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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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PIANO & CLAVIERS
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1159
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119
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100
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Flûte traversière et Piano
34
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14
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5
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5
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4
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3
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CUIVRES
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51
Quatuor de Cuivres
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17
Trombone et Piano
16
Trompette, Piano
11
Trompette
8
Cor et Piano
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
2 Trompettes (duo)
4
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3
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3
Cor anglais, Piano
3
3 Trombones (trio)
2
3 Cors (trio)
2
Trompette, Trombone (duo)
2
Ensemble de Trombones
2
Euphonium, Piano (duo)
2
3 Tubas (trio)
2
Trompette, Cor (duo)
2
Euphonium, Tuba (duo)
1
Trompette, Violoncelle et Piano
1
Quatuor de cuivres: 4 trombones
1
Trombone, Cor (duo)
1
Tuba et Piano
1
Clarinette, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trompettes
1
2 Cors (duo)
1
4 Tubas
1
Ensemble de Cors
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2 Trombones (duo)
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CORDES
Violon et Piano
61
Quatuor à cordes: 2 violons, alto, violoncelle
43
Violoncelle, Piano
29
Alto, Piano
27
Violon
17
2 Violons (duo)
11
Harpe
10
4 Violoncelles
4
Trio à Cordes: violon, alto, violoncelle
4
Trio à Cordes: 2 violons, alto
3
Violon, Alto (duo)
3
Trio à cordes: 3 violins
3
2 Violoncelles (duo)
3
Violon, Violoncelle (duo)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
2
2 Altos (duo)
2
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
2 Violons, Piano
1
Alto seul
1
Alto, Orgue
1
Violoncelle, Orgue
1
Ensemble d'Altos
1
Contrebasse, Piano (duo)
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle
1
Harpe, Violon (duo)
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
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PERCUSSIONS & ORCHESTRES
Cloches
107
Orchestre d'harmonie
45
Orchestre
21
Orchestre à Cordes
12
Ensemble de cuivres
9
Orchestre de chambre
9
Jazz combo
3
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AUTRES
Vous avez sélectionné:
Hymn Text - R
Orchestre
Partitions à imprimer
21 partitions trouvées
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HYFRYDOL (Key of E-flat) - hymn orchestration
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.742844 Composed by Rowland H. P…
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Full Orchestra - Level 3 - Digital Download SKU: A0.742844 Composed by Rowland H. Pritchard. Arranged by David Winkler. Christian,Sacred. Score and parts. 23 pages. Www.DavidWinkler.com #4624281. Published by www.DavidWinkler.com (A0.742844). The harmonization of this arrangement corresponds to the version found in the 1990Presbyterian Hymnal. The tune, HYFRYDOL, may be used with several different hymntexts.
$49.95
45.59 €
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Orchestre
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Rowland H
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David Winkler
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HYFRYDOL
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www.DavidWinkler.com
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SheetMusicPlus
Christ The Lord Is Risen Today - EASTER HYMN
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1209782 Composed by j. Arranged…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1209782 Composed by j. Arranged by James L. Begly. Chamber,Christian,Easter,Religious,Sacred. Score and Parts. 42 pages. James Begly #807801. Published by James Begly (A0.1209782). This EASTER HYMN arrangement is set for a church orchestra setting with moderate ease of playing. The variations of rhythm make for an inspiring hymn, utilizing all the orchestra, and paints the text of Holy Week. Christ is Risen! He is Risen Indeed!
$10.00
9.13 €
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Orchestre
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j
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James L
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Christ The Lord Is Risen Today - EASTER HYMN
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James Begly
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
68.45 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Name of All Majesty
Orchestre
(Orchestra) - Digital Download SKU: H1.C5239ODP Composed by Thomas Fettke. Piano Ac…
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(Orchestra) - Digital Download SKU: H1.C5239ODP Composed by Thomas Fettke. Piano Accompaniment with Optional Orchestra. General Worship, God's Attributes/Character, Adoration & Praise. Set of Instrumental Parts. 71 pages. Hope Publishing - Digital #C5239ODP. Published by Hope Publishing - Digital (H1.C5239ODP). Timothy Dudley-Smith. Exodus:15:6 - Exodus:15:11 - Psalms 8:1 - Psalms 8:9 - Psalms 93:1 - Psalms 96:6 - Psalms 104:1 - Psalms 110:3 - Psalms 111:3 - Psalms 145:5 - Isaiah 2:10 - Isaiah 2:19 - Isaiah 2:21 - Isaiah 35:10 - Hebrews 1:3 - Hebrews 8:1 - 2 Pet.Original anthem Tom Fettke has compoased dramatic new music for Timothy Dudley-Smith's popular hymn text of adoration. The grandiose orchestral track, from Camp Kirkland, provides sweep and drama, whereas performance with just piano, transforms this traditional hymn text into a flowing praise and worship-like chorus.
$89.95
82.09 €
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Orchestre
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Thomas Fettke
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Name of All Majesty
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Hope Publishing - Digital
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SheetMusicPlus
Love Beyond Degree
Orchestre
Orchestra - Digital Download SKU: H1.C6074ODP Composed by Mary McDonald. Piano Acco…
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Orchestra - Digital Download SKU: H1.C6074ODP Composed by Mary McDonald. Piano Accompaniment with Optional Orchestra. Lent, Holy Week. Set of Instrumental Parts. 70 pages. Hope Publishing - Digital #C6074ODP. Published by Hope Publishing - Digital (H1.C6074ODP). Words by Isaac Watts.Familiar hymn tune words by Isaac Watts This inspired choral setting pairs Isaac Watts' well-known hymn text, Alas! And Did My Savior Bleed, with the tune GREENSLEEVES. The familiar text and tune engage us anew bringing fresh insight to this dramatic Lenten lament. This piece comes from Mary's musical My Savior's Love, code no. 8701.
$89.95
82.09 €
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Orchestre
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Mary McDonald
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Love Beyond Degree
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Hope Publishing - Digital
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SheetMusicPlus
Be Thou My Vision
Orchestre
(Orchestra) - Digital Download SKU: H1.C5985ODP Composed by Mary McDonald. Piano Ac…
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(Orchestra) - Digital Download SKU: H1.C5985ODP Composed by Mary McDonald. Piano Accompaniment with Optional Orchestra. General Worship, Sacred. Set of Instrumental Parts. 63 pages. Hope Publishing - Digital #C5985ODP. Published by Hope Publishing - Digital (H1.C5985ODP). Words Tr. by Mary E. Byrne. Proverbs 29:18 - Matthew 17:8; Tr. Mary E. Byrne alt.Old Irsh hymn with words Tr. by Mary E. Byrne This old Irish hymn dates from the 8th century though the theme couldn't be more relevant to the culture in which we live. It is only fitting that Mary McDonald found the inspiration to craft her own melody for this beloved hymn text. The words unfold in a stirring, new way with melody and harmonies that lift and transport them to new heights. The dynamic orchestration by Ed Hogan soars. Orchestrations: Conductor's Score, 2 Flutes, Oboe, 2 Clarinets in B-Flat, Bassoon, 2 Horns in F, 3 Trumpets in B-Flat, 2 Trombones, Tuba, Percussion 1 & 2, Harp, Piano, 2 Violins, Viola, Cello, Double Bass.
$89.95
82.09 €
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Orchestre
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Mary McDonald
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Tr
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Be Thou My Vision
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Hope Publishing - Digital
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SheetMusicPlus
How Marvelous! How Wonderful!
Orchestre
(Orchestra) - Digital Download SKU: H1.C5875ODP Composed by Mary McDonald. Piano Ac…
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(Orchestra) - Digital Download SKU: H1.C5875ODP Composed by Mary McDonald. Piano Accompaniment with Optional Orchestra. General Worship. Set of Instrumental Parts. 67 pages. Hope Publishing - Digital #C5875ODP. Published by Hope Publishing - Digital (H1.C5875ODP). Words by Charles H. Gabriel. Isaiah 53:4 - Matthew 26:39 - Mark 2:12 - Mark 14:36 - Luke 5:26 - Luke 22:39 - Luke 22:40 - Luke 22:41 - Luke 22:42 - Luke 22:43 - Luke 22:44 - 1 Corinthians 13:12 - 2 Corinthians 5:21 - Ephesians 2:4 - Eph.Original anthem with words by Charles H. Gabriel Charles Gabriel penned the words I stand amazed in the presence of Jesus the Nazarene in 1905, and did so as an expression of his own awe and amazement of Jesus' love. Mary McDonald has taken that hymn text and expertly crafted a new melody befitting of soaring choral lines that more adequately express How marvelous! How wonderful! my song shall ever be. >The Orchestration includes a Conductor's Score and parts for: 2 flutes, oboe, 2 clarinets in B-flat, bassoon, 3 trumpets in B-flat, 2 trombones, tuba, timpani, percussion, harp, piano, 2 violins, viola, cello, and string bass.
$89.95
82.09 €
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Orchestre
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Mary McDonald
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How Marvelous! How Wonderful!
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Hope Publishing - Digital
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
91.27 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Ponder Anew
Orchestre
Full Orchestra - Digital Download SKU: A0.976722 Composed by LOBE DEN HERREN. Arran…
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Full Orchestra - Digital Download SKU: A0.976722 Composed by LOBE DEN HERREN. Arranged by Robert Myers. Christian,Contemporary,Sacred. Score and parts. 64 pages. WheatMyer Music #4808643. Published by WheatMyer Music (A0.976722). Joachim Leander's Praise to the LORD, the Almighty, as translated by Catherine Winkworth, has consistently been one of the most published hymns in the English language since the mid-20th Century. Its anonymously composed tune, LOBE DEN HERREN, almost exclusively paired with this text since the 17th Century, is also much loved. Even J.S. Bach found it suitable to feature in his 137th cantata. The title of this arrangement, Ponder Anew, as taken from the commonly used third stanza of the hymn, Ponder anew what the Almighty can do, invites one to consider afresh the attributes and works of Almighty God as one listens to this completely new setting of the tune. This arrangement for orchestra features three variations of the complete hymn tune utilizing metrical and harmonic changes to maintain focus on the tune and its text. These are bracketed via repetitions of the first five tune pitches in harmonic planing over a crescendoed pedal tone producing steadily increasing tension with unexpected resolutions of the beginning and concluding phrases. The music in not particularly difficult and should be readily playable by high school or higher level musicians. Yet, both musicians and audience will find the work interesting and enjoyable with music that reflects the majesty and mystery of its subject. Robert Myers S.D.G.INSTRUMENTATION Picc, Fl1, 2 Oboe 1, 2 Bb Cl 1, 2 + Bass Cl Bsn 1 Hn 1, 2 Tpt 1, 2, 3 Tbn 1, 2, 3 Tuba Timpani Perc. 1 (glock, crash cym, sus cym, ride cym, mark tree, claves, tam tam) Perc. 2 or Drum Set (snare, bass drum, toms (lo/mid/hi), crash cym, finger cym or triangle, ride cym, sys cym) Vln 1, 2 VlaVC DB
$75.00
68.45 €
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Orchestre
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LOBE DEN HERREN
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Robert Myers
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Ponder Anew
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WheatMyer Music
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SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.12 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobscot River
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Thomas Oboe Lee
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SheetMusicPlus
Lauda
Orchestre
Orchestra with Organ - Digital Download SKU: IZ.OMW213 Composed by Daniel Baldwin. …
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Orchestra with Organ - Digital Download SKU: IZ.OMW213 Composed by Daniel Baldwin. Score and Parts. 84 pages. Imagine Music - Digital #OMW213. Published by Imagine Music - Digital (IZ.OMW213). 8.5 x 11 inches.This brief, simple work was originally written for a service of Lessons and Carols. The text is taken from Martin Lutherâ??s â??A Hymn for Children at Christmas,and this beautiful setting reflects the simplicity and tenderness of Lutherâ??s message. To Us This Night is Born a Child is only two minutes long, but fits nicely into a series of lessons and carols. Sopranos and altos sing the first verse as the angels announce the birth of Jesus; tenors and basses sing the second, as the shepherds make their way to the stable; and the concluding verse is sung by full choir unaccompanied. Both singers and listeners will find the message of the text effectively reflected in this beautiful musical setting.
$80.00
73.01 €
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Orchestre
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Daniel Baldwin
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Lauda
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Imagine Music - Digital
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SheetMusicPlus
Love Divine, All Loves Excelling--Full Score package
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.829338 Composed by Text: Charle…
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Full Orchestra - Level 4 - Digital Download SKU: A0.829338 Composed by Text: Charles Wesley / Music: Rowland H. Prichard. Arranged by Lyndell Leatherman. Celtic,Christian,Sacred. Score and parts. 61 pages. Leatherman Music Services #5775215. Published by Leatherman Music Services (A0.829338). For most of us, Charles Wesley's Love Divine, All Loves Excelling has traditionally been associated with the tune BEECHER. But if you are looking for a way to freshen up this classic hymn, may I offer this arrangement for your consideration. First, I wedded the text to the inspired Welsh tune: HYFRYDOL. Then I arranged the vocals in a flexible three-part format. Then I added a contemporary piano part with a bass line that can be played by the electric bass, and then I included the chord symbols for your guitarist(s). Finally, I orchestrated the piece for pretty much every instrument except trumpets and trombones (though they can adapt the clarinet and bassoon parts if you desire to add them in).
$24.99
22.81 €
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Orchestre
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Text: Charles Wesley / Music: Rowland H
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Lyndell Leatherman
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Love Divine, All Loves Excelling--Full Score package
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Leatherman Music Services
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SheetMusicPlus
SAGINA
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976733 Composed by Thomas Campb…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976733 Composed by Thomas Campbell. Arranged by Robert Myers. Contemporary,Easter,Sacred. Score and parts. 90 pages. WheatMyer Music #6318013. Published by WheatMyer Music (A0.976733). OK, to answer your first question, call it suh-JEE-nuh. Rhymes with Regina. This arrangement is a colorful and moving setting of the Charles Wesley hymn, And Can It Be, for traditional orchestra. The beauty of the music, the prominence of the familiar tune, and the text painting of Wesley's poignant lyrics will find immediate acceptance in the hearts of its hearers. Aside from frequently shifting asymmetrical meters the difficulty level is very basic yet your musicians should still find it interesting and fulfilling to play.
$75.00
68.45 €
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Orchestre
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Thomas Campbell
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Robert Myers
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SAGINA
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WheatMyer Music
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SheetMusicPlus
"Te Deum", op. 5 - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$50.00
45.63 €
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Orchestre
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Adrian Gagiu
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Adrian Gagiu
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"Te Deum", op. 5 - Score Only
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Adrian Gagiu
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SheetMusicPlus
Praise and Glory
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.759428 Composed by Tim Olt. Chr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.759428 Composed by Tim Olt. Christian,Contemporary,Sacred. Score and parts. 116 pages. Olt Music #6438357. Published by Olt Music (A0.759428). This work was written for Dr. Selmer Spitzer and the Southern Nevada Symphony Orchestra. The piece is written for piano, organ, narrator, 3 tenors and orchestra, and features text from Psalm 150. The first half of the work is an exploration by the listener of various religions through hymns of various denominations offset with the seeker melody. There is a brief narration that is juxtaposed with antiphonal trumpet, and then the setting of Psalm 150 for the remainder of the piece. This features the 3 tenors and utilizes both English and Latin text. The work is 10 minutes in duration.
$150.00
136.9 €
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Orchestre
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Tim Olt
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Praise and Glory
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Olt Music
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SheetMusicPlus
Saint Patrick's Overture
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.731851 Composed by Irish Tradit…
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Full Orchestra - Level 4 - Digital Download SKU: A0.731851 Composed by Irish Traditional. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and parts. 142 pages. Thomas Quigley #3399257. Published by Thomas Quigley (A0.731851). Based on the jig Saint Patrick's Day and a hymn tune Dóchas Linn Naomh Pádraig, this colorfully orchestrated piece is an ideal concert item at any time, but particularly on (or close to) St. Patrick's Day. The dance tune is very well known and provides an exciting opening before the hymn. Here, the orchestra builds to a climax with a full-textured rendition, after which a new version of the jig is heard, but now transformed into a reel. This is a most appealing and well-crafted overture, always very suitably harmonized. It is a glowing orchestral tribute to Ireland's patron Saint.(Duration 5:00).
$89.00
81.23 €
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Orchestre
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Irish Traditional
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Thomas Quigley
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Saint Patrick's Overture
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Thomas Quigley
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SheetMusicPlus
Away in a Manger (Gloria, Gloria All Be Blessed!) for Soloist, SATB Choir and Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730472 Composed by Traditional …
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Full Orchestra - Level 3 - Digital Download SKU: A0.730472 Composed by Traditional and James Nathaniel Holland. Arranged by James Nathaniel Holland. Children,Christmas,Contemporary,Sacred. Score and parts. 42 pages. James Nathaniel Holland #3886465. Published by James Nathaniel Holland (A0.730472). One of the most iconic hymns of Christmas arranged by American composer James Nathaniel Holland and expanded with an original new chorus with new text. This arrangement/new work contains both traditional melodies (Flow Gently and Away in a Manger). Here presented for soloist (or solo treble instrument in C) SATB choir and full orchestra. A meandering string counter-melody accompanies close choir harmonies and a simple beautiful traditional melody. Sentimental, quiet perfect for choir boy soloist or perhaps children's choir. Intermediate level. Full score in concert pitch and individual parts including vocal parts included. Versatile enough to be used with the other arrangements in this key.Instr: fl12, ob, eh, cl12, bsn12, hrn12, tpt12, trom 12, timp, perc. (glk, tri., hand cym.) harp and strings. Duration: 6 minutes and 49 seconds.Composers website: https://www.facebook.com/jamesnathanielholland/
$23.50
21.45 €
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Orchestre
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Traditional and James Nathaniel Holland
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James Nathaniel Holland
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Away in a Manger
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James Nathaniel Holland
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SheetMusicPlus
More Precious Than Silver with I Stand in Awe
Orchestre
(Orchestra) - Digital Download SKU: H1.C5254ODP Composed by Lynn DeShazo and Mark A…
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(Orchestra) - Digital Download SKU: H1.C5254ODP Composed by Lynn DeShazo and Mark Altrogge. Arranged by Lloyd Larson. Piano Accompaniment with Optional Orchestra. Contemporary, Hymntune, General Worship, God's Attributes/Character. Set of Instrumental Parts. 35 pages. Hope Publishing - Digital #C5254ODP. Published by Hope Publishing - Digital (H1.C5254ODP). By Lynn DeShazo & Mark Altrogge. Acts 2:43 - Ecclesiastes 5:7 - Habakkuk 3:2 - Isaiah 29:23 - Job 25:2 - Luke 7:16 - Psalms 119:120 - Romans 11:33 - Romans 11:34 - Romans 11:35 - Romans 11:36 - Romans 8:37 - Romans 8:38 - Romans 8:39.Medley of two popular praise and worship songs by Lynn DeShazo & Mark Altrogge Two very popular praise and worship choruses - both from the CCLI top 50 - come together in this choral medley of adoration by Lloyd Larson. Easily learned by choirs of all sizes, this seamlessly crafted medley will enhance any worship setting with its inspirational texts and memorable melodies.
$89.95
82.09 €
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Orchestre
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Lynn DeShazo & Mark Altrogge
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Lynn DeShazo and Mark Altrogge
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Lloyd Larson
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More Precious Than Silver with I Stand in Awe
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Hope Publishing - Digital
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SheetMusicPlus
God of Grace and God of Glory (Flex Orchestra)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1384206 By Michael Ware. By Joh…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1384206 By Michael Ware. By John Hughes. Arranged by Michael Ware. Praise & Worship,Religious,Sacred,Standards,Traditional. 63 pages. Michael Ware Music #968552. Published by Michael Ware Music (A0.1384206). Enrich your church’s time of instrumental worship with God of Grace and God of Glory. This popular Welsh tune by John Hughes is know all over the world. Sometimes alternate texts such as Guide Me, O Thou Great Redeemer or Guide Me, O Thou Great Jehovah are sung to this stirring melody. Michael Ware has crafted a unique flexible orchestra arrangement expressing the essence of this great hymn. It can be played with as little as 4 instruments along with piano and rhythm. See the instrumentation page for all the numerous possibilities. Appropriate for a prelude or offertory in worship.This download includes the full score and all of the flex individual parts.
$59.99
54.75 €
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Orchestre
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Michael Ware
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Michael Ware
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God of Grace and God of Glory
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Michael Ware Music
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
86.7 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
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