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In the Groove: Tuba
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Vous avez sélectionné:
In the Groove: Tuba
Orchestre
Partitions à imprimer
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Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
Roots for Full Orchestra
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Orchestre
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INTERMÉDIAIRE
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incorporating aspects of Palo
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Gabrielle Liriano
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Roots for Full Orchestra
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Art Haus Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1183082 Composed by Gabrielle Liriano. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 22 p...
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Full Orchestra - Level 3 - SKU: A0.1183082 Composed by Gabrielle Liriano. 20th Century,Classical,Contemporary,Multicultural,World. Score and parts. 22 pages. Art Haus Music Publishing #782800. Published by Art Haus Music Publishing (A0.1183082). This piece is a celebration of my heritage and ancestry. By incorporating aspects of Palo music in a traditionally Euro-centric style of music I hope to expand the boundaries for what is possible in contemporary classical music as it reflects the eclectic collage of where I come from. I hope to specifically illuminate the underrepresented aspects of my identity in composition as it is those aspects that can create uniqueness and innovation in the long history and tradition classical music. Performing my music is a rebellious act. Centuries of composers have been misguided to dismiss the study of complex rhythm and groove as it is a subject associated with the music of Africa. Now with time and exhaustion of European principles we must look to the countries of Africa with reverence for our missing education on one of the vital ingredients of music. I hope you enjoy the kaleidoscope of colors and weaved rhythms that come together to make this piece come alive! This piece is dedicated to all the ancestors that came before me. May I honor their lives with music. Format: Transposed Score in Tabloid (11'' x 17'')Instrumentation: 1 Piccolo, 1 Flute, 1 Oboe, 1 Clarinet in Bb, 1 Bassoon, 1 Horn in F, 1 Trumpet in Bb 1, 1 Trumpet in Bb 2, 1 Trombone, 1 Tuba, 1 Güira, 1 Woodblock, Congas 1 (3 Drums), Congas 2 (2 Drums), 1 Timbales, 5 Violin I, 5 Violin II, 3 Viola, 6 Violoncello, 2 ContrabassDuration: Approx. 4 minutes
$150.00
Gonna Fly Now
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Ayn Robbins, Bill Conti, and C
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Gonna Fly Now
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454598 Composed by Ayn Robbins, Bill Conti, and Carol Connors. Arranged by John Langley / Studio Orchestrations. Fil...
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Full Orchestra - Level 4 - SKU: A0.1454598 Composed by Ayn Robbins, Bill Conti, and Carol Connors. Arranged by John Langley / Studio Orchestrations. Film/TV,Funk,Pop,Rock. 115 pages. Www.studio-orchestrations.com #1033701. Published by www.studio-orchestrations.com (A0.1454598). Gonna Fly Now (Theme from Rocky) is the theme song from the movie Rocky (1976), composed by Bill Conti. It combined a funky pop groove with a rock symphonic feel and was an instant hit, winning an oscar for Best original song in a film for that year. The song became part of 1970s American popular culture after the film's main character and namesake Rocky Balboa as part of his daily training regime runs up the 72 stone steps leading to the entrance of the Philadelphia Museum of Art in Philadelphia and raises his arms in a victory pose, while the song plays, it's an iconic moment in film.This version is for full orchestra and would make a great addition to your concert of film, sporting or popular music hits:3 Flutes (3rd dbl. Piccolo)2 Oboes2 Clarinets2 Bassoons4 Horns3 Trumpets3 TrombonesTubaTimpani2 Percussionists (Tambourine/Mark tree / Congas / Cymbals / Glockenspiel)HarpPianoGuitar (Optional)Bass GuitarDrumsStringsCheck out other similar orchestral titles from films on this site also written by John Langley and Paul Campbell at www.studio-orchestrations.com.
$140.00
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In the Groove: Tuba
