Page d'accueil
Parcourir Librairie Musicale
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
I am the Way
Non classifié
180
Piano & claviers
Piano seul
125
Piano, Voix
93
Piano, Voix et Guitare
63
Piano Facile
32
Instruments en Do
20
Orgue
11
2 Pianos, 4 mains
7
Piano grosses notes
5
1 Piano, 4 mains
4
Accompagnement Piano
2
Orgue, Trompette (duo)
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
26
Guitare notes et tablatures
16
Guitare
11
Ukulele
7
Paroles et Accords
3
Ensemble de guitares
1
Ukulele Baryton
1
Mandoline
1
4 Guitares (Quatuor)
1
Basse électrique (partie séparée)
1
+ 5 instrumentations
Retracter
Voix
Chorale SATB
107
Chorale 3 parties
21
Chorale 2 parties
11
Chorale TTBB
11
Chorale Unison
8
Voix duo, Piano
6
Chorale SSAA
6
Voix Soprano, Piano
5
Voix haute
4
Voix Alto, Piano
4
Voix seule
3
Voix Baryton, Piano
2
Voix Tenor, Piano
1
Voix duo
1
Chorale
1
+ 10 instrumentations
Retracter
Vents
Flûte traversière et Piano
9
Clarinette et Piano
9
2 Saxophones (duo)
5
Quatuor de Saxophones: 4 saxophones
5
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
5
Saxophone Alto
4
Flûte traversière
4
Hautbois, Piano (duo)
4
2 Flûtes traversières (duo)
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Tenor
3
2 Clarinettes (duo)
3
Hautbois (partie séparée)
3
Saxophone Soprano et Piano
3
Hautbois, Basson (duo)
3
Saxophone Tenor et Piano
2
2 Saxophones, Piano
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Violon (duo)
2
Saxophone, Clarinette (duo)
2
Saxophone Alto et Piano
2
Flûte, Hautbois, Clarinette, Basson
2
Clarinette, Basson (duo)
2
Clarinette
2
Flûte, Alto et Piano
2
Flûte à bec Soprano
2
Flute (partie séparée)
2
Clarinette et Alto
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Saxophone (partie séparée)
1
Clarinette (partie séparée)
1
2 Hautbois (duo)
1
Flûte, Trompette (duo)
1
Quatuor de Flûtes à bec
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble de Clarinettes
1
Saxophone Baryton, Piano
1
Flûte à bec Tenor
1
Clarinette, Guitare (duo)
1
Clarinette Basse, Piano
1
Flûte, Violon
1
Flûte, Saxophone (duo)
1
Saxophone Soprano
1
+ 39 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Cor
6
Trombone
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
3
Trompette
3
Trombone et Piano
3
Trompette (partie séparée)
3
Trombone (partie séparée)
2
2 Cors (duo)
2
Trompette, Piano
2
2 Trompettes (duo)
1
2 Trombones (duo)
1
2 Cors, Piano
1
Cor et Piano
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trompette, Trombone (duo)
1
Euphonium, Piano (duo)
1
Tuba et Piano
1
+ 13 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon et Piano
20
Violon
10
Alto seul
8
Violon, Violoncelle (duo)
6
Harpe, Voix
5
Alto, Piano
4
Violoncelle
4
Violoncelle, Piano
4
Trio à Cordes: violon, alto, violoncelle
4
2 Violoncelles (duo)
3
Violon, Alto (duo)
3
2 Violons (duo)
2
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Contre Basse
2
Harpe
2
Alto (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à cordes
1
Violoncelle, Orchestre
1
Quatuor à cordes: 4 violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre
15
Orchestre d'harmonie
15
Orchestre à Cordes
14
Orchestre de chambre
12
Ensemble de cuivres
9
Ensemble Jazz
9
Fanfare
7
Batterie (partie séparée)
3
Batterie
3
Jazz combo
2
Vibraphone
1
Cloches
1
Marimba
1
Percussion (partie séparée)
1
Xylophone, Piano
1
Piano et Orchestre
1
Xylophone (partie séparée)
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Editeurs
Artistes
Formation Musicale
Idées Cadeaux Partitions
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
3
Partitions Numériques
15
Librairie Musicale
49
Matériel de Musique
251
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
I am the Way
Orchestre
Partitions à imprimer
15 partitions trouvées
<
1
The Valley of the Dry Bones
#
Orchestre
#
AVANCÉ
#
Zsigmond Rosarion
#
and it was full of bones
#
The Valley of the Dry Bones
#
Zsigmond Rosarion
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond...
(+)
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
Jesus Is The Way (Anthem) - Orchestration
#
Orchestre
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Gospel Spirituel
#
Christopher R
#
Jesus Is The Way
#
Christopher Brown
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christo...
(+)
Full Orchestra - Level 3 - SKU: A0.747198 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 77 pages. Christopher Brown #4628085. Published by Christopher Brown (A0.747198). About the song: In John 14, Jesus says, I am the way, the truth and the life. No one comes to the Father except through me. We are severely mistaken if we think that any other road leads to peace with God. No amount of good deeds could pay for the debt we owe. But we are also mistaken if we think that we are too far gone from Christ's reach. This song is a message for both the self-righteous and the hopeless. There is a Way that leads to life forevermore with our Heavenly Father, and His Name is Jesus Christ. All who enter through the gate of Christ by faith will be saved. He came that you might have life, and have it to the full. Rejoice! If you can believe, believe!Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1There’s a way that seems right to the human eye,A path that we think is best.We pretend to go on believing,That a good life can pass the test.But the best that we have to offer,Is no more than a filthy rag.When we stand before God, the Father,There is only one Name that will save.Chorus 1Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way.Verse 2We were shackled in chains of sin and shame,Walking blinded by selfish gain.Every turn led to disappointment,Wanting more with each passing day.Prechorus 2But the blood of a precious Saviour,Can remove every guilty stain.He will carry your ev’ry burden,There is hope in Him today!Chorus 2Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way.BridgeStraight and narrow is the road that leads to life forevermore,There’s only One Who paid the price,The perfect, spotless sacrifice,Only Jesus Christ!Chorus 3Jesus is The Way,Jesus is The Truth,Jesus is The Life for me and you.Jesus is The Door,And all who enter through,Will be saved and be made new.Jesus is The Way,Jesus is The Way,Jesus is The Way!
$49.99
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Symphony No. 6 ... The Penobsc
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
(+)
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
You've Got To Hide Your Love Away
#
Orchestre
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
Javier MartÃnez Maya
#
You've Got To Hide Your Love A
#
Arte Nova Music Lab
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score an...
(+)
Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
Wayfaring Stranger (Full Orchestra)
#
Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Traditional
#
Garrett Breeze
#
Wayfaring Stranger
#
Lagom Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.723433 Composed by Traditional. Arranged by Garrett Breeze. Contemporary. Score and parts. 39 pages. Lagom Music #623...
(+)
Full Orchestra - Level 3 - SKU: A0.723433 Composed by Traditional. Arranged by Garrett Breeze. Contemporary. Score and parts. 39 pages. Lagom Music #6231761. Published by Lagom Music (A0.723433). Feature the brass of your orchestra with this cinematic arrangement of the folk tune I Am a Poor Wayfaring Stranger. The piece begins with a tuba solo, joined later by the french horns before the full low brass section takes over and the trumpets join in for an epic climax. Grade 3-4
$75.00
I Am But A Small Voice
#
Orchestre
#
INTERMÉDIAIRE
#
Pop musique
#
Roger Whittaker
#
Rochus Paul
#
I Am But A Small Voice
#
Rochus Paul
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1233668 By Roger Whittaker. By Odina E. Batnag and Roger Whitaker. Arranged by Rochus Paul. Pop. Score and Parts. 55 ...
(+)
Full Orchestra - Level 3 - SKU: A0.1233668 By Roger Whittaker. By Odina E. Batnag and Roger Whitaker. Arranged by Rochus Paul. Pop. Score and Parts. 55 pages. Rochus Paul #829256. Published by Rochus Paul (A0.1233668). Orchestral Accompagnation to my SATB-Arrangement.Originally a duet between child and man, here is a much more adult version of the hymn.Copies may be reused. Minor modifications are always permitted. For audio material or special wishes please visit rochuspaul.de/kontakt.
$64.99
A Well-Traveled Road
#
Orchestre
#
AVANCÉ
#
Contemporain
#
Daniel Burwasser
#
A Well-Traveled Road
#
Head and Stem
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Ste...
(+)
Full Orchestra - Level 5 - SKU: A0.1090419 By Daniel Burwasser. By Daniel Burwasser. 20th Century,Contemporary. Score and Parts. 278 pages. Head and Stem #694597. Published by Head and Stem (A0.1090419). A Well-Traveled Road was first sketched in the summer of 1989. It was revised and orchestrated in 1992 for a recording on MMC (now defunct) by the Slovak Radio and Television Orchestra under the direction of Robert Stankovsky. This video represents a revised version from the original 1992 score and 1995 recording. NOTES from 1995: I have always been intrigued with the transformational potentiality of themes. A Well-Traveled Road explores the diverse possibilities of the development of a single motive. I have incorporated certain principles of sonata form, although this music is more episodic in nature than three-part. It is foremost mono-thematic (the theme is first announced in the horns and trumpets). The idea then undergoes several permutations in the form of episodes, including a fleeting waltz, a form of which I am quite fond. The title of the piece itself is a metaphorical allusion to this process. The harmonic language in the work is predominantly tonal. By contemporary music standards, about one-half consonant and one-half dissonant. I do not prescribe to any type of harmonic system or any other such rationale in this work (or seldom in any of my recent work). I prefer using a more intuitive approach to harmony, reserving dissonance for spice and for enhancing the dramatic element of the music. Daniel BurwasserFor more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
Orchestraining No. 01 [Orchestra]
#
Orchestre
#
FACILE
#
Juan MarÃa Solare
#
Orchestraining No. 01 [Orchest
#
Juan Maria Solare
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and P...
(+)
Full Orchestra - Level 2 - SKU: A0.1224099 Composed by Juan MarÃa Solare. 19th Century,20th Century,21st Century,Classical,Instructional. Score and Parts. 20 pages. Juan Maria Solare #820190. Published by Juan Maria Solare (A0.1224099). Orchestraining is a cycle of orchestral studies, each of which focuses on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The particular study Orchestraining Nr. 01 focuses on the subject of simultaneous attacks, presenting a series of staccato chords in different parts of the bar. The piece will be played twice, with different dynamics and (partly) different performing techniques (particularly in the strings: pizzicato vs. arco).Orchestraining No. 01 - simultaneous attacks*Orchestraining es un ciclo de estudios orquestales, cada uno de los cuales tematiza diferentes aspectos de la ejecución. Estos estudios están concebidos especÃficamente para orquestas no profesionales; sin embargo, cualquier orquesta mejorará si toca alguna de estas piezas durante los ensayos. Siempre es necesario cuidar la afinación y muchos otros aspectos de la ejecución orquestal.Adicionalmente, estos estudios son también útiles para estudiantes de dirección orquestal. Por ejemplo, es imprescindible saber cómo dirigir un ataque simultáneo de un acorde que no comienza en el uno, sino una corchea después del tercer tiempo.Comencé a escribir estos estudios hacia 2013, cuando asumà la dirección de la Bremer Orchestergemeinschaft y noté la ausencia total de repertorio de este tipo. Como pianista estoy acostumbrado a los estudios de Carl Czerny o a tocar escalas. Cada instrumentista, individualmente, conoce sobradamente estudios de técnica para su instrumento. Sin embargo no existen, o no conozco, estudios similares para la técnica de ejecución orquestal y las dificultades especÃficas de ensamblaje que ésta requiere. El ciclo Orchestraining intenta cubrir esta laguna.El estudio Orchestraining Nr. 01 en particular trata el tema de los ataques simultáneos, presentando una serie de acordes staccato en distintas partes del compás. La obra se tocará dos veces, con distintas dinámicas y (en parte) con distintas técnicas de ejecución (particularmente en las cuerdas: pizzicato vs. arco).
$5.00
Orchestraining No. 5b [Orchestra]
#
Orchestre
#
INTERMÉDIAIRE
#
Juan Maria Solare
#
Orchestraining No. 5b [Orchest
#
Juan Maria Solare
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1432030 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 20 pa...
(+)
Full Orchestra - Level 3 - SKU: A0.1432030 By Juan Maria Solare. By Juan Maria Solare. 20th Century,Classical,Contemporary,Historic,Instructional. 20 pages. Juan Maria Solare #1012510. Published by Juan Maria Solare (A0.1432030). Orchestraining is a cycle of orchestral studies, each focusing on different aspects of performance. These studies are specifically designed for non-professional orchestras, although any orchestra will improve by playing some of these pieces during rehearsals. It is always necessary to pay attention to intonation and many other aspects of orchestral performance.In addition, these studies are also useful for orchestral conducting students. For example, it is essential to know how to conduct a simultaneous attack of a chord that does not begin on the first beat, but a eighth note after the third beat.I began writing these studies around 2013, when I took over the direction of the Bremer Orchestergemeinschaft and noticed the complete absence of repertoire of this kind. As a pianist, I am accustomed to studies by Carl Czerny or playing scales. Each individual instrumentalist knows studies of technique for their instrument. However, there are no, or at least I am not aware of, similar studies for orchestral performance technique and the specific difficulties of ensemble playing that it requires. The cycle Orchestraining aims to fill this gap.The fifth etude focuses again on tuning and intonantion and comes in two versions: for wind ensemble and for the full orchestra.
$5.00
Chai
#
Orchestre
#
AVANCÉ
#
Juan Gomez-Sanchez
#
Chai
#
Juan Gomez-Sanchez
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.944278 Composed by Juan Gomez-Sanchez. Contemporary,Jazz. Score and parts. 29 pages. Juan Gomez-Sanchez #5991259. Pub...
(+)
Full Orchestra - Level 5 - SKU: A0.944278 Composed by Juan Gomez-Sanchez. Contemporary,Jazz. Score and parts. 29 pages. Juan Gomez-Sanchez #5991259. Published by Juan Gomez-Sanchez (A0.944278). Chai is a blend between contemporary jazz and orchestral space age electronic music. This piece was made during one of my low points during the quarantine, where finding ways to be productive was a monumental task. I spent about a month working on this song, changing it where I saw fit, and this is the final product, which I am incredibly proud of. I wish to submit this piece for SMP Press' 2020 Composition Competition, for contemporary music. I am currently studying to become a film composer, and winning this competition would completely change the course of my career. With the reward, I plan to spend it on new musical equipment, notably enhanced software, a microphone, a new snare drum, as well as tuition so that I can continue my education. If you are interested in my work, I implore you to check out my social media, as well as my Musescore and Fiverr accounts below:Instagram: https://www.instagram.com/juaangs_/Fiverr: https://www.fiverr.com/juanpgs_?up_rollout=trueMusescore: https://musescore.com/user/13432216Thank you,-Juan
$4.99
Prelude Nr. 8 for Orchestra
#
Orchestre
#
AVANCÉ
#
Classique
#
Claude Debussy
#
David Watson
#
Prelude Nr. 8 for Orchestra
#
David E. Watson
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.841057 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 24 pages....
(+)
Full Orchestra - Level 5 - SKU: A0.841057 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 24 pages. David E. Watson #3483419. Published by David E. Watson (A0.841057). Prelude Nr. 8, ``The Girl with the Flaxen Hair´´ is the 8th piece in Debussy's 1st Book of Preludes.It is known for it's musical simplicity, and although it is one of the most recorded of Debussy's works it remains popular with Audiences. Parts include - Strings, Flute (2), Oboe (2), B flat Clarinet (2), Bass Clarinet, Bassoon (2), Horn in F (2), and Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$40.00
Clair de Lune for Orchestra
#
Orchestre
#
AVANCÉ
#
Classique
#
Claude Debussy
#
David Watson
#
Clair de Lune for Orchestra
#
David E. Watson
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.841056 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 47 pages....
(+)
Full Orchestra - Level 5 - SKU: A0.841056 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 47 pages. David E. Watson #3483413. Published by David E. Watson (A0.841056). Clair de Lune (moonlight), the 3rd and most famous of the 4 movements of the Suite Bergamasque by Claude Debussy. Arranged here for Orchestra. Parts included are- Strings, Flute (2), Oboe (2), A Clarinet (2), Bass Clarinet, Bassoon (2), Horn in F (2), Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$30.00
Golliwog's Cake Walk for Orchestra
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy
#
David Watson
#
Golliwog's Cake Walk for Orche
#
David E. Watson
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.841055 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 41 pages....
(+)
Full Orchestra - Level 4 - SKU: A0.841055 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 41 pages. David E. Watson #3483401. Published by David E. Watson (A0.841055). Golliwog's Cake Walk from the 6 movement ``Children's Corner´´ arranged for Orchestra. Parts for Strings, Flute (2), Oboe (2), B flat Clarinet (2), Bass Clarinet, Bassoon, Contrabassoon, Horn in F (4), Trumpet in C (2), Xylophone, Percussion, and Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$40.00
"A Lucky Star" A 1920s Musical, Full Orchestral Score
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Comédie Musicale
#
James Nathaniel Holland
#
"A Lucky Star" A 192
#
James Nathaniel Holland
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730517 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 368 pages. Jame...
(+)
Full Orchestra - Level 4 - SKU: A0.730517 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 368 pages. James Nathaniel Holland #6058827. Published by James Nathaniel Holland (A0.730517). A celebration of the Roaring 20s for the new roaring 2020s. Jazzy choruses, solos, trios and duets, dances and spoken scenes from the Musical A Lucky Star, Full Orchestral Score (in concert pitch with dialogues and stage directions) with measure numbers that align to the piano vocal score and individual parts by American composer James Nathaniel Holland (book, music and lyrics). The story follows a young man as he dreams of moving from the Midwest to New York City in the year 1924. Songs included are: I Ain't Doin' Homework, This Town, Such is the County Fair (with mini-ballet), What the Heck Do I Care, An Inspiration (That Lucky Star), The Letter, New York The Town of Your Dreams, Music and Words, Bad Ain't So Bad (a 1920s flapper number), O Baby You Treat Me Too Rough (a Charleston type trio and women's chorus), So Alone Am I, and the touching song Indiana for chorus and separate arrangements for solo voice. Full orchestral score, and orchestral accompaniments sold separately. YouTube Demo playlist at: https://www.youtube.com/playlist?list=PLEcbVsA36MCva9aAwNei4XFxFQdI5Jiio.
$32.50
<
1
I am the Way