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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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style (tous)
AFRICAIN
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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Non classifié
197
PIANO & CLAVIERS
Piano seul
138
Piano, Voix
50
Piano, Voix et Guitare
42
Piano Facile
24
Orgue
20
Instruments en Do
11
1 Piano, 4 mains
7
2 Pianos, 4 mains
2
Ligne De Mélodie, Piano
1
Piano Trio: piano, violon, violoncelle
1
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Ligne De Mélodie, (Paroles) et Accords
20
Guitare
11
Guitare notes et tablatures
8
Ukulele
5
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
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VOIX
Chorale SATB
100
Chorale 3 parties
24
Chorale TTBB
12
Chorale 2 parties
11
Chorale SSAA
10
Chorale Unison
3
Chorale SSATB
2
Voix duo, Piano
2
Voix duo
1
Chorale SSAATTBB
1
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VENTS
2 Saxophones (duo)
43
Flûte traversière
12
Saxophone Alto
8
Saxophone Tenor
7
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Saxophones: 4 saxophones
6
Ensemble de saxophones
6
Ensemble de Flûtes
6
Hautbois, Piano (duo)
4
Quintette de Saxophone: 5 saxophones
4
Clarinette et Piano
4
2 Flûtes traversières (duo)
4
Saxophone Soprano
4
Clarinette
4
Quatuor de Flûtes : 4 flûtes
3
Flûte, Clarinette (duo)
3
2 Hautbois (duo)
3
Saxophone Tenor et Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Alto et Piano
3
2 Clarinettes (duo)
2
Saxophone, Clarinette (duo)
2
Flûte, Hautbois, Clarinette, Basson
2
Flûte et Guitare
2
Flûte traversière et Piano
2
Ensemble de Clarinettes
2
Saxophone Baryton, Piano
2
Hautbois (partie séparée)
2
Flute (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Tenor
1
Clarinette et Alto
1
Clarinette, Violon (duo)
1
Trio de Flûtes: 3 flûtes
1
3 Clarinettes (trio)
1
Quatuor de Flûtes à bec
1
Flûte, Basson et Piano
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
Clarinette Basse, Piano
1
2 Flûte à bec (duo)
1
Flûte à bec Soprano
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone Soprano et Piano
1
Quintette de Flûte : 5 flûtes
1
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CUIVRES
Trombone
11
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trompette
8
Trompette, Saxophone (duo)
7
Cor
6
Trombone et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Ensemble de Trombones
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Trompette, Piano
4
Cor et Piano
3
Tuba et Piano
3
Euphonium, Piano (duo)
2
2 Trombones (duo)
2
2 Euphoniums et 2 Tubas
2
2 Tubas (duo)
1
4 Tubas
1
Quatuor de cuivres: 4 trompettes
1
3 Trompettes (trio)
1
Trompette, violon (duo)
1
Quatuor de cuivres: 4 cors
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
16
Violon
15
Violoncelle
11
Violon et Piano
8
Harpe
5
Alto seul
5
Alto, Piano
4
Violon, Violoncelle (duo)
4
Violoncelle, Piano
3
Trio à Cordes: violon, alto, violoncelle
2
2 Harpes (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
2 Violons (duo)
2
Contrebasse, Piano (duo)
2
Ensemble de Violons
1
Alto, Violoncelle (duo)
1
Ensemble d'Altos
1
4 Contrebasses
1
Contrebasse (partie séparée)
1
Contre Basse
1
2 Altos (duo)
1
Harpe, Flûte (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
41
Orchestre
18
Orchestre d'harmonie
18
Orchestre à Cordes
15
Ensemble de cuivres
9
Cloches
7
Orchestre de chambre
4
Batterie
4
Jazz combo
4
Marimba
1
Vibraphone
1
Fanfare
1
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AUTRES
Vous avez sélectionné:
I build
Orchestre
Partitions à imprimer
18 partitions trouvées
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1
Not I, But Christ
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1404747 Composed by Ada Widding…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1404747 Composed by Ada Widdington and Michael Ware. Arranged by Michael Ware. Christian,Praise & Worship,Religious,Sacred,Traditional. 55 pages. Michael Ware Music #987811. Published by Michael Ware Music (A0.1404747). Putting Jesus at the center of our lives is a foundational principal of the Christian faith. This anthem confidently affirms the Lordship of Christ with an inspiring melody that builds steadily from beginning to end. Sections of unison writing for strength of sound are mixed with thicker, warm, harmonic moments creating an anthem that has much to enjoy musically. A fitting setting to a praise-worthy text! Duration: ca. 3:19. This product is the full orchestration. Choral scores are sold separately. SATB SCORE: https://bit.ly/3APZz3k.
$70.00
63.47 €
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Orchestre
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Ada Widdington and Michael Ware
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Michael Ware
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Not I, But Christ
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Michael Ware Music
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SheetMusicPlus
I Saw Three Ships
Orchestre
(Orchestra) - Digital Download SKU: H1.C5425ODP Arranged by Fred Baldwin. Piano Acc…
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(Orchestra) - Digital Download SKU: H1.C5425ODP Arranged by Fred Baldwin. Piano Accompaniment with Optional Orchestra. Christmas, Sacred. Set of Instrumental Parts. 52 pages. Hope Publishing - Digital #C5425ODP. Published by Hope Publishing - Digital (H1.C5425ODP). Matthew 2:1 - Matthew 2:2 - Matthew 2:9 - Matthew 2:10 - Matthew 2:11 - Matthew 2:12.Traditional English carol This animated setting of the traditional English carol from the 15th century comes from arranger, Fred Baldwin. The colorful piano accompaniment imitates the sounds that are found in the full orchestration of this piece starting with a steady rhythm and building throughout to a rollicking finish. The Orchestration includes a Conductor's Score and parts for: Flute, oboe, Clarinet in B-flat, Bassoon, Horns 1 & 2 in F, Trumpets 1 & 2 in B-flat, Trombones 1 & 2, Percussion (Timpani, Bells, Mallets), Violins 1 & 2, Viola, Cello and Double Bass.
$89.95
81.56 €
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Orchestre
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Fred Baldwin
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I Saw Three Ships
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Hope Publishing - Digital
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SheetMusicPlus
Tombland Fanfare
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1017072 Composed by Eoin Buchanan. Contemporary. Score and parts. 87 pages. 7plc Music #6079111. Published by 7plc Music (A0.1017072). At the centre of the Norfolk city of Norwich lies Tombland. The name evokes thoughts of haunting, death and Black Plague burial pits. Actually Tombland simply means empty space and it was here that Norwich market was sited. Violence seems to have been a recurring theme in the history of Tombland. In 1549 Robert Kett led a rebellion against the enclosure of common land. After a fierce attack on Bishop Bridge, Kett and his band of followers gained access to the city and took the Mayor, Thomas Codd, prisoner. Having spent a number of years as a clergyman in the Diocese of Norwich, I can tell you that this area is very different nowadays. However, its Normal cathedral and older buildings still offer a sense of struggles past, present and future. Inspired by Ray Sampson’s book, Tombland, this original work for full orchestra uses harmonic and rhythmic dissonance to portray the violent and oppressive struggle between those with and ‘those without. The blacksmith’s anvil heralds village life with church bells sounding and flute introducing children playing in the village square. Very quickly the scene changes as Basses offer a deep threatening tone and slowly the rhythmic confusion builds to an eventual climax. Horns then introduce a quasi carillon Dies Irae theme and flutes and piccolo enter with a haunting bird call until low strings and Cor Anglais begin the build up to chaos once again. The work’s false, dying ending suddenly gives way to a sacred style chorale leading to the very abrupt Malcolm Arnold style ending.
$35.00
31.73 €
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Orchestre
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Eoin Buchanan
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Tombland Fanfare
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7plc Music
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
68 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Franz Liszt - "Funerailles", S.173/7 , Orchestrated by Arkady Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1471489 Composed by Franz Liszt…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1471489 Composed by Franz Liszt. Arranged by Arkady Leytush. 19th Century. 48 pages. Arkady Leytush #1049262. Published by Arkady Leytush (A0.1471489). Funérailles, #7 from Liszt’s « Poetic and Religious Harmonies», one of the greatest works of his late period. This impressionistic elegy is strikingly beautiful. Its deep tragedy sometimes reaches the greatest heights, magnetically involving listeners and forcing them to empathize. In my transcription, I tried to use all possible means of a large orchestra to emphasize the features of this music, the changes in the nature of the three main themes, and also to build the overall dramaturgy of the entire work. Liszt’s orchestral thinking underlying this work makes it possible to organically transfer this work to the orchestra. I must admit that despite my experience in such work, I was so captivated by the content and character of this music that at times I was forced to stop due to a sharp increase in my pulse up to 130 beats!
$40.00
36.27 €
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Orchestre
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Franz Liszt
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Arkady Leytush
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Franz Liszt - "Funerailles", S.173/7 , Orchestrated by Arkady Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Mary's bagpipe-playing lamb meets the kangaroo conga line of Cootamundra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.851554 Composed by Brett Thomps…
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Full Orchestra - Level 3 - Digital Download SKU: A0.851554 Composed by Brett Thompson. 20th Century,Contemporary,Folk,Latin. Score and parts. 58 pages. Brett Thompson #6079455. Published by Brett Thompson (A0.851554). If you are lucky enough to have miraculously stumbled across this wonderful hoot of a piece using the sheetmusicplus search, then you are in for a treat! Cootamundra is a town in country New South Wales, Australia, and has nothing to do with the character of this piece. It is quite near where I currently live and made a fun alliteration while choosing a title for this piece. When writing music, I often allow the character and form of the piece to evolve with development of the motifs being employed. When writing student pieces, however, I tend to map out the work in my imagination fairly thoroughly first. This helps to keep the end result within the technical and musical limitations of the students in mind. Such was the case here where I decided to build on a nursery song with some drone-like accompaniment, a little Scotland the Brave, and then superimpose it on a conga line motif.This work is designed for a student orchestra (Grade 3) and includes lots of doubling and cues to cover absent parts.
$39.95
36.22 €
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Orchestre
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Brett Thompson
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Mary's bagpipe-playing lamb meets the kangaroo conga line of Cootamundra
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Brett Thompson
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SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
45.33 €
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Orchestre
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Kyle Vanderburg
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One Sows for the Benefit of Another Age - Orchestra
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NoteForge
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SheetMusicPlus
Don't Cry
Orchestre
Orchestra - Digital Download SKU: H1.C6141ODP Arranged by Joel Raney. My heart, O G…
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Orchestra - Digital Download SKU: H1.C6141ODP Arranged by Joel Raney. My heart, O God, is steadfast, my heart is steadfast; I will sing and make music. Psalm 57:7. Easter Sunday. Set of Instrumental Parts. 91 pages. Hope Publishing - Digital #C6141ODP. Published by Hope Publishing - Digital (H1.C6141ODP). By Kirk Franklin.Spiritual by Kirk Franklin The music of Kirk Franklin is synonymous with the heart of worship in the African-American Church, and Joel Raney has set this powerful resurrection song as authentically as possible, maintaining its soulful, gospel style. The buildup from beginning to end is sure to enrapture all in the message Don't cry, wipe your eyes, he is not dead! If you enjoyed Revelation 19 and Order My Steps, previously published in our catalog, then you won't want to miss this one. Orchestrations: Conductor's Score, Horn (or Alto Sax or Clarinet), 2 Trombone (or Tenor Sax or Baritone T. C. ), Percussion, Piano, Synth (Vintage Rhodes), Electric Guitar (or Capo Guitar), Electric Bass, Drums, Violins 1 & 2, Viola (or Clarinet), Cello/Bassoon (or Bass Clarinet). Double Bass and String Reduction.
$89.95
81.56 €
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Orchestre
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Kirk Franklin
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Joel Raney
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I will sing and make music
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Don't Cry
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Hope Publishing - Digital
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
86.14 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Carson Cooma - Miacomet Dreaming (2008) for orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.775968 Composed by Carson Cooma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.775968 Composed by Carson Cooman. Contemporary. Score and parts. 18 pages. Musik Fabrik Music Publishing #2034761. Published by Musik Fabrik Music Publishing (A0.775968). Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. Instrumentation 2 Flutes 2 Oboes 2 Clarinets in Bb Bass Clarinet 2 Bassoons 2 Horns in F 2 Trumpets in C 2 Trombones Tuba Timpani Percussion (1 player) Marimba, Tubular Chimes Violin I Violin II Viola Violoncello Contrabass Score in C Bass clarinet and contrabass sound one octave lower than written. PROGRAM NOTES Miacomet Dreaming (2008) for orchestra is dedicated to Loretta Yoder and Kyle Latshaw. The title refers to Miacomet, a region of Nantucket Island, Massachusetts. This work is one of a variety of pieces deeply connected to the landscape of Nantucket. The inspiration for the work was an oil painting, Path to Miacomet (2006), by Loretta Yoder; its fervency of color and landscape provided the poetic image that drives the work. The music itself was worked out during a the early hours of darkness on the actual beach of Miacomet. As the sun set, and darkness covered the landscape, only the passionate sound of the surf remained. The music is fervent and searching in tone. It begins with a roar before quieting down to introduce its basic musical material-a simple lament-like theme in a folkinflected style. This material is used for further explorations, building to passionate climaxes. Finally, the opening music returns, but this time it is whispered. The movement winds down to a distant and reposed conclusion. (part on rental: infoATclassicalmusicnow.com).
$19.45
17.64 €
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Orchestre
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Carson Cooman
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Carson Cooma - Miacomet Dreaming
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Musik Fabrik Music Publishing
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SheetMusicPlus
SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
Orchestre
Full Orchestra - Digital Download SKU: A0.1503603 Composed by Schubert/Crossland. C…
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Full Orchestra - Digital Download SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.
$69.99
63.46 €
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Orchestre
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Schubert/Crossland
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SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
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Neil Crossland
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SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachm…
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Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
72.53 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor | Full Orchestra
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Michael Barrera
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SheetMusicPlus
Christmas Processional
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.890746 Composed by French Tradi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.890746 Composed by French Traditional. Arranged by Andrew Wainwright. Christmas. Score and parts. 69 pages. Andrew Wainwright #4888451. Published by Andrew Wainwright (A0.890746). A spectacular opener to any Christmas concert, based on the French carol, Bring a torch, Jeanette, Isabella. This work tells the story of a group of children in medieval Provence, dressed up as shepherds and milkmaids, carrying torches and candles as they proceed to the stable. As they draw closer and their excitement increases, they are constantly reminded by their parents to keep the noise down so that they don't wake up the baby Jesus. The music begins quietly and builds to a majestic conclusion. If I were still conducting regularly, this would certainly be on my list as a Christmas concert opener - it sets the energy and mood most effectively. The scoring is terrific. Paul Hindmarsh, music critic *Please note audio is of the version with choir.
$65.00
58.94 €
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Orchestre
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French Traditional
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Andrew Wainwright
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Christmas Processional
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Andrew Wainwright
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SheetMusicPlus
Legacy
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
45.29 €
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Orchestre
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
Enchanted Landscapes, A Symphonic Poem for symphony orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.944033 Composed by Ofer Ben-Amo…
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Full Orchestra - Level 4 - Digital Download SKU: A0.944033 Composed by Ofer Ben-Amots. Contemporary. Score and parts. 50 pages. The Composer's Own Press #4612747. Published by The Composer's Own Press (A0.944033). Composer’s Note: Enchanted Landscapes was commissioned by the Colorado Springs Philharmonic in recognition of the Association’s 90th Anniversary. Inspired by the theme of America the Beautiful, I decided to portray the actual beauty of the land, rather than to use Katharine Lee Bates and Samuel Ward's famous song as a musical reference. Thus, Enchanted Landscapes was composed as a single-movement Symphonic Poem, which transforms various visual elements of our magical views into an audible experience. The main melody is vast; Spanning over 30 measures, it conveys the feeling of spaciousness. Then, the same long melody repeats in a different, higher key. The middle part of the composition presents a fanfare-like theme, which builds up through both dynamics and polyphonic means. This section, dominated mainly by the brass and wind instruments, brings in a sense of drama, mystery, and purple mountain majesties. Finally, the use of Melodica sound in the otherwise traditional orchestration, adds a feeling of nostalgia and longing to the pure and proud landscape that watches upon us constantly, and connects us with the earth, with nature, and with ourselves. SCORING INFORMATION: fl. (2), ob. (2), Eng. hn., cl. in b-flat (2), bass cl. (in b-flat), Trp. (2), Fr. hn. (2), Tbn (2), Tuba, Perc (2) Melodica (or Accord.), Harp, strings.Total Duration: 11 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
32.64 €
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Orchestre
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Ofer Ben-Amots
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Enchanted Landscapes, A Symphonic Poem for symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Symphony No. 2: A Countryside Symphony, Op. 10
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1322184 Composed by Chris Knapp…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1322184 Composed by Chris Knapp. 21st Century,Classical. 177 pages. Chris Knapp #910544. Published by Chris Knapp (A0.1322184). Symphony No. 2 celebrates nature and brings a new approach to the traditional Pastoral style in symphonic writing. Symphony No. 2: A Countryside Symphony is in 3 movements:I: The Pastures (A moderate opening before a rhythmic Vivace)II: A Storm Gathers (A moody, slow opening, which builds to a dramatic middle section before a gentle release to finish)III: Nature's Festival (a rousing, joyous finish).This is written for a medium orchestra and is accessible for both and amateur and professional orchestras.
$30.99
28.1 €
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Orchestre
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Chris Knapp
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Symphony No. 2: A Countryside Symphony, Op. 10
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Chris Knapp
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SheetMusicPlus
Where Eagles Dare (Theme) - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.59 €
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Orchestre
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (187…
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Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes<br> <br> Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.<br> <br> <br> <br> Instrumentation<br> <br> 2 Flutes<br> <br> 2 Oboes<br> <br> 2 Clarinets (B flat)<br> <br> 2 Bassoons<br> <br> 4 Horns (F)<br> <br> 3 Trumpets (B flat)<br> <br> 2 Trombones<br> <br> 1 Bass Trombone<br> <br> 1 Tuba<br> <br> Timpani<br> <br> Snare Drum<br> <br> Tambourine<br> <br> Harp (substitute piano ifnecessary)<br> <br> Violins I and II<br> <br> Viola<br> <br> Violincello<br> <br> Double Bass
$24.99
22.66 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra
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Michael Barrera
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SheetMusicPlus
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