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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Images
Non classifié
193
Piano & claviers
Piano seul
211
Piano, Voix
25
Orgue
20
Piano Facile
15
Piano, Voix et Guitare
10
2 Pianos, 4 mains
7
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
4
Orgue, Piano (duo)
1
Clavier
1
+ 6 instrumentations
Retracter
Guitares
Guitare
12
Guitare notes et tablatures
6
2 Guitares (duo)
2
Basse electrique
1
Dulcimer
1
Ligne De Mélodie, (Paroles) et Accords
1
Ensemble de guitares
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
81
Voix Soprano, Piano
29
Voix Tenor, Piano
28
Voix Alto, Piano
26
Chorale 3 parties
21
Chorale Unison
11
Chorale 2 parties
8
Chorale TTBB
6
Chorale SSAA
3
Chorale SSAATTBB
3
Voix haute
2
Voix duo
2
Chorale SSATB
1
Voix moyenne, Piano
1
+ 9 instrumentations
Retracter
Vents
Ocarina
279
Flûte à bec Soprano
223
Flûte à bec Alto
188
Flûte à bec Alto, Piano
30
Hautbois, Piano (duo)
19
Flûte traversière et Piano
17
Saxophone Alto et Piano
16
2 Saxophones (duo)
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Clarinette et Piano
10
Clarinette (partie séparée)
9
Saxophone (partie séparée)
9
Clarinette
9
Saxophone Tenor et Piano
8
Flûte traversière
8
Quatuor de Clarinettes: 4 clarinettes
7
2 Flûtes traversières (duo)
7
Hautbois (partie séparée)
7
Quatuor de Saxophones: 4 saxophones
7
Saxophone Baryton, Piano
6
Saxophone Alto
5
Saxophone Soprano et Piano
5
Clarinette Basse, Piano
4
2 Clarinettes (duo)
4
Saxophone Tenor
4
2 Hautbois (duo)
4
Saxophone Baryton
2
Cor anglais, Piano
2
Flute (partie séparée)
2
Flûte à Bec
2
Ensemble de Clarinettes
2
Flûte, Hautbois, Clarinette, Basson
2
Hautbois
2
Saxophone Soprano
2
Quatuor de Flûtes : 4 flûtes
1
Flûte, Clarinette (duo)
1
Flûte, Hautbois, Basson
1
Clarinette, Violoncelle, Piano (trio)
1
Piccolo, Piano
1
Flûte irlandaise
1
Ensemble de Flûtes
1
Quintette de Flûte : 5 flûtes
1
3 Clarinettes (trio)
1
+ 38 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
18
Trompette
8
Trombone et Piano
7
Trompette, Piano
6
Tuba et Piano
6
Cor et Piano
5
Trombone (partie séparée)
5
Euphonium, Piano (duo)
4
2 Trompettes (duo)
4
2 Trombones (duo)
4
2 Cors (duo)
4
Trompette (partie séparée)
4
Tuba
3
Trombone
3
Tuba (partie séparée)
3
Cor
3
Cor (partie séparée)
3
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
2 Tubas (duo)
2
Ensemble de Trombones
2
Quatuor de Cuivres
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Quatuor de cuivres: 4 cors
1
Ensemble de Trompettes
1
+ 20 instrumentations
Retracter
Cordes
Violon et Piano
45
Violon
27
Violoncelle, Piano
13
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violoncelle
9
Violon (partie séparée)
7
Alto, Piano
7
Alto seul
6
2 Violons (duo)
6
2 Altos (duo)
4
Contrebasse, Piano (duo)
4
2 Violoncelles (duo)
4
Contrebasse (partie séparée)
4
Contre Basse
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
2 Contrebasses (duo)
2
Violon, Guitare (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle , Guitare (duo)
1
Harpe
1
Trio à Cordes: violon, alto, violoncelle
1
2 Harpes (duo)
1
Alto (partie séparée)
1
Violoncelle (partie séparée)
1
+ 19 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
175
Orchestre
50
Orchestre à Cordes
20
Ensemble Jazz
7
Percussion (partie séparée)
6
Cloches
5
Jazz combo
5
Orchestre de chambre
4
Percussion
4
Ensemble de cuivres
3
Vibraphone
2
Xylophone, Piano
2
Timbales (partie séparée)
2
Fanfare
1
Ensemble de Percussions
1
+ 10 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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VIOLONCELLE
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C. Debussy - IMAGES, Book I, #3. Mouvement, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008373 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008373 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 30 pages. Arkady Leytush #4847875. Published by Arkady Leytush (A0.1008373). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
23.01 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #3. Mouvement, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
#
SheetMusicPlus
C. Debussy - IMAGES, Book I, #2. Hommage à Rameau, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008371 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008371 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 20 pages. Arkady Leytush #4847873. Published by Arkady Leytush (A0.1008371). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
23.01 €
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Orchestre
#
Claude Debussy
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A
#
C. Debussy - IMAGES, Book I, #2. Hommage à Rameau, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
#
SheetMusicPlus
C. Debussy - IMAGES, Book I, #1.Reflets dans l'eau, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008370 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008370 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 29 pages. Arkady Leytush #4847871. Published by Arkady Leytush (A0.1008370). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
23.01 €
#
Orchestre
#
Claude Debussy
#
A
#
C. Debussy - IMAGES, Book I, #1.Reflets dans l'eau, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
#
SheetMusicPlus
Images Of A Dream
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1128068 By Marc Douyon. By Marc…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1128068 By Marc Douyon. By Marc Douyon. Classical,Contest,Festival,Film/TV. Score and parts. 76 pages. Marc Douyon #728679. Published by Marc Douyon (A0.1128068). In a dream, I saw images of a peaceful life: time passed slowly enough, as if I were allowed to witness the serenity of an enchanted place. Far from being motionless, that place was untroubled in its harmony and its tranquility. “Images of A Dreamâ€, with its succession of melodic phrases, contrasting sections, and romantic atmosphere, is a symphonic poem that speaks of peace.
$133.94
123.27 €
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Orchestre
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Marc Douyon
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Images Of A Dream
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Marc Douyon
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SheetMusicPlus
C. Debussy - Images, Book 1, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1195043 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1195043 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 79 pages. Arkady Leytush #794217. Published by Arkady Leytush (A0.1195043). As it Known, IMAGES Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular pisces, along whit Book 2also orchestrated by me.
$60.00
55.22 €
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Orchestre
#
Claude Debussy
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A
#
C. Debussy - Images, Book 1, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
#
SheetMusicPlus
C. Debussy - Images oubliées, (1894), Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1503185 Composed by Claude Debu…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1503185 Composed by Claude Debussy. Arranged by A. Leytush. 19th Century. 81 pages. Arkady Leytush #1078714. Published by Arkady Leytush (A0.1503185).
$60.00
55.22 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - Images oubliées,
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Arkady Leytush
#
SheetMusicPlus
Images
Orchestre
Orchestra - Digital Download SKU: S9.Q4693 No. 3 Rondes de printemps. Compos…
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Orchestra - Digital Download SKU: S9.Q4693 No. 3 Rondes de printemps. Composed by Claude Debussy. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 7 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4693. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4693). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$22.99
21.16 €
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Orchestre
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Claude Debussy
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Images
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Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Images
Orchestre
Orchestra - Digital Download SKU: S9.Q4692 No. 2 Ibéria. Composed by Clau…
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Orchestra - Digital Download SKU: S9.Q4692 No. 2 Ibéria. Composed by Claude Debussy. This edition: study score. Ernst Eulenburg - Orchestra - Score. Eulenburg Miniature Scores. Downloadable, Study score. Duration 7 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q4692. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q4692). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$22.99
21.16 €
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Orchestre
#
Claude Debussy
#
Images
#
Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
Images
Orchestre
Orchestra - Digital Download SKU: S9.Q46210 No. 1 Gigues. Composed by Claude…
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Orchestra - Digital Download SKU: S9.Q46210 No. 1 Gigues. Composed by Claude Debussy. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, study score. Duration 7 minutes. Ernst Eulenburg & Co. GmbH - Digital #Q46210. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q46210). With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
$18.99
17.48 €
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Orchestre
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Claude Debussy
#
Images
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Ernst Eulenburg & Co. GmbH - Digital
#
SheetMusicPlus
C. Debussy - IMAGES, Book I, Orchestra suite, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1185016 Composed by Claude Debu…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1185016 Composed by Claude Debussy. Arranged by A. Leytush. Classical. Score and parts. 79 pages. Arkady Leytush #784693. Published by Arkady Leytush (A0.1185016).
$60.00
55.22 €
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Orchestre
#
Claude Debussy
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A
#
C. Debussy - IMAGES, Book I, Orchestra suite, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
#
SheetMusicPlus
C. Debussy - Images, Book 2, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1194724 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1194724 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 82 pages. Arkady Leytush #793969. Published by Arkady Leytush (A0.1194724). Â
$60.00
55.22 €
#
Orchestre
#
Claude Debussy
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A
#
C. Debussy - Images, Book 2, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
#
SheetMusicPlus
Nu Tal (Mi Tierra) - Set of Parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.933325 Composed by Juan Carlos …
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Full Orchestra - Level 3 - Digital Download SKU: A0.933325 Composed by Juan Carlos Guerra González. 20th Century,Contemporary. Score and parts. 267 pages. Juan Carlos Guerra Gonzalez #3093617. Published by Juan Carlos Guerra Gonzalez (A0.933325). Nu Tal (Mi Tierra) or My Land, is one of my first orchestral works, commissioned by Dr. Irving Ramirez, associate conductor of the El Salvador’s Symphony Orchestra.At the beginning, the idea was to set four small sketches of different images from my country. The 3rd movement was composed first, at that point I didn’t have a name for the work but after a talk with my mother in law, Aracely Sánchez; who is an expert in Salvadoran folklore, I decided to change the work’s name to Nu Tal (My Land in Nahuatl) and use some elements from our folklore. Then, I combined the idea I had from the images and the folk rhythms and tunes to create the whole work.The first movement of the work contains actually two movements. The first part is an image of a plane going to El Salvador. While the plane comes out of the clouds a beautiful land is seen through the window until the plane lands safely at its destination. Immediately, the folk part of the movement (movement II) begins with the invocation performed by the shell to the four cardinal points and then an autochthonous sound is presented welcoming our guests to this magical land, and the theme develops until the end of the movement.The third part was the first composed and it is an image including various ideas that represents a vision of El Salvador from different perspectives and the complexity of the different generations that are currently creating El Salvador’s demographic landscape.The fourth movement is an amalgamate of folkloric ideas and images. The beginning is the call from a church by the bells, then the brass presents the main theme of the movement, which is based on the Gregorian chant Salve Regina that I deconstructed using different rhythmic meters. Then a traditional rhythm is developed for the final section of the work.Link to the audio rendering: https://soundcloud.com/juancarlosguerragonzalez/nu-tal-complete-recording-sibelius-noteperformer-rem...
$125.00
115.04 €
#
Orchestre
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Juan Carlos Guerra González
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Nu Tal
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Lily Park - I. Wind Bell
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00
15.65 €
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Orchestre
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Yoonjee Kim
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Lily Park - I. Wind Bell
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Yoonjee Kim
#
SheetMusicPlus
Anishinaabeg Rhapsody
Orchestre
Orchestra - Digital Download SKU: IZ.OMS171 Composed by Kenneth Piotrowski. Score a…
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Orchestra - Digital Download SKU: IZ.OMS171 Composed by Kenneth Piotrowski. Score and Parts. 129 pages. Duration 13'. Imagine Music - Digital #OMS171. Published by Imagine Music - Digital (IZ.OMS171). 9 x 12 in inches.Although the word Anishinaabeg, best translated as those whence descended or the noble people, refers to many of thenumerous Algonquin indigenous peoples of North America, it is here used specifically in reference to the Ojibwe of theUpper Peninsula of Michigan. It was here that the composer spent many summers and it was those memories that allowedthe Anishinaabeg Rhapsody to come into being.This particular composition is a symphonic tone poem which, unlike the majority of orchestral music which is able to standalone as pure musical thought, evokes historic, pictorial or literary subject matter. In other words, the composer paintsimages and thoughts through sound.The Anishinaabeg Rhapsody, which is scored for 2 flutes, 2 oboes, English horn, 3 clarinets in Bb, 2 bassoons, 4 horns andstrings, conjures images of the wind gently blowing through the pines, the purling of meandering streams, the rippling andwaving of grasslands, the thunderous waterfalls crashing hundreds of feet over cliffs into Lake Superior; in short, it portraysNature itself.
$90.00
82.83 €
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Orchestre
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Kenneth Piotrowski
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Anishinaabeg Rhapsody
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Imagine Music - Digital
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
45.97 €
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Orchestre
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.01 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.01 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.01 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Life On Mars
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1464081 By David Bowie. By Davi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1464081 By David Bowie. By David Bowie. Arranged by Kevin Riley. 20th Century,Pop. 42 pages. Kevin Riley #1042792. Published by Kevin Riley (A0.1464081). Life on Mars? is a song by the English singer-songwriter David Bowie, first released on his 1971 album Hunky Dory. Bowie wrote the song as a parody of Frank Sinatra's My Way. Life on Mars? was recorded on 6 August 1971 at Trident Studios in London, and was co-produced by Bowie and Ken Scott. Bowie's backing band consisted of guitarist and string arranger Mick Ronson, bassist Trevor Bolder, drummer Mick Woodmansey and Strawbs member Rick Wakeman on piano. Life on Mars? is primarily a glam rock ballad, with elements of cabaret and art rock; it has a complex structure that includes chord changes throughout. The lyrics are about a girl who goes to a cinema to escape reality, and include surreal images that reflect optimism and the effects of Hollywood.At the height of Bowie's fame as Ziggy Stardust, RCA Records issued Life on Mars? as a single on 22 June 1973 in the United Kingdom, where it peaked at number three. To promote the single, photographer Mick Rockfilmed a video that shows Bowie in make-up and a turquoise suit singing the song against a white backdrop. Bowie frequently performed Life on Mars? during his concerts and the song has appeared on numerous compilation albums. Scott remixed the song in 2003 and 2016, the latter being a stripped down mix.Life on Mars? is considered by commentators as one of Bowie's greatest songs, and one of the best songs of all time. Critics have praised Bowie's vocal performance and growth as a songwriter. The song's title was given to the British television series Life on Mars, and films and other television programmes have included Life on Mars?. Artists including Barbra Streisand, and Nine Inch Nails members Trent Reznor and Atticus Ross, have recorded cover versions of the song; and following Bowie's death in 2016, Life on Mars? was frequently chosen as a tribute to the artist.
$70.00
64.42 €
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Orchestre
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David Bowie
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Kevin Riley
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Life On Mars
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Kevin Riley
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SheetMusicPlus
Kati Thanda - Lake Eyre
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1446722 Composed by Cally Bartl…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1446722 Composed by Cally Bartlett. 21st Century,Classical,Contemporary. 68 pages. Cally Bartlett #1026488. Published by Cally Bartlett (A0.1446722). Commissioned by the Bendigo Symphony Orchestra in 2021, this piece tells the story of Kati Thanda-Lake Eyre and flooding events it experiences each decade or so. The music represents the dry salty lake, followed by the storm up north, the lake filling with water, the life and animals that create their home there, the water receding and a return to the dry salty lake. It is evocative and uses timbre and texture to create images in the audience’s minds eye.
$59.99
55.21 €
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Orchestre
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Cally Bartlett
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Kati Thanda - Lake Eyre
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Cally Bartlett
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SheetMusicPlus
S. Lyapunov - Orchestra Suite, Op. 11 Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1430086 Composed by S. Lyapunov…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1430086 Composed by S. Lyapunov. Arranged by A. Leytush. 19th Century. 134 pages. Arkady Leytush #1010761. Published by Arkady Leytush (A0.1430086). This orchestral suite was composed by me from three numbers of Transcendental Etudes, op. 11 S. Lyapunov - Berceuse, Rondo des Sylphes & Lesghinka. These three different plays combine perfectly due to their contrasts and different artistic images. Translating these virtuoso opuses to a full orchestra, I had to deal with many technical difficulties purely for the piano, which had to be adapted for the orchestra, while I had to create new lines and voices and even compose something. This work completely captivated me with the talent, ingenuity and delightful imagination of its author. I am sure that this composition could decorate many orchestral programs, giving them freshness and great emotional intensity.
$75.00
69.02 €
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Orchestre
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S
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A
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Lesghinka
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S. Lyapunov - Orchestra Suite, Op. 11 Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
Asturias Leyenda - Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1413746 Composed by Isaac Alben…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1413746 Composed by Isaac Albeniz. Arranged by Andrew Middleton. 19th Century,Romantic Period. 95 pages. Andrew Middleton #995530. Published by Andrew Middleton (A0.1413746). Asturias, Leyendda from Suite Espanola Op. 47 is one of the Isaac Albeniz's most notable works. This piece opens in a brisk tempo, similar to a toccata. A slower, more reflective middle section conjure's up images of Spain and the Mediterranean, before returning to the quick opening section. This arrangement for orchestra (2222 4331 Timp. Perc. Hp. Strings) is ideal for the intermediate advanced orchestra.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/Â Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$39.99
36.8 €
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Orchestre
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Isaac Albeniz
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Andrew Middleton
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Asturias Leyenda - Orchestra
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Andrew Middleton
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SheetMusicPlus
You Really Know How To Hurt A Guy
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1406759 Composed by Jan Berry, …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1406759 Composed by Jan Berry, Jill Gibson, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Century,Pop,Rock. 48 pages. Fiji Printing #989513. Published by Fiji Printing (A0.1406759). You Really Know How to Hurt a Guy — Orchestral Arrangement.Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's Pop Symphony album in 1965.Transcribed by Mark A. Moore from Jan Berry's music archive, in association with his estate. Moore is the author of Dead Man's Curve: The Rock 'n' Roll Life of Jan Berry (McFarland 2021) and The Jan & Dean Record (McFarland 2016).Fiji Printing #13. Distributed by ArrangeMe and the Hal Leonard Corporation.Perfect for college, state, and local orchestras who want to tackle this classic track from 1965.Full Music Score and Individual Charts.WOODWINDS: Flute; Oboe; English Horn; Clarinet; Bass Clarinet; Bassoon; Contrabassoon.BRASS: French Horn 1-2; Trumpet 1-3; Trombone.STRINGS: Violin 1-8; Viola 1-2; Cello 1-2; Contrabass.RHYTHM: Timpani; Percussion (Wind Chimes, Vibraphone, Glockenspiel, Marimba, Xylophone, Chimes); Drums; Piano; Celeste; Guitar 1; Guitar 2; Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on the Pop Symphony album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.40 distinct chords.48 Pages.; 11 x 17.Learn more about Jan Berry and Jan & Dean: https://jananddean-janberry.com/
$49.99
46.01 €
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Orchestre
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Jan Berry, Jill Gibson, and Roger Christian
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Jan Berry and George Tipton
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You Really Know How To Hurt A Guy
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Fiji Printing
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SheetMusicPlus
New Girl In School
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1361462 By Jan and Dean. By Bob…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1361462 By Jan and Dean. By Bob Norman, Brian Douglas Wilson, Jan Berry, and Roger Christian. Arranged by Jan Berry. 20th Century,Pop,Rock. 40 pages. Fiji Printing #945917. Published by Fiji Printing (A0.1361462). POP SYMPHONYThe New Girl in School. Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's Pop Symphony album in 1965. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local orchestras who want to tackle this classic '60s hit, re-imagined as an orchestral arrangement.INSTRUMENTATIONWOODWINDS: Flute 1-2; Clarinet 1-2 — 4 parts.BRASS: Trumpet 1-3; French Horn 1-2; Trombone — 6 parts.STRINGS: Violin 1-8 (2 parts); Viola 1-2; Cello 1-2; Contrabass — 7 parts.RHYTHM: Mandolin 1-2; Harpsichord; Drums; Percussion (Concert Tanbourine) — 5 parts.Number of Parts: 22Number of Pages: 40Publication Includes: (1) Illustrated cover page; (2) Introductory text with commentary on the Pop Symphony album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.
$49.99
46.01 €
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Orchestre
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Jan and Dean
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Jan Berry
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New Girl In School
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Fiji Printing
#
SheetMusicPlus
The Little Old Lady (from Pasadena)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1171508 By Jan and Dean. By Don…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1171508 By Jan and Dean. By Don Altfeld, Jan Berry, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Century,Historic,Pop,Rock. Score and Parts. 41 pages. Fiji Printing #771829. Published by Fiji Printing (A0.1171508). POP SYMPHONY: The Little Old Lady (from Pasadena). Jan Berry and George Tipton's original music score, used by the Wrecking Crew to record Jan & Dean's 'Pop Symphony' album in 1965. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local orchestras who want to tackle this classic '60s hit, re-imagined as a sophisticated Viennese Waltz. Full score and individual charts. WOODWINDS: Flute, Oboe, Clarinet 1 (Clarinet & Flute); Clarinet 2 (Clarinet & Bass Clarinet); BRASS: French Horn 1-2, Trumpet 1-2, Trombone; STRINGS: Harp, Violin 1-8, Viola 1-2, Cello 1-2, Contrabass; RHYTHM: Guitar, Danelectro 6-String Bass Guitar, Drums, Percussion. Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on the 'Pop Symphony' album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.
$49.99
46.01 €
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Orchestre
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Jan and Dean
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Jan Berry and George Tipton
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The Little Old Lady
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Fiji Printing
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SheetMusicPlus
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