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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
COR ANGLAIS
CORNEMUSE
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Non classifié
423
PIANO & CLAVIERS
Piano seul
180
Accompagnement Piano
58
Piano, Voix
50
Orgue
26
Piano Facile
21
Orgue, Trompette (duo)
9
Piano Trio: piano, violon, violoncelle
6
Piano, Voix et Guitare
5
2 Pianos, 4 mains
4
1 Piano, 4 mains
3
Instruments en Do
2
Piano (partie séparée)
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
Accordéon
1
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GUITARES
Guitare
20
Guitare notes et tablatures
6
2 Guitares (duo)
4
Guitare (partie séparée)
2
Orchestre à Plectres
1
Piano, Guitare (duo)
1
Mandoline
1
Guitare, Orchestre
1
4 Guitares (Quatuor)
1
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VOIX
Chorale 3 parties
516
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222
Chorale SSAA
121
Chorale 2 parties
38
Chorale TTBB
25
Voix Tenor, Piano
17
Voix Soprano, Piano
17
Chorale Unison
15
Voix Alto, Piano
10
Voix Tenor
5
Chorale SSAATTBB
5
Voix Baryton, Piano
3
Voix haute
3
Voix seule
2
Chorale SSATTB
2
Voix basse, Piano
2
Voix duo, Piano
2
Chorale SSATB
1
Voix Soprano
1
Voix duo
1
Voix moyenne, Piano
1
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VENTS
2 Saxophones (duo)
66
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
41
Flûte traversière et Piano
35
Quatuor de Saxophones: 4 saxophones
34
2 Clarinettes (duo)
34
Quatuor de Clarinettes: 4 clarinettes
33
2 Flûtes traversières (duo)
31
Flûte, Hautbois, Clarinette, Basson
30
Saxophone, Clarinette (duo)
26
Clarinette et Piano
22
Clarinette, Violon (duo)
20
Quintette de Saxophone: 5 saxophones
20
Saxophone Alto et Piano
18
Clarinette, Trompette (duo)
17
Hautbois, Piano (duo)
16
Quatuor de Flûtes : 4 flûtes
15
Clarinette
15
2 Hautbois (duo)
15
Flûte traversière
14
Flûte, Violon
12
Hautbois, Basson (duo)
11
3 Clarinettes (trio)
11
3 Saxophones (trio)
11
Saxophone Alto
11
Ensemble de Clarinettes
11
Hautbois, Clarinette (duo)
10
Flûte, Clarinette (duo)
10
Flûte, Alto (duo)
9
Clarinette et Alto
9
Flûte, Saxophone (duo)
9
Trio de Flûtes: 3 flûtes
9
Saxophone Soprano et Piano
8
Flûte, Trompette (duo)
8
Flûte, Hautbois, Clarinette (trio)
8
Hautbois, Flûte
8
Saxophone Tenor et Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte et Guitare
5
Saxophone (partie séparée)
5
Quatuor de Flûtes à bec
4
Quintette de Flûte : 5 flûtes
4
Flûte, Clarinette et Basson
3
Clarinette, Basson (duo)
3
Ensemble de saxophones
3
Clarinette (partie séparée)
2
5 Flûtes à bec
2
Clarinette Basse, Piano
2
Cor anglais, Piano
2
Flûte, Hautbois, Basson
2
2 Flûtes traversières, Piano
2
Ensemble de Flûtes
2
2 Cors Anglais Et Pianoforte
2
Clarinette, Violoncelle, Piano (trio)
1
Flute (partie séparée)
1
Flûte, Violoncelle
1
Clarinette, Guitare (duo)
1
4 Hautbois
1
2 Flûte à bec (duo)
1
2 Saxophones, Piano
1
Clarinette, Violoncelle (duo)
1
Ocarina
1
2 Clarinettes, Piano
1
Flûte et Quatuor à Cordes
1
Saxophone Baryton, Piano
1
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trompette, Saxophone (duo)
22
2 Trombones (duo)
20
Trompette
19
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
2 Trompettes (duo)
14
Cor
14
Trombone et Piano
13
Cor et Piano
12
Trompette, Piano
11
Trompette, Trombone (duo)
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trombone
8
2 Tubas (duo)
6
Quatuor de Cuivres
6
Quatuor de cuivres: 4 trombones
4
Ensemble de Trompettes
4
2 Euphoniums (duo)
4
Euphonium, Piano (duo)
4
Ensemble de Trombones
4
2 Cors (duo)
4
Trio de Cuivres
3
Trombone (partie séparée)
3
Tuba et Piano
3
Trompette (partie séparée)
3
Quatuor de cuivres: 4 cors
3
Quatuor de cuivres: 4 trompettes
3
Euphonium
2
Cor anglais, Piano
2
Tuba
2
Trompette, Cor (duo)
2
Euphonium, Tuba (duo)
2
2 Cors Anglais Et Pianoforte
2
Trombone basse
1
Tuba (partie séparée)
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Trombone et orchestre
1
Trompette, Trombone, Piano
1
4 Tubas
1
Cor (partie séparée)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
48
Violon et Piano
43
Violon
35
2 Violoncelles (duo)
23
Violon, Violoncelle (duo)
18
Violoncelle, Piano
18
2 Violons (duo)
18
Violoncelle
16
Alto, Piano
16
Harpe
15
Violon, Alto (duo)
15
2 Altos (duo)
15
Trio à Cordes: violon, alto, violoncelle
12
Violon (partie séparée)
8
4 Violoncelles
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Violon, Guitare (duo)
5
Alto seul
4
Quatuor à cordes : 4 altos
4
Harpe, Flûte (duo)
4
Alto, Violoncelle (duo)
3
Alto (partie séparée)
3
Quatuor à cordes: 4 violons
3
Contrebasse, Piano (duo)
3
Trio à Cordes: 3 violoncelles
3
Trio à Cordes: 2 violons, violoncelle
2
Trio à cordes: 3 violins
2
Piano Trio: Violon, Alto, Piano
2
2 Contrebasses (duo)
2
Trio à cordes: 3 altos
2
Contrebasse (partie séparée)
2
Violoncelle (partie séparée)
1
Contre Basse
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto et Basson
1
Harpe et Piano
1
Violoncelle , Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
497
Orchestre à Cordes
91
Orchestre
60
Ensemble de cuivres
29
Orchestre de chambre
27
Cloches
25
Ensemble Jazz
19
Ensemble de Percussions
12
Jazz combo
6
Percussion (partie séparée)
2
Batterie (partie séparée)
1
Marimba
1
Fanfare
1
Instrumentations suivantes
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AUTRES
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Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
23.63 €
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Orchestre
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Carson Cooman
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Carson Cooman: Pittsburgh Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Concerto No. 2 in Ab "New York Tour" Full Score, James Nathaniel Holland
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730464 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730464 Composed by James Nathaniel Holland. Contemporary,Holiday,Patriotic. Score and parts. 80 pages. James Nathaniel Holland #3629797. Published by James Nathaniel Holland (A0.730464). (Duration: 25 minutes) Full Orchestral Score Only in Concert Pitch.James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. This concerto is entitled New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. Great compliment in programming with Mozart piano concertos or Gershwin's Rhapsody in Blue to feature American classical composers or for the Fourth of July summer concert. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$21.95
19.99 €
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Orchestre
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab "New York Tour" Full Score, James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Piano Concerto No. 2 in Ab "New York Tour" Full Score and Parts, James Nathaniel Holland
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730465 Composed by James Nathan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220 pages. James Nathaniel Holland #3630023. Published by James Nathaniel Holland (A0.730465). (Duration: 25 minutes) Full Orchestral Score (in Concert Pitch) and Individual Instrument Parts. (Including solo piano part, revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical. Nice program compliment with any Mozart piano concertos or with Gershwin's Rhapsody in Blue to feature American composers.This concerto is entitle New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland
$45.25
41.2 €
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Orchestre
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James Nathaniel Holland
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Piano Concerto No. 2 in Ab "New York Tour" Full Score and Parts, James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.47 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
27.27 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
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SheetMusicPlus
Double Concerto for Flute and Guitar (SCORE ONLY)
Orchestre
Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. …
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Full Orchestra - Digital Download SKU: A0.942100 Composed by Apostolos Paraskevas. 20th Century,Contemporary,World. Score and parts. 121 pages. Silver Sickle Publications #6253447. Published by Silver Sickle Publications (A0.942100). Constitution Article 91 (Double Concerto for flute and guitar in one movement). A quite demanding concerto from a technical point of view, unfolds many sonorities for both solo instruments as well as orchestra, including dense texture, polyphony, and a flavor of minimalism just before the end. After an agitated orchestra introduction, the flute enters with a lamenting and painful melody. The guitar takes over by introducing the core motivic elements of the work. Flute and guitar join in a chase-like duet with virtuosic passages in both instruments, accompanied by the orchestra in a frenzied commotion. The slow and almost distorted cadenza (with the snare drum) comes as a surprise and at the same time as a moment of relief. The tension increases as propulsive rhythms drive through the finale and build with rapid agitation to the end. The title of the work, Constitution Article 91, refers to a part of the former Greek constitution used by the dictatorship between 1967 and 1974 to abolish democracy in Greece. Certain rhythms in the work come from a fearsome and agitated speech that the dictator delivered to the academicians in 1973 following the students movement against the tyranny. Constitution Article 91 is a real tour de force for the soloists. In this colorful work, Apostolos Paraskevas shows us that a meeting point can be found between advanced contemporary idioms and evocations of an almost popular style. This music is notable for its rhythmic verve, its melodic grace, and its emotional depth. It has genuine substance, but speaks directly to the listener-a rare and welcome achievement. John Daverio/Musicologist
$35.00
31.87 €
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Orchestre
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Apostolos Paraskevas
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Double Concerto for Flute and Guitar
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Silver Sickle Publications
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SheetMusicPlus
Pride (In The Name Of Love)
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1488545 By Clivelles & Cole. By…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1488545 By Clivelles & Cole. By U2. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Rock. 70 pages. Paul Lorenz #1065412. Published by Paul Lorenz (A0.1488545). Pride (In the Name of Love) Sheet Music - for Orchestra, Choir and Band Unlock the beauty of U2's iconic song Pride (In the Name of Love) with our exclusive sheet music, expertly arranged by renowned composer Paul Lorenz. Perfect for orchestra, choir, and band, this arrangement brings a fresh, classical twist to the beloved rock anthem, making it a must-have for any music ensemble. Discover the Power of Pride (In the Name of Love) Sheet Music Our Pride (In the Name of Love) sheet music captures the essence of U2's powerful message and melody, allowing musicians to connect with their audience on a deeper level. Whether you're a seasoned performer or a passionate amateur, this arrangement is designed to elevate your musical performance. Versatile Arrangements for Orchestra, Choir, and Band Paul Lorenz's arrangement of Pride (In the Name of Love) is crafted to suit various ensembles, including orchestras, choirs, and bands. This versatility makes it ideal for concerts, recitals, and special performances, ensuring that each musician can shine. Download Pride (In the Name of Love) Sheet Music PDF For your convenience, our Pride (In the Name of Love) sheet music is available for immediate download in PDF format. This allows you to start practicing right away and ensures that you always have a high-quality copy at your fingertips. Why Choose Paul Lorenz's Pride (In the Name of Love) Sheet Music? Paul Lorenz Music is renowned for its commitment to quality and innovation in classical music. Our Pride (In the Name of Love) sheet music stands out with the following features: High-Quality Arrangement: Each note is meticulously arranged to ensure a seamless blend of classical and rock elements. Professional Collaboration: Arranged in collaboration with top-tier musicians and recorded in world-class studios like Abbey Road. Audience Engagement: This crossover sheet music appeals to both classical music lovers and U2 fans, ensuring a memorable performance. Elevate Your Performance with U2 Sheet Music Adding Pride (In the Name of Love) to your repertoire not only enriches your musical collection but also offers a unique opportunity to connect with a wide range of audiences. This arrangement by Paul Lorenz is crafted to inspire both performers and listeners alike. Get Your Pride (In the Name of Love) Piano Sheet Music Today Don't miss out on the chance to bring this iconic song to life with your ensemble. Visit sheetmusicdirect.com and download your Pride (In the Name of Love) sheet music today. Embrace the power of music with Paul Lorenz's exquisite arrangement and make your next performance unforgettable. Conclusion Pride (In the Name of Love) sheet music, arranged by Paul Lorenz, is a testament to the fusion of classical and contemporary music. Perfect for orchestras, choirs, and bands, this arrangement brings new life to a timeless song. Download your copy now and experience the magic of U2's music through the lens of classical excellence.
$149.90
136.5 €
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Orchestre
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Clivelles & Cole
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Paul Lorenz
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Pride
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Paul Lorenz
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SheetMusicPlus
Flauta Carioca (2000) for flute and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869354 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pages. Thomas Oboe Lee #15873. Published by Thomas Oboe Lee (A0.869354). Instrumentation: solo flute & 2222-2221-timp-2perc-strings. Program note: I lived in São Paulo, Brazil, during my teenage years, from 1959 to 1966. Consequently, the samba and the bossa nova are forever engraved into my heart. So, when Larry Tamburri, Executive Director of the New Jersey Symphony Orchestra, proposed that I write a flute concerto for Bart Feller, principal flutist of the NJSO, he (Larry) thought it would be most appropriate if I wrote something inspired by my musical experiences in Brazil. The result is Flauta Carioca, literally meaning, flute in the manner of the people of Rio de Janeiro. The work is in three movements. The first is a chôro, an instrumental ensemble music that features a soloist that is often virtuosic when it is fast, and lyrical when it is slow. The second movement is a bossa nova. It features Bart on the alto flute and the music is very luscious and sexy. The listener can fantasize about Rio and the beach at Ipanema. The last movement begins with a slow introduction, a pastorale. Without a break, a forró enters in the strings, followed immediately by the percussion. Forró is party music, and this last movement is all about dancing. As a matter of fact, Bart wants to party all night ... The evening finally ends when someone turns the light out!!!Audio link: https://thomasoboelee.bandcamp.com/album/flauta-carioca-2000.
$9.99
9.1 €
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Orchestre
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Thomas Oboe Lee
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2222-2221-timp-2perc-strings
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Flauta Carioca
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Thomas Oboe Lee
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SheetMusicPlus
Concerto for Trumpet and Orchestra (2014)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869350 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 pages. Thomas Oboe Lee #14827. Published by Thomas Oboe Lee (A0.869350). Instrumentation: trumpet solo and 2222-4231-timp-2perc-strings. Over the years I have written at least ten orchestral works for Max Hobart including three symphonies and four concertos for saxophone, violin, oboe and cello, respectively. So I was thrilled when Max asked me to write a concerto for trumpet virtuoso Stephen Burns and the Boston Civic Symphony Orchestra. I am familiar with Stephen Burns’ work as a piccolo trumpet player doing concertos from the baroque period. The color of his sound was already in my head. Stephen and I got together in the spring of 2104 and we discussed the project in some detail. We immediately agreed that the work would be in three movements. Each movement would feature a different trumpet: the trumpet in C for the first, the flugelhorn for the second and the piccolo for the last. I began work on the concerto at the end of August and finished it three months later. The work as mentioned earlier is in three movements: 1. Heraldic Beast … Allegro. 2. Bossa Nova in 7/4 … Adagio. 3. Perpetuo Moto … Presto! Enjoy!!!
$9.99
9.1 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Trumpet and Orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95
23.63 €
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Orchestre
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
91.06 €
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Orchestre
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score Only
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Adrian Gagiu
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SheetMusicPlus
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
14.52 €
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Orchestre
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James Nathaniel Holland
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From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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James Nathaniel Holland
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SheetMusicPlus
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$12.95
11.79 €
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Orchestre
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James Nathaniel Holland
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Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
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James Nathaniel Holland
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SheetMusicPlus
Andante and Rondo for Two Clarinets and Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.889840 Composed by Gary Friedma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.889840 Composed by Gary Friedman. 20th Century,Contemporary,Ragtime. Score and parts. 99 pages. Gary Friedman #2032997. Published by Gary Friedman (A0.889840). The Andante is a relatively slow contemplative movement in concert F minor. The Rondo has a variety of passages between the repeats of the main theme. All are lively and one is in ragtime style. The world premier was held on January 30, 2011. Rachel Dusenbury and David Treganowen were the soloists with the San Francisco Civic Symphony. The second performance was on April 20, 2013 by the College of Marin Symphony with David Treganowen and Shelley Hodgen, soloists. This performance may be heard and seen on YouTube; the link is http://youtu.be/i9tJf9VGwu0 Duration: About 11 minutes Year: 2010 The download provided here includes the score, piano reduction, clarinet solos shown singly and as a duet, and all orchestra parts.
$40.00
36.42 €
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Orchestre
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Gary Friedman
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the link is http://youtu
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Andante and Rondo for Two Clarinets and Orchestra
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Gary Friedman
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SheetMusicPlus
Concerto for Soprano Saxophone and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.981233 Composed by Judith Cloud…
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Full Orchestra - Level 5 - Digital Download SKU: A0.981233 Composed by Judith Cloud. 20th Century. Score and parts. 62 pages. Judith Cloud #6710253. Published by Judith Cloud (A0.981233). Concerto for Soprano Saxophone was commissioned and premiered by Swedish saxophonist Anders Paulsson in 1998 with the Northern Arizona University Orchestra, Robert Baldwin conducting. I knew of Paulsson’s expertise and artistry as I had composed my cantata Feet of Jesus with his playing in mind. The first movement contains thematic material that is repeated and developed in the second and third movements. I wanted to take advantage of the melodic potential of the soprano sax, exploring nuances of color throughout the range. There are slight suggestions of jazz elements. This first movement introduces the sound of the soprano saxophone and suggests what is to come later on with more challenging technical passages.
$25.00
22.76 €
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Orchestre
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Judith Cloud
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Concerto for Soprano Saxophone and Orchestra
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Judith Cloud
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SheetMusicPlus
Opussax No. 1
Orchestre
Full Orchestra - Digital Download SKU: A0.1007900 Composed by Guido Alfonso Medina …
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Full Orchestra - Digital Download SKU: A0.1007900 Composed by Guido Alfonso Medina Rivera. Arranged by Guido Alfonso Medina Rivera. Blues,Concert,Contemporary,Jazz. Score and parts. 222 pages. SGAE #3918689. Published by SGAE (A0.1007900). This is my first concert for Alto Saxophone and Symphony Orchestra. It consists of three movements, I. Allegro, II. Slow with a cadence and III, Allegro Vivacce. It is a trip through several locations in the world: Buenos Aires, Broadway, Chinatown, New Orleans, Hollywood, the Sahara, Hispania and the Celtic region. Very descriptive of the environment of each place, has as backup a Simplified Symphony Orchestra (to two) in most woods and metals.
$40.00
36.42 €
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Orchestre
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Guido Alfonso Medina Rivera
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Guido Alfonso Medina Rivera
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Opussax No. 1
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SGAE
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SheetMusicPlus
Dances from the Opera "On the Wings of the Scarlet Messenger" Suite for Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730404 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730404 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 160 pages. James Nathaniel Holland #3218589. Published by James Nathaniel Holland (A0.730404). A suite in four movements for orchestra taken from the contemporary opera On the Wings of the Scarlet Messenger by American Costa Rican composer James Nathaniel Holland. The first, Dance of the Spirits is a percussionists dream evoking Southeast Asian flavor and energy. The second movement The Party: Intermezzo is a popular dance type of driving beat. The suite slows with the third movement with the haunting The Party: Art Imitates Life and a recap of the Spanish chorus here arranged for orchestra Bailen, Canten, Que Noche Bonita Perfect for New Year's Eve or New Year's Day concert. Use with the arrangement Bailen, Canten Que Noche Bonita with chorus or any of the stand alone arias from the opera. YouTube video presentation: https://youtu.be/QHzyUfKLI9MDuration 14:02 minutes.Instrumentation: picc, 12fl, 12ob, eh, 12cl, bcl, ts, 12bsn, 1234 hrn, 12 trp, trmb, btrmb, tim, perc( snare, hand cym, bd, ride cym with mallets, large gong, sm. gong, claves, castanets, tam., mid tom, tri., high hat) hrp, and stringsFull score in concert pitch with individual parts included. Full opera orchestral score and piano vocal score sold separately.Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html .
$21.95
19.99 €
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Orchestre
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James Nathaniel Holland
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Dances from the Opera "On the Wings of the Scarlet Messenger" Suite for Orchestra
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James Nathaniel Holland
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SheetMusicPlus
The Lady of Spring and Her Garden, A Suite for Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730430 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730430 Composed by James Nathaniel Holland. Contemporary,Easter,Graduation,Holiday. Score and parts. 118 pages. James Nathaniel Holland #3405353. Published by James Nathaniel Holland (A0.730430). A lovely orchestral suite from American Costa Rican composer James Nathaniel Holland's ballet, The Snow Queen Includes a variety of musical flowers including Dance of the Hindu Tiger Lilies, the mysterious Dream of the Morning Glories, the exuberant Tale of the Snowdrops, and the mystical Tale of the Hyacinths. Bring your spring concert to life!Full score in concert pitch and individual parts included.Instrumentation: picc, 12fl, 12ob, eh, 12clBb, bcl, 12bsn, 1234hrn, 123tpt, 12trmb, btrm/tba, timp, percussion (bass drm, tom tom, bongos, snare, hand cym) chimes, glock, antique cym, harp (or pno), stringsDuration: 19:00YouTube Presentation: https://www.youtube.com/playlist?list=PLEcbVsA36MCsNrqS3xS9p21dvukIJGgdYComposer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$21.95
19.99 €
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Orchestre
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James Nathaniel Holland
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The Lady of Spring and Her Garden, A Suite for Orchestra
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James Nathaniel Holland
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SheetMusicPlus
Rhapsody for Violin and Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.980587 Composed by William Grosvenor Neil…
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Full Orchestra - Digital Download SKU: A0.980587 Composed by William Grosvenor Neil. Contemporary. Score and parts. 110 pages. TheComposerStudio.Com, LLC #4985845. Published by TheComposerStudio.Com, LLC (A0.980587). In ancient Greece a rhapsod was a singer of epic poems and bits and pieces of tales strung together making a collage of entertainment. I have, in a like manner, allowed a simple line of melody, first introduced by the violin, to speak a musical tale. The violin, full of the exuberance and energy of youth, threads through the story’s themes and shadow themes, weaving a mosaic of sound through each episode. Shadow themes are melodies that are acoustically derived from one another like shadows. At first these themes perform supportive roles, but as the story moves forward, they gain in the dominance of pitch and dynamic. Sometimes running ahead of passage, making aggressive commentary, and sometimes aligning with the emotional expression of the phrase, the violin shifts between a mere exercise of notes to a noble exploration of broadening lyricism. William Neil Rent Parts: https://www.thecomposerstudio.com/concerto/#tab-16075 More info: thecomposerstudio@gmail.com.
$45.00
40.98 €
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Orchestre
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William Grosvenor Neil
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Rhapsody for Violin and Orchestra
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Easter Hymn 'Regina coeli' - (from Cavalleria rusticana) for ORCHESTRA
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.597309 Composed by Pietro Masca…
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Full Orchestra - Level 3 - Digital Download SKU: A0.597309 Composed by Pietro Mascagni. Arranged by Flavio Regis Cunha. Christian,Concert,Easter,Romantic Period,Sacred. Score and parts. 46 pages. Flavio Regis Cunha #5310589. Published by Flavio Regis Cunha (A0.597309). This is a music of great beauty and exuberance. In this new arrangement, based on the Berlin edition: Bote & Bock, and the Kalmus edition, the arranger Flavio Regis Cunha sought to follow Mascagni's intentions when orchestrating his Easter Hymn for full orchestra. There is nothing like this original orchestration, where there are creative and powerful passages for brasses and woodwinds and a string background during the middle section. The work ends in a majestic and grandiose way with the woods and strings in the high register, together with the beauty, the brightness and the impact of the Timpani and the brasses. This score is certainly a great addition for your orchestra. You and your orchestra will love playing this piece. Your audience will be delighted. The work will be well received and can be used in the Easter period or in services.Orchestration 2.2.2.2 - 2.2.3.1 - Timp - Choir SSATTB - Org - Str INSTRUMENTATION 2 Flutes, 2 Oboes, 2 Clarinets in Bb,2 Bassoons, 2 Horns in F, 2 Trumpets in C, 2 Trombones, Bass Trombone, Tuba, Timpani SSATTB Choir, Organ, Strings.
$18.99
17.29 €
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Orchestre
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Pietro Mascagni
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Flavio Regis Cunha
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Easter Hymn 'Regina coeli' -
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Flavio Regis Cunha
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SheetMusicPlus
Ah, My Children for orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.787311 Composed by Greg Barthol…
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Full Orchestra - Level 4 - Digital Download SKU: A0.787311 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 80 pages. Burke & Bagley #50565. Published by Burke & Bagley (A0.787311). Ah, My Children is an adaptation for orchestra of the opening scene of the second act of Razumov, Greg Bartholomew’s chamber opera based on the novel Under Western Eyes by Joseph Conrad. The opera tells the story of a young Russian, Razumov, who is caught up in the consequences when a fellow university student, Victor Haldin, assassinates a government minister. In the opening scene of Act Two, Haldin’s mother, in exile in Geneva and worried by the lack of news from her son, learns that Victor was the assassin and that he has now been caught and executed. For orchestra: 1111 4111 Timpani & Strings. Duration ca. 8'20. A Back to School 2015 feature.
$24.99
22.76 €
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Orchestre
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Greg Bartholomew
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Ah, My Children for orchestra
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Burke & Bagley
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SheetMusicPlus
Germain, An Opera in 4 Acts, FULL ORCHESTRAL SCORE (CONCERT PITCH)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730496 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730496 Composed by James Nathaniel Holland. Contemporary,Opera. Score and parts. 444 pages. James Nathaniel Holland #5021023. Published by James Nathaniel Holland (A0.730496). FULL ORCHESTRAL SCORE (CONCERT PITCH) Most current revision of libretto and edits with measure numbers and section (scene/aria) headings for easier rehearsal. Contains vocal lines. Piano Vocal Score, Instrument Parts 1 (Woodwinds and Brass), Instrument Parts 2 (Strings, Harp, and Percussion) all sold separately. Rehearsal letters line up with vocal piano score.Instrumentation: picc, fl12, ob, eh, cl12, tensax, bsn12, hrn12, tpt12, trom12, tba, perc, harp, stringsOPERA SYNOPSIS:A mythical country, somewhere lost in time and space; two factions, a clandestine, militant hate group and the country's elites are in engaged in an age old cycle of violent conflicts to gain rule the country. Germain, a young man with mysterious origins, and of neither side, by fate meets the newly elected Prime Minister (of the elites) and is deceived by his flowery talk of love that surpasses any difference or this world. But this is not to be a happy ending. The leader of the hate group takes this perfect opportunity to try to assassinate the PM. When the attempt fails, the blame falls on Germain and leads him to his imprisonment and eventual death. GERMAIN, A Dreamer (Lyric Baritone)CHERYL, A tavern owner and girlfriend to Talleyrand (Soprano, Coloratura)TALLEYRAND, Minister of District Thirteen, Secret leader of the Dissidents (Bass)ALEXANDER, The newly elected Prime Minister of Timbaksha (Tenor)TAMINA, Alexander’s wife (Soprano)NADINE, Minister of District Five (Alto)URCHIN, A Young Teen (Male or Female Voice)WALLACE, Minister of District Nine (Baritone)OFFICER (Baritone)CHORUS: DISSIDENT, GUESTS, SERVANTS, CROWD, OFFICERS.
$43.95
40.02 €
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Orchestre
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James Nathaniel Holland
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Germain, An Opera in 4 Acts, FULL ORCHESTRAL SCORE
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James Nathaniel Holland
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SheetMusicPlus
The Flying Hat, Scenes from a Fairy Tale for Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.886737 Composed by Panagiotis T…
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Full Orchestra - Level 4 - Digital Download SKU: A0.886737 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 220 pages. Panagiotis Theodossiou #6027245. Published by Panagiotis Theodossiou (A0.886737). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.https://www.youtube.com/watch?v=mqaKLf2QUgE&t=478shttps://www.youtube.com/watch?v=-tsNKs5i2b0
$60.00
54.63 €
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Orchestre
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Panagiotis Theodossiou
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The Flying Hat, Scenes from a Fairy Tale for Orchestra
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Panagiotis Theodossiou
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SheetMusicPlus
In Diesem Moment
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1368473 Composed by Christoph M…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1368473 Composed by Christoph Masbaum, Claudio Pagonis, Florian Peil, Martin Fliegenschmidt, Roger Cicero, and Stefanie Retterbush. Arranged by Daniel Moretti. 21st Century,Classical,Contemporary,Jazz,Pop. 43 pages. Daniel Moretti #952820. Published by Daniel Moretti (A0.1368473). This arrangement had been created for a Roger Cicero Tribute Concert, where the orchestra was split into 2 parts (Orchestra and big band). This structure of the orchestra isn't necessary to perform the arrangement and it can thus be performed with the instruments as written, without the need of splitting the group.The singer's part is meant only for the conductor's reference and doesn't necessarily reflect the singers interpretation.
$54.19
49.34 €
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Orchestre
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Christoph Masbaum, Claudio Pagonis, Florian Peil, Martin Fliegenschmidt, Roger Cicero, and Stefanie Retterbush
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Daniel Moretti
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In Diesem Moment
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Daniel Moretti
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SheetMusicPlus
Intermezzo (from Cavalleria rusticana) for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.601818 By Pietro Mascagni. By P…
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Full Orchestra - Level 3 - Digital Download SKU: A0.601818 By Pietro Mascagni. By Pietro Mascagni. Arranged by Flavio Regis Cunha. Holiday,Opera,Romantic Period,Wedding. Score and parts. 28 pages. Flavio Regis Cunha #5376981. Published by Flavio Regis Cunha (A0.601818). Cavalleria rusticana, Mascagni's passionate tale of jealousy, sex, love, and family, was premiered on 17 May 1890 at the Teatro Costanzi in Rome after having won first place in Sonzogno's competition for one-act operas. In addition to the most luxurious and flamboyant passages made famous in popular culture, FRC Music new edition of the 'INTERMEZZO' illuminates Mascagni's subtle attention to details of harmony, dynamics, and articulation. Alterations appear in the Intemezzo (N. 6), and there is much beautiful music to be discovered. You and your orchestra will love to play this music. Your audience will be delighted to hear this beautiful piece. Intermediate.Format: Concert, 9 x 12 inches.28 pages.
$29.99
27.31 €
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Orchestre
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Pietro Mascagni
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Flavio Regis Cunha
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Intermezzo
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Flavio Regis Cunha
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SheetMusicPlus
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