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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Like That
Non classifié
1 203
Piano & claviers
Piano seul
668
Piano, Voix
470
Piano, Voix et Guitare
211
Piano Facile
136
Instruments en Do
48
Orgue
29
1 Piano, 4 mains
16
Accompagnement Piano
13
2 Pianos, 4 mains
9
Piano Trio: piano, violon, violoncelle
6
Piano Quatuor: piano, violon, alto, violoncelle
6
Piano grosses notes
6
Accordéon
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon, Voix
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
2 Pianos, 8 mains
1
Clavier
1
Orgue, Piano (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
83
Guitare
78
Ligne De Mélodie, (Paroles) et Accords
21
Ukulele
20
Basse electrique
8
2 Guitares (duo)
8
Paroles et Accords
7
4 Guitares (Quatuor)
5
Banjo
3
Mandoline, Guitare (duo)
3
Ensemble de guitares
3
Dulcimer
2
Mandoline
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Guitare, Violon, Violoncelle (trio)
1
Guitare (partie séparée)
1
Basse électrique (partie séparée)
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
214
Chorale 3 parties
205
Chorale 2 parties
34
Chorale TTBB
24
Chorale SSAA
23
Voix Soprano, Piano
19
Chorale Unison
14
Voix duo, Piano
13
Voix haute
9
Voix Alto, Piano
9
Voix duo
7
Voix Baryton, Piano
5
Voix Tenor, Piano
3
Voix seule
3
Voix moyenne, Piano
2
Chorale SSAB, Piano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSAB a cappella
1
Voix Tenor
1
Chorale SSATTB
1
+ 15 instrumentations
Retracter
Vents
Ensemble de saxophones
96
Quintette de Saxophone: 5 saxophones
88
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
70
Quatuor de Saxophones: 4 saxophones
36
Ensemble de Clarinettes
36
Flûte, Hautbois, Clarinette, Basson
35
Flûte traversière et Piano
34
Flûte traversière
32
Hautbois, Piano (duo)
29
Clarinette et Piano
21
2 Saxophones (duo)
20
Ensemble de Flûtes
20
Saxophone Alto
18
Saxophone (partie séparée)
17
Quintette de Flûte : 5 flûtes
17
Clarinette
17
Saxophone Alto et Piano
16
Hautbois (partie séparée)
14
Saxophone Tenor
13
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Soprano et Piano
12
2 Clarinettes (duo)
10
Saxophone Tenor et Piano
10
2 Flûtes traversières (duo)
7
Saxophone Baryton, Piano
7
Quatuor de Flûtes : 4 flûtes
7
Quintette de Clarinettes: 5 clarinettes
6
Cor anglais, Piano
6
3 Saxophones (trio)
5
Flûte et Guitare
4
Clarinette (partie séparée)
4
Clarinette Basse, Piano
4
Flûte à bec Soprano
4
Trio de Flûtes: 3 flûtes
3
Clarinette, Basson (duo)
2
Flûte à bec Alto, Piano
2
3 Clarinettes (trio)
2
Clarinette, Guitare (duo)
2
Saxophone, Clarinette (duo)
2
Flûte à bec Alto
2
Hautbois, Basson (duo)
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violoncelle
2
2 Hautbois (duo)
2
Piccolo, Piano
1
2 Flûte à bec (duo)
1
Flûte à Bec
1
Flûte, Basson et Piano
1
Quatuor de Flûtes à bec
1
2 Cors Anglais Et Pianoforte
1
2 Saxophones, Piano
1
Clarinette et Alto
1
Hautbois, Clarinette (duo)
1
Cor Anglais
1
Clarinette, Violon (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Violon, Piano
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Saxophone Soprano
1
Flute (partie séparée)
1
Saxophone
1
Flûte, Clarinette (duo)
1
Hautbois, Guitare (duo)
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Hautbois (duo)
1
+ 63 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
109
Quatuor de Cuivres : 2 trompettes, trombone, tuba
90
Ensemble de Trompettes
55
Quatuor de Cuivres: 2 trompettes, Cor, trombone
37
Ensemble de Trombones
32
Trompette
20
Trombone
17
Trompette (partie séparée)
15
Quatuor de Cuivres
14
Trombone et Piano
13
Tuba
12
2 Trombones (duo)
11
Cor
11
Tuba et Piano
10
Cor et Piano
9
Trompette, Piano
9
Trombone (partie séparée)
9
2 Trompettes (duo)
6
Cor anglais, Piano
6
Ensemble de Cors
5
Euphonium, Piano (duo)
5
Euphonium
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trombones
4
2 Euphoniums et 2 Tubas
3
Trompette, Trombone (duo)
3
2 Cors (duo)
3
Tuba (partie séparée)
2
Trio de Cuivres
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 trompettes
2
Trombone basse et Piano
2
2 Tubas (duo)
2
Cor (partie séparée)
1
2 Cors Anglais Et Pianoforte
1
Cor Anglais
1
2 Euphoniums (duo)
1
Trompette, Euphonium (duo)
1
Tuba ou Euphonium ou Saxhorn
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor et Basson (duo)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
176
Violon
37
Violon et Piano
37
Trio à Cordes: violon, alto, violoncelle
36
Harpe
23
Ensemble d'Altos
21
Ensemble de Violons
20
Violoncelle
18
Alto, Piano
17
Violon, Violoncelle (duo)
15
Violoncelle, Piano
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Alto seul
9
Trio à Cordes: 2 violons, violoncelle
8
Contre Basse
7
2 Violons (duo)
6
2 Violoncelles (duo)
5
4 Violoncelles
4
Violon (partie séparée)
4
2 Altos (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Alto (partie séparée)
4
Harpe, Voix
3
Contrebasse, Piano (duo)
3
Violon, Alto (duo)
2
Quatuor à cordes: 4 violons
2
4 Contrebasses
1
Ensemble de Violoncelles
1
Violoncelle , Guitare (duo)
1
Contrebasse (partie séparée)
1
Violon, Basson (duo)
1
2 Harpes (duo)
1
Violoncelle, Orgue
1
Harpe et mandoline
1
Harpe et Piano
1
Violon, Guitare (duo)
1
Trio à cordes: 3 violins
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes : 4 altos
1
+ 34 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
110
Orchestre
75
Ensemble Jazz
66
Orchestre à Cordes
64
Fanfare
37
Ensemble de cuivres
33
Orchestre de chambre
29
Jazz combo
23
Ensemble de Percussions
18
Batterie
11
Percussion
3
Cloches
3
Percussion (partie séparée)
2
Marimba
2
Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Conga
1
Xylophone
1
Batterie (partie séparée)
1
Instrumentation Flexible
1
+ 16 instrumentations
Retracter
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
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Vous avez sélectionné:
I Like That
Orchestre
Partitions à imprimer
75 partitions trouvées
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1
26
51
That's The Way (i Like It)
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Orchestre
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INTERMÉDIAIRE
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K
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Kevin Riley
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That's The Way
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,P...
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Full Orchestra - Level 3 - SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779). That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.
$50.00
I Like It
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Workout Music
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Daryl McKenzie
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I Like It
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1146035 By Workout Music. By Manny Rodriguez and Tony Pabon. Arranged by Daryl McKenzie. Latin,Pop. Score and parts. ...
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Full Orchestra - Level 4 - SKU: A0.1146035 By Workout Music. By Manny Rodriguez and Tony Pabon. Arranged by Daryl McKenzie. Latin,Pop. Score and parts. 103 pages. Daryl McKenzie #746276. Published by Daryl McKenzie (A0.1146035). I Like It Like That is a song written by Tony Pabon and Manny Rodriguez. It was initially a hit for boogaloo musician Pete Rodriguez in 1967, and was one of the most influential boogaloo songs of the era. This arrangement based on a version by Girl group V5 on TV show X-factor, for Vocals with Pops Orchestra - Voice, Picc, 2Fl, 2Ob, 2Cl, BCl, Bsn, CBsn, 5Sax, 4Hn, 4Trpt, 4Trb, 3 Perc, Pno, Kbd(opt.), Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of Fm More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
I Write The Songs
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Barry Manilow
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Kevin Riley
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I Write The Songs
#
Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Ke...
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Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
The Girl I Mean To Be
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Orchestre
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FACILE
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The Secret Garden Ensemble
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Alberto Caeiro
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The Girl I Mean To Be
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Alberto Caeiro
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/...
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Full Orchestra - Level 2 - SKU: A0.1282824 By The Secret Garden Ensemble. By Lucy Simon and Marsha Norman. Arranged by Alberto Caeiro. Broadway,Musical/Show,New Age,Opera,Singer/Songwriter. Score and Parts. 31 pages. Alberto Caeiro #874067. Published by Alberto Caeiro (A0.1282824). This arrangement for orchestra and voice, is made for young and youth orchestra, with a simple and homogeneous writing.The orchestral formation contains:1 Flute1 clarinet1 Oboe1 Basson1 Trumpet1 Horn2 Violins1 Viola1 Cello1 Double Bass4 percussion instruments1 Voice SoloThe entire arrangement is mindful of the range of the instruments, making it not too difficult to play and allowing for the exploration of the timbres of the woodwind, brass instruments and the string Instruments.The arrangement has a different introduction and ending than the original, but it does not change the tonality or form of the original piece. This makes it more interesting by incorporating percussion in both parts.The Secret Garden is a musical based on the 1911 novel of the same name by Frances Hodgson Burnett. The musical's script and lyrics are by Marsha Norman, with music by Lucy Simon. It premiered on Broadway in 1991 and ran for 709 performances. The story is set in the early years of the 20th century.The Girl I mean to be is a powerful and inspirational song about self-discovery and empowerment. The song is a ballad about a young woman struggling to find her place in the world. She constantly feels judged and compared to others, and she's tired of feeling like she's not good enough.However, the song's protagonist eventually realizes that she is the only one who can define who she is. She sings, I'm the only one who knows what I want to be. She realizes that she doesn't need to change herself to please others. She is perfect the way she is.The song ends with the protagonist declaring that she is going to be the girl she wants to be. She sings, I'm gonna be the girl I wanna be, no matter what they say. She is determined to be herself, no matter what others think.
$59.99
All I Want For Christmas Is You
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Noël
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Mariah Carey
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Lachlan Davidson
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All I Want For Christmas Is Yo
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Lachlan Davidson
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1217279 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Lachlan Davidson. Christmas,Pop. Score an...
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Full Orchestra - Level 4 - SKU: A0.1217279 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Lachlan Davidson. Christmas,Pop. Score and Parts. 77 pages. Lachlan Davidson #813820. Published by Lachlan Davidson (A0.1217279). You won't find another arrangement like this with full show orchestra that has been used on TV and has extra horn lines that really bring the song to life. Alternatively, the five piece horn section can be used with the rhythm section.
$49.99
Mix & Match Ensembles - Volume I - Duets
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Orchestre
#
INTERMÉDIAIRE
#
Lawrence H
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Mix & Match Ensembles - Vo
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Lawrence H Underwood
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.968562 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 36 pages. La...
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Full Orchestra - Level 3 - SKU: A0.968562 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 36 pages. Lawrence H Underwood #6666527. Published by Lawrence H Underwood (A0.968562). 8 original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$9.95
Nocturne for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Madelyn Byrne
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Nocturne for Orchestra
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Madelyn Byrne
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Published by Madel...
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Full Orchestra - Level 3 - SKU: A0.986832 Composed by Madelyn Byrne. Contemporary. Score and parts. 18 pages. Madelyn Byrne #2003237. Published by Madelyn Byrne (A0.986832). Nocturne for Orchestra began as a piece that would celebrate the 400th Anniversary of Galileo’s telescope while using a musical language that would be in keeping with a program of American music. I thought that The Unanswered Question by Ives, and the emotional depth and poignancy of much of Copland’s music, would be a perfect compliment to a tribute to Galileo. But then two friends passed away and the piece turned into a tribute to them, with the night sky and the Unanswered Questions that surround us creating a consoling environment for this effort. The songlike themes of Nocturne grow out of my journey from mourning the premature deaths of my friends to celebrating their rich and vibrant lives. Section A is the dreamlike introductory section, B is a transition to the song-like section, and C is where the songlike themes are stated outright. D is a development section, E is an interruption - returning to the dreamlike music, F merges the dream music with the thematic material, G is the expressive high point of the piece and is articulated by the violin and cello solos. The remaining sections are intended to convey freedom and celebration. This is followed by a brief coda.
$10.00
That's The Way (I Like It)
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Orchestre
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AVANCÉ
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K
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Enrico Lope-Yañez
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That's The Way
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AUDIOFREAKUENCY
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1398398 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Enrico Lope-Yañez. Disc...
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Full Orchestra - Level 5 - SKU: A0.1398398 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Enrico Lope-Yañez. Disco. 100 pages. AUDIOFREAKUENCY #981676. Published by AUDIOFREAKUENCY (A0.1398398).
$500.00
That's What I Like: Cello
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Orchestre
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That's What I Like: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017836_VC1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_VC1. Published by Alfred Music - Di...
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Full Orchestra - SKU: AX.00-PC-0017836_VC1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017836_VC1). UPC: 038081533452.
$3.00
That's What I Like: Flute
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Orchestre
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That's What I Like: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017836_F1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_F1. Published by Alfred Music - Digi...
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Full Orchestra - SKU: AX.00-PC-0017836_F1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017836_F1). UPC: 038081533452.
$3.00
That's What I Like: Bassoon
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Orchestre
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That's What I Like: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017836_B1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_B1. Published by Alfred Music - Digi...
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Full Orchestra - SKU: AX.00-PC-0017836_B1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017836_B1). UPC: 038081533452.
$3.00
That's What I Like: Mallets
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Orchestre
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That's What I Like: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017836_M1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_M1. Published by Alfred Music - Digi...
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Full Orchestra - SKU: AX.00-PC-0017836_M1 Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017836_M1). UPC: 038081533452.
$3.00
That's What I Like: String Bass
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Orchestre
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That's What I Like: String Bas
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0017836_SB Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_SB. Published by Alfred Music - Digi...
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Full Orchestra - SKU: AX.00-PC-0017836_SB Instructional. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017836_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017836_SB). UPC: 038081533452.
$3.00
That's What I Like: Score
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Orchestre
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That's What I Like: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0006045 Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0006045. Published by Alfred Music - Di...
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Full Orchestra - SKU: AX.00-PR-0006045 Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0006045. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0006045). UPC: 038081533452.
$9.00
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Emergence (Score 11x17)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Anne E
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Emergence
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Anne E. McKennon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.834201 Composed by Anne E. McKennon. Contemporary,Standards. Score and parts. 20 pages. Anne E. McKennon #6303139. Pu...
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Full Orchestra - Level 4 - SKU: A0.834201 Composed by Anne E. McKennon. Contemporary,Standards. Score and parts. 20 pages. Anne E. McKennon #6303139. Published by Anne E. McKennon (A0.834201). Emergence for Orchestra. SCORE ONLY (11 x 17). Full score - ready to print on 11x17 paper front to back. Parts are separate item. From the composer: I like my music to tell a story or paint a picture. Emergence is no exception though it was mostly complete before I figured it out. I searched for a word that fit the music: Emergence. I hear a journey of awareness, struggle, confusion, existence, and rest. What do you hear? Duration: 8.30 (Also available as 8.5 x 14 score)
$55.00
Emergence (Score 8.5x14)
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Orchestre
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Contemporain
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Anne McKennon
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Parts are separate item.
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Emergence
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Anne E. McKennon
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SheetMusicPlus
Full Orchestra - SKU: A0.834195 Composed by Anne McKennon. Contemporary. Score and parts. 24 pages. Anne E. McKennon #5215889. Published by Anne E. McKe...
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Full Orchestra - SKU: A0.834195 Composed by Anne McKennon. Contemporary. Score and parts. 24 pages. Anne E. McKennon #5215889. Published by Anne E. McKennon (A0.834195). Emergence for Orchestra. SCORE ONLY - Ready to print front to back on legal size (8.5 x 14) paper. Parts are separate item. From the composer: I like my music to tell a story or paint a picture. Emergence is no exception though it was mostly complete before I figured it out. I searched for a word that fit the music: Emergence. I hear a journey of awareness, struggle, confusion, existence, and rest. What do you hear? Score also available in 11x17. Duration: 8.30
$55.00
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Ikons
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Orchestre
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Keith Dippre
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Keith Dippre
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Ikons
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Imagine Music - Digital
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SheetMusicPlus
Full orchestra - Grade 6 - SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Published by Imagine Mu...
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Full orchestra - Grade 6 - SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Published by Imagine Music - Digital (IZ.OMW072). 9 x 12 in inches.By Keith Dippre. Each of the three movements deals with symbols, specifically those that have autobiographical significance to the composer. The first movement, Klee on Loan, pays homage to the famous abstract expressionist painter. The gestures are traditional and all easily identifiable, from the sweeping Mahleresque beginning to the Bartok meets The Rolling Stones motifs found at mid movement. These are the composer's attempts to represent Klee's crosses and arrows through some familiar and abstract sound. Klee's genius, I believe, is found in his ability to make very generic symbols very abstract. The second movement, Roadside Memorial, is a musical journey that goes the route of a dangerous and ominous highway replete with roadside crosses and flowers. Present are the sounds of radio static and the motorist's attempts to find an interesting station in the midst of a punishing blizzard, all the while praying to make the trek safely home. Ikonoklastic is the third and least serious movement of the three, sporting a playful and somewhat schizophrenic waltz. There are childlike melodies set against more serious romantic style gestures. The blending of the serious with the less serious at times combines to create contrapuntal moments. The final movement is the most sublime of the four, and it is solely based upon a loping, adieu-like gesture. The line is continually recycling itself, and the piano takes the role of psychopomp as it escorts the movement to its out of body conclusion.
$90.00
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) and Orchest
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Orchestre
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INTERMÉDIAIRE
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Comédie Musicale
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James Nathaniel Holland
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Sonnet 29 "When in Disgra
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. Ja...
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Full Orchestra - Level 3 - SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$14.95
EP!C!!!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
Symphonie in C, 1. Allegro Vivo
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Georges Bizet
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Donald Jay Smith
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Symphonie in C, 1. Allegro Viv
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Donald Jay Smith Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1404615 Composed by Georges Bizet. Arranged by Donald Jay Smith. Classical,Contest,Festival,Historic,Instructional,Ro...
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Full Orchestra - Level 4 - SKU: A0.1404615 Composed by Georges Bizet. Arranged by Donald Jay Smith. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 164 pages. Donald Jay Smith Music #987680. Published by Donald Jay Smith Music (A0.1404615). I adapted this movement of Bizet's only symphony for my high school orchestra so that they would have the experience and challenge of performing a major symphonic work written by Bizet when he was 17 years old-like many of them. The movement fit programing concerns (only lasting 12 minutes, 8 minutes without the repeat) and instrumentation demands for the orchestra I had at the school at that time. I found limited similar repertoire available that was appropriate to challenge my students. I was also personally motivated to dig deeper into this piece by adapting it, much like early composers learned by serving as copyists for previous musical legends. More recently, I performed this as a guest conductor with a senior level honors orchestra in Massachussetts. In both cases the work was the focus of musical stimulation as well as inspiring fully engaged student conversation about many aspects of this movement. In short, the students enjoyed preparing and performing the piece, almost as much as the audiences were impressed by the performances. Hopefully Bizet's teacher at the Paris Conservatiore, Charles Gounod, rewarded Bizet with a good grade! I put in the extra time to publish this so that many other students would have the opportunity to study this piece, composer, style and period of music. I sincerely hope that you and your orchestra will enjoy Allegro vivo from Symphonie in C Major!
$49.99
Family Fugue
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Classique
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Jenny-Joy Ahimsa Moore
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Family Fugue
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Jenny Joy Ahimsa Moore
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Publis...
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Full Orchestra - Level 3 - SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Published by Jenny Joy Ahimsa Moore (A0.1447011). This piece is for a symphony that would play more challenging music. It is how I view, and harmonize, my dysfuctional/abusive family. The middle section falls apart much like my family truly was, behind closed doors. That is: we lived in the same house, but we did not communicate, we did not listen to each other. Near the end, it becomes much darker, almost funereal, like the truth of what being the youngest child (of a narcissistice mother, with an older narcissistic sister, a dad who chooses to remain ignorant) in my family was truly like. The various parts represent members of my family , sometimes several parts represent one member, or (at times) one part represents several members. Typically, the flute represents my sister, clarinet represents myself (sometimes tuba and trumpet as well). The parts overlap , to show how we did not listen and spoke at each other rather than with each other. This piece shows not just what each person was like on the outside, but also shows the more subtle sides of each member that few people really see or know about (the abuse behind closed doors). This piece is multi faceted, multi layered, like the 4 main members of my family are. The very end points to the Grace of God being the only thing that can heal my family at this point. The flute ends higher than clarinet, in the Hope that Healing can truly occur (not just my family, but with other families that hurt as well).
$79.99
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