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17
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12
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11
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9
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8
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10
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The Girl I Mean To Be
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1282824 By The Secret Garden En…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. Score and Parts. 31 pages. Alberto Caeiro #874067. Published by Alberto Caeiro (A0.1282824). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:1 Flute1 clarinet1 Oboe1 Basson1 Trumpet1 Horn2 Violins1 Viola1 Cello1 Double Bass4 percussion instruments1 Voice SoloThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind, brass instruments and the string Instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$59.99
54.75 €
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Orchestre
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.75 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.25 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
"Requiem for Jane" for full orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.969765 Composed by Kerry Barnes…
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Full Orchestra - Level 5 - Digital Download SKU: A0.969765 Composed by Kerry Barnes --- British Female Composer born 1962. Contemporary. Score and parts. 11 pages. Kerry barnes #6065293. Published by kerry barnes (A0.969765). A symphonic work to remember my little sister Jane who died from breast cancer 5 years ago at the age of 47. This Requiem for Jane is my tribute in memory of her.Jane was a beautiful dancer, natural and graceful. I'm sure when she hears this in Heaven, she'll be working on 'some-moves' to go with it!!The climax of the piece is right at the end with all the power an orchestra has to evoke her final ascension into another world, where I will see her again one day. Amen!!
$13.77
12.57 €
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Orchestre
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Kerry Barnes --- British Female Composer born 1962
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"Requiem for Jane" for full orchestra
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kerry barnes
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SheetMusicPlus
Sounds of Winter
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1039844 Composed by David M. St…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1039844 Composed by David M. Sterrett. Classical. Score and parts. 125 pages. David Sterrett Music #644691. Published by David Sterrett Music (A0.1039844). Sounds of Winter is an impressionistic tone-painting depicting the natural beauty of the outdoors in Winter. In writing this piece, I envisioned landscapes covered in snow and ice – a meadow, a dark forest, a frozen lake, and a majestic mountain range. I sought to capture other elements of sound and imagery as well, such as whistling and whirling of frosty wind, glittering sunlight reflected off of shards of ice, snow falling, and joyous sounds of people ice skating. I was largely inspired by an experience I had of standing outside one wintery evening in Colorado – one of my favorite places to be in Winter – captivated by the beauty of all I saw, heard, and felt around me. Since then, I have always experienced a thrill of wonder, beauty, and mystery about the outdoors in Winter.
$74.99
68.44 €
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Orchestre
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David M
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Sounds of Winter
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David Sterrett Music
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SheetMusicPlus
Sounds of Winter - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1039845 Composed by David M. St…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1039845 Composed by David M. Sterrett. Classical. Score and parts. 29 pages. David Sterrett Music #644692. Published by David Sterrett Music (A0.1039845). Sounds of Winter is an impressionistic tone-painting depicting the natural beauty of the outdoors in Winter. In writing this piece, I envisioned landscapes covered in snow and ice – a meadow, a dark forest, a frozen lake, and a majestic mountain range. I sought to capture other elements of sound and imagery as well, such as whistling and whirling of frosty wind, glittering sunlight reflected off of shards of ice, snow falling, and joyous sounds of people ice skating. I was largely inspired by an experience I had of standing outside one wintery evening in Colorado – one of my favorite places to be in Winter – captivated by the beauty of all I saw, heard, and felt around me. Since then, I have always experienced a thrill of wonder, beauty, and mystery about the outdoors in Winter.
$24.99
22.81 €
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Orchestre
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David M
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Sounds of Winter - Score Only
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David Sterrett Music
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SheetMusicPlus
TAPS A Rembrance
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
27.37 €
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Orchestre
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Traditional
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Ken Litton
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TAPS A Rembrance
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Artist of Note, Inc.
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SheetMusicPlus
Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Bren…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Brenet. Contemporary,Sacred. Score and parts. 33 pages. Musik Fabrik Music Publishing #1911519. Published by Musik Fabrik Music Publishing (A0.533179). This work is in three movements: the first and third, very animated and intense, form a sort of framing for the second movemnt which is in another orchestral color and another intensity. This second movement is inspired by a fragment from Masnavi by the poet Jallaleddin el Roumi. The text is recited to express the poetry and the beauty of the cosmos. This text has inspired Thérèse Brenet in several works.This is the orchestral score. The parts are available on rental from the publisher. Nos musiques sont l'écho des hymnes que les sphères chantent dans leurs révolutions Le chant des mondes qui évoluent, les hommes essaient de le reproduire en s'aidant du luth et de la voix. Nous avons tous entendu ces hautes mélodies dans le Paradis que nous avons perdu; Et bien que la terre et l'eau nous aient accablés nous conservons le souvenir des chants du ciel. Celui qui aime nourrit son amour en prêtant l'oreille à la musique, Car la musique lui rappelle les joies de sa première union avec Dieu. D'après JALLALEDDINE EL ROUMI, Masnawi, passim Scoring : piano solo, narrator, and orchestra (2(pic)222/4331/timp/2perc/vibraphone/harp/Ondes Martenot/strings I. L'INFINIE DENSITÉ, UNE PLÉNITUDE 3'40 II. LITURGIE CELESTE 5'20 III. NOCTURNE 5' total duration: 14'00.
$29.95
27.33 €
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Orchestre
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Therese Brenet
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Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s
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Musik Fabrik Music Publishing
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SheetMusicPlus
Spinning Through The Ages-A Chanukah Tribute
Orchestre
Full Orchestra - Digital Download SKU: A0.920226 Composed by M. Gelbart, S. Goldfar…
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Full Orchestra - Digital Download SKU: A0.920226 Composed by M. Gelbart, S. Goldfarb, and Traditional. Arranged by Jeremiah Klarman. Contemporary,Hanukkah,Jewish,World. Score and parts. 17 pages. Inner Places Music #5025887. Published by Inner Places Music (A0.920226). This fun and moving selection is a great choice for orchestras who need Chanukah selections for their Holiday Concerts. The arrangement incorporates four classic Chanukah songs and combines two of them at the end in a never-heard-before mashup of I Have A Little Dreidel and Maoz Tzur. This arrangement is sure to be a hit with orchestras and audiences alike at your next Holiday Concert!
$29.99
27.37 €
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Orchestre
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M
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Jeremiah Klarman
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Spinning Through The Ages-A Chanukah Tribute
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Inner Places Music
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SheetMusicPlus
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