English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
In the Beginning
Non classifié
1 309
Piano & claviers
Piano grosses notes
3 295
Orgue
1 617
Piano seul
719
Piano Facile
713
Accompagnement Piano
111
Piano, Voix
93
Piano, Voix et Guitare
75
1 Piano, 4 mains
67
Clavier
60
Instruments en Do
20
Piano Trio: piano, violon, violoncelle
19
2 Pianos, 4 mains
16
Piano (partie séparée)
7
Accordéon
6
1 Piano, 6 mains
4
2 Pianos, 8 mains
1
Ensemble d'Accordéons
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Accordéons
1
Fake Book
1
+ 17 instrumentations
Retracter
Guitares
Guitare
148
Guitare notes et tablatures
86
Ukulele
46
Basse electrique
22
Mandoline
22
Dulcimer
17
Banjo
17
2 Guitares (duo)
15
Guitare (partie séparée)
14
Ligne De Mélodie, (Paroles) et Accords
5
4 Guitares (Quatuor)
4
Guitare Pedal Steel
3
Dobro
2
Ukulele Baryton
2
3 Guitares (trio)
2
Paroles et Accords
1
Ensemble de guitares
1
2 Mandolines (duo)
1
Piano, Guitare (duo)
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
328
Chorale 3 parties
90
Chorale 2 parties
67
Chorale Unison
39
Chorale SSAA
37
Chorale TTBB
35
Voix seule
8
Voix Soprano, Piano
8
Voix duo, Piano
4
Voix duo
3
Voix Baryton, Piano
2
Chorale SSATTB
2
Voix moyenne, Piano
2
Chorale SSAATTBB
1
Voix basse, Piano
1
Voix, Guitare
1
Chorale SSAB a cappella
1
Voix Alto, Piano
1
Voix Tenor, Piano
1
+ 14 instrumentations
Retracter
Vents
Flûte traversière et Piano
86
Quatuor de Saxophones: 4 saxophones
85
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
72
Saxophone (partie séparée)
69
Clarinette
68
Clarinette et Piano
61
Flûte, Hautbois, Clarinette, Basson
61
2 Saxophones (duo)
56
Flûte traversière
55
Hautbois, Piano (duo)
41
Saxophone Alto
40
Quintette de Saxophone: 5 saxophones
36
Quatuor de Clarinettes: 4 clarinettes
36
Quatuor de Flûtes : 4 flûtes
31
Saxophone Alto et Piano
31
2 Flûtes traversières (duo)
28
2 Clarinettes (duo)
26
Hautbois (partie séparée)
25
Saxophone Tenor et Piano
23
Ensemble de Clarinettes
23
Saxophone Tenor
23
Ensemble de Flûtes
22
3 Saxophones (trio)
19
Hautbois, Basson (duo)
17
Clarinette (partie séparée)
16
Hautbois
16
Saxophone Soprano et Piano
13
Ensemble de saxophones
13
Harmonica
13
Trio de Flûtes: 3 flûtes
13
2 Flûte à bec (duo)
13
3 Clarinettes (trio)
12
Saxophone Baryton, Piano
12
Flûte, Clarinette (duo)
11
Saxophone, Clarinette (duo)
11
2 Hautbois (duo)
10
Cor anglais, Piano
10
Flûte à bec Soprano
10
Quintette de Clarinettes: 5 clarinettes
9
Quintette de Flûte : 5 flûtes
8
Flute (partie séparée)
8
Clarinette, Basson (duo)
8
Hautbois, Clarinette (duo)
8
Clarinette, Violon (duo)
7
Hautbois, Flûte
6
4 Hautbois
6
Quatuor de Flûtes à bec
5
Flûte, Saxophone (duo)
4
Flûte à Bec
4
Ensemble de Hautbois
4
Flûte à bec Tenor
4
Clarinette, Trompette (duo)
4
3 Flûtes à bec (trio)
4
3 Hautbois
4
Flûte irlandaise
4
Cor Anglais
4
Clarinette et Alto
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violon
4
Flûte, Trompette (duo)
3
Saxophone Soprano
3
Flûte à bec Alto, Piano
3
Flûte à bec Alto
3
Saxophone
3
Piccolo
3
Flûte, Hautbois (duo)
2
Saxophone Baryton
2
Flûte traversière, Orgue (duo)
2
Flûte, Violon, Piano
1
Flûte, Clarinette, Piano (trio)
1
Flûte à bec, Guitare (duo)
1
Hautbois, Basson et Piano
1
Flûte et Trio à cordes
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Instruments en Mib
1
Flûte, Clarinette et Basson
1
Flûte, Violoncelle
1
Flûte de Pan
1
Clarinette Basse, Piano
1
Flûte et Guitare
1
Clarinette Basse
1
Flûte, Alto (duo)
1
Ensemble à vent
1
Clarinette, Guitare (duo)
1
+ 80 instrumentations
Retracter
Cuivres
Trompette
82
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
75
Quatuor de Cuivres : 2 trompettes, trombone, tuba
48
Trombone (partie séparée)
40
Trombone
38
Trompette (partie séparée)
34
Trombone et Piano
32
Cor
32
Trompette, Piano
30
Cor et Piano
28
Tuba
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
22
2 Trompettes (duo)
18
2 Trombones (duo)
17
Tuba et Piano
16
Quatuor de cuivres: 4 trombones
14
Trompette, Trombone (duo)
14
Quatuor de Cuivres
12
2 Cors (duo)
12
Cor (partie séparée)
10
Cor anglais, Piano
10
2 Tubas (duo)
10
Tuba (partie séparée)
9
Ensemble de Trombones
8
Trompette, Saxophone (duo)
8
Trompette, Cor (duo)
8
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
6
Euphonium, Piano (duo)
6
3 Cors (trio)
5
3 Tubas (trio)
5
Ensemble de Cors
5
Ensemble de Trompettes
5
Trombone, Cor (duo)
5
Quatuor de cuivres: 4 cors
5
Euphonium
4
4 Tubas
4
Cor Anglais
4
2 Euphoniums et 2 Tubas
3
Trompette, Tuba (duo)
3
Trombone basse et Piano
2
Trombone, Tuba (duo)
2
Tuba et Orgue
2
3 Trompettes (trio)
2
Cor, Tuba (duo)
2
4 Euphoniums
1
Trombone basse
1
Trompette, Basson (duo)
1
Instruments en Sib
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Euphonium, Tuba (duo)
1
+ 46 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
165
Violon et Piano
133
Violon
128
Violoncelle
71
Violoncelle, Piano
60
Harpe
54
Alto seul
49
Violon, Violoncelle (duo)
44
Alto, Piano
43
Trio à Cordes: violon, alto, violoncelle
41
2 Violons (duo)
35
Contre Basse
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
28
Violon (partie séparée)
23
Contrebasse (partie séparée)
20
Contrebasse, Piano (duo)
18
2 Altos (duo)
16
Trio à Cordes: 2 violons, violoncelle
16
2 Violoncelles (duo)
14
Alto (partie séparée)
11
Trio à cordes: 3 violins
8
Violon, Guitare (duo)
7
Trio à Cordes: 3 violoncelles
7
Alto, Violoncelle (duo)
6
Violon, Alto (duo)
6
Trio à cordes: 3 altos
6
4 Violoncelles
6
2 Harpes (duo)
5
2 Violons, Piano
4
Violoncelle (partie séparée)
4
Quatuor à cordes: 4 violons
4
Autoharp
3
Quatuor à cordes : 4 altos
3
3 Contrebasses
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
2 Contrebasses (duo)
2
Trio à Cordes: 2 violons, alto
2
Harpe, Flûte (duo)
2
Alto, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
1
Ensemble d'Altos
1
Violoncelle , Guitare (duo)
1
Ensemble de Violons
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 236
Orchestre à Cordes
191
Cloches
127
Orchestre
97
Ensemble Jazz
66
Ensemble de cuivres
45
Orchestre de chambre
42
Batterie
35
Ensemble de Percussions
17
Percussion (partie séparée)
12
Fanfare
11
Batterie (partie séparée)
8
Xylophone
6
2 Xylophones
4
Jazz combo
3
Percussion
3
Marimba
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Caisse Claire
1
Quintette de Cuivres: autres combinaisons
1
Piano et Orchestre
1
Orchestre, Violon
1
Xylophone, Piano
1
Cajon
1
3 Marimbas
1
Bongos
1
+ 21 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
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PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
In the Beginning
Orchestre
Partitions à imprimer
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Where Eagles Dare (Theme) - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.82 €
#
Orchestre
#
Ron Goodwin
#
Chris Siddall
#
Where Eagles Dare
#
Chris Siddall Music Publishing
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.6 €
#
Orchestre
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
193.6 €
#
Orchestre
#
Adrian Gagiu
#
Symphony No. 3 in A minor, op. 17
#
Adrian Gagiu
#
SheetMusicPlus
Suite from the opera "Hamlet", op. 64a
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
92.19 €
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Orchestre
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Adrian Gagiu
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Suite from the opera "Hamlet", op. 64a
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
46.05 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Latvian National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By K…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
36.87 €
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Orchestre
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
The Royal Anthem of Thailand (arr. full orchestra)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.522241 Composed by Pyotr Schuro…
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Full Orchestra - Level 3 - Digital Download SKU: A0.522241 Composed by Pyotr Schurovsky (1850-1908). Arranged by Colin Kirkpatrick. Contemporary. Score and parts. 31 pages. Colin Kirkpatrick Publications #4833305. Published by Colin Kirkpatrick Publications (A0.522241). In Thailand, there are two anthems in daily use, the National Anthem and the Royal Anthem. The National Anthem is a jaunty march-like melody played on the radio (and over loudspeakers in many local communities) every morning and evening. The Royal Anthem is performed at all formal occasions; it's played at the beginning of every concert and recital and also in movie theaters before the main feature.
$19.99
18.43 €
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Orchestre
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Pyotr Schurovsky
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Colin Kirkpatrick
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The Royal Anthem of Thailand
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Colin Kirkpatrick Publications
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SheetMusicPlus
Main Titles of America - Orchestral Composition (Finalist in National Young Composers Challenge)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 2…
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Full Orchestra - Level 3 - Digital Download SKU: A0.955621 Composed by Caleb Liu. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 82 pages. Caleb Liu #6683167. Published by Caleb Liu (A0.955621). Main Titles of America was composed during shelter-in-place in July 2020. The piece was premiered in Winter of 2020 and was selected as a finalist in the 2021 National Young Composers Challenge. The composition was largely inspired by film music. In a film score, there is often a piece called Main Titles that plays during the opening scenes of the film. Typically, this piece encaptures all the major musical motifs present in the score of the movie. As the name suggests, Main Titles of America portrays the major themes of America in musical form. The three themes the piece highlights are opportunity, freedom, and love.The main musical motif appears early in the piece and is supported with eight notes and triplets from the harp and violas. The overall feel is adventurous and hopeful with energy building. The main motif is prominent throughout the piece, and almost every instrument plays the motif at some point. Each instrument represents a unique person who has the opportunity to flourish in America. The second motif represents freedom, and it is primarily played by the woodwinds. In particular, the flutes with their light, feathery sound help to express this idea. This motif is more playful and adds a touch of cheerfulness and lightness to the piece. It reflects the happiness of being free. The main motif and the second motif are intertwined just like opportunity and freedom. The third motif represents love and is prominent in the second half of the piece. The same eighth notes and triplets provide seamless energy and flow. While still maintaining a dream-like feel, this motif is meant to sound more grandiose and emotional. The sweeping themes and romantic harmonies are intended to portray the feeling of an ideal relationship. The piece ends with a triumphant brass chorale (the same motif from the beginning) followed by a tutti chord. It’s the musical representation of look how far we’ve come! The piece highlights the infamous American Dream - that anyone in America has the opportunity to pursue their dreams, find love, and create their own destiny.
$34.99
32.26 €
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Orchestre
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Caleb Liu
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Main Titles of America - Orchestral Composition
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Caleb Liu
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SheetMusicPlus
In the beginning
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1343380 Composed by Luis Diego …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1343380 Composed by Luis Diego Piedra. Christian,Christmas,Classical. 6 pages. Piedra Music #928907. Published by Piedra Music (A0.1343380). This piece was composed in 2023 to be premiered during Christmas at Valpo, at Valparaiso University. It is a musical representation of the world in chaos without God, and then towards the middle and end the music changes, as if the heavens open up and we are being shown the light of Christ. At the end we hear the arrival of a baby -Jesus-.
$20.00
18.44 €
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Orchestre
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Luis Diego Piedra
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In the beginning
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Piedra Music
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SheetMusicPlus
Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Jo…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1272505 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 46 pages. Aere R Greenway #864730. Published by Aere R Greenway (A0.1272505). As a life-long fan of the music of Brahms, I have wished there were more than his four symphonies to enjoy. Â So I set about orchestrating his sonata for piano, opus 5, as a symphony. Â I doing so, I've seen many things in his piano music, that suggest he was thinking orchestrally. Â And this is a composition from his youth (1854). Â In fact, I have been repeatedly amazed at how many simultaneous, independent parts, he has put into a piano solo. Â I haven't needed to create anything. Â It's all Brahms, coming through. Â Perhaps, if Brahms weren't so overwhelmed by the genius of Beethoven, who came before, he might have made this his first symphony. Â And you get to hear its third movement now. Â As with the tradition of Beethoven, the 3rd movement is a scherzo. Â You can think of it (at least in the beginning, and end), as the waltz of the gargoyles. Â Enjoy!Brahms has long been a staple of concert-going audiences, and with this piece, you can perform a new symphony of Brahms, created from his piano sonata in F-minor, orchestrated into a symphony by Aere.
$47.97
44.22 €
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Orchestre
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus 5, 3rd movement, as a Symphony
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Aere R Greenway
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SheetMusicPlus
Uprising of the Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1024320 Composed by Joshua Argy…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1024320 Composed by Joshua Argyle. Contemporary. Score and parts. 48 pages. Joshua Argyle #3568953. Published by Joshua Argyle (A0.1024320). As an excited composer, Uprising of the Orchestra was created to provide confidence to all who hear the epic score. With this piece, the goal was to provide room for emotional musicians to add their own personality so they can find the satisfaction their soul desires. This piece gives a large build in the early part of the piece, which then leads to a slow and steady peak. This piece continues with an element of mystery, and then finishes by restating the power peak at the beginning of the piece. Overall, whether a listener or player, this piece was created to provide musical fun and emotion.
$4.99
4.6 €
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Orchestre
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Joshua Argyle
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Uprising of the Orchestra
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Joshua Argyle
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SheetMusicPlus
I Write The Songs
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Br…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1043121 By Barry Manilow. By Bruce Johnston. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 57 pages. Kevin Riley #647831. Published by Kevin Riley (A0.1043121). I Write the Songs is a popular song written by Bruce Johnston in 1975 and released on his album Going Public in 1977. Barry Manilow's version reached number one on the Billboard Hot 100 chart in January 1976 after spending two weeks atop the Billboard adult contemporary chart in December 1975. It won a Grammy Award for Song of the Year and was nominated for Record of the Year in 1977. Billboard ranked it as the No. 13 song of 1976. The original version was recorded by Captain & Tennille, who worked with Johnston in the early 1970s with the Beach Boys. It appears on their 1975 album Love Will Keep Us Together. The first release of I Write the Songs as a single was by teen idol David Cassidy from his 1975 solo album The Higher They Climb, which was also produced by Johnston. Cassidy's version reached number 11 on the UK Singles Chart in August of that year. Johnston has stated that, for him, the I in the song is God, and that songs come from the spirit of creativity in everyone. He has said that the song is not about his Beach Boys bandmate Brian Wilson. Manilow was initially reluctant to record the song, stating in his autobiography Sweet Life: The problem with the song was that if you didn't listen carefully to the lyric, you would think that the singer was singing about himself. It could be misinterpreted as a monumental ego trip.[3] After persuasion by Clive Davis, then president of Arista Records, Manilow recorded the song, and his version of I Write the Songs was the first single taken from the album Tryin' to Get the Feeling. It first charted on the Billboard Hot 100 on November 15, 1975, reaching the top of the chart nine weeks later, on January 17, 1976. Cash Box said of Manilow's version Good work Barry describing the song as melodic, ballad-like beginning grows into an operatic crescendo, all done in clear production that all age groups will appreciate.
$70.00
64.53 €
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Orchestre
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Barry Manilow
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Kevin Riley
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I Write The Songs
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Kevin Riley
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SheetMusicPlus
Return to eden (In the beginning) Part 2
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1500067 By Vitalii Matviichuk. …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1500067 By Vitalii Matviichuk. By Vitalii Matviichuk. Arranged by Vitalii Matviichuk. Christian,Film/TV,Patriotic,Thriller,Video Game. 56 pages. Pablished by Vitalii Matviichuk #1076141. Published by Pablished by Vitalii Matviichuk (A0.1500067). A wonderful orchestral composition with an epic development. The full orchestra sounds in its best timbre. Easy parts to perform will allow you to quickly make the stage sound of your team. Good luck!
$40.99
37.79 €
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Orchestre
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Vitalii Matviichuk
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Vitalii Matviichuk
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Return to eden
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Pablished by Vitalii Matviichuk
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SheetMusicPlus
I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1374158 Composed by Igor Stravinsky. Arranged by A. Leytush. 20th Century. 94 pages. Arkady Leytush #958734. Published by Arkady Leytush (A0.1374158). This 4-part suite is called Serenade in A. This name, chosen by its author, completely exhausts the content of this music and emphasizes the main idea of the composition, as well as the tonality of all parts. Each part provides comprehensive details in this series and has its own title. I emphasize that this is by no means a programmatic essay. The nature of each part and their internal content pushed me to follow my interpretation of each part in the orchestral transcription. 1. Hymne is essentially nothing more than a Hymn of love! His character, sublime above the everyday, is, as it were, raised to the surface and presented in bright, broad strokes as an irrefutable truth. 2. Romanza - I perceive it as a kind of parody of a love romance with the main sentiments and elements inherent in this genre. This is by no means a refutation of love, but only some irony over the false, pretentious way of expressing this feeling. The grotesque character is emphasized whenever possible by the orchestration. 3. Rondoletto - this part, from the very beginning in my orchestration, resembles the multi-voiced play of musicians preparing to play, testing the sound of their instruments, tuning them and playing out. 4. Cadenza Finala - the nature of the music is the union and rapture of love. In my orchestration there can be traced duets of various instruments and orchestra groups such as: a pair of Flutes, a pair of Oboes, Clarinets, Trumpets, Trombones, 1st and 2nd Violins. This feature of the pairs I have chosen should emphasize their relationship and relatedness.
$60.00
55.31 €
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Orchestre
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Igor Stravinsky
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A
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I. Stravinsky – Serenade in A, Orchestrated by A. Leytush - Score Only
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Arkady Leytush
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SheetMusicPlus
The Nirvana of Phoenix 鳳凰涅ç£
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1284327 Composed by Kwok Man Ho…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1284327 Composed by Kwok Man Ho Marco. 21st Century,Contemporary,Multicultural,New Age,Spiritual,World. Score and Parts. 133 pages. Kwok Man Ho Marco #875499. Published by Kwok Man Ho Marco (A0.1284327). The Nirvana of Phoenix 鳳凰涅ç£Composed for full orchestra by Kwok Man Ho MarcoScore and PartsThe piece The Nirvana of Phoenix《鳳凰涅ç£ã€‹for a full orchestra is inspired by the story of phoenix rebirths in Greek mythology. The word Nirvana literally means blown off. Additionally, it is a term associated with Buddhism, representing the ultimate state of soteriological release and liberation from rebirths in Samsara.The Chinese title of this piece first appeared in the modern poem with the same title, written by Guo Mo-ruo (éƒæ²«è‹¥). His long poem mentions that phoenixes are envoys of happiness in our world. They carry all the sadness and hatred and fly into the flame every five hundred years. By ending their lives, they bring happiness and peace to the world. After the ordeal, they can be reborn from the ashes with even stronger bodies.In Buddhism, pain in life is inevitable, but suffering is optional. The deaths of the phoenixes are not the end of their lives; instead, they mark a new beginning of the story of happiness and peace.For any inquiry, please visit my personal website:https://kwokmanhomarco.wordpress.com
$99.99
92.18 €
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Orchestre
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ending their lives, they bring happiness and peace to the world
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Kwok Man Ho Marco
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The Nirvana of Phoenix 鳳凰涅ç£
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Kwok Man Ho Marco
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SheetMusicPlus
Sarabande - (from 'Keyboard Suite in D minor' - III. Mov.) for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.597316 By George Frideric Hande…
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Full Orchestra - Level 3 - Digital Download SKU: A0.597316 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 15 pages. Flavio Regis Cunha #5355195. Published by Flavio Regis Cunha (A0.597316). The Keyboard suite in D minor (HWV 437) was composed by George Frideric Händel, for solo keyboard (harpsichord), between 1703 and 1706. It is also referred to as Suite de pièce Vol. 2 No. 4. It was first published in 1733.The piece was used in an orchestral arrangement for Stanley Kubrick's Barry Lyndon. Dutch singer Petra Berger used the Sarabande as the musical setting for her song about Mary, Queen of Scots, Still a Queen (In My End Is My Beginning), from her album Eternal Woman (2001). An orchestral version was also used on the first episode of the 2018 television mini-series of Agatha Christie's A.B.C. Murders, starring John Malkovich as Poirot.This beautiful arrangement for orchestra brings in its variations, an intercalation of orchestral forces and different climaxes. The first part of the theme starts on the strings accompanied by the continuum. The second part includes the metals and the tympani. In the first variation, the theme is played by a group of strings, within a chamber proposal. In the third variation, the strings give way to the woodwinds, where horns, trombones talk to the woodwinds. In the fourth variation, the same group of winds remains, but they are accompanied by the ow strings. Finally, in the last variation, the orchestral force appears with brilliance and intensity.
$19.99
18.43 €
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Orchestre
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George Frideric Handel
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Flavio Regis Cunha
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Sarabande -
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Flavio Regis Cunha
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SheetMusicPlus
Harry Potter and the Order of the Phoenix, Selections from: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_M1 Mallets. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_M1 Mallets. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_M1). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
2.77 €
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Orchestre
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John Williams and Nicholas Hooper
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Douglas E
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Harry Potter and the Order of the Phoenix, Selections from: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Harry Potter and the Order of the Phoenix, Selections from: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_TMP Timpani. Compose…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_TMP Timpani. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_TMP). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
2.77 €
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Orchestre
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John Williams and Nicholas Hooper
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Douglas E
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Harry Potter and the Order of the Phoenix, Selections from: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Harry Potter and the Order of the Phoenix, Selections from: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_VC1 Cello. Composed …
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_VC1 Cello. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_VC1). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
2.77 €
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Orchestre
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John Williams and Nicholas Hooper
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Douglas E
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Harry Potter and the Order of the Phoenix, Selections from: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Harry Potter and the Order of the Phoenix, Selections from: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_F1 Flute. Composed b…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_F1 Flute. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_F1). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
2.77 €
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Orchestre
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John Williams and Nicholas Hooper
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Douglas E
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Harry Potter and the Order of the Phoenix, Selections from: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Harry Potter and the Order of the Phoenix, Selections from: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0015708_B1 Bassoon. Composed…
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Full Orchestra - Digital Download SKU: AX.00-PC-0015708_B1 Bassoon. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015708_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015708_B1). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$3.00
2.77 €
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Orchestre
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John Williams and Nicholas Hooper
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Douglas E
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Harry Potter and the Order of the Phoenix, Selections from: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Harry Potter and the Order of the Phoenix, Selections from: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0004020 Score. Composed by J…
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Full Orchestra - Digital Download SKU: AX.00-PR-0004020 Score. Composed by John Williams and Nicholas Hooper. Arranged by Douglas E. Wagner. Instructional. Score. 20 pages. Alfred Music - Digital Sheet Music #00-PR-0004020. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004020). UPC: 038081314907.The adventures at Hogwarts continue with the fifth movie in the Harry Potter series, Harry Potter and the Order of the Phoenix. Highlights of Nicholas Hooper's brilliant score are masterfully arranged in this musical montage that captures all of the drama and gamut of emotion portrayed in the action-packed film. Beginning with the familiar Hedwig's Theme, heard in previous scores, the medley also incorporates musical moments reminiscent of the change of climate at the Ministry of Magic, the deceptive Professor Umbridge, and the Patronus Charm with tunes titled: Another Story, The Ministry of Magic, Fireworks, Professor Umbridge and Dumbledore's Army. An exhilarating musical journey for all ages! Designed to play with strings alone or with any combination of winds. (3:00).
$9.00
8.3 €
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Orchestre
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John Williams and Nicholas Hooper
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Douglas E
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Harry Potter and the Order of the Phoenix, Selections from: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
The Fiddle Concerto (violin solo part – violin and symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861946 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 23 pages. Mark O'Connor Musik International #6208695. Published by Mark O'Connor Musik International (A0.861946). The Fiddle Concerto (violin solo part – violin and symphony orchestra) MO120BViolin Solo Part (score and parts available)Music by Mark O’Connor19 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120BCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$20.00
18.44 €
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Orchestre
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fiddle Concerto (string parts – violin and symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861951 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Mark O'Connor Musik International #6208705. Published by Mark O'Connor Musik International (A0.861951). The Fiddle Concerto (string parts – violin and symphony orchestra) MO120P-UString Parts (score and parts available)Music by Mark O’Connor157 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120P-UCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
69.14 €
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Orchestre
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
The Fiddle Concerto (wind parts – violin and symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861947 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861947 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 111 pages. Mark O'Connor Musik International #6208697. Published by Mark O'Connor Musik International (A0.861947). The Fiddle Concerto (wind parts – violin and symphony orchestra) MO120C-HWind Parts (score and parts available)Music by Mark O’Connor111 pages - 45:00 minutes in length The FIDDLE CONCERTO for violin and orchestra is Mark O’Connor’s first orchestral score, composed when he was 31 years old in 1992-93. A few years later it was recorded for Warner Bros. The recording featured the Concordia Orchestra with Marin Alsop conducting and the composer as violin soloist. The recording was named by the BMG Classical Catalog as one of the top ten classical recordings of 1995. The composition was reviewed by a distinguished panel of composers and was awarded a Meet The Composer grant for another original concerto by O’Connor. Beginning with the premiers in 1993, and including the subsequent performances into 1999, the year of this publication, The FIDDLE CONCERTO has received more performances with orchestra than any other violin concerto composed in the last 50 years. The music is suited for advanced levels and the slow second movement can be appropriate for intermediate.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1992-93 Composed by Mark O’ConnorCommissioned by the Santa Fe Symphony OrchestraCan be heard on The Fiddle Concerto! Warner Bros. RecordsMark O’Connor - violin, Concordia Symphony, Marin Alsop Catalogue Number MO120C-HCopyright © 1992 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$75.00
69.14 €
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Orchestre
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Mark O'Connor
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The Fiddle Concerto
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Mark O'Connor Musik International
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SheetMusicPlus
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