English version
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Into the Blue
Non classifié
135
Piano & claviers
Piano seul
124
Piano, Voix
20
Piano, Voix et Guitare
14
Piano Facile
13
Instruments en Do
8
Accompagnement Piano
3
Orgue
3
Piano Trio: piano, violon, violoncelle
1
Piano (partie séparée)
1
1 Piano, 4 mains
1
+ 5 instrumentations
Retracter
Guitares
Guitare notes et tablatures
44
Guitare
40
Basse electrique
10
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
4
Mandoline
3
2 Guitares (duo)
2
Guitare (partie séparée)
2
Banjo
2
Piano, Guitare (duo)
1
Dulcimer
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
35
Chorale 3 parties
11
Chorale 2 parties
10
Chorale SSAA
8
Chorale TTBB
8
Chorale Unison
5
Voix Soprano, Piano
2
Voix haute
1
+ 3 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
15
Clarinette et Piano
8
Saxophone (partie séparée)
7
Flûte traversière et Piano
7
2 Saxophones (duo)
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Saxophone Alto et Piano
6
2 Clarinettes (duo)
5
Hautbois, Piano (duo)
5
Saxophone Tenor et Piano
5
Saxophone Tenor
3
Saxophone, Clarinette (duo)
3
Flûte, Clarinette (duo)
3
Saxophone Alto
3
Clarinette
3
Quatuor de Clarinettes: 4 clarinettes
3
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
2 Flûtes traversières, Piano
2
2 Flûtes traversières (duo)
2
Flûte, Clarinette et Basson
2
Flûte, trombone et piano
2
Flûte, Clarinette, Piano (trio)
2
Flûte traversière
2
Flûte et Guitare
2
Quintette de Clarinettes: 5 clarinettes
1
3 Saxophones (trio)
1
Harmonica
1
Flûte, Alto et Piano
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Alto (duo)
1
Ensemble de Flûtes
1
Hautbois (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Ensemble de Clarinettes
1
Clarinette, Violoncelle, Piano (trio)
1
Piccolo
1
Hautbois, Basson (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
2 Hautbois (duo)
1
Flûte, Saxophone (duo)
1
Clarinette, trompette et piano
1
Hautbois, Flûte
1
Flûte à bec Tenor
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano
1
Hautbois, Clarinette (duo)
1
Clarinette et Alto
1
Saxophone Soprano et Piano
1
Flûte, Violon
1
Flute (partie séparée)
1
Ensemble de saxophones
1
+ 47 instrumentations
Retracter
Cuivres
Trompette
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
6
Trombone (partie séparée)
4
Trompette, Piano
4
Trompette (partie séparée)
4
Trompette, Trombone (duo)
4
Trombone et Piano
3
Quatuor de Cuivres
2
Quatuor de cuivres: 4 cors
2
Trompette, Cor (duo)
2
Trompette, Saxophone (duo)
2
2 Trompettes (duo)
2
Cor et Piano
1
Cor (partie séparée)
1
Euphonium, Piano (duo)
1
2 Trombones (duo)
1
Ensemble de Tubas
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Tuba (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Tuba (partie séparée)
1
+ 18 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
23
Harpe
13
Violon et Piano
9
Violon
6
2 Harpes (duo)
5
Trio à Cordes: 2 violons, violoncelle
4
Violoncelle, Piano
4
Alto, Piano
4
Violoncelle
4
Trio à Cordes: violon, alto, violoncelle
3
Violon, Guitare (duo)
3
Violon, Violoncelle (duo)
2
Contrebasse (partie séparée)
2
Violon, Alto (duo)
2
Alto seul
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
4 Harpes
1
2 Violoncelles (duo)
1
2 Altos (duo)
1
Trio à cordes: 3 violins
1
Violon (partie séparée)
1
2 Violons (duo)
1
Quatuor à cordes: 4 violons
1
+ 18 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
55
Ensemble Jazz
45
Orchestre à Cordes
20
Orchestre
10
Ensemble de cuivres
9
Jazz combo
5
Ensemble de Percussions
4
Ensemble d'École
4
Batterie
3
Orchestre de chambre
1
Quintette à Vent
1
Fanfare
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Xylophone, Piano
1
Cloches
1
+ 11 instrumentations
Retracter
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COR ANGLAIS
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FLUTE A DIX…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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ASIE
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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FINGERSTYLE - FINGER…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Into the Blue
Orchestre
Partitions à imprimer
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The American Seasons (violin solo part – violin and string orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
20.65 €
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Orchestre
#
Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (2nd violins part – violin and string orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
13.77 €
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Orchestre
#
Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
#
SheetMusicPlus
Doctor Who Theme
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1356528 By Murray Gold. By Murr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1356528 By Murray Gold. By Murray Gold. Arranged by Kevin Riley. 20th Century,Film/TV,Thriller. 54 pages. Kevin Riley #941199. Published by Kevin Riley (A0.1356528). Doctor Who follows the adventures of the title character, a rogue Time Lord with somewhat unknown origins who goes by the name the Doctor. The Doctor fled Gallifrey, the planet of the Time Lords, in a stolen TARDIS (Time and Relative Dimension(s) in Space), a time machine that travels by materialising into, and dematerialising out of, the time vortex. The TARDIS has a vast interior but appears smaller on the outside, and is equipped with a chameleon circuit intended to make the machine take on the appearance of local objects as a disguise. Due to a malfunction, the Doctor's TARDIS remains fixed as a blue British police box. The main theme was originally composed by Ron Grainer but this version is based on what Murray Gold wrote.
$70.00
64.24 €
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Orchestre
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Murray Gold
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Kevin Riley
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Doctor Who Theme
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Kevin Riley
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SheetMusicPlus
Symphony No. 2 ... A Phantasmagorey Ballet (1998)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869368 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 126 pages. Thomas Oboe Lee #33643. Published by Thomas Oboe Lee (A0.869368). Instrumentation: 3232-4331-timp-2perc-pf-hp-strings. Program note. Nineteen ninety-eight marks the tenth anniversary of my plunge into the world of ballet. I continue to take classes three or four times a week. It's fun, athletic, and challenging. And I'm still working on the basic notion of spotting in my pirouettes ... So when Max Hobart of the Civic Symphony Orchestra of Boston agreed to premiere a new work of mine I knew it had to be a symphonic ballet. Coincidentally, I discovered that my favorite cartoonist, Edward Gorey, is also a balletomane. He lived in New York City between 1953 and 1986 and never missed a single performance of the New York City Ballet. Apparently his leaving New York to live permanently on Cape Cod was prompted by the death of George Balanchine in 1983. Among Edward Gorey's many books there is one, The Gilded Bat, about a young woman, Maud Splaytoe, and her adventures in the ballet world. She dies in the end when the plane she is in flies into a great, dark bird. Hmmm, I thought, The Gilded Bat would make a nice adagio movement. To complete the work, I found four other Gorey books that attracted me in mood and texture: The Nursery Frieze - dogs running across the edge of a nursery ceiling, barking out words whose sequence provides no sense or meaning, e.g., Archipelago, cardamon, obloquy, ignavia, samisen, bandages, wax, Gavelkind, ... ; The Raging Tide - a fantastical story about four creatures, Figbash, Hooglyboo, Naeelah and Skrump, who would not stop abusing each other; The Utter Zoo - an alphabet book of zoo animals of Edward Gorey's concoction, e.g., Ampoo, Boggerslosh, Crunk, Dawbis, Epitwee, ... ; and The Blue Aspic - a macabre story of a mad fan, Jasper Ankle, who stalks an opera diva, Ortenzia Caviglia. When he finally meets her at the stage-door after a performance, he stabs her in the throat and cries, J'ai trouvé Hortense! Symphony No. 2 ... A Phantasmagorey Ballet is in five movements: I. The Nursery Frieze, Con moto. II. The Gilded Bat Adagio: Pas seul for Mirella Splatova, aka Maud SplaytoeIII. The Raging Tide Presto: Pas de Quatre for Figbash, Hooglyboo, Naeelah and Skrump. IV. The Blue Aspic Allegro: Valzer alla Prokofiev ... Pas de deux for Jasper Ankle and Ortenzia Caviglia. V. The Utter Zoo Largo: Grand Funk Finale. This work is dedicated to my wife, Kristin Beckwith, whom I met ten years ago at the Boston Ballet, and who continues to be my one and only ballet teacher.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-2-a-phantasmagorey-ballet-1998
$9.99
9.17 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 2 ... A Phantasmagorey Ballet
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Thomas Oboe Lee
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.17 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
A Dream Deferred - score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.872673 Composed by Philip Orem.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.872673 Composed by Philip Orem. Contemporary. Score and parts. 59 pages. Philip Orem #3684671. Published by Philip Orem (A0.872673). A Dream Deferred is a clarinet concerto written in response to what I perceive as the growing racism, misogyny, homophobia, xenophobia, religious discrimination and antagonism to the most vulnerable in our society. The first movement, If Not Now, When? is a whirl of activity, questioning, often angry. The second, The Weariness, the Fear and the Resistance, starts with a bluesy melody before growing into an eerie section that is followed by a macabre waltz. The first melody returns at the end. The last movement, Nevertheless, We Must Persist, is a march towards justice. This is a very virtuosic piece for the solo clarinet and has lots for the orchestra to do.Here is a link to audio for all three movements. https://drive.google.com/open?id=1rc9XT-qSW4etC24MjMOWGM9anrsbRWqRSCORE SHOULD BE PRINTED ON TABLOID SIZE PAPER.For further information contact me at po4musik@aol.com or https://po4musik.wixsite.com/website
$50.00
45.88 €
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Orchestre
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Philip Orem
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A Dream Deferred - score
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Philip Orem
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SheetMusicPlus
Concierto de Metal para un Recuerdo
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1008985 Composed by William Ort…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1008985 Composed by William Ortiz. 20th Century,Contemporary. Score and parts. 127 pages. William Ortiz #5869315. Published by William Ortiz (A0.1008985). The title of this work is a metaphor and it shouldn't be taken literally as a concerto for any specific instrument, although brass and metal percussion instruments are prominent. Ever since I can remember, Rhythm & Blues and Rock & Roll have had a strong influence in me musically. In like manner Concierto de Metal para un Recuerdo utilizes a popular and common 4-part street corner harmonic progression as it's main recourse. The sonic material or theme that evolves from that is transformed and modified into various melodic, harmonic, rhythmic and/or timbre motifs. A surprise feel good rock passage emerges revealing another cultural phenomena that permeates in our socio-musical environment. This work questions the possibility of overcoming abstruse musical concepts in contemporary concert music. But at the same time, it is revolutionary in the sense that it dares to contradict and confront Eurocentric musical concepts with an accessible and unpretentious street gutted idiom.
$45.00
41.3 €
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Orchestre
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William Ortiz
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Blues and Rock &
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Concierto de Metal para un Recuerdo
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William Ortiz
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.17 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Way Over Yonder
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1231004 By Carole King. By Caro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1231004 By Carole King. By Carole King. Arranged by Jeffrey Klitz. 21st Century,Contemporary,Pop,Rock,Singer/Songwriter. Score and Parts. 95 pages. ISOJULE MUSIC #826687. Published by ISOJULE MUSIC (A0.1231004). Here's a unique new take on a classic pop song, for full orchestra and alto/mezzo/soprano. Carole King's slow bluesy original 12/8 feel has been transformed into an up tempo 4/4 gospel rock version that starts high and goes higher. Punchy, soulful, with an opportunity for a blazing sax solo in the middle. It's a terrific closing number for an orchestra pops concert. Check it!
$75.00
68.83 €
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Orchestre
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Carole King
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Jeffrey Klitz
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Way Over Yonder
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ISOJULE MUSIC
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SheetMusicPlus
Fum Bells - Orchestra & Choir (score and parts)
Orchestre
Full Orchestra - Digital Download SKU: A0.750102 Composed by Bradley Sowash. Arrang…
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Full Orchestra - Digital Download SKU: A0.750102 Composed by Bradley Sowash. Arranged by Bradley Sowash Music. Contemporary. Score and parts. 109 pages. Bradley Sowash #4637. Published by Bradley Sowash (A0.750102). A medley of Carol of the Bells and Fum, Fum, Fum with a jazz waltz style that evolves into blues, reggae and even klezmer feels! Features solos for piano (improvised) and clarinet (written) and a distinctive written bass line for bass clarinet. Could also be performed as an instrumental with minor adjustments. (6:39 minutes) Score is available as a separate product due to maximum page limits set by Sheet Music Plus. Includes a license to make photocopies. Video: http://youtu.be/-D6vHtS-7mg Symphony Orchestra and optional Choir: 2 Flutes, 2 Oboes, 1 Clarinet in Bb, 1 Bass Clarinet, 2 Bassoons, 4 French Horns, 3 Trumpets, Violins I, II, Violas, Cellos, Contrabasses, Percussion, Piano, Amplified Bass, Drum Set, SATB Voices Learn more about his arranger: http://bradleysowash.com.
$49.95
45.84 €
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Orchestre
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Bradley Sowash
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Bradley Sowash Music
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Fum Bells - Orchestra & Choir
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Bradley Sowash
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SheetMusicPlus
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