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COR ANGLAIS
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FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
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PARTITIONS …
PAS DE PART…
PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Non classifié
457
PIANO & CLAVIERS
Piano seul
800
Orgue
200
Piano, Voix
58
Piano Facile
36
Piano, Voix et Guitare
21
Piano Trio: piano, violon, violoncelle
9
1 Piano, 4 mains
8
Instruments en Do
7
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Piano (duo)
3
Accompagnement Piano
2
2 Pianos, 4 mains
2
Piano grosses notes
2
Accordéon
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare
36
Guitare notes et tablatures
29
Ukulele
7
Mandoline
7
Ligne De Mélodie, (Paroles) et Accords
4
Piano, Guitare (duo)
2
Basse electrique
2
Paroles et Accords
2
3 Guitares (trio)
1
Ensemble de guitares
1
Basse électrique (partie séparée)
1
Dulcimer
1
2 Guitares (duo)
1
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VOIX
Chorale SATB
290
Chorale 3 parties
74
Chorale 2 parties
35
Chorale Unison
26
Chorale TTBB
15
Chorale SSAA
11
Voix duo, Piano
8
Voix Soprano, Piano
4
Voix duo
2
Voix Tenor, Piano
1
Chorale SSATB
1
Voix haute
1
Voix Baryton
1
Voix seule
1
Chorale
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
90
Hautbois, Piano (duo)
70
Clarinette et Piano
45
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Saxophone Alto et Piano
19
Quatuor de Saxophones: 4 saxophones
15
Harmonica
10
Cor anglais, Piano
10
Quatuor de Clarinettes: 4 clarinettes
10
3 Saxophones (trio)
10
Flûte traversière
10
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Tenor et Piano
10
Saxophone Soprano et Piano
9
Ensemble de Clarinettes
8
Flûte à bec Soprano
8
Saxophone (partie séparée)
7
Clarinette
6
Flûte à bec Alto
6
Ensemble de Flûtes
5
3 Clarinettes (trio)
5
Flûte, Clarinette, Piano (trio)
5
Clarinette, Harpe (duo)
4
Saxophone Baryton, Piano
4
Flûte, Hautbois, Piano (trio)
3
2 Clarinettes, Piano
3
2 Flûtes traversières, Piano
3
2 Clarinettes (duo)
3
Flûte, Violon et Violoncelle
3
2 Saxophones (duo)
3
Flûte, Violon, Piano
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette (partie séparée)
2
Clarinette, Violoncelle, Piano (trio)
2
Clarinette Basse, Piano
2
Saxophone Alto
2
Flûte et Guitare
2
Flûte, Harpe et Violoncelle
2
Clarinette, Violon (duo)
2
Hautbois
2
Trio de Flûtes: 3 flûtes
2
Instruments en Mib
2
Ensemble de saxophones
2
2 Flûtes traversières (duo)
1
Flûte, Basson et Piano
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Clarinette et Basson
1
Flûte à bec Tenor
1
Flûte, Alto et Piano
1
Hautbois (partie séparée)
1
Saxophone Soprano
1
Flute (partie séparée)
1
Quintette de Clarinettes: 5 clarinettes
1
Quatuor de Flûtes : 4 flûtes
1
Clarinette, trompette et piano
1
Quintette de Saxophone: 5 saxophones
1
Flûte irlandaise
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Trompette, Piano
13
Cor et Piano
13
Trombone et Piano
12
Cor anglais, Piano
10
Quatuor de Cuivres : 2 trompettes, trombone, tuba
9
Trompette
8
Cor
5
Trombone
5
Euphonium, Piano (duo)
4
Tuba et Piano
3
Tuba (partie séparée)
3
Trombone (partie séparée)
3
Tuba
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trompettes (duo)
2
Ensemble de Trombones
2
Quatuor de cuivres: 4 cors
2
Instruments en Sib
2
Quatuor de cuivres: 4 trombones
2
2 Trombones (duo)
1
Tuba et Orgue
1
Quatuor de cuivres: 4 trompettes
1
Trompette (partie séparée)
1
Trompette, Trombone (duo)
1
Cor (partie séparée)
1
Quatuor de Cuivres
1
2 Cors (duo)
1
Instrumentations suivantes
Retracter
CORDES
Violon et Piano
109
Violoncelle, Piano
37
Quatuor à cordes: 2 violons, alto, violoncelle
37
Alto, Piano
37
Harpe
20
Trio à Cordes: violon, alto, violoncelle
12
2 Harpes (duo)
11
Violoncelle (partie séparée)
10
Harpe, Flûte (duo)
10
Violon
8
Violon (partie séparée)
5
2 Violons (duo)
5
Violon, Violoncelle (duo)
4
Contre Basse
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Voix
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Alto seul
2
Alto (partie séparée)
2
Harpe, Violon (duo)
2
Contrebasse, Piano (duo)
2
Quatuor à cordes: 4 violons
2
Violoncelle
2
2 Violoncelles (duo)
2
2 Altos (duo)
1
Violon, Clarinette, Piano (trio)
1
Alto et Harpe
1
Trio à Cordes: 2 violons, alto
1
Trio à cordes: 3 violins
1
Alto et Basson
1
Violon, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
4 Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
223
Cloches
66
Orchestre à Cordes
47
Orchestre
43
Ensemble Jazz
14
Orchestre de chambre
11
Ensemble de cuivres
11
Fanfare
9
Batterie (partie séparée)
5
Marimba
3
Ensemble de Percussions
3
Percussion (partie séparée)
2
Vibraphone
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
In The Quiet
Orchestre
Partitions à imprimer
43 partitions trouvées
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1
26
Death Theme
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284734 Composed by Ennio Morri…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamber,Film/TV,Musical/Show. Score and Parts. 14 pages. Www.studio-orchestrations.com #875911. Published by www.studio-orchestrations.com (A0.1284734). This is one of Ennio Morricone's most evocative and yearning themes from the Kevin Costner and Sean Connery classic THE UNTOUCHABLES directed by Brian De Palma. The theme comes where Malone has been brutally/mortally shot and wounded and gives Elliott Ness, his friend, the critical information to enable him to arrest Al Capone's bookeeper before dying. Malone's murder is one of the most unexpected and shocking moments on celluloid when it happens but Morricone's theme is full of pathos and lament for a much loved character.For your event/concert of film music, this is a short but always moving piece that hopefully will fit around your other programming ideas. In a market where loud film music is all the rage, this offers a beautiful sorbet to an evening of movie classics.This arrangement is written for Solo Alto Saxophone (Default solo instrument)Solo Alto Flute* (alternative solo instrument)Acoustic guitar (or Harp)*Strings* Morricone does use Alto Flute to play a version of this theme earlier in the soundtrack and this can make a contemplative and quiet version of the same music so your group can choose instrumentation, esepcially where no saxophone is available in your group or concert; also if your group doesn't have a guitar then this can be played by Harp as well.
$80.00
73.46 €
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Orchestre
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Ennio Morricone
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Death Theme
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www.studio-orchestrations.com
#
SheetMusicPlus
Where Eagles Dare (Theme) - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.76 €
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Orchestre
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
The Quiet
Orchestre
Orchestra - Digital Download SKU: S9.Q48716 For large orchestra divided into thr…
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Orchestra - Digital Download SKU: S9.Q48716 For large orchestra divided into three groups. Composed by Chaya Czernowin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 11 minutes. Schott Music - Digital #Q48716. Published by Schott Music - Digital (S9.Q48716). The Quiet originated from watching a snowstorm from my window at night as the flakes danced in the weak light of the lamp outside. The desire to make the storm audible was the starting point for a journey which morphed into many different other strange, close, and distant storms. These storms constantly evolved from natural occurances into far away atmospheres surrounding human activity, before returning to natural realms. (Chaya Czernowin)4 · 4 · 2 · 2 Bassklar. · 2 · 2 Kfg. - 6 · 4 · 2 Tenorpos · 2 Basspos. · 1 - P. (D-A/f-c') S. (3 P. [D-A] · Cel. · Crot. · Vibr. · Marimba · 3 Tamt. · 3 Buckelgongs · 3 Bong. · 3 kl. Tr. [h.] · 3 kl. Tr. [m.] · 3 gr. Tr. · 3 Peitschen · 3 Donnerbleche od. rain sticks · 3 Papiere) (3 Spieler) - Str. (14 · 12 · 10 · 8 · 6).
$21.99
20.19 €
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Orchestre
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Chaya Czernowin
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The Quiet
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Schott Music - Digital
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SheetMusicPlus
Beyond The Sea
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1077231 By Bobby Darin. By Albe…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1077231 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show,Standards. Score and parts. 32 pages. Kevin Riley #681399. Published by Kevin Riley (A0.1077231). Versions of the song have appeared frequently in films and television shows. The song is featured during the ending credits of Disney/Pixar's 2003 animated film Finding Nemo. The song is played prominently in the 2007 video game BioShock. The X-Files episode Beyond the Sea is named for the song, which is playing on the boat owned by Dana Scully's father. The song plays in the background during a scene in the 1990 film Goodfellas while the characters are preparing food in prison. A version of the song by Kathryn Williams is the theme song for the British TV Show The Cafe broadcast on Sky1. The song plays in the official trailer for the 2018 film The Meg. In the 2020 horror film A Quiet Place Part II, the song is played on loop over the radio as a signal to guide survivors to an island. In an episode of the television show Lost (TV Series), the song is part of a code that needs to be decyphered in the episode Whatever the Case May Be. The plot delves into the original Frech recording of La Mer, heard as a French dub of the closing credits of the film Finding Nemo.
$50.00
45.91 €
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Orchestre
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Bobby Darin
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Kevin Riley
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Beyond The Sea
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Kevin Riley
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SheetMusicPlus
Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730486 Composed by James Nathaniel Holland. African,Contemporary,World. Score and parts. 128 pages. James Nathaniel Holland #4357263. Published by James Nathaniel Holland (A0.730486). FULL SCORE only, Individual instrument parts sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip), maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$18.95
17.4 €
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Orchestre
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James Nathaniel Holland
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Symphony No. 2, In Praise to Haitian Gods, Full Orchestral Score Only
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James Nathaniel Holland
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SheetMusicPlus
Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730488 Composed by James Nathaniel Holland. Contemporary,Folk,World. Score and parts. 315 pages. James Nathaniel Holland #4359113. Published by James Nathaniel Holland (A0.730488). INDIVIDUAL INSTRUMENT PARTS only, Full score sold separately. Haitian voodoo rhythms, and gods Damballa Wedo, Papa Legba, Ezulie, Baron Zamdi the Gede are brought to the orchestral concert stage in this second symphony of American composer James Nathaniel Holland, who served for a while in Haiti in the US Peace Corps in the 1990s. The symphony for large orchestra is divided into three movements. It begins with a rousing invocation which melts into a sensitive section, sympathetic of the human condition and of the Republic of the Caribbean island of Haiti. The second movement, actually three sections, is very a very African sounding fugue that changes into a contraposition of the quiet, mysterious Minwet and the European French Minuet, and ends with an almost church joyous, dance of complex percussion, call and response. The last movement incorporates multimedia of the beauty of spoken Kreyol language: stating that we, ourselves, are the gods expressed in the Haitian folk dances. And ends with an energetic Haitian carnival section. Great, varied and different, showpiece for any symphony orchestral concert with overtones of jazz and Afro Carib music. Instrumentation: picc/fl 1.2., fl/altofl. 3.4., ob 1.2., pic cl./clBb 1, clBb 2.3.4., bcl., ssax, asax, tsax, bsax, bsn 1.2., cbsn, hrns 1.2.3.4., tpt 1.2.3., trom. 1.2., btrm, tba, timp, perc (bdrm, slapstick (or whip) maracas, metal guiro, agogo bells, calabasa, crash cyms, tri., bongos, congos, celeste., marimba) harp, strings.YouTube Presentation: https://youtu.be/ON24g0ZJFQwComposer website: https://www.facebook.com/jamesnathanielholland/
$42.95
39.44 €
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Orchestre
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James Nathaniel Holland
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Symphony No. 2, In Praise to Haitian Gods, Individual Instrument Parts
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James Nathaniel Holland
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SheetMusicPlus
Christ Is the Light (Instrumental Parts)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.978324 Composed by Jim Ailor. C…
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Full Orchestra - Level 4 - Digital Download SKU: A0.978324 Composed by Jim Ailor. Christian,Christmas,Sacred. Score and parts. 90 pages. ResurrectionSong #6324833. Published by ResurrectionSong (A0.978324). INSTRUMENTAL PARTS Beginning in quiet of darkness and exploding into light, this anthem declares, Christ is the light revealing truth in the darkness. A Christ-is-the-light motif sounds throughout the piece. The anthem closes with a simultaneous singing of the motif and O Come, All Ye Faithful and a final declaration that Christ is the light!.
$30.00
27.55 €
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Orchestre
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Jim Ailor
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Christ Is the Light
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ResurrectionSong
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SheetMusicPlus
Christ Is the Light (Conductor Score)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.978322 Composed by Jim Ailor. C…
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Full Orchestra - Level 4 - Digital Download SKU: A0.978322 Composed by Jim Ailor. Christian,Christmas,Sacred. Score and parts. 20 pages. ResurrectionSong #6324831. Published by ResurrectionSong (A0.978322). CONDUCTOR SCORE Beginning in quiet of darkness and exploding into light, this anthem declares, Christ is the light revealing truth in the darkness. A Christ-is-the-light motif sounds throughout the piece. The anthem closes with a simultaneous singing of the motif and O Come, All Ye Faithful and a final declaration that Christ is the light! Hard copy available at J.W. Pepper.
$15.00
13.77 €
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Orchestre
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Jim Ailor
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Christ Is the Light
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ResurrectionSong
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SheetMusicPlus
Quiet Please, There's A Lady On Stage
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1283644 Composed by Carole Baye…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1283644 Composed by Carole Bayer Sager and Peter Allen. Arranged by Daryl McKenzie. Broadway,Musical/Show. Score and Parts. 110 pages. Daryl McKenzie #874836. Published by Daryl McKenzie (A0.1283644). Arranged in the style of Peter Allen for Vocal with Pops Orchestra - Voice,2Fl, 2Ob,2Cl,2Bsn,5 Sax, 4Hn,4Trpt,4Trb,Tba, Timp,3 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of A (with Key changes)Note: Playable without SaxesBig Band arrangement also available, search: HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
91.82 €
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Orchestre
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Carole Bayer Sager and Peter Allen
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Daryl McKenzie
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Quiet Please, There's A Lady On Stage
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Daryl McKenzie
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SheetMusicPlus
Quiet Time (For My Sister Ann)- Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1039413 By Brendan James Ellige…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1039413 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA. Arranged by Brendan James Elliget MAGA. Classical,Contemporary. Score and parts. 38 pages. BJE Music #644376. Published by BJE Music (A0.1039413). This is the second piece I have composed for my sister Ann reflecting on a quiet time in the morning or evening and her caring nature. It has been scored for full orchestra with extra (optional) parts for Piano Accompaniment, Piano Melody, Guitar, Vibraphone, Keyboards (Warm Pads), and Harp. Violin 3 is a sub for the Viola part. Grade = 3 Duration 2:45 mins.
$25.00
22.96 €
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Orchestre
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Brendan James Elliget NotePerformer 3
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Brendan James Elliget MAGA
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Quiet Time
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BJE Music
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SheetMusicPlus
The Road to Perdition - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1047173 Composed by Stephen Lin…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1047173 Composed by Stephen Lines. Contemporary. Score and parts. 136 pages. Stephen Lines #651708. Published by Stephen Lines (A0.1047173). This requires a good imagination, a decent headset and 15-minutes of uninterrupted peace and quiet to be fully appreciated. The story begins in turmoil, but progresses through various emotive stages that are a reflection of what most of us experience as we mature and progress through life, the vicissitudes and small victories alike are depicted: you (the hero or heroine), must use your imagination to see your own life reflected in the evolutions and developments of the music - the chorale at the end indicates that you have, or will in the future, reach a state of wisdom, a far cry from the confusion and uncertainties reflected in the opening.
$30.00
27.55 €
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Orchestre
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Stephen Lines
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The Road to Perdition - Score Only
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Stephen Lines
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SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachm…
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Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
73.45 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor | Full Orchestra
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Michael Barrera
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SheetMusicPlus
Bramshill Concert Rondo
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.957733 Composed by Stephen Line…
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Full Orchestra - Level 3 - Digital Download SKU: A0.957733 Composed by Stephen Lines. Contemporary. Score and parts. 99 pages. Stephen Lines #26285. Published by Stephen Lines (A0.957733). Bramshill was written to commemorate the 50th anniversary of the police staff college and was premiered by the British Police Symphony Orchestra in 2008. In 2011 it undertook some quite serious revision. Bramshill House was until recently the home of the Police Staff College. In 1953 the Home Office purchased Bramshill from Lord Brocket. There is evidence that the site has been inhabited since the time of Domesday and the Norman Conquest. The present building was constructed principally by Edward Zouche, 11th Baron Zouche of Harringworth, between c. 1605-1625. The music is written in large ternary form as a concert rondo. There are features within which depict and draw together various facets of the early history of Bramshill House as a Jacobean structure with that of its current role as the police staff college. After a declamatory eighteen bar opening in the key of C minor the piece leads towards the principal theme - it is introduced by the horn, quietly accompanied by chords from the clarinets dipping in and out of the chalumeau register - a haunting, ethereal theme that depicts the mystery of the ancient building and its numerous reported wraiths. The theme develops and is pronounced giacoso in the strings with light accompaniment in the higher woodwinds. A restatement of the main theme is followed by a section, fugato; this depicts a police officer on the beat in the early hours of a cold, wet, winter’s night. This theme transmutes into a quasi-stately dance such as may have been performed in Bramshill’s great withdrawing room or the long gallery in the 1600’s. A series of 6/3 chords then develop into what sounds akin to a police siren; the section culminates in a wash of sound with police theme, stately dance and siren sounding simultaneously. In the final section, the principal theme is reiterated in various guises and sub-themes are further explored.
$22.50
20.66 €
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Orchestre
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Stephen Lines
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Bramshill Concert Rondo
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Stephen Lines
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SheetMusicPlus
Away in a Manger (Gloria, Gloria All Be Blessed!) for Soloist, SATB Choir and Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730472 Composed by Traditional …
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Full Orchestra - Level 3 - Digital Download SKU: A0.730472 Composed by Traditional and James Nathaniel Holland. Arranged by James Nathaniel Holland. Children,Christmas,Contemporary,Sacred. Score and parts. 42 pages. James Nathaniel Holland #3886465. Published by James Nathaniel Holland (A0.730472). One of the most iconic hymns of Christmas arranged by American composer James Nathaniel Holland and expanded with an original new chorus with new text. This arrangement/new work contains both traditional melodies (Flow Gently and Away in a Manger). Here presented for soloist (or solo treble instrument in C) SATB choir and full orchestra. A meandering string counter-melody accompanies close choir harmonies and a simple beautiful traditional melody. Sentimental, quiet perfect for choir boy soloist or perhaps children's choir. Intermediate level. Full score in concert pitch and individual parts including vocal parts included. Versatile enough to be used with the other arrangements in this key.Instr: fl12, ob, eh, cl12, bsn12, hrn12, tpt12, trom 12, timp, perc. (glk, tri., hand cym.) harp and strings. Duration: 6 minutes and 49 seconds.Composers website: https://www.facebook.com/jamesnathanielholland/
$23.50
21.58 €
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Orchestre
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Traditional and James Nathaniel Holland
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James Nathaniel Holland
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Away in a Manger
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James Nathaniel Holland
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SheetMusicPlus
The Fantastical Quest - Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1266105 Composed by Tim Gray. 2…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1266105 Composed by Tim Gray. 21st Century,Classical. Score and Parts. 98 pages. Tim Gray #858848. Published by Tim Gray (A0.1266105). Prepare to be transported to a realm beyond the imagination, where mythical creatures dance, dragons soar, enchanted forests whisper and heroes embark on epic quests. Embracing the theme of fantasy, this piece conjures the very essence of grandeur and mystery. The spirited dance section weaves through changing meters of 6/8 and 3/4 with a quick change into the complex meter of 7/8. The piece begins with a solo for violin, which is joined by solo flute before the whole orchestra enters in on the fun. Your percussionists will love it too, with a particularly challenging part for drum-kit. The middle section offers a quiet contrast with vibraphone and piano (or harp). Duration 4:30.
$70.00
64.28 €
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Orchestre
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Tim Gray
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The Fantastical Quest - Full Orchestra
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Tim Gray
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SheetMusicPlus
Legacy
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95
45.87 €
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Orchestre
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Sy Brandon
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Legacy
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Sy Brandon
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SheetMusicPlus
The Coolin
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.731970 Composed by Traditional …
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Full Orchestra - Level 3 - Digital Download SKU: A0.731970 Composed by Traditional Irish. Arranged by Thomas Quigley. Celtic,Concert,Folk,Holiday. Score and parts. 51 pages. Thomas Quigley #3603251. Published by Thomas Quigley (A0.731970). This highly popular Irish air is given rich, lavish treatment in this skillful arrangement. From the simple, quiet opening phrase to the impressive, densely textured climax point there is plenty of color and interest. Very familiar to Irish music enthusiasts, if you need a piece with a quintessential Celtic flavor, this is ideal. Although highly appealing and capable of showing the power of the full orchestra, it is accessible to college or amateur players.
$49.50
45.45 €
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Orchestre
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Traditional Irish
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Thomas Quigley
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The Coolin
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Thomas Quigley
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SheetMusicPlus
Ship in a Stormy Seas
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1033150 Composed by Cole Spence…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1033150 Composed by Cole Spencer. 20th Century,Contemporary,Romantic Period. Score and parts. 12 pages. Cole Spencer #6115125. Published by Cole Spencer (A0.1033150). Ship in a Stormy Seas is tone poem based off of the painting Ship in a Stormy Seas by Russian romantic painter Ivan Aivazovsky. This piece depicts the high seas, alongside a sea shanty-like march, finishing with a quiet and peaceful finale.
$8.99
8.26 €
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Orchestre
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Cole Spencer
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Ship in a Stormy Seas
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Cole Spencer
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SheetMusicPlus
Voices of the Night - orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.814789 Composed by Richard E Br…
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Full Orchestra - Level 5 - Digital Download SKU: A0.814789 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 175 pages. Dacker Music #4302031. Published by Dacker Music (A0.814789). Voices of the Night, subtitled A Nocturnal Fantasy for Orchestra, is in 3 parts: 1. a slow, moody introductory section; 2. a lively but somewhat dark rhythmic dance-like section; 3. a quiet epilogue based on the opening music.
$65.00
59.69 €
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Orchestre
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Richard E Brown
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2
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Voices of the Night - orchestra
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Dacker Music
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Orchestre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99
10.09 €
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Orchestre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Ikarus - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Bry…
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Full Orchestra - Level 5 - Digital Download SKU: A0.751143 Composed by Benedikt Brydern. 20th Century,Contemporary. Score and parts. 25 pages. ConSordino Music Publishing #4633239. Published by ConSordino Music Publishing (A0.751143). Ikarus started life as a composition for 9 solo string instruments but soon grew into a fully orchestrated piece. On one hand it tells the classic story of Ikarus who, ignoring the warnings of his father, flew too close to the sun and died. On the other hand it pays homage to the inventiveness of the human spirit and embraces mankind’s ability, through the creation of complicated machines, to achieve more than our mortal bodies would allow.The music starts softly with Ikarus preparing for his take-off. Slowly the huge wings unfold and the piece lifts off with a majestic theme/motif. The nervous sixteen notes in the string section symbolize the constant flow of air and motion needed by Ikarus to fly.The joy of movement is mirrored by the cellos and bassoons, gliding in and out of the orchestra. Sounds of birds, clouds and impressions of earth from above are represented by various short melodic or rhythmic fragments throughout the first phase of his flight.Slowly the intensity and excitement builds until we are completely swept away and have lost all sense of reason or danger. Then, in the climax of the composition, Ikarus and his wings crash to the ground and the orchestra brakes down with him, loosing feather after feather until all has been destroyed. After this violent moment, the compositions quiets down gradually and reflects on the failure of Ikarus.Performed and recorded by Robert Ian Winstin and the Kiev Philharmonicon July 14, 2005Orchestral Material for Performance available as Rental Only.
$17.99
16.52 €
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Orchestre
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Benedikt Brydern
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Ikarus - Score Only
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ConSordino Music Publishing
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SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (187…
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Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes<br> <br> Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.<br> <br> <br> <br> Instrumentation<br> <br> 2 Flutes<br> <br> 2 Oboes<br> <br> 2 Clarinets (B flat)<br> <br> 2 Bassoons<br> <br> 4 Horns (F)<br> <br> 3 Trumpets (B flat)<br> <br> 2 Trombones<br> <br> 1 Bass Trombone<br> <br> 1 Tuba<br> <br> Timpani<br> <br> Snare Drum<br> <br> Tambourine<br> <br> Harp (substitute piano ifnecessary)<br> <br> Violins I and II<br> <br> Viola<br> <br> Violincello<br> <br> Double Bass
$19.99
18.36 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra
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Michael Barrera
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SheetMusicPlus
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