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TRI ET FILTRES
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ACCORDEON
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31
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279
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Saxophone (partie séparée)
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Flûte traversière
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Clarinette
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1
2 Flûtes traversières, Piano
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
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9
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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5
Tuba et Piano
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2 Trompettes (duo)
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4
2 Cors (duo)
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Cor
2
2 Tubas (duo)
2
Tuba
2
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Tuba (partie séparée)
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Trombone
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Trombone basse et Piano
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Cor et Orgue
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Cor (partie séparée)
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CORDES
Violoncelle, Piano
24
Quatuor à cordes: 2 violons, alto, violoncelle
21
Violon et Piano
20
2 Violons (duo)
9
Alto, Piano
7
2 Violoncelles (duo)
4
Contrebasse, Piano (duo)
4
2 Altos (duo)
4
Harpe
3
Violoncelle
2
Violon (partie séparée)
2
2 Contrebasses (duo)
2
Contre Basse
2
Trio à Cordes: violon, alto, violoncelle
2
Alto seul
2
Violon
2
Violon, Guitare (duo)
1
Piano Trio: Violon, Alto, Piano
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Alto (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre
55
Orchestre d'harmonie
52
Cloches
11
Orchestre à Cordes
10
Orchestre de chambre
8
Ensemble Jazz
7
Ensemble de cuivres
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Jazz combo
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Vibraphone
3
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Percussion (partie séparée)
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Fanfare
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Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Ar…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1036106 Composed by Various. Arranged by Takahiro Kim. Classical,Romantic Period. Score and parts. 116 pages. Gordon Cherry #641207. Published by Gordon Cherry (A0.1036106). Below is a description of Volume 2 of Orchestral Excerpts for Tuba with Piano accompaniment arranged by Japanese Tubist Takahiro Kim. This new edition includes the following music: Piano accompaniments to the orchestral excerpts from major works for Tuba. This edition does not include a separate Tuba (the tuba part is in the piano accompaniment part though), however, if the performer needs these parts, they are readily available in the Complete Collection of Low Brass Orchestra Music compiled by Gordon Cherry. Many tuba players (at any level) will play in an orchestra or practice the tuba part of a piece as part of their studies. You will also have the opportunity to listen to reference recordings and study those pieces. In this textbook, I have arranged the tuba part so that it can be played with piano accompaniment. Some pieces are difficult to understand from the orchestral soundtrack alone. I have transcribed the piano part as simply as possible. By doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra. I have included many parts other than the ones to be played in the audition pieces. This is because I want you to practice with a strong image of the musicality and sound feeling used in those pieces. I think you will be able to fully understand the outline of the music. Bruckner: Symphony No. 4-9 - You may only have the opportunity to practice the sections for auditions, such as No. 4 (4th movement) and No. 7 (4th movement). However, by practicing other sections as well, you will be able to study the ideal style, sounds, and harmonies that are appropriate for Bruckner's symphonies. By referring to the piano part, you will be able to understand the harmony very quickly. Mendelssohn: A Midsummer Night’s Dream Overture - If you have a chance to practice with a pianist, try practicing at a slower tempo so that you can visualize the ideal tone and nuance of articulation for bass tuba while feeling the harmonic background of the piano playing. Of course, mp3 files will also help you. Mussorgsky: Pictures at an Exhibition - Each section is very unique, so it is best to practice with a clear purpose. In Bydlo, everything is arranged for concert use. So it will be possible to play it in a real concert or orchestral situation. If you play with the accompaniment in mind, your approach to the phrases will surely change. I recommend that you practice all sections of Pictures at an Exhibition with a pianist at a slow tempo. When you listen to recordings or practice by yourself, it may be difficult to pay attention to each harmony. Knowing a clear harmonic standard will help you take your sound and articulation in a more ideal direction.
$30.00
27.32 €
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Orchestre
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doing so, you will be able to clearly understand the relationship between the phrases, accompaniment patterns, harmonies, rhythms, and the relationship between the tuba part and the orchestra
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Various
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Takahiro Kim
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Orchestral Excerpts for Tuba with Piano accompaniment, Volume 2 - Score Only
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Gordon Cherry
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
45.48 €
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Orchestre
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
Capriccio for symphonic orchestra (score and instrumental parts)
Orchestre
Full Orchestra - Digital Download SKU: A0.1012052 Composed by Andrey Chekalin. Cont…
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Full Orchestra - Digital Download SKU: A0.1012052 Composed by Andrey Chekalin. Contemporary. Score and parts. 443 pages. Andrey Chekalin #3543765. Published by Andrey Chekalin (A0.1012052). Capriccio by Andrey Chekalin, presented in the form of a cycle of four parts, tells of a fictional hero. In the first part sounds a dark theme, personifying rock. The second part is a bagatel, the main theme, accompanied by percussion, conveys a comical obsession. The middle section is mysterious, there is no topic at all in it, only the background. The third part again returns to the image of the protagonist. The solo of the bass clarinet tells of loneliness and irresistible longing. The cycle ends with a jocular theme resembling a ditty. In this part there is no trace of past suffering. Life goes on.
$40.00
36.42 €
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Orchestre
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Andrey Chekalin
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Capriccio for symphonic orchestra
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Andrey Chekalin
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SheetMusicPlus
New Girl In School
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1361462 By Jan and Dean. By Bob…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1361462 By Jan and Dean. By Bob Norman, Brian Douglas Wilson, Jan Berry, and Roger Christian. Arranged by Jan Berry. 20th Century,Pop,Rock. 40 pages. Fiji Printing #945917. Published by Fiji Printing (A0.1361462). POP SYMPHONYThe New Girl in School. Jan Berry and George Tipton's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's Pop Symphony album in 1965. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local orchestras who want to tackle this classic '60s hit, re-imagined as an orchestral arrangement.INSTRUMENTATIONWOODWINDS: Flute 1-2; Clarinet 1-2 — 4 parts.BRASS: Trumpet 1-3; French Horn 1-2; Trombone — 6 parts.STRINGS: Violin 1-8 (2 parts); Viola 1-2; Cello 1-2; Contrabass — 7 parts.RHYTHM: Mandolin 1-2; Harpsichord; Drums; Percussion (Concert Tanbourine) — 5 parts.Number of Parts: 22Number of Pages: 40Publication Includes: (1) Illustrated cover page; (2) Introductory text with commentary on the Pop Symphony album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.
$49.99
45.52 €
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Orchestre
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Jan and Dean
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Jan Berry
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New Girl In School
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Fiji Printing
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SheetMusicPlus
The Little Old Lady (from Pasadena)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1171508 By Jan and Dean. By Don…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1171508 By Jan and Dean. By Don Altfeld, Jan Berry, and Roger Christian. Arranged by Jan Berry and George Tipton. 20th Century,Historic,Pop,Rock. Score and Parts. 41 pages. Fiji Printing #771829. Published by Fiji Printing (A0.1171508). POP SYMPHONY: The Little Old Lady (from Pasadena). Jan Berry and George Tipton's original music score, used by the Wrecking Crew to record Jan & Dean's 'Pop Symphony' album in 1965. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local orchestras who want to tackle this classic '60s hit, re-imagined as a sophisticated Viennese Waltz. Full score and individual charts. WOODWINDS: Flute, Oboe, Clarinet 1 (Clarinet & Flute); Clarinet 2 (Clarinet & Bass Clarinet); BRASS: French Horn 1-2, Trumpet 1-2, Trombone; STRINGS: Harp, Violin 1-8, Viola 1-2, Cello 1-2, Contrabass; RHYTHM: Guitar, Danelectro 6-String Bass Guitar, Drums, Percussion. Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on the 'Pop Symphony' album and the musicians who performed on it; (3) Song chronology with recording session details; (4) Full music score; (5) Individual charts for each part in the music score; and (6) Illustrations, including images from Jan Berry’s music archive.
$49.99
45.52 €
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Orchestre
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Jan and Dean
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Jan Berry and George Tipton
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The Little Old Lady
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Fiji Printing
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SheetMusicPlus
Three Pieces For Violin and Orchestra "Violin Concerto No. 2" (Score – violin and symphony orchest
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861953 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861953 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 158 pages. Mark O'Connor Musik International #6209329. Published by Mark O'Connor Musik International (A0.861953). Three Pieces For Violin and Orchestra Violin Concerto No. 2 (score – violin and symphony orchestra) MO152AScore (parts available)Music by Mark O’Connor154 pages - 56:00 minutes in length (1st Mvnt – 20 min; 2nd Mvnt – 16 min; 3rd Mvnt – 20 min Three Pieces For Violin and Orchestra Violin Concerto No. 2Originally composed to mark the bicentennial of the state of Tennessee, O’Connor’s 2nd Violin Concerto was premiered with the Nashville Symphony during the 1996 celebration. The movements, Call of the Mockingbird, Trail of Tears, and Fanfare for the Volunteer reflect on broad themes relating to the history and culture of the state. The work was released in 1999 on a cd for Sony Classical performed with the London Philharmonic Orchestra titled by its final movement Fanfare for the Volunteer.Call of the Mockingbird; The evocations of nature and landscape. In the course of its many voicings (both literal and figurative), the theme evokes a broad range of images, from the bird of the title to the ruggedness of the Appalachian terrain.Trail of Tears; The tragedy of the forced migration of the Cherokee Indians in 1838-39. An episode in American history, the work incorporates aspects of Native American, Celtic and Central European traditions within the broader context of a symphonic composition.Fanfare for the Volunteer; The fierce and bittersweet pride of the southeastern United States. Perhaps, the clearest blending of O’Connor’s background as a traditional fiddler with his more recent work as a symphonic composer. The occasional hints of Irish balladry evoke nothing so much as the keenest sense of longing.-Jackson Braider(The music is suited for advanced levels) Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994-95 Composed by Mark O’ConnorCommissioned by the Nashville Symphony OrchestraCan be heard on Fanfare for the Volunteer! Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, London Philharmonic Orchestra, Steve Mercurio Catalogue Number MO152ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$40.00
36.42 €
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Orchestre
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Mark O'Connor
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2nd Mvnt
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Three Pieces For Violin and Orchestra "Violin Concerto No. 2"
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Mark O'Connor Musik International
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SheetMusicPlus
A. Rubinstein - Concert Suite from “Bal costume”, Op. 103 - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1130199 Composed by Anton Rubin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1130199 Composed by Anton Rubinstein. Arranged by Arkady Leytush. 19th Century. 107 pages. Arkady Leytush #730561. Published by Arkady Leytush (A0.1130199). Anton Rubinstein Concert Suite from “Bal costumeâ€, Op. 103 1. Polonais et polonaise 2. Toréador et andalouse 3. Pacha et almée 4. Pêcheur napolitain et napolitaine This concert suite was composed and orchestrated by me from 4 bright numbers “Bal costumeâ€, op. 103. Their strong contrasting imagery, theatricality and ingenuity provided an excellent opportunity for development in the orchestra and served as the impetus for this orchestral transcription. In addition to popularizing the work of A. Rubinstein as a composer, this music itself can become an adornment of many symphonic programs. The role and significance of Anton Rubinstein for the development of academic music in Russia is invaluable. His powerful and versatile talent manifested itself in everything he did. He remained in the history of music as an unsurpassed pianist and conductor, and as a great composer, and as the founder of the Russian Musical Society, and as the organizer of the First Russian Conservatory in St. Petersburg. Unfortunately, this all-encompassing contribution to Russian musical culture and his place in it have not yet been sufficiently appreciated by his descendants, and there are traditionally painful reasons for this. He still cannot be forgiven for his origin and some critical statements about his colleagues, which hang like a stone over the memory of this great maestro and man!
$100.00
91.06 €
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Orchestre
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Anton Rubinstein
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Arkady Leytush
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A. Rubinstein - Concert Suite from “Bal costume”, Op. 103 - Score Only
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Arkady Leytush
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SheetMusicPlus
Pastoral Fantasy (066) Revised in 2004
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikak…
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Full Orchestra - Level 4 - Digital Download SKU: A0.922789 Composed by Hiro Fujikake (Hiroyuki Fujikake). Contemporary. Score and parts. 83 pages. Mari Suzuki #6425063. Published by Mari Suzuki (A0.922789). Pastoral Fantasy (066) Revised in 2004Set: Score + Parts1st Mandolin, 2nd Mandolin, Mandola, Guitar, Mand Cello,Double Bass,Level: ★★★★Duration: 14min.(83 pages incl. front page and instruction)The most well performed piece.It was the second work for Hiro to compose a mandolin orchestra, the work was composing during June to July, 1975 and was first performed by Tokai Student Mandolin Association in August. The inspiration of this music came from fresh greenery in early summer. The title of Pastoral Fantasy is based on the image of pastoral scenery and it consists the theme of the music. The following is the construction of the music.1. Initial pastoral andante2. Introduction of fugue, develop freely3. Recreation of touching pastoral theme4. Powerful codaPlease do not stick with interpretation of the music, just feel the sounds, as you like. It would be great pleasure for the composer if this music means something to those who play or listen to it.
$100.00
91.06 €
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Orchestre
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Hiro Fujikake
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Pastoral Fantasy
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Mari Suzuki
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SheetMusicPlus
S. Prokofiev: Fleetingness, op. 22, (1915-17), orchestrated by A. Leytush - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1344002 Composed by S. Prokofie…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1344002 Composed by S. Prokofiev. Arranged by A. Leytush. 20th Century. 181 pages. Arkady Leytush #929484. Published by Arkady Leytush (A0.1344002). 1. Fear & Comfort 2. Slumber 3. Under & Above Water 4. Manipulate Magician 5. Bird Commotion 6. Tree of Us 7. Harp (original name) 8. Melancholy 9. In the Park 10. Grimaces 11. Jester 12. Lame Grasshopper & Dragonfly 13. Laziness 14. Tin Soldiers & Ballerina 15. Premonition of Impending Disaster 16. Unrealistic Hopes 17. Tears & Calm 18. Reverie 19. Overturn 20. Dreams About the FutureThe reason for writing was the poems of K. D. Balmont, two lines of which Prokofiev chose as an epigraph: “In every fleeting moment I see worlds, full of changing rainbow playâ€. In 1940-42, the famous avant-garde artist Alexander Rodchenko created a series of drawings illustrating “Fleetingnessâ€.
$100.00
91.06 €
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Orchestre
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S
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A
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Comfort 2
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S. Prokofiev: Fleetingness, op. 22,
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Arkady Leytush
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SheetMusicPlus
Carson Cooman: Flying Machine (2008) for orchestra , score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533576 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533576 Composed by Carson Cooman. Contemporary. Score and parts. 53 pages. Musik Fabrik Music Publishing #3024993. Published by Musik Fabrik Music Publishing (A0.533576). Flying Machine (2008) for orchestra was commissioned by the Harvard-Radcliffe Orchestra incelebration of two anniversaries: the orchestra’s 200th season and James Yannatos’s 45th anniversaryas conductor. The work is dedicated to James Yannatos in celebration of his 80th birthday and hisyears of distinguished activity as conductor, composer, and mentor.The music is joyous in spirit, inspired by a sense of discovery and fulfillment—the exhilaration thatcomes from knowledge well-used. The poetic image is taken from the age of the invention of flight.The piece’s opening section is “workshop/construction†music—filled with a sense of unfolding,building, and assembly. The musical material is presented in a series of overlapping guises; the restof the work unfolds from these ideas. As the music gathers energy, the barn door is finally opened,and the behemoth is rolled out. After a pregnant pause, the music of flight begins—soaring andenergetic.The parts are available on rental from the publisher.
$25.95
23.63 €
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Orchestre
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Carson Cooman
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Carson Cooman: Flying Machine
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
23.63 €
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Orchestre
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Carson Cooman
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Carson Cooman: Pittsburgh Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
C. Debussy - IMAGES, Book I, #3. Mouvement, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008373 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008373 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 30 pages. Arkady Leytush #4847875. Published by Arkady Leytush (A0.1008373). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
22.76 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #3. Mouvement, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
C. Debussy - IMAGES, Book I, #2. Hommage à Rameau, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008371 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008371 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 20 pages. Arkady Leytush #4847873. Published by Arkady Leytush (A0.1008371). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
22.76 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #2. Hommage à Rameau, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
C. Debussy - IMAGES, Book I, #1.Reflets dans l'eau, Orchestra Suite, Orchestrated by A. Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008370 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008370 Composed by Claude Debussy. Arranged by A. Leytush. 20th Century. Score and parts. 29 pages. Arkady Leytush #4847871. Published by Arkady Leytush (A0.1008370). After completing his orchestral work La Mer, Debussy returned to the piano with Images Book 1. His fresh, orchestral perspective gleaned from the massive symphonic work guided his hand in composing Images, and this piano work showcases his creative and unique com-positional style. Each individual movement uses subtlety in melody, harmony, and rhythm to create an expressive sound world.Images Book 1 consists of three movements: Reflets dans l’eau, Hommage à Rameau, and Mouvement. As it known, Images Book 1, was originally composed for the piano and never got orchestrated by the composer. This gave me an idea to do the transcription for the orchestra to make the full version of this spectacular piece, along with Book II and Book III, complete.
$25.00
22.76 €
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Orchestre
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Claude Debussy
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A
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C. Debussy - IMAGES, Book I, #1.Reflets dans l'eau, Orchestra Suite, Orchestrated by A. Leytush
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Arkady Leytush
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SheetMusicPlus
Carson Cooman: Orbital for orchestra, score only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooma…
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Full Orchestra - Level 4 - Digital Download SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher
$11.95
10.88 €
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Orchestre
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Carson Cooman
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Carson Cooman: Orbital for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Sounds of Winter - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1039845 Composed by David M. St…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1039845 Composed by David M. Sterrett. Classical. Score and parts. 29 pages. David Sterrett Music #644692. Published by David Sterrett Music (A0.1039845). Sounds of Winter is an impressionistic tone-painting depicting the natural beauty of the outdoors in Winter. In writing this piece, I envisioned landscapes covered in snow and ice – a meadow, a dark forest, a frozen lake, and a majestic mountain range. I sought to capture other elements of sound and imagery as well, such as whistling and whirling of frosty wind, glittering sunlight reflected off of shards of ice, snow falling, and joyous sounds of people ice skating. I was largely inspired by an experience I had of standing outside one wintery evening in Colorado – one of my favorite places to be in Winter – captivated by the beauty of all I saw, heard, and felt around me. Since then, I have always experienced a thrill of wonder, beauty, and mystery about the outdoors in Winter.
$24.99
22.76 €
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Orchestre
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David M
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Sounds of Winter - Score Only
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David Sterrett Music
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SheetMusicPlus
Homage to O'Keeffe for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. …
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Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia O’Keeffe’s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.
$39.99
36.41 €
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Orchestre
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Sy Brandon
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Homage to O'Keeffe for Orchestra
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Sy Brandon
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SheetMusicPlus
Nu Tal (Mi Tierra) - Set of Parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.933325 Composed by Juan Carlos …
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Full Orchestra - Level 3 - Digital Download SKU: A0.933325 Composed by Juan Carlos Guerra González. 20th Century,Contemporary. Score and parts. 267 pages. Juan Carlos Guerra Gonzalez #3093617. Published by Juan Carlos Guerra Gonzalez (A0.933325). Nu Tal (Mi Tierra) or My Land, is one of my first orchestral works, commissioned by Dr. Irving Ramirez, associate conductor of the El Salvador’s Symphony Orchestra.At the beginning, the idea was to set four small sketches of different images from my country. The 3rd movement was composed first, at that point I didn’t have a name for the work but after a talk with my mother in law, Aracely Sánchez; who is an expert in Salvadoran folklore, I decided to change the work’s name to Nu Tal (My Land in Nahuatl) and use some elements from our folklore. Then, I combined the idea I had from the images and the folk rhythms and tunes to create the whole work.The first movement of the work contains actually two movements. The first part is an image of a plane going to El Salvador. While the plane comes out of the clouds a beautiful land is seen through the window until the plane lands safely at its destination. Immediately, the folk part of the movement (movement II) begins with the invocation performed by the shell to the four cardinal points and then an autochthonous sound is presented welcoming our guests to this magical land, and the theme develops until the end of the movement.The third part was the first composed and it is an image including various ideas that represents a vision of El Salvador from different perspectives and the complexity of the different generations that are currently creating El Salvador’s demographic landscape.The fourth movement is an amalgamate of folkloric ideas and images. The beginning is the call from a church by the bells, then the brass presents the main theme of the movement, which is based on the Gregorian chant Salve Regina that I deconstructed using different rhythmic meters. Then a traditional rhythm is developed for the final section of the work.Link to the audio rendering: https://soundcloud.com/juancarlosguerragonzalez/nu-tal-complete-recording-sibelius-noteperformer-rem...
$125.00
113.82 €
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Orchestre
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Juan Carlos Guerra González
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Nu Tal
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Prisoner Of The Sea
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1128362 By Marc Douyon. By Marc…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1128362 By Marc Douyon. By Marc Douyon. Classical,Contest,Festival,Film/TV. Score and parts. 263 pages. Marc Douyon #728982. Published by Marc Douyon (A0.1128362). Prisoner Of The Sea is a symphonic poem in which the composer recalls when He almost drowned at sea. Images of wave crashing, turbulent waters, imminent tragedy, as well as happy moments, are all succeeding as the music progresses. Many sections that contrast in character, exhibit themes that are repeated, transformed, or varied. Meter and tempo changes, mixed harmonies, and rhythmic syncopations help the story to unfold with dramatic musical associations.
$190.50
173.47 €
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Orchestre
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Marc Douyon
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Prisoner Of The Sea
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Marc Douyon
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SheetMusicPlus
Thank You, Soldiers: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0004513 Score. Composed by A…
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Full Orchestra - Digital Download SKU: AX.00-PR-0004513 Score. Composed by Angela Souders and Michael Souders. Arranged by Jerry Brubaker. Instructional. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0004513. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004513). UPC: 038081429014.Patriotism and gratitude prevail in this moving tribute to the men and women of our armed forces. The combined concert band, string orchestra, and full orchestra accompaniment for choir performance of the Internet sensation, Thank You, Soldiers, is scored to provide maximum flexibility. Use the instrumentalists available and rest assured that the arrangement will work. Playable and easy to learn, even when in keys new to the string or wind player. As a special touch, project animated images from the optional VideoTrax DVD during performance. Available in three different choral voicings, again for maximum flexibility.
$9.00
8.2 €
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Orchestre
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Angela Souders and Michael Souders
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Jerry Brubaker
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Thank You, Soldiers: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Ride The Wild Surf
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1227318 By Jan and Dean. By Bri…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1227318 By Jan and Dean. By Brian Wilson, Jan Berry, and Roger Christian. Arranged by Jan Berry. 20th Century,Film/TV,Pop,Rock. 52 pages. Fiji Printing #823311. Published by Fiji Printing (A0.1227318). Jan Berry's original music score, used by Wrecking Crew studio musicians to record Jan & Dean's hit single in 1964. The song also served as the title track for the Columbia Pictures film Ride the Wild Surf. Transcribed by Mark A. Moore in association with Jan Berry's estate. Perfect for college, state, and local ensembles who want to tackle this classic '60s hitInstrumentation includes: WOODWINDS: Oboe, English Horn; RHYTHM: Guitar 1-3 (including Danelectro 6-string bass guitar, with standard notation and tablature), Bass 1-2 (Fender electric and upright acoustic, with standard notation and tablature); Percussion (suspended cymbal and Hawaiian pu'ili sticks); Drums, Piano; STRINGS: Violin 1-2, Viola, Cello; VOCALS: Lead, Falsetto, Alto, Tenor, Bass.Publication includes: (1) Illustrated cover page; (2) Introductory text with commentary on Jan Berry's arrangement and recording process; (3) Song chronology with recording session details; (4) Full music score and individual charts for original studio backing track; (5) Full music score and individual charts for original vocal arrangement; and (6) Illustrations, including images from Jan Berry’s music archive.Number of Pages: 52Number of Distinct Chords: 30Note: This arrangement is categorized as Orchestra because no other available category in ArrangeMe accurately reflects the instrumentation.
$49.99
45.52 €
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Orchestre
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Jan and Dean
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Jan Berry
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Ride The Wild Surf
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Fiji Printing
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SheetMusicPlus
Images Of A Dream
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1128068 By Marc Douyon. By Marc…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1128068 By Marc Douyon. By Marc Douyon. Classical,Contest,Festival,Film/TV. Score and parts. 76 pages. Marc Douyon #728679. Published by Marc Douyon (A0.1128068). In a dream, I saw images of a peaceful life: time passed slowly enough, as if I were allowed to witness the serenity of an enchanted place. Far from being motionless, that place was untroubled in its harmony and its tranquility. “Images of A Dreamâ€, with its succession of melodic phrases, contrasting sections, and romantic atmosphere, is a symphonic poem that speaks of peace.
$133.94
121.96 €
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Orchestre
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Marc Douyon
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Images Of A Dream
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Marc Douyon
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SheetMusicPlus
Flower Through The Storm
Orchestre
Orchestra Cello,Double Bass,Drum Set,Flute,Percussion,Piano and Keyboard,Viola - Level 5 -…
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Orchestra Cello,Double Bass,Drum Set,Flute,Percussion,Piano and Keyboard,Viola - Level 5 - Interactive Download SKU: A0.518421 By Alex Haynes. By Alex Haynes. This edition: Interactive Download. Classical,Musical/Show,World. Score and parts. 90 pages. Duration 357. Alex Haynes #4ZXqfVuUkODgnOVbtDq9ac. Published by Alex Haynes (A0.518421). Key: A major.My dad gave me a huge inspiration for this piece. He said, Imagine a big room with a big screen. Imagine a lone flower on the screen, slumped over from the night. It rises with the sun, growing big and tall. Imagine a storm rushing in, trying to destroy the flower. Imagine the struggle and hardship the flower endures during the storm. The storm goes away. The sun comes out. The flower wakes back up. It starts getting dark. The flower slumps back over. The flower falls asleep. I used his imagery and the music that was already in me to make this piece.
$100.00
91.06 €
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Orchestre
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Alex Haynes
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Flower Through The Storm
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Alex Haynes
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SheetMusicPlus
Trumbull Sketches
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1023992 Composed by Kyle Wernke. Contemporary,Folk,Holiday,Patriotic. Score and parts. 109 pages. Kyle Wernke Publishing #2121501. Published by Kyle Wernke Publishing (A0.1023992). Commissioned by the Fort Smith Symphony - John Jeter, Conductor John Trumbull (June 6, 1756 - November 10, 1843) is perhaps the most overlooked of the Founding Fathers of The United States. Born and raised in Connecticut, John Trumbull was the son of Jonathan Trumbull (October 12, 1710 - August 17, 1785), Governor of Connecticut from 1769 to 1784, the only Royal Governor to side with the Americans during the Revolutionary War. Trumbull fought in the revolution, witnessing Bunker Hill and using his artistic abilities to sketch the British Works at Boston. Later, he was appointed second personal aide to General Washington, and in June 1776 he served as deputy adjutant-general to General Horatio Gates. Trumbull resigned from the army in 1777 over a dispute about the dating of his commission. In 1780 Trumbull traveled to London to study under Benjamin West: It was West who urged Trumbull to paint small pictures of the War of Independence, the works which would make him famous (he painted around 250 during his lifetime). In September of 1780, Continental troops captured British agent Major John Andre, after news of this reached Great Britain, Trumbull was arrested in retaliation. He was imprisoned for seven months. After the War, Trumbull again traveled to London, and then to Paris. It was here that Trumbull began work on two of the works depicted in this piece. He made sketches for the Surrender of Lord Cornwallis and, with the help of Thomas Jefferson, the US minister to France, he began working on The Declaration of Independence. In addition to paintings depicting the revolution, Trumbull painted numerous portraits, including those of George Washington, George Clinton (Governor of New York), Alexander Hamilton (the source of the $10 bill), and John Adams. I was tasked with composing a piece which would be educational for the students in attendance. I ended up writing a piece that would have educational material both in its musical construction and its subject matter. Trumbull's use of color, especially darker hues, and the structure of his paintings informed the construction of the piece. Three specific paintings influenced the work: The Capture of the Hessisans at the Battle of Trenton, The Declaration of Independence, and The Surrender of Lord Cornwallis. A recurring theme in the work of Trumbull is how the central act is always depicted at the center, with opposing groups on either side. The piece derives its form from this trait, casting the two large battle sections on the outsides, with the central act of the Revolutionary War in the center (The Declaration of Independence). The only percussion in the piece are drums, lending a certain militaristic feeling to the work, and evoking images of marching armies. Extended techniques are used repeatedly, casting a shade of uncertainty around the military campaigns (Washington's famous crossing of the Delaware and the seige at Yorktown), while The Declaration of Independence is scored in strict time and with more traditional harmonies, solidifying the event as the central moment of American history.
$60.00
54.63 €
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Orchestre
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Kyle Wernke
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Trumbull Sketches
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Kyle Wernke Publishing
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SheetMusicPlus
Silent Night, Holy Night (for Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gru…
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Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
31.87 €
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Orchestre
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
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