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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Was With You
Non classifié
1 293
Piano & claviers
Piano seul
728
Piano, Voix
395
Piano, Voix et Guitare
323
Instruments en Do
196
Piano Facile
96
Orgue
61
2 Pianos, 4 mains
27
1 Piano, 4 mains
16
Accompagnement Piano
12
Piano Trio: piano, violon, violoncelle
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Accordéon
2
Accordéon, Voix
1
2 Pianos, 8 mains
1
Clavecin
1
+ 12 instrumentations
Retracter
Guitares
Guitare
87
Guitare notes et tablatures
68
Ligne De Mélodie, (Paroles) et Accords
33
Basse electrique
21
Ukulele
13
2 Guitares (duo)
9
Piano, Guitare (duo)
4
4 Guitares (Quatuor)
4
3 Guitares (trio)
3
Banjo
2
Ensemble de guitares
2
Mandoline
2
Mandoline, Guitare (duo)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
292
Chorale 3 parties
64
Chorale 2 parties
41
Chorale SSAA
41
Chorale TTBB
37
Voix Alto, Piano
30
Voix Tenor
28
Voix Baryton, Piano
27
Voix Soprano
24
Chorale Unison
17
Voix duo, Piano
17
Voix Soprano, Piano
15
Voix duo
10
Voix Tenor, Piano
6
Voix haute
5
Voix seule
3
Chorale SSATTB
1
Chorale
1
Voix moyenne, Piano
1
+ 14 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
177
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
170
Flûte, Hautbois, Clarinette, Basson
93
Quatuor de Saxophones: 4 saxophones
91
Ensemble de saxophones
75
Flûte traversière et Piano
59
Clarinette et Piano
55
Hautbois, Piano (duo)
45
Saxophone Alto et Piano
41
Flûte traversière
38
Quatuor de Clarinettes: 4 clarinettes
34
Clarinette
33
Ensemble de Clarinettes
32
Saxophone Soprano et Piano
31
2 Saxophones (duo)
30
Saxophone Tenor et Piano
27
2 Clarinettes (duo)
26
Saxophone Alto
25
Hautbois (partie séparée)
24
2 Flûtes traversières (duo)
23
Ensemble de Flûtes
22
Saxophone (partie séparée)
21
Saxophone Tenor
19
Saxophone Baryton, Piano
15
Quintette de Flûte : 5 flûtes
14
Ocarina
12
Flûte et Guitare
12
2 Hautbois (duo)
11
Saxophone, Clarinette (duo)
10
Quatuor de Flûtes : 4 flûtes
10
3 Clarinettes (trio)
10
Flûte, Clarinette, Cor, Basson (Quartet)
8
Cor anglais, Piano
8
Flûte à bec Soprano
8
Flute (partie séparée)
8
Flûte, Clarinette (duo)
8
Clarinette, Guitare (duo)
7
Clarinette Basse, Piano
7
Clarinette, Violon (duo)
7
Hautbois, Guitare (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
2 Flûtes traversières, Piano
5
Hautbois, Basson (duo)
5
Flûte à bec Alto
4
Hautbois, Clarinette (duo)
4
Flûte à bec Tenor
4
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
Cor Anglais
4
Saxophone
3
Hautbois
3
Saxophone Soprano
3
Clarinette (partie séparée)
3
Flûte, Violon
3
Ensemble De Flûte à bec
3
Cor anglais, Guitare (duo)
3
Trio de Flûtes: 3 flûtes
3
Saxophone et Guitare
3
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
Flûte, Clarinette, Piano (trio)
2
2 Clarinettes, Piano
2
Flûte, Alto (duo)
2
Hautbois, Flûte
2
3 Saxophones (trio)
2
Flûte, Violon, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
2 Hautbois, Piano
2
Clarinette, Trompette (duo)
2
Piccolo
2
Clarinette, Trombone (duo)
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois (duo)
1
Flûte, Violoncelle
1
Clarinette, Harpe (duo)
1
Harmonica
1
2 Flûte à bec (duo)
1
Quatuor de Flûtes à bec
1
Flûte, Basson et Piano
1
2 Saxophones, Piano
1
Clarinette, Basson (duo)
1
Flûte à bec Alto, Piano
1
Flute, harpe et violon
1
Flûte, Trombone (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Basson
1
Flûte à Bec
1
2 Flûtes traversières, Harpe
1
Saxophone et Orgue
1
+ 83 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
192
Quatuor de Cuivres : 2 trompettes, trombone, tuba
98
Quatuor de Cuivres
92
Quatuor de Cuivres: 2 trompettes, Cor, trombone
49
Trompette
45
Trombone et Piano
37
Trombone
29
Cor
29
Trompette, Piano
26
Ensemble de Trombones
24
Cor et Piano
22
Tuba
19
Ensemble de Trompettes
18
Tuba et Piano
17
2 Trombones (duo)
15
Trompette (partie séparée)
13
2 Trompettes (duo)
12
Euphonium, Piano (duo)
8
Cor anglais, Piano
8
Trombone (partie séparée)
7
2 Cors (duo)
7
Trompette, Trombone (duo)
6
2 Euphoniums et 2 Tubas
6
Ensemble de Cors
6
Quatuor de cuivres: 4 trombones
5
Trompette, Saxophone (duo)
5
2 Trompettes, Clavier (piano ou orgue)
4
Cor Anglais
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor anglais, Guitare (duo)
3
Euphonium
3
2 Cors, Piano
2
Cor (partie séparée)
2
3 Trombones (trio)
2
2 Tubas (duo)
2
Bass Clef Instruments
1
2 Cors Anglais Et Pianoforte
1
Trompette, Trombone, Piano
1
Tuba (partie séparée)
1
2 Euphoniums (duo)
1
Trio de Cuivres
1
Trombone basse et Piano
1
3 Cors (trio)
1
Quatuor de cuivres: 4 cors
1
Trompette, Euphonium (duo)
1
Ensemble de Tubas
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
227
Quintette à cordes: 2 violons, alto, violoncelle, basse
78
Violon et Piano
75
Violon
61
Violoncelle
56
Violoncelle, Piano
49
Alto, Piano
46
Harpe
44
Trio à Cordes: violon, alto, violoncelle
34
Violon, Violoncelle (duo)
32
2 Violons (duo)
26
Trio à Cordes: 2 violons, violoncelle
21
2 Violoncelles (duo)
20
2 Altos (duo)
19
Alto seul
18
Contre Basse
13
Ensemble de Violons
13
Ensemble d'Altos
12
Contrebasse, Piano (duo)
10
2 Harpes (duo)
9
Violon, Alto (duo)
7
Alto (partie séparée)
6
2 Violons, Piano
5
Violoncelle , Guitare (duo)
5
Harpe, Voix
4
Violon (partie séparée)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
4 Violoncelles
3
Violon, Guitare (duo)
3
Trio à cordes: 3 violins
3
Trio à Cordes: 3 violoncelles
3
Piano Trio: Violon, Alto, Piano
2
2 Violoncelles, Piano
2
Quatuor à cordes: 4 violons
2
Quatuor à cordes : 4 altos
1
Alto et Harpe
1
Trio à cordes: 3 altos
1
Harpe, Flûte (duo)
1
Violoncelle (partie séparée)
1
Contrebasse (partie séparée)
1
Harpe et mandoline
1
4 Contrebasses
1
+ 37 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
208
Orchestre
107
Orchestre à Cordes
78
Ensemble Jazz
51
Ensemble de cuivres
41
Orchestre de chambre
26
Jazz combo
25
Cloches
12
Ensemble de Percussions
10
Fanfare
7
Batterie
5
Percussion (partie séparée)
2
Marimba
2
Vibraphone
2
Xylophone ou Marimba ou Vibraphone
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
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expert
avec audio
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Crtitères actifs :
I Was With You
Orchestre
Partitions à imprimer
107 partitions trouvées
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101
Good Wassail - Orchestra & Choir
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Orchestre
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AVANCÉ
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Bradley Sowash
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Bradley Sowash
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Good Wassail - Orchestra &
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Bradley Sowash
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.750100 By Bradley Sowash. By Heinrich Suso. Arranged by Bradley Sowash. Christmas,Classical,Jazz. Score and parts. 84...
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Full Orchestra - Level 5 - SKU: A0.750100 By Bradley Sowash. By Heinrich Suso. Arranged by Bradley Sowash. Christmas,Classical,Jazz. Score and parts. 84 pages. Bradley Sowash #4631. Published by Bradley Sowash (A0.750100). A blending of Good Christian Men Rejoice and Here We Come a Wassailing begins with a quiet choir feature that moves into an Afro Pop groove with an optional steel drum part (can also be performed on keyboard). A medium swing section follows before the big double time ending. Could also be performed as an instrumental with minor adjustments. (6:33 minutes) PDF format includes a license to make photocopies. Video: http://youtu.be/w2XJRlUEtBE Symphony Orchestra and optional Choir: 2 Flutes, 2 Oboes, 2 Clarinets in Bb, 2 Bassoons, 4 French Horns, 3 Trumpets, Violins I, II, Violas, Cellos, Contrabasses, Percussion, Piano, Amplified Bass, Drum Set, SATB Choir Learn more about the arranger: http://bradleysowash.com.
$50.00
I Want To Hold Your Hand
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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The Beatles
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Arte Nova Music Lab
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I Want To Hold Your Hand
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Arte Nova Music Lab. Film/TV. Score and parts. ...
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Full Orchestra - Level 3 - SKU: A0.742584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Arte Nova Music Lab. Film/TV. Score and parts. 56 pages. Arte Nova Music Lab #6431873. Published by Arte Nova Music Lab (A0.742584). I Want to Hold Your Hand is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded on 17 October 1963, it was the first Beatles record to be made using four-track equipment.With advance orders exceeding one million copies in the United Kingdom, I Want to Hold Your Hand would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group's first million-seller She Loves You, their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, I Want to Hold Your Hand stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total.It was also the group's first American number-one hit, entering the Billboard Hot 100 chart on 18 January 1964 at number 45 and starting the British Invasion of the American music industry. By 1 February it topped the Hot 100, and stayed there for seven weeks before being replaced by She Loves You. It remained on theBillboard chart for 15 weeks.I Want to Hold Your Hand became the Beatles' best-selling single worldwide selling more than 12 million copies. In 2018,Billboard magazine named it the 48th biggest hit of all time on the Billboard Hot 100. In the UK, it was the second highest selling single of the 1960s, behind She Loves You.Taken from https://en.wikipedia.org/wiki/I_Want_to_Hold_Your_Hand
$60.00
Australia Our Land - Orchestra with SATB Choir and Piano
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Orchestre
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INTERMÉDIAIRE
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Brendan James Elliget NotePerf
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Australia Our Land - Orchestra
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Ellige...
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Full Orchestra - Level 3 - SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00
You've Got To Hide Your Love Away
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Orchestre
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INTERMÉDIAIRE
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Rock
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The Beatles
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Javier MartÃnez Maya
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You've Got To Hide Your Love A
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score an...
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Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951...
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Full Orchestra - Level 5 - SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and S
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943...
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Full Orchestra - Level 5 - SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Conductor's Score
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Orchestre
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AVANCÉ
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047...
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Full Orchestra - Level 5 - SKU: A0.1018872 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 38 pages. Benjamin Sajo #6056047. Published by Benjamin Sajo (A0.1018872). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph.  This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Extracted Parts
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Orchestre
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Icarus Also Flew: A Pairing wi
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141...
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Full Orchestra - Level 5 - SKU: A0.1018900 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 79 pages. Benjamin Sajo #6056141. Published by Benjamin Sajo (A0.1018900). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$50.00
I Write The Songs
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Barry Manilow
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Kevin Riley
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I Write The Songs
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Ke...
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Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
Aubade: A Pairing with Beethoven's Symphony #1 - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807...
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Full Orchestra - Level 4 - SKU: A0.1018920 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 39 pages. Benjamin Sajo #6064807. Published by Benjamin Sajo (A0.1018920). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Aubade: A Pairing with Beethoven's Symphony #1 - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731...
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Full Orchestra - Level 4 - SKU: A0.1018901 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 27 pages. Benjamin Sajo #6064731. Published by Benjamin Sajo (A0.1018901). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Love Will Forgive You Everything
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Orchestre
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FACILE
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Hanka Ordonowna
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Marek Czekala
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Love Will Forgive You Everythi
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1194600 By Hanka Ordonowna. By Henry Vars. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 29 pages...
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Full Orchestra - Level 2 - SKU: A0.1194600 By Hanka Ordonowna. By Henry Vars. Arranged by Marek Czekala. 20th Century,Film/TV. Score and parts. 29 pages. Marek Czekala #793907. Published by Marek Czekala (A0.1194600). Love will forgive you everything - the song was written in 1933, the music was composed by Henryk Wars, and the words were written by Julian Tuwim (under the pseudonym Oldlen). The song was a hit in interwar Poland and remains so to this day. The song was written especially for the film The Spy in the Mask, which enjoyed a record attendance in cinemas. It was sung by Hanka Ordonówna and soon the song became her artistic showcase. Later, Ordonówna often resembled a song in the MaÅ‚e Qui Pro Quo theater. The piece performed by Ordonówna was recorded on the Syrena-Electro label, which was very popular at the time. The publisher's circulation reached tens of thousands of copies, and the discs with this recording were pressed for almost six years due to the constant interest in the song.MiÅ‚ość ci wszystko wybaczy – piosenka powstaÅ‚a w 1933 roku, do której muzykÄ™ skomponowaÅ‚ Henryk Wars, a sÅ‚owa napisaÅ‚ Julian Tuwim (pod ps. „Oldlenâ€). Piosenka byÅ‚a przebojem w miÄ™dzywojennej Polsce i pozostaje nim do dziÅ›. Utwór zostaÅ‚ napisany specjalnie na potrzeby filmu Szpieg w masce, cieszÄ…cego siÄ™ rekordowÄ… frekwencjÄ… w kinach. ZaÅ›piewaÅ‚a go w nim Hanka Ordonówna i wkrótce piosenka staÅ‚a siÄ™ jej artystycznÄ… wizytówkÄ…. W późniejszym czasie Ordonówna czÄ™sto przypominaÅ‚a piosenkÄ™ w teatrzyku MaÅ‚e Qui Pro Quo. Utwór w wykonaniu Ordonówny nagrany zostaÅ‚ na pÅ‚ytach bardzo popularnej wówczas wytwórni Syrena-Electro. NakÅ‚ad wydawnictwa osiÄ…gnÄ…Å‚ kilkadziesiÄ…t tysiÄ™cy egzemplarzy, a pÅ‚yty z tym nagraniem tÅ‚oczono przez blisko sześć lat z uwagi na niezmienne zainteresowanie piosenkÄ….Wikipedia.
$50.00
How Can I Be Sure
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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The Young Rascals
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Kevin Riley
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How Can I Be Sure
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.817553 By The Young Rascals. By Edward Brigati, Jr. and Felix Cavaliere. Arranged by Kevin Riley. 20th Century,Pop. S...
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Full Orchestra - Level 4 - SKU: A0.817553 By The Young Rascals. By Edward Brigati, Jr. and Felix Cavaliere. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 59 pages. Kevin Riley #424487. Published by Kevin Riley (A0.817553). How Can I Be Sure is a popular song written by Felix Cavaliere and Eddie Brigati, and originally recorded by the Young Rascals for their 1967 album Groovin' with a single release in August 1967 affording the group their fourth Top 10 hit peaking at #4. How Can I Be Sure reached #4 on the Hot 100 in Billboard in October 1967, ranking as the most successful (Young) Rascals' hit featuring a lead vocal by Eddie Brigati. The single's B-side: I'm So Happy Now (also included on the Groovin' album), was written and sung by Rascals guitarist Gene Cornish. Featuring a unique guitar phase-out ending, it was the first Cornish-penned song to appear on a Rascals single.
$60.00
I'll Walk With God
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Sigmund Romberg
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Daryl McKenzie
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I'll Walk With God
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1488200 Composed by Sigmund Romberg. Arranged by Daryl McKenzie. 20th Century,Film/TV. 50 pages. Daryl McKenzie #1065...
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Full Orchestra - Level 4 - SKU: A0.1488200 Composed by Sigmund Romberg. Arranged by Daryl McKenzie. 20th Century,Film/TV. 50 pages. Daryl McKenzie #1065084. Published by Daryl McKenzie (A0.1488200). Arranged for Welsh Tenor Rhys Meirion for Vocal with Choir and Pops Orchestra - Voice, Choir, 2Fl, 2Ob, 2Cl, BCl (sub for Bsn 2),2Bsn, 4Hn, 3Trpt, 3Trb, Tba, Perc, Pno, Bass, Vln1, Vln2, Vla, Vcl, CB. Key of AbNOTE: The Youtube clip is a tone higher in BbAlso available a tone higher in Bb:
$49.99
I Surrender All - 8 Core Orchestra
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Orchestre
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Musique Sacrée
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Gospel Spirituel
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Public Domain
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Jeff D
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I Surrender All - 8 Core Orche
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AnderKamp Music
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SheetMusicPlus
Full Orchestra - SKU: A0.742693 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and p...
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Full Orchestra - SKU: A0.742693 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 51 pages. AnderKamp Music #3637265. Published by AnderKamp Music (A0.742693). This is a beautifully worshipful rendition of this powerful hymn. This arrangement was written with the opportunity to feature the woodwind section. If you just have the 2 ‘core’ woodwinds (a flute and an oboe or clarinet) you can still play this piece and it will be beautiful. BUT…if you have 2 flutes, oboe, 2 clarinets and a bassoon or bass clarinet, there are some really nice moments in this piece to feature them. This arrangement is in the Key of D. This would serve as a powerfully worshipful offertory or as a special moment in any style service. As with all the arrangements in this series, you don’t have to have a rhythm section to play this piece. Not at all. As long as you have a piano player, they can play the written out piano part.As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
There Is None Like You with I Worship You, Almighty God
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Orchestre
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Musique Sacrée
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Lenny LeBlanc and Sondra Corbe
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Lenny LeBlanc & Sondra Corbett
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Jack Schrader
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There Is None Like You with I
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Hope Publishing - Digital
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SheetMusicPlus
(Orchestra) - SKU: H1.C5229ODP Composed by Lenny LeBlanc & Sondra Corbett-Wood. Arranged by Jack Schrader. Piano Accompaniment with Optional Orchestra. ...
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(Orchestra) - SKU: H1.C5229ODP Composed by Lenny LeBlanc & Sondra Corbett-Wood. Arranged by Jack Schrader. Piano Accompaniment with Optional Orchestra. Contemporary, General Worship, Devotion, God's Attributes/Character. Set of Instrumental Parts. 27 pages. Hope Publishing - Digital #C5229ODP. Published by Hope Publishing - Digital (H1.C5229ODP). By Lenny LeBlanc and Sondra Corbett-Wood. Isaiah 45:21 - Isaiah 45:6 - Isaiah 47:8 - Isaiah 9:6 - Jeremiah 30:7 - Philippians 3:9 - Romans 4:22 - 1 Kings 8:1 - 1 Kings 8:6 - 1 Kings 8:10 - 1 Kings 8:11 - 1 Kings 8:22 - 1 Kings 8:30 - 1 Kings 8:41 - 1 Kings 8:42 - 1 Kings 8:4.Medley of popular praise songs by Lenny LeBlanc and Sondra Corbett-Wood Jack Schrader's beautiful combination of two very popular praise and worship choruses was specifically arranged with the current trend toward thematic worship in mind and is especially useful for proclaiming the uniqueness and transcendence of God.
$89.95
Collective composition by Borodin, Cui, Liadov, Rimsky-Korsakov - 24 Variations with Finale on an un
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Orchestre
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INTERMÉDIAIRE
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Alexander Borodin, Cesar Anton
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Arkady Leytush
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Collective composition by Boro
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov. Arrange...
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Full Orchestra - Level 3 - SKU: A0.1008363 Composed by Alexander Borodin, Cesar Antonovich Cui, Liadov, and Nikolay Andreyevich Rimsky-Korsakov. Arranged by Arkady Leytush. Children,Romantic Period. Score and parts. 36 pages. Arkady Leytush #4810761. Published by Arkady Leytush (A0.1008363). The original version of this music was written for piano in 3 hands (teacher and student). I have orchestrated this for a large symphony orchestra. Equally important is participation of a child of 4-5 years old as a soloist, who will be playing on the piano the main theme of Tati-Tati at the beginning and at the end.It all started as a musical joke from Borodin in a circle of his friends-composers: Rimsky-Korsakov, Cui and Lyadov. The joke turned into collective work which resulted into 24 variations with the finale paraphrasing Tati-Tati. I usually tell this story to the audience before performing. 24 Variations with Finale is an composition that is oriented for family and children symphonic concerts, when the educational part is of great importance for the young listeners to understand classical music, the sound and characteristics of individual musical instruments and groups of the orchestra, what development principles are used by each composer, etc. F. Liszt gave the best assessment to this composition. He pointed out to how the composer’s skills of the above named composers cold transform such insignificant musical theme-joke Tati-Tati into a brilliant and vibrant composition!This is the first part of composition with a full name: Borodin, Cui, Lyadov, Rimsky-Korsakov - PARAPHRASES on an Unchanged Theme Tati-Tati, 24 Variations with Finale and 9 Musical Pieces: Tarantella, Galop, Fugetta B-A-C-H, Waltz, Cortege, Lullaby, Marche Funebre, Requiem, Carillon, orchestrated by Arkady Leytush
$40.00
I Like It
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Workout Music
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Daryl McKenzie
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I Like It
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1146035 By Workout Music. By Manny Rodriguez and Tony Pabon. Arranged by Daryl McKenzie. Latin,Pop. Score and parts. ...
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Full Orchestra - Level 4 - SKU: A0.1146035 By Workout Music. By Manny Rodriguez and Tony Pabon. Arranged by Daryl McKenzie. Latin,Pop. Score and parts. 103 pages. Daryl McKenzie #746276. Published by Daryl McKenzie (A0.1146035). I Like It Like That is a song written by Tony Pabon and Manny Rodriguez. It was initially a hit for boogaloo musician Pete Rodriguez in 1967, and was one of the most influential boogaloo songs of the era. This arrangement based on a version by Girl group V5 on TV show X-factor, for Vocals with Pops Orchestra - Voice, Picc, 2Fl, 2Ob, 2Cl, BCl, Bsn, CBsn, 5Sax, 4Hn, 4Trpt, 4Trb, 3 Perc, Pno, Kbd(opt.), Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of Fm More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
Wait On You
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Orchestre
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INTERMÉDIAIRE
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Christian contemporain
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Musique Sacrée
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Joseph Pugh
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Wait On You
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Joseph Pugh
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.854870 Composed by Joseph Pugh. Contemporary,Sacred. Score and parts. 8 pages. Joseph Pugh #5214997. Published by Jos...
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Full Orchestra - Level 3 - SKU: A0.854870 Composed by Joseph Pugh. Contemporary,Sacred. Score and parts. 8 pages. Joseph Pugh #5214997. Published by Joseph Pugh (A0.854870). An orchestration of a song inspired by Rev. Loran Helm , who was a spiritual mentor to me and played a big role in encouragement and guidance in my life. Through his meetings, Waitings On God, I saw first hand the advantages of truly waiting on the One who is suppose to be in charge anyway, instead of rushing ahead with our own plans.
$35.00
Symphony No. 9 ... My Imaginary London (2014)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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going to London, that is
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Symphony No. 9 ... My Imaginar
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 ...
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Full Orchestra - Level 4 - SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 pages. Thomas Oboe Lee #431491. Published by Thomas Oboe Lee (A0.869302). Instrumentation: 2222-2221-timp-perc-hp-strings Program note. When I told Gil Rose that I had written symphonies for the cities of Paris and Rome, he said Why don’t you do London as your next symphony? I told him, But I’ve never been to London. He said, Well, now you have an excuse to go there. That never happened; going to London, that is. But I was very intrigued about writing a London symphony. So, I decided to go ahead, and instead of London as a travelogue symphony, something I did for Paris and Rome, I came up with an alternative idea. Why not compose a London Symphony in homage to three of my favorite English composers: Benjamin Britten, Ralph Vaughan Williams and Edward Elgar? Symphony No. 9 … My Imaginary London is in three movements with multiple sections within each. 1. Prelude: Benjamin Britten (1913-1976) Moderato Scherzo I Trio I Reprise I Allegretto 2. Interlude: Ralph Vaughan Williams (1872-1958) Lento Scherzo II Trio II: Adagio Reprise II Allegro con fuoco 3. Postlude: Edward Elgar (1857-1934) Largo This work is dedicated to my wife and muse, Kristin Beckwith.Enjoy!!!Vido link: https://youtu.be/q0qmqVz9IhwAudio link: https://thomasoboelee.bandcamp.com/album/symphony-no-9-my-imaginary-london-2014
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Ballade For An Entablature
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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All Women's Orchestra, Norwich
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Ballade For An Entablature
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,...
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Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.
$45.00
Silent Night, Holy Night (for Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest R...
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Full Orchestra - Level 4 - SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
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I Was With You