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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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ACCORDEON
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AUTOHARPE
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CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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COUNTRY
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494
PIANO & CLAVIERS
Piano seul
480
Piano Facile
112
Orgue
48
Piano, Voix et Guitare
47
Piano, Voix
37
Instruments en Do
21
1 Piano, 4 mains
18
Piano Trio: piano, violon, violoncelle
5
Accompagnement Piano
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
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1 Piano, 6 mains
1
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1
Accordéon
1
2 Pianos, 4 mains
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GUITARES
Guitare notes et tablatures
50
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36
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26
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19
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7
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2
2 Guitares (duo)
2
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1
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Chorale SATB
142
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90
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28
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14
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11
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7
Voix Soprano, Piano
7
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3
Voix duo, Piano
2
Voix duo
1
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VENTS
Flûte, Hautbois, Clarinette, Basson
65
Hautbois, Piano (duo)
60
Quatuor de Saxophones: 4 saxophones
56
Clarinette et Piano
56
Quintette de Saxophone: 5 saxophones
46
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
46
Clarinette
44
Flûte traversière et Piano
44
Flûte traversière
36
Saxophone Alto et Piano
35
Quatuor de Flûtes : 4 flûtes
32
Saxophone Alto
31
Saxophone (partie séparée)
31
Hautbois
22
Saxophone Soprano et Piano
22
Quatuor de Clarinettes: 4 clarinettes
21
Saxophone Baryton, Piano
20
Saxophone Tenor et Piano
19
Trio de Flûtes: 3 flûtes
18
Quintette de Clarinettes: 5 clarinettes
17
2 Saxophones (duo)
16
Hautbois (partie séparée)
15
2 Flûtes traversières (duo)
14
Saxophone Tenor
14
Quintette de Flûte : 5 flûtes
12
3 Saxophones (trio)
11
Saxophone Baryton
10
Saxophone Soprano
10
Ensemble de Clarinettes
10
2 Clarinettes (duo)
9
3 Clarinettes (trio)
9
Flûte à bec Soprano
8
2 Hautbois (duo)
7
Ensemble de Flûtes
7
Ensemble de saxophones
6
Flûte à bec Alto
5
Flûte à Bec
4
Hautbois, Clarinette (duo)
4
2 Flûte à bec (duo)
4
Clarinette (partie séparée)
3
Cor anglais, Piano
3
Quatuor de Flûtes à bec
3
5 Flûtes à bec
3
Hautbois, Basson (duo)
2
Cor Anglais
2
Flûte, Clarinette (duo)
2
Hautbois, Flûte
2
Clarinette, Violoncelle, Piano (trio)
1
Clarinette et Alto
1
Clarinette, Basson (duo)
1
Clarinette, Trompette (duo)
1
Flûte, alto et harpe
1
Flûte et Guitare
1
Clarinette Basse, Piano
1
Clarinette, Guitare (duo)
1
Ensemble De Flûte à bec
1
Saxophone
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violoncelle
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Trompette, Piano
51
Trombone et Piano
42
Cor et Piano
42
Trompette
42
Trombone
33
Cor
28
Quatuor de Cuivres: 2 trompettes, Cor, trombone
27
Tuba
25
Tuba et Piano
20
Ensemble de Trompettes
14
Quatuor de Cuivres : 2 trompettes, trombone, tuba
13
Quatuor de Cuivres
7
2 Trompettes (duo)
7
Euphonium, Piano (duo)
7
2 Trombones (duo)
7
2 Cors (duo)
5
Quatuor de cuivres: 4 trombones
5
Cor anglais, Piano
3
Trompette (partie séparée)
3
Quatuor de cuivres: 4 trompettes
3
Ensemble de Cors
3
Trombone basse
2
Trombone (partie séparée)
2
Trombone basse et Piano
2
Quatuor de cuivres: 4 cors
2
Cor Anglais
2
3 Trompettes (trio)
1
Tuba (partie séparée)
1
2 Cors, Piano
1
2 Tubas (duo)
1
Cor (partie séparée)
1
4 Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
135
Violon et Piano
75
Alto, Piano
74
Violoncelle, Piano
53
Violon
48
Violoncelle (partie séparée)
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
2 Violons (duo)
27
Alto seul
26
Violon, Violoncelle (duo)
26
Contre Basse
23
Violoncelle
22
Contrebasse, Piano (duo)
18
Harpe
15
Trio à Cordes: violon, alto, violoncelle
14
2 Violoncelles (duo)
10
Alto (partie séparée)
9
Violon, Alto (duo)
7
Alto, Violoncelle (duo)
6
2 Altos (duo)
6
Quatuor à cordes: 4 violons
4
Trio à Cordes: 2 violons, violoncelle
3
Quatuor à cordes : 4 altos
2
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
2
Trio à cordes: 3 violins
2
Violon (partie séparée)
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Contrebasse (partie séparée)
1
Violoncelle, Orgue
1
Harpe, Violon (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
310
Orchestre à Cordes
57
Orchestre
54
Ensemble de cuivres
42
Ensemble Jazz
25
Cloches
16
Orchestre de chambre
12
Fanfare
10
Percussion
5
Percussion (partie séparée)
5
Ensemble de Percussions
5
Marimba
3
Jazz combo
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Batterie
2
Xylophone
2
Piano et Orchestre
1
Timbales (partie séparée)
1
Vibraphone
1
Orchestre, Violon
1
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AUTRES
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Impressions
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Four Impressions on Debussy (4 Piano Preludes - Full Orchestra) ? Score and Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370381 Composed by Claude Debussy. Arranged by Ben Trigg. 19th Century,Romantic Period. 221 pages. OlivePress Music #954757. Published by OlivePress Music (A0.1370381). From Debussyâ??s Préludes, Book I:I: The Wind Over The PlainsII: The Girl With The Flaxen HairIII: Puckâ??s DanceIV: The Sunken CathedralDebussyâ??s piano music is filled with colour, texture, vibrancy, sonority. To play it is to be taken inside a sound world greater than the instrument itself. In other words, it seems to demand orchestration. Whether the fanfare call of Puckâ??s Dance, the sotto voce flurries evoking The Wind Over The Plains, or the deepest and highest reaches of the musical spectrum explored in the under-water world of The Sunken Cathedral, Debussyâ??s music seems to drop hints at obvious orchestral manoeuvres. His great skill, of course, was condensing these musical ideas to the piano. But the fruit is there fo the taking, and indeed other orchestrations exist of the complete suite of piano preludes â?? Books I and II. So, why another?This particular suite cherry-picks some of my own favourite movements from the suite, and arranges them in a â??symphonicâ?? structure to present an opening, expository movement (The Wind Over The Plains), a romantic Adagio (The Girl With The Flaxen Hair), a sprightly â??scherzoâ?? (Puckâ??s Dance), concluding with an epic finale (The Sunken Cathedral). This condensed suite may make the music more approachable for some orchestras, and offers something shorter to concert programmes wishing to feature other major works alongside, instead of performing all 24 preludes.I hope you enjoy performing this suite as much as I enjoyed arranging it.Instrumentation: Piccolo 2 Flutes 2 Oboes Cor Anglais 2 Clarinets in Bâ? Bass Clarinet in Bâ? 2 Bassoons Contrabassoon 4 Horns in F 3 Trumpets in Bâ? 2 Trombones Bass Trombone Tuba Timpani Percussion (3/4 players): Triangle, Crash Cymbals, Suspended Cymbal, Bass Drum, Tam-Tam, Glockenspiel, Tubular Bells Celesta Harp Violin 1 (divisi à 4) Violin 2 (divisi à 4) Viola (divisi à 4) Violoncello (divisi à 4) Contrabass (B extension where possible) (divisi à 4)
$99.99
92.07 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Four Impressions on Debussy
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OlivePress Music
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SheetMusicPlus
Concerto for Clarinet and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.980597 Composed by William Gros…
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Full Orchestra - Level 5 - Digital Download SKU: A0.980597 Composed by William Grosvenor Neil. Contemporary. Score and parts. 66 pages. TheComposerStudio.Com, LLC #6662561. Published by TheComposerStudio.Com, LLC (A0.980597). Composed in collaboration with clarinetist Dr. Corey Mackey, this three-movement concerto presents three distinct musical impressions led by the lyrically virtuosic clarinet solo. Each movement progressively gains a broader perspective of time and space, from the minute movements of the hummingbird, broadening to the majesty of mountains and ending with a vast impression of traveling through the universe at the speed of light. Movement one, Trochilidae-Allegro, celebrates the brilliant animation of the hummingbird. Emily Dickenson called it a resonance of emerald, a rush of cochineal. The clarinet solo imitates its mercurial flight darting and hovering in and around the orchestra. The second movement, Spiritual Adaptation to Higher Altitudes-Adagio, illustrates he slow and dramatic ascent of the clarinet through a broad and majestic orchestral soundscape culminating with an ecstatic summit vista. The third movement, Scherzo at the Speed of Light-Vivace, presents a sonic impression of sound and light in the universe, the clarinet spinning and gliding effortlessly through space arriving triumphantly in its home key of Bb in the final measures.Published by TheComposerStudio.Com, LLC. Parts rental https://www.thecomposerstudio.com/concerto/#tab-15865 More info: thecomposerstudio@gmail.com williamneil.net.
$40.00
36.83 €
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Orchestre
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William Grosvenor Neil
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Concerto for Clarinet and Orchestra
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Little Brown Church
Orchestre
Full Orchestra - Digital Download SKU: A0.1021580 Composed by Lowell Schwalbe. 20th…
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Full Orchestra - Digital Download SKU: A0.1021580 Composed by Lowell Schwalbe. 20th Century. Score and parts. 28 pages. Lowell Schwalbe #6190857. Published by Lowell Schwalbe (A0.1021580). Suite from a Dodecahedran (12 sided)Composer visited siteImpressions.
$3.00
2.76 €
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Orchestre
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Lowell Schwalbe
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Little Brown Church
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Lowell Schwalbe
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SheetMusicPlus
Iceland
Orchestre
Full Orchestra - Digital Download SKU: A0.1021579 Composed by Lowell Schwalbe. 20th…
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Full Orchestra - Digital Download SKU: A0.1021579 Composed by Lowell Schwalbe. 20th Century. Score and parts. 29 pages. Lowell Schwalbe #6190853. Published by Lowell Schwalbe (A0.1021579). Suite from a Dodecahedran (12 sides)Composer visited sitedImpressions.
$3.00
2.76 €
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Orchestre
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Lowell Schwalbe
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Iceland
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Lowell Schwalbe
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SheetMusicPlus
Sagrada Familia
Orchestre
Full Orchestra - Digital Download SKU: A0.1021584 Composed by Lowell Schwalbe. 20th…
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Full Orchestra - Digital Download SKU: A0.1021584 Composed by Lowell Schwalbe. 20th Century. Score and parts. 24 pages. Lowell Schwalbe #6190871. Published by Lowell Schwalbe (A0.1021584). Suite of a Dodecahedran (12 sided figure)Suite was still being constructedAlmost completedComposers impressions as he visited the site.
$3.00
2.76 €
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Orchestre
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Lowell Schwalbe
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Sagrada Familia
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Lowell Schwalbe
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SheetMusicPlus
National Cathedral
Orchestre
Full Orchestra - Digital Download SKU: A0.1021582 Composed by Lowell Schwalbe. 20th…
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Full Orchestra - Digital Download SKU: A0.1021582 Composed by Lowell Schwalbe. 20th Century. Score and parts. 34 pages. Lowell Schwalbe #6190863. Published by Lowell Schwalbe (A0.1021582). Suite from a Dodecahedran (12 sides)Composer visited siteImpressions.
$3.00
2.76 €
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Orchestre
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Lowell Schwalbe
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National Cathedral
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Lowell Schwalbe
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SheetMusicPlus
Moravia
Orchestre
Full Orchestra - Digital Download SKU: A0.1021581 Composed by Lowell Schwalbe. 20th…
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Full Orchestra - Digital Download SKU: A0.1021581 Composed by Lowell Schwalbe. 20th Century. Score and parts. 29 pages. Lowell Schwalbe #6190861. Published by Lowell Schwalbe (A0.1021581). Suite from a Dodecahedran (12 sided figure)Composer visited siteImpressions.
$3.00
2.76 €
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Orchestre
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Lowell Schwalbe
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Moravia
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Lowell Schwalbe
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SheetMusicPlus
St. John's
Orchestre
Full Orchestra - Digital Download SKU: A0.1021585 Composed by Lowell Schwalbe. 20th…
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Full Orchestra - Digital Download SKU: A0.1021585 Composed by Lowell Schwalbe. 20th Century. Score and parts. 57 pages. Lowell Schwalbe #6190873. Published by Lowell Schwalbe (A0.1021585). Suite of a Dodecahedran 12 places visitedComposer visited siteImpressions of the visitHome Church
$3.00
2.76 €
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Orchestre
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Lowell Schwalbe
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St. John's
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Lowell Schwalbe
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SheetMusicPlus
Ikarus - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Bry…
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Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 25 pages. ConSordino Music Publishing #4633239. Published by ConSordino Music Publishing (A0.751143). Ikarus started life as a composition for 9 solo string instruments but soon grew into a fully orchestrated piece. On one hand it tells the classic story of Ikarus who, ignoring the warnings of his father, flew too close to the sun and died. On the other hand it pays homage to the inventiveness of the human spirit and embraces mankind’s ability, through the creation of complicated machines, to achieve more than our mortal bodies would allow.The music starts softly with Ikarus preparing for his take-off. Slowly the huge wings unfold and the piece lifts off with a majestic theme/motif. The nervous sixteen notes in the string section symbolize the constant flow of air and motion needed by Ikarus to fly.The joy of movement is mirrored by the cellos and bassoons, gliding in and out of the orchestra. Sounds of birds, clouds and impressions of earth from above are represented by various short melodic or rhythmic fragments throughout the first phase of his flight.Slowly the intensity and excitement builds until we are completely swept away and have lost all sense of reason or danger. Then, in the climax of the composition, Ikarus and his wings crash to the ground and the orchestra brakes down with him, loosing feather after feather until all has been destroyed. After this violent moment, the compositions quiets down gradually and reflects on the failure of Ikarus.Performed and recorded by Robert Ian Winstin and the Kiev Philharmonicon July 14, 2005Orchestral Material for Performance available as Rental Only.
$17.99
16.57 €
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Orchestre
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Benedikt Brydern
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Ikarus - Score Only
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ConSordino Music Publishing
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SheetMusicPlus
Church of the Rock
Orchestre
Full Orchestra - Digital Download SKU: A0.1021577 Composed by Lowell Schwalbe. 20th…
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Full Orchestra - Digital Download SKU: A0.1021577 Composed by Lowell Schwalbe. 20th Century. Score and parts. 29 pages. Lowell Schwalbe #6190851. Published by Lowell Schwalbe (A0.1021577). Suite from a Dodecahedran (12 sides)Composer visited siteImpressions.
$3.00
2.76 €
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Orchestre
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Lowell Schwalbe
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Church of the Rock
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Lowell Schwalbe
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SheetMusicPlus
Notre Dame
Orchestre
Full Orchestra - Digital Download SKU: A0.1021583 Composed by Lowell Schwalbe. 20th…
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Full Orchestra - Digital Download SKU: A0.1021583 Composed by Lowell Schwalbe. 20th Century. Score and parts. 27 pages. Lowell Schwalbe #6190869. Published by Lowell Schwalbe (A0.1021583). Suite from a Dodecahedran (12 sides)Composer visited siteImpressions of the site.
$3.00
2.76 €
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Orchestre
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Lowell Schwalbe
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Notre Dame
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Lowell Schwalbe
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SheetMusicPlus
Dawn
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.941214 Composed by David M. Sam…
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Full Orchestra - Level 3 - Digital Download SKU: A0.941214 Composed by David M. Sampson. 20th Century. Score and parts. 36 pages. David M. Sampson #6503943. Published by David M. Sampson (A0.941214). Some musical impressions of a summer morning sunrise.
$1.99
1.83 €
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Orchestre
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David M
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Dawn
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David M. Sampson
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SheetMusicPlus
Symphonic variations 'Kitchitse, buyna loboda' ('A bunch of luxuriant saltbush')
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1015012 Composed by Vasil Belez…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1015012 Composed by Vasil Belezhkov. Contemporary,Folk,World. Score and parts. 43 pages. Vasil Belezhkov #4602437. Published by Vasil Belezhkov (A0.1015012). The Symphonic variations on the theme of the Bulgarian folk song 'Kitchitse, buyna loboda' (roughly translated as 'A bunch of luxuriant saltbush') were written in the summer of 2014 and eventualy were awarded with 2nd prize at the 14th International composition competition in 7/8 (Sofia, Bulgaria). The structure is introduction, theme, 7 variations (whose subtitles come from the respective lines of lyrics of the song) and coda. Saltbush (https://en.wikipedia.org/wiki/Atriplex) is a kind of grasslike plant and according the lyrics the person in the song shares their impressions with it:
$49.99
46.03 €
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Orchestre
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Vasil Belezhkov
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Symphonic variations 'Kitchitse, buyna loboda'
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Vasil Belezhkov
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SheetMusicPlus
Elegy for Solo Clarinet and Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.723172 Composed by Joel Jacklic…
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Full Orchestra - Level 3 - Digital Download SKU: A0.723172 Composed by Joel Jacklich. Concert,Contemporary. Score and parts. 63 pages. Joel Jacklich #6228003. Published by Joel Jacklich (A0.723172). This is the orchestral version of Elegy. Commissioned by Mitch Sturman in memory of our mutual friend, composer John B. Edmondson (1933-2016). Mr. Sturman had commissioned new works for the Wilson Jr. H. S. Warrior Band in El Centro, CA for nine years for annual Concerts of Premieres. John B. Edmondson, one of America's leading composers of educational music, with over 800 compositions and arrangements in his catalog, had been commissioned by Mitch seven times for new works, including his last ever composition, Imperial County Impressions performed in May, 2016, prior to Mr. Sturman's retirement in June, 2016. The first commission John had made for Mitch was his Serenade for Solo Clarinet and Band. Mitch felt it would be a fitting tribute for me to compose a work also for solo clarinet and band. This was composed for a memorial tribute concert for John B. Edmondson at Wilson Junior High School on April 6, 2017, where the seven pieces commissioned for the Wilson Band would be performed. The solo clarinet, first clarinet, and first trumpet require moderately experienced players to play the parts musically. All the rest of the parts are easily handled by a typical junior high school band or orchesra.
$40.00
36.83 €
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Orchestre
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Joel Jacklich
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Elegy for Solo Clarinet and Orchestra
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Joel Jacklich
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SheetMusicPlus
Bunker Hill
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1097081 Composed by Nathaniel H…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1097081 Composed by Nathaniel Hontz. Contemporary,Early Music,Historic,Patriotic,Traditional. Score and Parts. 39 pages. TigerSong LLC #701045. Published by TigerSong LLC (A0.1097081). Bunker Hill draws its musical themes from three colonial war tunes: Bunker Hill (Why Should Vain Mortals) by Nathaniel Niles; Chester by William Billings; and The British Grenadiers. The piece makes heavy use of less conventional modes (aeolian and lydian), and dissonance to convey impressions of the battle.
$24.99
23.01 €
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Orchestre
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Nathaniel Hontz
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Chester by William Billings
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Bunker Hill
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TigerSong LLC
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SheetMusicPlus
Lily Park - II. Goblin Lights
Orchestre
Full Orchestra - Digital Download SKU: A0.1022809 Composed by Yoonjee Kim. Contempo…
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Full Orchestra - Digital Download SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim (A0.1022809). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.II. Goblin Lights
$17.00
15.65 €
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Orchestre
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Yoonjee Kim
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Lily Park - II. Goblin Lights
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Yoonjee Kim
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SheetMusicPlus
Lily Park - I. Wind Bell
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00
15.65 €
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Orchestre
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Yoonjee Kim
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Lily Park - I. Wind Bell
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Yoonjee Kim
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.02 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.02 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.02 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
The Cross Kirk and the lang walk
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1440683 By Graham Hamilton. By Graham Hamilton. Classical,Contest,Festival,Film/TV,Historic,Traditional. 103 pages. Hambone Music #1020661. Published by Hambone Music (A0.1440683). A dramatic film-type composition capturing the journey of a novice monk during 15th Century Scotland. For orchestras of an intermediate standard. Ahaunting french horn solo is followed by a dramatic trek utilising the whole orchestra to the end where the horn to round the piece off.Inspired by an old ruined church in my town called the 'Cross Kirk' the history of which can be found here: https://www.britainexpress.co.uk/attr... Part 1 (0 - 2:24) It is around the year 1650. A novice monk awakes from his slumber to the echoes of prayers and holy chanting coming through the cloisters. After he rises, he readies the oxen for a trek down the St. Andrews Road to the nearby satellite site of the priory - the site of the modern day St Andrew's cemetery. Part 2 (2:26 -3:37) It is an arduous trek over a muddy, rocky, unprepared track with heavy carts, with oxen straining to pull the load. They stop for a breather (3:09) and the impressive vistas are observed and the flag at 'Auld Neidpath' is just visible, reflected in the noble theme between the arduous oxen trekking theme. Part 3 (3:37 - 6:02) The caravan starts to speed up; the oxen being startled by the sounds of fanfare trumpets coming from behind - a brave group of knights have broken through English lines and speed towards Neidpath to reinforce the besieged occupants. As they pass the wagon train, the fanfares get louder until the party reach the head of the train (4:30) where the lead Knight halts to show piety to the Hieromonk who blesses him and his knights (4:55). The novice looks on awe-inspired at the brave knights, with noble faces, resplendent in shining armour, with banners flapping in the wind. (5:02) No time to stop! The knights remount and continue on, the fanfares trailing off into the distance. The wagon train slows down having reached its destination. Part 4 (6:03 - 8:12) The novice is back at the priory, reflecting on seeing knights for the first time (receiving their blessing); their nobility and bravery impressed upon him and retires to his cell for the evening, the evening prayers and chants again echoing through the cloisters (6:30). As he closes his eyes, his mind returns to the knights and a smile crosses his face (8:01) as he gently drifts off to sleep, as the final bell of the day tolls.
$49.99
46.03 €
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Orchestre
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Graham Hamilton
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The Cross Kirk and the lang walk
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Hambone Music
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SheetMusicPlus
Whirling-bass clarinet solo
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.845000 Composed by Phil Beaman.…
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Full Orchestra - Level 4 - Digital Download SKU: A0.845000 Composed by Phil Beaman. Concert,Contemporary,Instructional,New Age. Score and parts. 1 pages. Phil Beaman #6063455. Published by Phil Beaman (A0.845000). Whirling, for unaccompanied instrumental solo, is my musical interpretation of the act and feeling of whirling. It contains whirling broken chords at Prestissimo speed; a frenzied but controlled perpetual motion etude. The piece is a giant chord progression with each whirling chord lasting 8 bars. This piece creates a unique, fun, and impressive performance. Or show your technique and make a friendly speed challenge with your colleagues!
$3.99
3.67 €
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Orchestre
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Phil Beaman
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Whirling-bass clarinet solo
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Phil Beaman
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SheetMusicPlus
Baroque Menuet for School String Orchestra and 3 violins
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1029483 Composed by Olly Radko.…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1029483 Composed by Olly Radko. Baroque. Score and parts. 41 pages. Olexiy Radko #5989839. Published by Olexiy Radko (A0.1029483). A perfect thing to impress listeners and musicians. As Baroque masterpieces are quite difficult for playing in Schools, this is the brilliant case to imitate full Italian Baroque Style for beginners and early intermediate level musicians. There're 3 solo violinists so they can make a real playing competition (as their parts are equally difficult). There's a large cadenza without Tutti where they soloists can show all their skills.PDF of every orchestra part are available: 3 soloists, harpsichord (or simply piano), Violins 1 and 2, Violas, Cellos, and Basses.
$19.99
18.41 €
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Orchestre
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Olly Radko
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Baroque Menuet for School String Orchestra and 3 violins
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Olexiy Radko
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SheetMusicPlus
Cloud Climber
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1040300 By Adam Frank. By Adam …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1040300 By Adam Frank. By Adam Frank. 20th Century,Classical,Contemporary,Film/TV,New Age. Score and parts. 129 pages. Adam Frank #645080. Published by Adam Frank (A0.1040300). A potent and charming orchestral piece with rich textures, Cloud Climber leaves a resounding impression on the listener. Morphing through different moods and gestures, it nonetheless manifests into a larger coalesced whole. The work’s colorful variety of instrumental blending paired with a triumphant vibrancy presents a delightful experience for players and audiences alike.
$19.99
18.41 €
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Orchestre
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Adam Frank
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Cloud Climber
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Adam Frank
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SheetMusicPlus
Dance of the Sugar Plum Fairy - Orchestral Version (Full Score and Parts)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1179925 Composed by Peter Ilyic…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1179925 Composed by Peter Ilyich Tchaikovsky. Arranged by César Madeira. Children,Christmas,Film/TV,Opera,Romantic Period. Score and Parts. 33 pages. Sheet Music To Play Editions #779872. Published by Sheet Music To Play Editions (A0.1179925). Dance of the Sugar Plum Fairy from The Nutcracker Suite Op.71a. The Orchestral Version. With Full Score and Individual Parts. Enjoy it!Pyotr Ilyich Tchaikovsky (1840 1893) was a Russian composer of the Romantic period. He was the first Russian composer whose music would make a lasting impression internationally.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play
$19.99
18.41 €
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Orchestre
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Peter Ilyich Tchaikovsky
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César Madeira
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Dance of the Sugar Plum Fairy - Orchestral Version
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Sheet Music To Play Editions
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SheetMusicPlus
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