SKU: AX.00-PC-0001161_EBA Electric Bass. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001161_EBA. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001161_EBA). UPC: 038081305769.This will be the one they want to play! A blow out arrangement from the musical, Grease and the hot TV show! Great spring concert closer! This title is available in SmartMusic.Closer; Concert/Contest.
$3.00
You're the One That I Want (from Grease): Cello
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Orchestre
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Methodes
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John Farrar
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Douglas E
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Concert/Contest.
#
You're the One That I Want
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0001161_VC1 Cello. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Mu...
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Full Orchestra - SKU: AX.00-PC-0001161_VC1 Cello. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001161_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001161_VC1). UPC: 038081305769.This will be the one they want to play! A blow out arrangement from the musical, Grease and the hot TV show! Great spring concert closer! This title is available in SmartMusic.Closer; Concert/Contest.
$3.00
You're the One That I Want (from Grease): Mallets
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Orchestre
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Methodes
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John Farrar
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Douglas E
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Concert/Contest.
#
You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0001161_M1 Mallets. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred M...
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Full Orchestra - SKU: AX.00-PC-0001161_M1 Mallets. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001161_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001161_M1). UPC: 038081305769.This will be the one they want to play! A blow out arrangement from the musical, Grease and the hot TV show! Great spring concert closer! This title is available in SmartMusic.Closer; Concert/Contest.
$3.00
You're the One That I Want (from Grease): Timpani
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Orchestre
#
Methodes
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John Farrar
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Douglas E
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Concert/Contest.
#
You're the One That I Want
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0001161_TMP Timpani. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred ...
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Full Orchestra - SKU: AX.00-PC-0001161_TMP Timpani. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001161_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001161_TMP). UPC: 038081305769.This will be the one they want to play! A blow out arrangement from the musical, Grease and the hot TV show! Great spring concert closer! This title is available in SmartMusic.Closer; Concert/Contest.
$3.00
You're the One That I Want (from Grease): Score
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Orchestre
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Methodes
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John Farrar
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Douglas E
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Concert/Contest.
#
You're the One That I Want
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0001146 Score. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Score. 12 pages. Alfred Musi...
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Full Orchestra - SKU: AX.00-PR-0001146 Score. Composed by John Farrar. Arranged by Douglas E. Wagner. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0001146. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0001146). UPC: 038081305769.This will be the one they want to play! A blow out arrangement from the musical, Grease and the hot TV show! Great spring concert closer! This title is available in SmartMusic.Closer; Concert/Contest.
$9.00
Tombland Fanfare
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Orchestre
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AVANCÉ
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Contemporain
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Mu...
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Full Orchestra - Level 5 - SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
Lin-Manuel Miranda: How Far I'll Go (from Moana) (COMPLETE) - orchestra
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Orchestre
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INTERMÉDIAIRE
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Film Walt Disney
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Enfant
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Lin-Manuel Miranda
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Virtualsheetmusic
Instantly printable sheet music by Lin-Manuel Miranda for orchestra of MEDIUM skill level. / children,disney,film/tv,movies
Instantly printable sheet music by Lin-Manuel Miranda for orchestra of MEDIUM skill level. / children,disney,film/tv,movies
$59.99
Ed Lojeski: How Far I'll Go (from Moana) (arr. Ed Lojeski) (complete set of parts) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Film Walt Disney
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Enfant
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Ed Lojeski
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Virtualsheetmusic
Instantly printable sheet music by Lin-Manuel Miranda for orchestra/band of MEDIUM skill level. / children,disney,film/tv,movies
Instantly printable sheet music by Lin-Manuel Miranda for orchestra/band of MEDIUM skill level. / children,disney,film/tv,movies
$19.99
John Farrar: You're the One That I Want - full orchestra (full score)
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Orchestre
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FACILE
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Film/TV
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John Farrar
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Virtualsheetmusic
Instantly printable sheet music by John Farrar for full orchestra (full score) of EASY/MEDIUM skill level. / film/tv,pop,movies,love,musical/show,rock,children,broadway,instructional,choral...
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Instantly printable sheet music by John Farrar for full orchestra (full score) of EASY/MEDIUM skill level. / film/tv,pop,movies,love,musical/show,rock,children,broadway,instructional,choral
$8.99
John Farrar: You're the One That I Want (COMPLETE) - full orchestra
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Orchestre
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FACILE
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Film/TV
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John Farrar
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Virtualsheetmusic
Instantly printable sheet music by John Farrar for full orchestra of EASY/MEDIUM skill level. / film/tv,pop,movies,love,musical/show,rock,children,broadway,instructional,choral...
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Instantly printable sheet music by John Farrar for full orchestra of EASY/MEDIUM skill level. / film/tv,pop,movies,love,musical/show,rock,children,broadway,instructional,choral
$79.99
Festival
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
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Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
Gulf Coast Symphony
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Kevin Price
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Gulf Coast Symphony
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Kevin Price
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.965587 Composed by Kevin Price. Contemporary. Score and parts. 139 pages. Kevin Price #5766297. Published by Kevin Pr...
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Full Orchestra - Level 4 - SKU: A0.965587 Composed by Kevin Price. Contemporary. Score and parts. 139 pages. Kevin Price #5766297. Published by Kevin Price (A0.965587). I am really excited to present my first symphony; Gulf Coast Symphony. As far as symphonies go this is slightly shorter than most with a runtime of approx. 20 mins. This composition consists of four movements: The Sonata, which is written at an Allegro includes a french horn and oboe solo. Andante, which is obviously written at an Andante displays a very beautiful harp part, a section with the violins playing a lovely pizzicato part, and includes a trumpet duet. The percussion is also showcased in the first 8 bars of the movement. Next is the Minuet, which highlights the flutes briefly in the intro, and also includes a violin as well as a trombone solo. The last movement is a Rondo, which consists of a bassoon solo and is the longest of the 4 movements. I am looking for feedback on my composition, so please leave comments in the review section on what you liked, and what you might like to see in future compositions. Enjoy!
$19.99
Homage to O'Keeffe for Orchestra
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Orchestre
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AVANCÉ
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Sy Brandon
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Homage to O'Keeffe for Orchest
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Publi...
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Full Orchestra - Level 5 - SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik Int...
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Full Orchestra - Level 5 - SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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Americana Symphony "Varia
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
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