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Vous avez sélectionné:
In The Pines
Orchestre
Partitions à imprimer
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1
Main Titles of America - Orchestral Composition (Finalist in National Young Composers Challenge)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 2…
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Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu #6683167. Published by Caleb Liu (A0.955621). Main Titles of America was composed during shelter-in-place in July 2020. The piece was premiered in Winter of 2020 and was selected as a finalist in the 2021 National Young Composers Challenge. The composition was largely inspired by film music. In a film score, there is often a piece called Main Titles that plays during the opening scenes of the film. Typically, this piece encaptures all the major musical motifs present in the score of the movie. As the name suggests, Main Titles of America portrays the major themes of America in musical form. The three themes the piece highlights are opportunity, freedom, and love.The main musical motif appears early in the piece and is supported with eight notes and triplets from the harp and violas. The overall feel is adventurous and hopeful with energy building. The main motif is prominent throughout the piece, and almost every instrument plays the motif at some point. Each instrument represents a unique person who has the opportunity to flourish in America. The second motif represents freedom, and it is primarily played by the woodwinds. In particular, the flutes with their light, feathery sound help to express this idea. This motif is more playful and adds a touch of cheerfulness and lightness to the piece. It reflects the happiness of being free. The main motif and the second motif are intertwined just like opportunity and freedom. The third motif represents love and is prominent in the second half of the piece. The same eighth notes and triplets provide seamless energy and flow. While still maintaining a dream-like feel, this motif is meant to sound more grandiose and emotional. The sweeping themes and romantic harmonies are intended to portray the feeling of an ideal relationship. The piece ends with a triumphant brass chorale (the same motif from the beginning) followed by a tutti chord. It’s the musical representation of look how far we’ve come! The piece highlights the infamous American Dream - that anyone in America has the opportunity to pursue their dreams, find love, and create their own destiny.
$34.99
31.73 €
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Orchestre
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Caleb Liu
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Main Titles of America - Orchestral Composition
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Caleb Liu
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SheetMusicPlus
The Nirvana of Phoenix 鳳凰涅ç£
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1284327 Composed by Kwok Man Ho…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1284327 Composed by Kwok Man Ho Marco. 21st Century,Contemporary,Multicultural,New Age,Spiritual,World. Score and Parts. 133 pages. Kwok Man Ho Marco #875499. Published by Kwok Man Ho Marco (A0.1284327). The Nirvana of Phoenix 鳳凰涅ç£Composed for full orchestra by Kwok Man Ho MarcoScore and PartsThe piece The Nirvana of Phoenix《鳳凰涅ç£ã€‹for a full orchestra is inspired by the story of phoenix rebirths in Greek mythology. The word Nirvana literally means blown off. Additionally, it is a term associated with Buddhism, representing the ultimate state of soteriological release and liberation from rebirths in Samsara.The Chinese title of this piece first appeared in the modern poem with the same title, written by Guo Mo-ruo (éƒæ²«è‹¥). His long poem mentions that phoenixes are envoys of happiness in our world. They carry all the sadness and hatred and fly into the flame every five hundred years. By ending their lives, they bring happiness and peace to the world. After the ordeal, they can be reborn from the ashes with even stronger bodies.In Buddhism, pain in life is inevitable, but suffering is optional. The deaths of the phoenixes are not the end of their lives; instead, they mark a new beginning of the story of happiness and peace.For any inquiry, please visit my personal website:https://kwokmanhomarco.wordpress.com
$99.99
90.66 €
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Orchestre
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ending their lives, they bring happiness and peace to the world
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Kwok Man Ho Marco
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The Nirvana of Phoenix 鳳凰涅ç£
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Kwok Man Ho Marco
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SheetMusicPlus
Anishinaabeg Rhapsody
Orchestre
Orchestra - Digital Download SKU: IZ.OMS171 Composed by Kenneth Piotrowski. Score a…
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Orchestra - Digital Download SKU: IZ.OMS171 Composed by Kenneth Piotrowski. Score and Parts. 129 pages. Duration 13'. Imagine Music - Digital #OMS171. Published by Imagine Music - Digital (IZ.OMS171). 9 x 12 in inches.Although the word Anishinaabeg, best translated as those whence descended or the noble people, refers to many of thenumerous Algonquin indigenous peoples of North America, it is here used specifically in reference to the Ojibwe of theUpper Peninsula of Michigan. It was here that the composer spent many summers and it was those memories that allowedthe Anishinaabeg Rhapsody to come into being.This particular composition is a symphonic tone poem which, unlike the majority of orchestral music which is able to standalone as pure musical thought, evokes historic, pictorial or literary subject matter. In other words, the composer paintsimages and thoughts through sound.The Anishinaabeg Rhapsody, which is scored for 2 flutes, 2 oboes, English horn, 3 clarinets in Bb, 2 bassoons, 4 horns andstrings, conjures images of the wind gently blowing through the pines, the purling of meandering streams, the rippling andwaving of grasslands, the thunderous waterfalls crashing hundreds of feet over cliffs into Lake Superior; in short, it portraysNature itself.
$90.00
81.6 €
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Orchestre
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Kenneth Piotrowski
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Anishinaabeg Rhapsody
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Imagine Music - Digital
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SheetMusicPlus
Dove
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.742596 Composed by Sebastian Yradier and Shan Zhang. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 59 pages. Arte Nova Music Lab #6432131. Published by Arte Nova Music Lab (A0.742596). La Paloma, The Dove in English, is a popular Spanish song that has been produced and reinterpreted in diverse cultures, settings, arrangements, and recordings over the last 140 years. The song was composed and written by the Spanish composer from the Basque region Sebastián Iradier (later Yradier) in the 1850s. In 1879, it was registered at the copyright office in Madrid as a Canción Americana con acompañamiento de Piano. Iradier was to die in obscurity within few years, never to learn how popular his song would become.Very quickly, La Paloma became popular outside of Spain, particularly in Mexico, and soon spread around the world. In many places, including Afghanistan, Cuba, Colombia, Hawaii, the Philippines, Germany, Romania, Venezuela, Zanzibar, and Goa it gained the status of a quasi-folk song. Over the years, the popularity of La Paloma has surged and receded periodically, but never subsided. It may be considered one of the first universal popular hits and has appealed to artists of diverse musical backgrounds. There are more than one thousand versions of this song, and together with Yesterday by The Beatles, is one of the most-recorded songs in the history of music; it is certainly the most-recorded Spanish song.Taken from https://en.wikipedia.org/wiki/La_Paloma
$60.00
54.4 €
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Orchestre
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Sebastian Yradier and Shan Zhang
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Javier MartÃnez Maya
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Dove
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Arte Nova Music Lab
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.56 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.13 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
PineTree Party DX
Orchestre
Full Orchestra - Digital Download SKU: A0.1203873 Composed by Amphibia Cultural Leg…
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Full Orchestra - Digital Download SKU: A0.1203873 Composed by Amphibia Cultural Legacy. Broadway,Classical,Comedy,Film/TV,Multicultural,Musical/Show,World. Score and Parts. 7 pages. Amphibia Cultural Legacy #802437. Published by Amphibia Cultural Legacy (A0.1203873). PineTree Party DX is an epic musical performance that has been remastered and remixed with additional instruments by the Amphibia Cultural Legacy. Originally from the Zoobles! Spring to Life! website, this orchestral cover is a testament to the creativity and ingenuity of its creators. With its soaring melodies, intricate harmonies, and powerful rhythms, PineTree Party DX is a symphony for the ages.At its core, PineTree Party DX is a celebration of Life and all its wonders. From the gentle rustle of leaves in the wind to the majestic beauty of towering pines, this musical masterpiece captures the essence of nature in all its glory. Adding new instruments enhances this incredible work, adding depth and richness to a stunning composition.
$40.00
36.27 €
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Orchestre
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Amphibia Cultural Legacy
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PineTree Party DX
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Amphibia Cultural Legacy
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SheetMusicPlus
Christmas Waltz for Piano and Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1039027 Composed by Peter Ilyic…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1039027 Composed by Peter Ilyich Tchaikovsky. Arranged by William J. Bullock. Christmas,Classical,Contest,Festival,Holiday,Romantic Period. Score and parts. 59 pages. Sigma Squared Music #644031. Published by Sigma Squared Music (A0.1039027). ​The joy of Christmas is reflected in this waltz by a Russian master of the form. It is the last of a set of twelve piano character, each named for its month of publication and reflecting feelings or images associated with that month. The Chopinesque Christmas Waltz (December) seems to yearn for orchestral dress. This arrangement supplies that dress, including a prominent role for a solo pianist, which other orchestral arrangements do not provide. Instrumentation is as follows: Flute Oboes 1 & 2 First Clarinet in Bb - alternate First Clarinet in A Second Clarinet in Bb - alternate Second Clarinet in A Bassoons 1 & 2 Horns in F 1 & 2 Timpani (optional) Piano Solo Violin I Violin II Viola Violoncello Contrabass.
$80.00
72.54 €
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Orchestre
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Peter Ilyich Tchaikovsky
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William J
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Christmas Waltz for Piano and Orchestra
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Sigma Squared Music
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SheetMusicPlus
Raindrops Keep Fallin' On My Head
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1495107 By B.J. Thomas. By Burt…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1495107 By B.J. Thomas. By Burt Bacharach and Hal David. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. 45 pages. Kevin Riley #1071671. Published by Kevin Riley (A0.1495107). Raindrops Keep Fallin' on My Head is a song written by Burt Bacharach and Hal David for the 1969 film Butch Cassidy and the Sundance Kid.The uplifting lyrics describe somebody who overcomes his troubles and worries by realising that it won't be long till happiness steps up to greet me.The single by B. J. Thomas reached No. 1 on charts in the United States, Canada and Norway, and reached No. 38 on the UK Singles Chart. It topped the Billboard Hot 100for four weeks in January 1970 and was also the first American No. 1 hit of the 1970s. The song also spent seven weeks atop the Billboard Adult Contemporary chart.Billboard ranked it as the No. 4 song of 1970. According to Billboard magazine, it had sold over 2 million copies by March 14, 1970, with eight-track and cassette versions also climbing the charts. It won an Oscar for Best Original Song.[5] Bacharach also won Best Original Score.
$70.00
63.47 €
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Orchestre
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B
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Kevin Riley
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Raindrops Keep Fallin' On My Head
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Kevin Riley
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SheetMusicPlus
Symphonic Poem No. 1
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1004088 Composed by James F. Ho…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1004088 Composed by James F. Hodgdon III. 20th Century,Contemporary,Standards. Score and parts. 70 pages. Jhcompositions #3455145. Published by Jhcompositions (A0.1004088). A symphonic poem is a work for full orchestra that is meant to change the listeners perception or mood. This work was written to help drag it's composer out of very low point. The happiness poured into it's creation, is reflected back out in it's performance. It is full of different colors and moments that will surely make for an exciting performance, both for listeners and the musicians!This piece would work well for an established orchestra or college group. You are purchasing a full orchestral score and all accompanied parts. A minimum of 3 percussionists are needed.Duration: 5'40
$19.99
18.12 €
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Orchestre
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James F
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Symphonic Poem No. 1
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Jhcompositions
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SheetMusicPlus
Feliz Navidad
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1495590 By Jose Feliciano. By J…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1495590 By Jose Feliciano. By Jose Feliciano. Arranged by Kevin Riley. 20th Century,Christmas,Pop. 64 pages. Kevin Riley #1072107. Published by Kevin Riley (A0.1495590). Feliz Navidad is a Christmas song written and first recorded in 1970 by Puerto Rican singer-songwriter José Feliciano. With its simple, heartfelt lyrics - the traditional Spanish Christmas/New Year greeting Feliz Navidad, próspero año y felicidad (Merry Christmas, a prosperous year and happiness), followed by text in English words I wanna wish you a Merry Christmas from the bottom of my heart - it has become a Christmas classic and has gained popularity around the world.In 2010, the 1970 recording of Feliz Navidad on RCA Victor Records by José Felicianowas inducted into the Grammy Hall of Fame.
$70.00
63.47 €
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Orchestre
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Jose Feliciano
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Kevin Riley
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Feliz Navidad
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Kevin Riley
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br> Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.09 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
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