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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I Would
Non classifié
1 573
Piano & claviers
Piano seul
663
Piano, Voix
285
Piano, Voix et Guitare
248
Piano Facile
149
Orgue
94
Instruments en Do
44
2 Pianos, 4 mains
29
1 Piano, 4 mains
23
Piano Trio: piano, violon, violoncelle
10
Piano grosses notes
10
Piano Quatuor: piano, violon, alto, violoncelle
7
Orgue, Piano (duo)
6
Accompagnement Piano
5
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
1
Accordéon
1
Piano (partie séparée)
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
90
Guitare
70
Ligne De Mélodie, (Paroles) et Accords
30
Ukulele
26
Paroles et Accords
19
Basse electrique
8
2 Guitares (duo)
8
4 Guitares (Quatuor)
7
Mandoline, Guitare (duo)
4
Banjo
2
Ensemble de guitares
2
Dulcimer
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
2 Ukuleles
1
Basse électrique (partie séparée)
1
Guitare, Orchestre
1
Mandoline
1
+ 13 instrumentations
Retracter
Voix
Chorale SATB
343
Chorale 3 parties
268
Chorale 2 parties
92
Chorale TTBB
47
Chorale SSAA
35
Chorale Unison
18
Pack Instrumental pour Chorale
16
Voix Soprano, Piano
15
Voix duo
14
Voix duo, Piano
10
Voix Tenor, Piano
8
Voix haute
7
Voix Alto, Piano
3
Voix Baryton, Piano
3
Chorale SSAATTBB
2
Voix Soprano
2
Voix Mezzo-Soprano, Piano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Voix Tenor
1
Voix seule
1
+ 16 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
143
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Ensemble de saxophones
108
Ensemble de Clarinettes
65
Quatuor de Saxophones: 4 saxophones
61
Flûte traversière et Piano
54
Clarinette et Piano
48
Flûte, Hautbois, Clarinette, Basson
43
Hautbois, Piano (duo)
40
Ensemble de Flûtes
37
Saxophone Alto et Piano
33
Quatuor de Clarinettes: 4 clarinettes
33
2 Flûtes traversières (duo)
29
Quintette de Flûte : 5 flûtes
24
Flûte traversière
23
Clarinette
21
2 Saxophones (duo)
20
Saxophone Tenor et Piano
20
3 Clarinettes (trio)
16
Flûte et Guitare
15
2 Clarinettes (duo)
15
Saxophone Soprano et Piano
14
Quatuor de Flûtes : 4 flûtes
12
Saxophone Alto
12
Trio de Flûtes: 3 flûtes
11
Clarinette, Guitare (duo)
11
Saxophone (partie séparée)
10
Saxophone Tenor
10
Cor anglais, Piano
9
3 Saxophones (trio)
6
2 Flûte à bec (duo)
5
Flûte à bec Soprano
5
Hautbois (partie séparée)
5
Cor anglais, Guitare (duo)
5
Saxophone, Clarinette (duo)
4
Flûte, Violon
4
Flûte, Clarinette et Basson
4
Hautbois
4
Saxophone Baryton, Piano
4
Hautbois, Basson (duo)
3
Clarinette Basse, Piano
3
Flûte à bec Tenor
3
Flûte, Hautbois, Clarinette (trio)
3
Flûte à Bec
3
Flûte, Hautbois, Basson
3
2 Hautbois (duo)
3
Clarinette, Violon (duo)
3
Flûte, Alto et Piano
3
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon, Piano
2
Flûte, Clarinette (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte à bec Alto, Piano
2
2 Cors Anglais Et Pianoforte
2
Flûte, Basson et Piano
2
Saxophone et Guitare
2
Hautbois, Flûte
2
Cor Anglais
2
Saxophone
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Clarinette, Basson (duo)
1
Quatuor de Flûtes à bec
1
2 Flûtes traversières, Piano
1
Clarinette (partie séparée)
1
Ensemble De Flûte à bec
1
Clarinette, Alto et Piano (trio)
1
2 Saxophones, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, trombone et piano
1
Flute (partie séparée)
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Violon, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Alto
1
Saxophone et Orgue
1
+ 72 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
144
Quatuor de Cuivres : 2 trompettes, trombone, tuba
135
Ensemble de Trompettes
84
Quatuor de Cuivres: 2 trompettes, Cor, trombone
40
Ensemble de Trombones
40
Trompette
35
Trompette, Piano
31
Trombone et Piano
21
Quatuor de Cuivres
17
Trombone
15
Cor et Piano
15
Cor
9
Trompette, Trombone (duo)
9
Trompette (partie séparée)
9
Cor anglais, Piano
9
Ensemble de Cors
8
2 Trombones (duo)
8
Trombone (partie séparée)
6
Tuba et Piano
6
Euphonium, Piano (duo)
6
Tuba
6
2 Tubas (duo)
5
Euphonium
5
Cor anglais, Guitare (duo)
5
2 Trompettes (duo)
4
2 Euphoniums et 2 Tubas
4
Quatuor de cuivres: 4 trombones
4
3 Trompettes (trio)
3
2 Euphoniums (duo)
3
Trio de Cuivres
3
2 Cors (duo)
2
Trompette, Saxophone (duo)
2
2 Cors Anglais Et Pianoforte
2
Quatuor de cuivres: 4 trompettes
2
Instruments en Sib
2
Cor Anglais
2
Ensemble de Tubas
1
3 Trombones (trio)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
4 Tubas
1
2 Cors, Piano
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
3 Cors (trio)
1
Tuba ou Euphonium ou Saxhorn
1
Trombone basse et Piano
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
270
Trio à Cordes: violon, alto, violoncelle
148
Violon, Violoncelle (duo)
147
Violon
145
Violon et Piano
83
Violoncelle, Piano
44
Alto, Piano
36
Violoncelle
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Ensemble de Violons
26
Ensemble d'Altos
25
Harpe
24
2 Violons (duo)
20
Trio à Cordes: 2 violons, violoncelle
13
Violon, Alto (duo)
12
2 Violoncelles (duo)
12
Alto seul
11
Trio à cordes: 3 violins
7
4 Violoncelles
6
2 Harpes (duo)
6
Trio à Cordes: 3 violoncelles
5
2 Altos (duo)
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quatuor à cordes: 4 violons
4
Contre Basse
4
Violon, Guitare (duo)
4
Harpe, Voix
3
2 Contrebasses (duo)
2
Alto et Harpe
2
Violon (partie séparée)
2
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes : 4 altos
2
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
1
2 Violons, Piano
1
Violoncelle, Contrebasse (duo)
1
Alto (partie séparée)
1
Harpe et mandoline
1
Contrebasse, Piano (duo)
1
4 Contrebasses
1
Ensemble de Violoncelles
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
156
Orchestre à Cordes
152
Ensemble Jazz
151
Orchestre
96
Ensemble de cuivres
91
Orchestre de chambre
47
Fanfare
37
Ensemble de Percussions
37
Jazz combo
26
Batterie
20
Cloches
17
Marimba
7
Percussion
5
3 Marimbas
4
Xylophone, Piano
4
Vibraphone
4
Big band
2
Xylophone ou Marimba ou Vibraphone
2
Marimba, Piano (duo)
1
Quintette à Vent
1
2 Marimbas
1
Quintette de Cuivres: autres combinaisons
1
Batterie (partie séparée)
1
Orchestre, Violon
1
+ 19 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
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Matériel de musique
Idées cadeaux
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Partitions Gratuites
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Partitions Numériques
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Virtualsheetmusic
Pertinence
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difficulté (tous)
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Vous avez sélectionné:
I Would
Orchestre
Partitions à imprimer
96 partitions trouvées
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1
26
51
76
I Write The Songs
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Barry Manilow
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Kevin Riley
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I Write The Songs
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Ke...
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Full Orchestra - Level 4 - SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
I Want To Hold Your Hand
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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The Beatles
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Arte Nova Music Lab
#
I Want To Hold Your Hand
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Arte Nova Music Lab. Film/TV. Score and parts. ...
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Full Orchestra - Level 3 - SKU: A0.742584 By The Beatles. By John Lennon and Paul McCartney. Arranged by Arte Nova Music Lab. Film/TV. Score and parts. 56 pages. Arte Nova Music Lab #6431873. Published by Arte Nova Music Lab (A0.742584). I Want to Hold Your Hand is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded on 17 October 1963, it was the first Beatles record to be made using four-track equipment.With advance orders exceeding one million copies in the United Kingdom, I Want to Hold Your Hand would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group's first million-seller She Loves You, their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, I Want to Hold Your Hand stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total.It was also the group's first American number-one hit, entering the Billboard Hot 100 chart on 18 January 1964 at number 45 and starting the British Invasion of the American music industry. By 1 February it topped the Hot 100, and stayed there for seven weeks before being replaced by She Loves You. It remained on theBillboard chart for 15 weeks.I Want to Hold Your Hand became the Beatles' best-selling single worldwide selling more than 12 million copies. In 2018,Billboard magazine named it the 48th biggest hit of all time on the Billboard Hot 100. In the UK, it was the second highest selling single of the 1960s, behind She Loves You.Taken from https://en.wikipedia.org/wiki/I_Want_to_Hold_Your_Hand
$60.00
That's The Way (i Like It)
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Orchestre
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INTERMÉDIAIRE
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K
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Kevin Riley
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That's The Way
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Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,P...
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Full Orchestra - Level 3 - SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779). That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.
$50.00
I Was Only Nineteen
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Orchestre
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INTERMÉDIAIRE
#
Contemporain
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Various Artists
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Brett A Foster (BF Music)
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Contra Bassoon
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I Was Only Nineteen
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Brett A Foster
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1025679 By Various Artists. By John Lewis Shumann. Arranged by Brett A Foster (BF Music). Contemporary. Score and par...
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Full Orchestra - Level 3 - SKU: A0.1025679 By Various Artists. By John Lewis Shumann. Arranged by Brett A Foster (BF Music). Contemporary. Score and parts. 123 pages. Brett A Foster #6474837. Published by Brett A Foster (A0.1025679). I Was Only Nineteen, I Was Only 19 or A Walk in the Light Green is the most widely recognised song by Australian folk group Redgum. The song was released in March 1983 as a single, which hit number one for two weeks. This version has been created for Full Orchestra (with optional TTB choral parts). The piece should be easily playable by Intermediate level Full Orchestra. There are optional parts for English Horn, Clarinet 3, Alto Saxophone, Tenor Saxophone & Contra Bassoon. The piano part is important for the core rhythms section, as is the guitar. The Violin 1 parts does go into third position towards the end, but all other string parts stay in first position. The song itself is a first-person account of a typical Australian soldier's experience in the Vietnam War, from training at a military academy in Australia to first hand exposure to military operations and combat, and ultimately his return home disillusioned and suffering from both PTSD and, it is implied, the harmful effects of Agent Orange. This piece would work well at any ANZAC Day or Memorial Day event for the Armed services.
$60.00
Crown of Thorns, Crowns of Glory (When I Survey the Wondrous Cross) for Soprano Solo and Orchestra
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Orchestre
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AVANCÉ
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Musique Sacrée
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Edward Miller, Isaac Watts, Wi
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Michael Thomas Andrews
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Crown of Thorns, Crowns of Glo
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Michael Thomas Andrews
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1270957 Composed by Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley. Arranged by Michael Thoma...
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Full Orchestra - Level 5 - SKU: A0.1270957 Composed by Edward Miller, Isaac Watts, William Penfro Rowlands and Charles Wesley. Arranged by Michael Thomas Andrews. Christian,Classical,Easter,Religious,Sacred. Score and Parts. 112 pages. Michael Thomas Andrews #863342. Published by Michael Thomas Andrews (A0.1270957). This new work was premiered at the Royal Albert Hall at The Coronation Prom on the date of His Majesty The King's Coronation by soprano Joanne Lunn and the All Souls Orchestra. Â This imaginative arrangement of 'When I Survey the Wondrous Cross' with the final verse of 'Love Divine, All Loves Excelling' for soprano solo and orchestra begins with a pianissimo muted string texture as we fix our eyes upon the cross of Christ before crescendoing to a glorious finale in which we lay our crowns before the King of all Creation. Â This would be a perfect addition to a concert with full symphony orchestra and a soprano soloist with an extensive vocal range. Â If desired, the top vocal C in the final verse in bar 123 may be replaced by holding the top A across the full beat.
$75.00
Then Will I Truly Know - Orchestral Score and Parts
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Christian contemporain
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Bill Fortenberry, Jordan Grigg
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Then Will I Truly Know - Orche
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Bill Fortenberry
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.997119 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 4...
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Full Orchestra - Level 3 - SKU: A0.997119 Composed by Bill Fortenberry, Jordan Grigg. Christian,Contemporary,Praise & Worship,Sacred. Score and parts. 47 pages. Bill Fortenberry #6683093. Published by Bill Fortenberry (A0.997119). In his letter to the Corinthians, Paul expressed his longing for a time when he would see God face to face and know the Lord as much as the Lord knows us. Then Will I Truly Know by Bill Fortenberry and Jordan Grigg captures that longing in an enchanting melody that unites all of us in a desire for our heavenly home.Choir and solo arrangements with piano as well as a backing track are also available.
$9.99
I Surrender All - 8 Core Orchestra
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Orchestre
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Musique Sacrée
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Gospel Spirituel
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Public Domain
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Jeff D
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I Surrender All - 8 Core Orche
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AnderKamp Music
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SheetMusicPlus
Full Orchestra - SKU: A0.742693 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and p...
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Full Orchestra - SKU: A0.742693 Composed by Public Domain. Arranged by Jeff D. Anderson. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 51 pages. AnderKamp Music #3637265. Published by AnderKamp Music (A0.742693). This is a beautifully worshipful rendition of this powerful hymn. This arrangement was written with the opportunity to feature the woodwind section. If you just have the 2 ‘core’ woodwinds (a flute and an oboe or clarinet) you can still play this piece and it will be beautiful. BUT…if you have 2 flutes, oboe, 2 clarinets and a bassoon or bass clarinet, there are some really nice moments in this piece to feature them. This arrangement is in the Key of D. This would serve as a powerfully worshipful offertory or as a special moment in any style service. As with all the arrangements in this series, you don’t have to have a rhythm section to play this piece. Not at all. As long as you have a piano player, they can play the written out piano part.As true to the entire series, this arrangement features playable, easy to read rhythms for all sections.The 8 Core Orchestra is a full orchestra series designed to work with a core group of 8 players plus piano/rhythm.8 Core instrumentation:2 woodwinds, 2 trumpets, 1 horn, 2 trombones and 1 bass trombone or tubaFull instrumentation:2 flutes, oboe, 2 clarinets, bassoon/bass clarinet, 3 trumpets, 2 horns, 2 trombones, 1 bass trombone/tuba, 2 violins, viola, cello, double bass, harp, percussion (2 players), timpani, piano, electric bass, guitar(s) and drums (guitar and drums read from rhythm chart)
$49.99
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
EP!C!!!
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109...
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Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
Mass for the Holy Year 2000, pt. 2 (2000) for SATB soloists, chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104...
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Full Orchestra - Level 4 - SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104 pages. Thomas Oboe Lee #25515. Published by Thomas Oboe Lee (A0.869364). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Ivan Kupala folk custom
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Orchestre
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Liudmila Knyazeva
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Ivan Kupala folk custom
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Liudmila Knyaz
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SheetMusicPlus
Full Orchestra - SKU: A0.509071 By Liudmila Knyazeva. By Liudmila Knyazeva. 20th Century,Classical. Score and parts. 9 pages. Published by Liudmila Knya...
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Full Orchestra - SKU: A0.509071 By Liudmila Knyazeva. By Liudmila Knyazeva. 20th Century,Classical. Score and parts. 9 pages. Published by Liudmila Knyaz (A0.509071). Dear colleagues. I would like to share my new score. This is the first movement from the orchestral suite. I am still working on the next parts. I ask the esteemed conductors to audition this music and, if possible, perform with the orchestra. Thanks for watching. My contacts for communication: email: novayaklassika@gmail.com whatsapp (for messages): +7 926 5254744 Sincerely. Composer Liudmila Knyazeva.
$2.00
Interlude for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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Interlude for Orchestra
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Dacker Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.814805 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 133 pages. Dacker Music #5733885. Publis...
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Full Orchestra - Level 4 - SKU: A0.814805 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 133 pages. Dacker Music #5733885. Published by Dacker Music (A0.814805). This composition represents a major revision of one of my earliest attempts to write for orchestra, way back in 1966. Revisiting it after over a half-century of languishing in the drawer, I was shocked to find some surprisingly worthwhile material. While it little resembles something I would write today, I managed to rework it into a legitimate and enjoyable piece of music, 54 years in the making. Grade 4 - Duration 7:20 Price includes license to make as many copies of parts as needed
$60.00
Symphonic Song: A Prayer for Peace
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Orchestre
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INTERMÉDIAIRE
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Jerry Tsui
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Symphonic Song: A Prayer for P
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Jerry Tsui
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1394716 Composed by Jerry Tsui. Classical,Contemporary,New Age,Romantic Period. 50 pages. Jerry Tsui #978205. Publish...
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Full Orchestra - Level 3 - SKU: A0.1394716 Composed by Jerry Tsui. Classical,Contemporary,New Age,Romantic Period. 50 pages. Jerry Tsui #978205. Published by Jerry Tsui (A0.1394716). This Symphonic song was composed after the Russian invasion of Ukraine, and it is written for the Ukrainian people and the people in the world who are suffered from authoritarian suppressions. This piece exudes light, hope, struggles and peace. In 2023, I would like to express the courage and will to live on. I am writing for the sake for the people who fight for freedom and democracy not to forget who they are, even in the middle of all the chaos that this world has brought.
$13.00
F. Poulenc - Les soirées de Nazelles, FP 84, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Francis Poulenc
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A
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F. Poulenc - Les soirées de N
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1367543 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 163 pages. Arkady Leytush #951902. Publish...
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Full Orchestra - Level 4 - SKU: A0.1367543 Composed by Francis Poulenc. Arranged by A. Leytush. 20th Century. 163 pages. Arkady Leytush #951902. Published by Arkady Leytush (A0.1367543). Francis Poulenc - Les soirées de Nazelles, FP 84, Preamble, Cadenza #1, Variations: Le comble de la distinction, Le cÅ?ur sur la main, La désinvolture et la discrétion, La suite dans les idées, Le charme enjôleur, Le contentement de soi, Le goût du malheur, Lâ??alerte vieillesse, Cadenza #2, Finale.During the evenings, the composer used to sit at the piano and improvise portraits of his friends, all based on a given theme. The work was begun in 1930, and completed at Noizay on October 1, 1936. At the beginning of the score, it reads: The variations that form the center of this work were improvised at Nazelles during long country evenings wherein the composer played portraits for friends gathered around his piano. The composition is dedicated to the memory of my aunt LIÃ?NARD, in memory of Nazelles. My orchestral transcription of this piece is for a full orchestra. In such a new quality, this music can live well on the symphonic stage, adorning many programs with its originality. But first of all, I would like to draw the attention of the choreographers to this basically danceable, diverse and brightly characteristic music. I can say with great confidence that this work can become a ballet performance.
$100.00
A. N. Scriabin - Valse in A flat major, Op. 38, Orchestrated by A. Leytush
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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A
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Arkady Leytush
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A. N. Scriabin - Valse in A fl
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1144178 Composed by A. N. Scriabin. Arranged by Arkady Leytush. Classical. Score and parts. 45 pages. Arkady Leytush ...
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Full Orchestra - Level 4 - SKU: A0.1144178 Composed by A. N. Scriabin. Arranged by Arkady Leytush. Classical. Score and parts. 45 pages. Arkady Leytush #744498. Published by Arkady Leytush (A0.1144178). This wonderful salon waltz by A.N. Scriabin, I hope, will now receive the status of a concert waltz. Deciding to orchestrate was not so easy, as the many piano interpretations of this music point directly to the extremely refined approach to this composition, including flexible rubato and subtle nuances. Nevertheless, the internal possibilities of this music give, it seems to me, the right to a greater scope, various timbre colors of the orchestra and, ultimately, moving to a different scale of sound. The orchestral transcription of this waltz allows the symphony orchestra to fully express itself, including a huge palette of sounds from the most tender and transparent episodes to full and brilliant tutti. I would also like to note that this work, first of all, is my modest contribution to the celebration of the 150th anniversary of the birth of this genius of Russian music.
$60.00
This is the Final Stop
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Orchestre
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Contemporain
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Graham Boag
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This is the Final Stop
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Graham Boag
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SheetMusicPlus
Full Orchestra - SKU: A0.779991 Composed by Graham Boag. Contemporary. Score and parts. 67 pages. Graham Boag #3689651. Published by Graham Boag (A0.779...
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Full Orchestra - SKU: A0.779991 Composed by Graham Boag. Contemporary. Score and parts. 67 pages. Graham Boag #3689651. Published by Graham Boag (A0.779991). 'Tjis is the Final Stop' was written as my Final project ar Berklee Online, in September 2018. It uses several techniques and is constantly evolving musicaly. It has strong melodic and rhythmic lines that combine to give you an exciting concert item. I hope you enjoy this work and I would love to hear frim you should you perform it in a concert.
$45.00
Camille Saint-Saens - "Caprice Arabe", Op. 96, Orchestrated by Arkady Leytush
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Orchestre
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Classique
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Camille Saint-Saens
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Arkady Leytush
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Camille Saint-Saens - "Ca
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008422 Composed by Camille Saint-Saens. Arranged by Arkady Leytush. 20th Century. Score and parts. 57 pages. Arkady Leytush #6...
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Full Orchestra - SKU: A0.1008422 Composed by Camille Saint-Saens. Arranged by Arkady Leytush. 20th Century. Score and parts. 57 pages. Arkady Leytush #6535793. Published by Arkady Leytush (A0.1008422). I would rather call this opus by Saint-Saens The Frenchman in Morocco.It is known that composer S-S traveled a lot during his rather long and productive life. Despite the obvious oriental flavor of the thematic material in this work, one can clearly feel the western cut, the clarity of the form and the recognizability of the techniques characteristic of classical music. In my transcription, I have not tried to imitate his transparent and always convincing orchestrations. This music itself led me on the path of creating a picture from the Arab world.
$40.00
Golliwog's Cake Walk for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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David Watson
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Golliwog's Cake Walk for Orche
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David E. Watson
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.841055 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 41 pages....
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Full Orchestra - Level 4 - SKU: A0.841055 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 41 pages. David E. Watson #3483401. Published by David E. Watson (A0.841055). Golliwog's Cake Walk from the 6 movement ``Children's Corner´´ arranged for Orchestra. Parts for Strings, Flute (2), Oboe (2), B flat Clarinet (2), Bass Clarinet, Bassoon, Contrabassoon, Horn in F (4), Trumpet in C (2), Xylophone, Percussion, and Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$40.00
Prelude Nr. 8 for Orchestra
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Orchestre
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AVANCÉ
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Classique
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Claude Debussy
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David Watson
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Prelude Nr. 8 for Orchestra
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David E. Watson
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.841057 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 24 pages....
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Full Orchestra - Level 5 - SKU: A0.841057 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 24 pages. David E. Watson #3483419. Published by David E. Watson (A0.841057). Prelude Nr. 8, ``The Girl with the Flaxen Hair´´ is the 8th piece in Debussy's 1st Book of Preludes.It is known for it's musical simplicity, and although it is one of the most recorded of Debussy's works it remains popular with Audiences. Parts include - Strings, Flute (2), Oboe (2), B flat Clarinet (2), Bass Clarinet, Bassoon (2), Horn in F (2), and Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$40.00
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