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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Isn
Sheetmusicplus
Non classifié
2 876
Piano & claviers
Piano Facile
2 796
Piano seul
2 424
Piano, Voix et Guitare
1 929
Piano, Voix
797
Piano grosses notes
632
Accordéon
276
1 Piano, 4 mains
119
Orgue
116
Instruments en Do
114
Piano (partie séparée)
77
2 Pianos, 4 mains
24
Piano Trio: piano, violon, violoncelle
15
Piano Quatuor: piano, 2 violons, violoncelle
6
Clavier
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
790
Guitare notes et tablatures
617
Ukulele
434
Paroles et Accords
229
Guitare
170
Banjo
37
Mandoline
30
Basse électrique (partie séparée)
29
Guitare (partie séparée)
16
Ensemble de Ukulélés
12
Ukulele Baryton
11
Basse electrique
10
Ensemble de guitares
7
2 Guitares (duo)
4
Piano, Guitare (duo)
3
4 Guitares (Quatuor)
3
Dulcimer
3
2 Dulcimers (duo)
1
+ 13 instrumentations
Retracter
Voix
Pack Instrumental pour Chorale
1 072
Chorale 3 parties
429
Chorale SATB
378
Chorale 2 parties
257
Voix seule
161
Chorale TTBB
125
Chorale SSAA
76
Chorale
73
Voix duo
31
Voix duo, Piano
20
Chorale Unison
15
Voix haute
8
Voix, Guitare
2
Chorale SSATTB
2
Voix Alto, Piano
2
Voix Soprano, Piano
1
Voix moyenne, Piano
1
Chorale SSAB a cappella
1
Chorale SSAB, Piano
1
Voix Baryton
1
+ 15 instrumentations
Retracter
Vents
Saxophone (partie séparée)
801
Clarinette (partie séparée)
547
Flûte traversière
422
Clarinette
400
Saxophone Tenor
359
Saxophone Alto
353
Flute (partie séparée)
251
Hautbois (partie séparée)
184
2 Saxophones (duo)
180
2 Flûtes traversières (duo)
148
2 Clarinettes (duo)
147
Quatuor de Saxophones: 4 saxophones
113
Ocarina
106
Clarinette et Piano
103
Flûte traversière et Piano
98
Quatuor de Clarinettes: 4 clarinettes
97
Flûte à Bec
90
Hautbois, Piano (duo)
77
Harmonica
65
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
45
Flûte, Hautbois, Clarinette, Basson
44
Saxophone, Clarinette (duo)
40
Saxophone Alto et Piano
40
Quatuor de Flûtes : 4 flûtes
39
Clarinette, Violon (duo)
37
Flûte irlandaise
36
Ensemble de Flûtes
35
Flûte, Clarinette (duo)
34
Hautbois
30
Saxophone Tenor et Piano
30
Clarinette, Trompette (duo)
29
Flûte, Violon
26
Hautbois, Basson (duo)
26
2 Hautbois (duo)
26
Saxophone Soprano et Piano
24
Flûte, Alto (duo)
23
Ensemble de Clarinettes
23
Clarinette et Alto
23
Hautbois, Clarinette (duo)
22
Flûte à bec Soprano
19
Cor Anglais
18
Quintette de Saxophone: 5 saxophones
16
Flûte, Saxophone (duo)
16
Hautbois, Flûte
16
Trio de Flûtes: 3 flûtes
15
3 Clarinettes (trio)
13
Ensemble de saxophones
12
Flûte, Violon, Piano
12
Flûte, Trompette (duo)
12
Flûte, Violoncelle
11
Flûte, Basson et Piano
10
Hautbois, violon (duo)
10
Hautbois, Violoncelle
10
Clarinette, Basson (duo)
10
3 Saxophones (trio)
9
Quintette de Flûte : 5 flûtes
9
Flûte, Hautbois, Clarinette (trio)
9
Flûte, Clarinette et Basson
9
Hautbois et alto (duo)
9
Quatuor de Flûtes à bec
8
Clarinette, Violoncelle (duo)
8
Saxophone Baryton, Piano
8
Quintette de Clarinettes: 5 clarinettes
8
Clarinette Basse
8
Saxophone Soprano
7
2 Flûte à bec (duo)
6
Flûte et Guitare
5
Cor anglais, Piano
4
Flûte, Hautbois, Basson
4
Clarinette Basse, Piano
3
Clarinette, Trombone (duo)
3
Flûte, Hautbois (duo)
3
Piccolo
3
Flûte, Harpe et Violoncelle
2
Flûte, Tuba (duo)
2
Flûte, Alto et Piano
2
Clarinette, Contrebasse (duo)
2
Hautbois, Violon, Piano
2
Flute, harpe et violon
2
Flûte, Trombone (duo)
2
5 Flûtes à bec
2
Clarinette, Guitare (duo)
2
Hautbois, Trompette (duo)
1
Saxophone Baryton
1
Cornemuse
1
Instruments en Mib
1
Ensemble De Flûte à bec
1
Harmonica, Piano
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Clarinette, Tuba
1
Hautbois, trombone (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Saxophone
1
+ 90 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
913
Trombone (partie séparée)
382
Cor
373
Trombone
365
Cor (partie séparée)
182
Trompette
181
Tuba (partie séparée)
159
2 Trombones (duo)
99
2 Trompettes (duo)
95
Trompette, Piano
85
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Trombone et Piano
61
Tuba
43
Trompette, Saxophone (duo)
31
Cor et Piano
27
Trompette, Trombone (duo)
24
Tuba ou Euphonium ou Saxhorn
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Cor Anglais
18
Euphonium
17
Quatuor de Cuivres
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Tuba et Piano
12
2 Cors (duo)
11
Tuba et Orgue
7
Quatuor de cuivres: 4 trombones
7
2 Tubas (duo)
7
Trio de Cuivres
5
Cor anglais, Piano
4
Quatuor de cuivres: 4 cors
3
Bass Clef Instruments
3
Trompette, Cor (duo)
3
Euphonium, Piano (duo)
2
Trombone, Violon (duo)
2
Instruments en Sib
2
Trompette, Tuba (duo)
2
Trompette, violon (duo)
1
Trompette, Violoncelle (duo)
1
4 Tubas
1
Ensemble de Trombones
1
Ensemble de Cors
1
Cor, Violoncelle (duo)
1
2 Euphoniums (duo)
1
Trompette, Basson (duo)
1
2 Euphoniums et 2 Tubas
1
3 Trompettes (trio)
1
+ 41 instrumentations
Retracter
Cordes
Violon
442
Violoncelle
406
Violon (partie séparée)
387
Alto seul
373
Quatuor à cordes: 2 violons, alto, violoncelle
363
2 Violons (duo)
171
Contrebasse (partie séparée)
138
Violoncelle, Piano
118
Violon et Piano
113
2 Violoncelles (duo)
101
Alto, Piano
92
Alto (partie séparée)
80
Violoncelle (partie séparée)
66
Violon, Violoncelle (duo)
60
Harpe
59
Contre Basse
48
2 Altos (duo)
36
Trio à Cordes: violon, alto, violoncelle
36
Violon, Alto (duo)
29
Contrebasse, Piano (duo)
21
Piano Trio: Violon, Alto, Piano
20
Trio à Cordes: 2 violons, violoncelle
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Violon, Basson (duo)
10
Alto, Violoncelle (duo)
10
Violon, Guitare (duo)
8
Trio à cordes: 3 violins
7
Violoncelle, Contrebasse (duo)
7
4 Violoncelles
5
Trio à cordes
4
Harpe, Violon, Violoncelle
3
2 Contrebasses (duo)
3
Trio à Cordes: 3 violoncelles
3
Harpe, Flûte (duo)
2
Violon, Clarinette, Piano (trio)
2
Flûte, Contrebasse (duo)
2
Violon, Tuba (duo)
2
Alto et Basson
2
Quatuor à cordes : 4 altos
1
Quatuor à cordes: 4 violons
1
Trio à Cordes: 2 violons, alto
1
Harpe et Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
1 441
Fanfare
490
Percussion (partie séparée)
486
Orchestre
233
Ensemble Jazz
198
Orchestre à Cordes
187
Cloches
160
Timbales (partie séparée)
82
Percussion
55
Batterie (partie séparée)
47
Ensemble de cuivres
37
Batterie
34
Xylophone
23
Timbales
23
Orchestre de chambre
17
Marimba
17
Vibraphone
11
Jazz combo
7
2 Xylophones
5
Quatuor à Vent : 4 instruments à vents
5
Quintette à Vent
4
Xylophone, Piano
4
Vibraphone (partie séparée)
3
Xylophone (partie séparée)
2
Caisse Claire
2
Ensemble de Percussions
2
+ 21 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
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SheetMusicPlus
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Vous avez sélectionné:
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SheetMusicPlus
Partitions à imprimer
233 partitions trouvées
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226
It Isn't Easy (But It's Worth It)
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Orchestre
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INTERMÉDIAIRE
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Matthew A
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It Isn't Easy
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Minnow Johnson Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1283905 Composed by Matthew A.C. Cohen. Film/TV,Jazz,Romantic Period. Score and Parts. 10 pages. Minnow Johnson Music...
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Full Orchestra - Level 3 - SKU: A0.1283905 Composed by Matthew A.C. Cohen. Film/TV,Jazz,Romantic Period. Score and Parts. 10 pages. Minnow Johnson Music #875089. Published by Minnow Johnson Music (A0.1283905). A beautiful orchestral piece with jazz elements written for the Marshall University Symphony Orchestra.
$20.00
Strong (from Disney's Cinderella) - Conductor Score (Full Score)
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Orchestre
#
Film/TV
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Patrick Doyle, Kenneth Branagh
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James Kazik
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Disney
#
Strong
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Patrick Doyle, Kenneth Branagh, Sonna Rele, and Tommy Danvers. Arranged by James Kazik. Children; Disney; Film/TV. Orchestra. 6 pages. Published by Hal Leona...
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By Patrick Doyle, Kenneth Branagh, Sonna Rele, and Tommy Danvers. Arranged by James Kazik. Children; Disney; Film/TV. Orchestra. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.339170). - Orchestra - Children; Disney; Film/TV - Hal Leonard - Digital Sheet Music
$5.00
The Valley of the Dry Bones
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Orchestre
#
AVANCÉ
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Zsigmond Rosarion
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The Valley of the Dry Bones
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Zsigmond Rosarion
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond...
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Full Orchestra - Level 5 - SKU: A0.1518051 By Zsigmond Rosarion. By Zsigmond Rosarion. 21st Century,Christian,Classical,Contemporary. 57 pages. Zsigmond Rosarion #1092214. Published by Zsigmond Rosarion (A0.1518051). The Valley of the Dry Bones is based off of the chapter in Ezekiel The Valley of the Dry Bones (from the Bible) symbolizes the Israelites' revival and God's power and sovereignty Ezekiel 37:1-6The hand of the Lord was upon me, and He brought me out by the Spirit of the Lord and set me down in the middle of the valley; and it was full of bones. He caused me to pass among them round about, and behold, there were very many on the surface of the valley; and lo, they were very dry. He said to me, “Son of man, can these bones live?” And I answered, “O Lord God, You know.” Again He said to me, “Prophesy over these bones and say to them, ‘O dry bones, hear the word of the Lord.’ Thus says the Lord God to these bones, ‘Behold, I will cause breath [spirit] to enter you that you may come to life. I will put sinews on you, make flesh grow back on you, cover you with skin and put breath in you that you may come alive; and you will know that I am the Lord.’”Ezekiel is called by the Lord, and given a vision. Ezekiel is set down in a valley full of bones. This is not some symbolic imagery, but these are literally dead people, long dead. God asks Ezekiel if he believes the bones can come back to life, and Ezekiel says only the Lord knows. God gives Ezekiel a prophesy concerning all the dead. At a future date, God will cause breath (His Spirit) to enter the bones so that they may come to life. God will use His power (which is always through the Spirit of God) to cause these dead to be resurrected. We know this isn’t symbolic of spiritual death and spiritual life because of the graphic imagery that is used.
$39.99
Fire Dance for Violin and Orchestra
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Orchestre
#
AVANCÉ
#
Contemporain
#
Classique
#
Richard E Brown
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Fire Dance for Violin and Orch
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Dacker Music
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1485976 Composed by Richard E Brown. Classical,Contemporary. 138 pages. Dacker Music #1063031. Published by Dacker Mu...
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Full Orchestra - Level 5 - SKU: A0.1485976 Composed by Richard E Brown. Classical,Contemporary. 138 pages. Dacker Music #1063031. Published by Dacker Music (A0.1485976). Fire Dance has 3 sections, following an A-B-A or simple ternary form: 1. Furious 2. Contemplative 3. Tempo IThe title of this composition might encourage the listener to conjure up visions of a primitive tribal fire ritual, or possibly an entertaining dance performance with fiery hoops and batons. Both are valid reactions and neither of these interpretations would expect a specific program in the music. But an environmental theme can be discerned in the composition by interpreting the opening section as depicting a “furious” wildfire, while the quiet middle section “contemplates” the scene of devastation left behind in the fire’s wake with idyllic memories of what it was like before the fire. The final section would recall the fire’s fury and serve as a warning for the future if something isn't done to combat wildfire-causing climate change.Fire Dance is scored for solo violin, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 2 trombones, tuba, bells, timpani, 2 percussion, piano, and strings. Duration 5:00.
$65.00
Battle of the old town
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Orchestre
#
INTERMÉDIAIRE
#
G
#
Battle of the old town
#
Gabriele Cannata
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1477243 Composed by G. Cannata. Film/TV,March,Medieval,Video Game. 61 pages. Gabriele Cannata #1054633. Published by ...
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Full Orchestra - Level 3 - SKU: A0.1477243 Composed by G. Cannata. Film/TV,March,Medieval,Video Game. 61 pages. Gabriele Cannata #1054633. Published by Gabriele Cannata (A0.1477243). Original composition, music inspired by videogame and fantasy film. The music represent a battle of a calm medieval town with a little peace moment between the 2 battle. The piece isn't too hard so is playable by a young orchestra with a good music skill. I hope that I was able to arouse in you the emotions that I wanted to convey with this piece.
$50.00
In Diesem Moment
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Orchestre
#
INTERMÉDIAIRE
#
Christoph Masbaum, Claudio Pag
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Daniel Moretti
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In Diesem Moment
#
Daniel Moretti
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1368473 Composed by Christoph Masbaum, Claudio Pagonis, Florian Peil, Martin Fliegenschmidt, Roger Cicero, and Stefan...
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Full Orchestra - Level 3 - SKU: A0.1368473 Composed by Christoph Masbaum, Claudio Pagonis, Florian Peil, Martin Fliegenschmidt, Roger Cicero, and Stefanie Retterbush. Arranged by Daniel Moretti. 21st Century,Classical,Contemporary,Jazz,Pop. 43 pages. Daniel Moretti #952820. Published by Daniel Moretti (A0.1368473). This arrangement had been created for a Roger Cicero Tribute Concert, where the orchestra was split into 2 parts (Orchestra and big band). This structure of the orchestra isn't necessary to perform the arrangement and it can thus be performed with the instruments as written, without the need of splitting the group.The singer's part is meant only for the conductor's reference and doesn't necessarily reflect the singers interpretation.
$54.19
Harp Distress
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Orchestre
#
INTERMÉDIAIRE
#
Contemporain
#
Joshua Argyle
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Harp Distress
#
Joshua Argyle
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1024322 Composed by Joshua Argyle. Contemporary. Score and parts. 41 pages. Joshua Argyle #3570811. Published by Josh...
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Full Orchestra - Level 3 - SKU: A0.1024322 Composed by Joshua Argyle. Contemporary. Score and parts. 41 pages. Joshua Argyle #3570811. Published by Joshua Argyle (A0.1024322). With this piece, action is the vital focus. If one isn't energetic during the various exciting parts the piece will not be the same. This piece starts with a quite, creeping melody, which is made suspenseful with the harp. It then leads into the distress part of the piece, which also could be consider the frightful action. Musicians should strive to be lively during this exciting piece!
$3.99
Greater Is He (Anthem) - Orchestration
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Orchestre
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INTERMÉDIAIRE
#
Musique Sacrée
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Gospel Spirituel
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Christopher R
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Greater Is He
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Christopher Brown
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 101 pages. Christ...
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Full Orchestra - Level 3 - SKU: A0.747202 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 101 pages. Christopher Brown #4725429. Published by Christopher Brown (A0.747202). About the song: Satan has been decisively defeated. In every battle with the devil, 1 John 4:4 assures us that God is greater. When we feel trapped in sin, God is greater. When we are tempted to doubt, God is greater. When we face trials, God is greater. When we experience great loss or disappointment, God is greater still. He is able to strengthen, help, comfort, and uphold our souls by His power and might regardless of the circumstances in which we find ourselves. This is reason for hope, joy, and praise even in the darkest valley.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1When it seems there’s no way out,He can make a way.In the darkness of my doubt,He’s the light of day.Ev’ry trial that I face,Comes with His mercy and His grace.Pre-Chorus 1Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 1This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Verse 2When my world begins to shake,He’s unshakable.When my circumstances change,He’s unchangeable.In ev’ry storm and crashing wave,My God is powerful to save.Pre-Chorus 2Greater is He Who lives in me.Stronger than the plans of ev’ry enemy.From sin and death I’ve been set free.He set me free!Chorus 2This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He that is in me.Bridge 1There isn’t any other,Who has the power, power.The King of Kings, and Lord of Lords,We lift Him higher, higher.Bridge 2We raise our voices louder,Our God is stronger, stronger.The King of Kings, and Lord of Lords,We lift Him higher, higher.Chorus 3This is my hope when I’m walking through the valley of the shadow.This is my joy in the sorrow and the pain.This is the Truth when I’m caught up in the middle of the battle.Greater is He,Greater is He,Greater is He that is in me.
$49.99
One Sows for the Benefit of Another Age - Orchestra
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
John Field, Sonata II (Movement I) - orchestra by Scott Fields Davis
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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John Field
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Scott Fields Davis
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John Field, Sonata II
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Scott Fields Davis
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.998491 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 88 pages. Scott Fiel...
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Full Orchestra - Level 4 - SKU: A0.998491 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. Score and Parts. 88 pages. Scott Fields Davis #6190351. Published by Scott Fields Davis (A0.998491). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was a phenomenal pianist and a highly skilled composer. This is an orchestral arrangement of the first movement of the second of four piano sonatas written by John Field arranged for orchestra by Scott Fields Davis. This download contains the conductor's score and all the parts.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Horns in F, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 6 minutes and 30 seconds. To download the other movement, click the following link: John Field, Sonata II (Movement II) arranged for orchestra by Scott Fields Davis. Â
$15.00
John Field, Sonata I (Movement I) - orchestra by Scott Fields Davis
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Orchestre
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INTERMÉDIAIRE
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Classique
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John Field
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Scott Fields Davis
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John Field, Sonata I
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Scott Fields Davis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.998472 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. 66 pages. Scott Fields Davis #6097787...
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Full Orchestra - Level 3 - SKU: A0.998472 Composed by John Field. Arranged by Scott Fields Davis. Romantic Period. 66 pages. Scott Fields Davis #6097787. Published by Scott Fields Davis (A0.998472). The name John Field isn't as well-known as Mozart, Beethoven, or Chopin, but it should be. Field was born in Dublin, Ireland in 1782 and died in 1837. He was not only a phenomenal pianist, but a highly skilled composer. This is an orchestral arrangement of the first of four piano sonatas written by John Field. This download contains the first of the two movements of Field's first piano sonata.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. Approximate duration is 5 minutes and 59 seconds. This download contains the conductor’s score and all of the parts. To download the other movement, please click on the following link. John Field, Sonata I (Movement II) arranged for orchestra by Scott Fields Davis  More music and contact information can be found at: compositionsbyscottfieldsdavis.com.
$15.00
Concerto for Double Bass & Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Malcolm D Robertson
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July 2020 &
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Concerto for Double Bass &
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Mr Malcolm D Robertson
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.927995 Composed by Malcolm D Robertson. Contemporary. 53 pages. Mr Malcolm D Robertson #6037979. Published by Mr Malc...
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Full Orchestra - Level 5 - SKU: A0.927995 Composed by Malcolm D Robertson. Contemporary. 53 pages. Mr Malcolm D Robertson #6037979. Published by Mr Malcolm D Robertson (A0.927995). Composed in June & July 2020 & completed on the 19th July 2020. As a former Double Bass player, I thought it was about time a composed a concerto for my former instrument. The Concerto uses a relatively small orchestra (Flute, Oboe, Cor Anglais, 2 Clarinets, Bassoon, 2 Horns, Timpani, Harp & Strings), the string section should not be too large, 8,8,6,6,3, would be a preferable size. The solo Double Bass doesn't have a large amount of carrying power & so the dynamics for the soloist are marked up, as the MIDI playback isn't great for a solo Bass, the soloist's dynamics have been notched up still further in places for MIDI playback purposes, but can be adjusted down in concert performance. The bass clef has largely been used for the solo purely because the tenor clef option sounds an octave too high on the Musescore program. The Concerto is in 3 movements and about 17 minutes in duration.Parts are available upon request.
$12.99
Babylon
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Orchestre
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AVANCÉ
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Jake Antonio Juliano
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Jake Antonio Juliano
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Babylon
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Jake Juliano
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1508634 By Jake Antonio Juliano. By Jake Antonio Juliano. Arranged by Jake Antonio Juliano. 19th Century,21st Century...
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Full Orchestra - Level 5 - SKU: A0.1508634 By Jake Antonio Juliano. By Jake Antonio Juliano. Arranged by Jake Antonio Juliano. 19th Century,21st Century,Classical,Contest,Festival,Romantic Period. 233 pages. Jake Juliano #1083898. Published by Jake Juliano (A0.1508634). Babylon is a cinematic symphony inspired by Dvorak's Symphony No. 9. It is comprised of four movements: City, Hanging Gardens, Conquest, Ruins. The listener is taken on a journey of the Babylonian civilization from the erection of its first urban form to the excavation of its anient remains.The symphony lasts approximately 43 minutes. The isntrumentation is 2(doubling piccolo)+2(doubling english horn)+2(A&Bb)+2, 4+2+3+1, Timpani, Strings(with bass).This piece won 3rd place in Orchestral Division I (Ages 8-17) in the 2020-2021 Emerging Composers Competition hosted by the Metropolitan Youth Orchestra of New York.If interested in full parts or a cosmetically modified full score, please email me at jake.juliano@gmail.com to express interest in having these products.
$44.00
Can You Feel The Love Tonight
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Orchestre
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FACILE
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Film Walt Disney
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Elton John
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Joseph Perkins
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Can You Feel The Love Tonight
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Joseph Perkins
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1380027 By Elton John. By Elton John and Tim Rice. Arranged by Joseph Perkins. Broadway,Children,Contemporary,Film/TV...
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Full Orchestra - Level 2 - SKU: A0.1380027 By Elton John. By Elton John and Tim Rice. Arranged by Joseph Perkins. Broadway,Children,Contemporary,Film/TV,Musical/Show. Score and parts. 44 pages. Joseph Perkins #964736. Published by Joseph Perkins (A0.1380027). Can You Feel the Love Tonight for String/Full Orchestra from Disneys, The Lion KingThis arrangement can be used as string orchestra arrangement or with addition of winds up to full orchestra. Exposed Oboe/Bassoon/Horn parts are embedded or cued into the wind or string parts (or have ossia measures). The Bass Clarinet doubles the Bassoon. Alto Saxophone is a substitution part for French Horn. Tenor Saxophone doubles Trombone. Baritone Saxophone doubles Tuba. This arrangement changed the keys to C Major and D Major and reduced the rhythm difficulty of the verses. Overall difficulty is around a 2/2.5 This arrangement includes an optional reduced flute range part. This arrangement can also be played without percussion.
$49.99
Ouverture
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Orchestre
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INTERMÉDIAIRE
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Film Walt Disney
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Thomas Naszalyi
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Ouverture
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Thomas Naszalyi
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.989417 Composed by Thomas Naszalyi. 20th Century,Film/TV,Standards. Score and parts. 10 pages. Thomas Naszalyi #33879...
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Full Orchestra - Level 3 - SKU: A0.989417 Composed by Thomas Naszalyi. 20th Century,Film/TV,Standards. Score and parts. 10 pages. Thomas Naszalyi #3387955. Published by Thomas Naszalyi (A0.989417). Romantic and epic orchestral music. Also suitable for any children enchanting movie, like Walt Disneys. Magical and wondrous. Start with a slow and mysterious introduction, leading to a zenith with glockenspiel and trombones. The end is like a smooth post-romantic symphonic movement. Instrumental, Dramatic, Energizing Music
$4.50
De Colores
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Orchestre
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FACILE
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Rob Birdwell
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De Colores
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Birdwell Music LLC
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1004954 Arranged by Rob Birdwell. Folk,Latin,World. Score and parts. 32 pages. Birdwell Music LLC #4798503. Published...
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Full Orchestra - Level 2 - SKU: A0.1004954 Arranged by Rob Birdwell. Folk,Latin,World. Score and parts. 32 pages. Birdwell Music LLC #4798503. Published by Birdwell Music LLC (A0.1004954). Full orchestral arrangement of this traditional folk song from Mexico with vocal parts for children (S/A). Can serve as a sing-along concert piece for children to encourage them to engage in music and take part in a concert with a full orchestra! Can also feature a marimba group joining in (includes 3 marimba parts, TTB)I dedicated this piece to the memory of fellow musician and songwriter, Tim Misner.
$39.99
Friend or Fiend for orchestra (parts)
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Orchestre
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AVANCÉ
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Contemporain
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Tom Swafford
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Friend or Fiend for orchestra
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Tom Swafford
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.914155 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 64 pages. Tom Swafford #3630499. Publish...
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Full Orchestra - Level 5 - SKU: A0.914155 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 64 pages. Tom Swafford #3630499. Published by Tom Swafford (A0.914155). Exciting and dramatic short orchestra piece with a wide variety of moods and textures, and a lot of rhythmic drive. The piece has 4 main themes in contrasting styles: Romantic (strings and horns), funky/rhythmic (clarinet), corny (piccolo), Â and lyrical (oboe). Â All the themes use the same principle notes (D, C sharp, B flat and A) and could be considered friendly or fiendish depending on your musical taste. At the climactic ending all the themes are layered on top of each other. It was composed for the U. C. Berkeley Orchestra and received an Eisner Prize from the U. C. Berkeley faculty. Duration: 7 minutes. ASCAP Instrumentation: 2+picc, 2, 2, 2, 2, 2, 2, 1, timp, 2 perc (perc 2 can double timp), strings
$25.00
Friend or Fiend for orchestra (score)
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Orchestre
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AVANCÉ
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Contemporain
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Tom Swafford
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Friend or Fiend for orchestra
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Tom Swafford
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.914153 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 26 pages. Tom Swafford #3630493. Publish...
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Full Orchestra - Level 5 - SKU: A0.914153 Composed by Tom Swafford. 20th Century,Contemporary. Score and parts. 26 pages. Tom Swafford #3630493. Published by Tom Swafford (A0.914153). Exciting and dramatic short orchestra piece with a wide variety of moods and textures, and a lot of rhythmic drive. The piece has 4 main themes in contrasting styles: Romantic (strings and horns), funky/rhythmic (clarinet), corny (piccolo), Â and lyrical (oboe). Â All the themes use the same principle notes (D, C sharp, B flat and A) and could be considered friendly or fiendish depending on your musical taste. At the climactic ending all the themes are layered on top of each other. It was composed for the U. C. Berkeley Orchestra and received an Eisner Prize from the U. C. Berkeley faculty. Duration: 7 minutes. ASCAPÂ Instrumentation: 2+picc, 2, 2, 2, 2, 2, 2, 1, timp, 2 perc (perc 2 can double timp), strings
$5.00
Alice In Wonderland
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Orchestre
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Film Walt Disney
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Jud Conlon Chorus
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Amphibia Cultural Legacy
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Alice In Wonderland
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Amphibia Cultural Legacy
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SheetMusicPlus
Full Orchestra - SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broa...
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Full Orchestra - SKU: A0.1209483 By Jud Conlon Chorus. By Amphibia Cultural Legacy. Arranged by Amphibia Cultural Legacy. 19th Century,20th Century,Broadway,Classical,Film/TV,Musical/Show. Score and Parts. 5 pages. Amphibia Cultural Legacy #807612. Published by Amphibia Cultural Legacy (A0.1209483). Amphibia Cultural Legacy, a musical group known for their instrumental covers of classic Disney songs, has released a new remix of Alice In Wonderland from the 1951 movie of the same name. The original song was sung by the Jud Conlon Chorus, and Amphibia Cultural Legacy has added additional instruments to create a unique spin on this beloved tune. This new version is sure to delight both fans of the original film and music enthusiasts alike.The addition of extra instruments adds depth to an already catchy melody, making it perfect for dancing or just enjoying as background music. The group's attention to detail shines through in every note played, perfectly capturing the whimsical feel of Walt Disney's Alice in Wonderland. Those who are familiar with Amphibia Cultural Legacy's previous works will not be disappointed with this latest release, which is sure to become a fan favorite among their extensive discography.Amphibia Cultural Legacy is proud to present its orchestral cover of Alice In Wonderland, the central theme in the 1951 animated movie. Initially written by the Jud Conlon Chorus for Walt Disney's Alice In Wonderland, this piece has stood the test of time and remains a beloved classic. Amphibia Cultural Legacy has taken this iconic tune and given it new life with its unique arrangement.The Jud Conlon Chorus version of Alice In Wonderland intends initially as a fun and whimsical introduction to the fantastical world that awaited viewers in the film. The song features playful lyrics and an upbeat melody that perfectly captures the adventure spirit permeating Alice's journey. Amphibia Cultural Legacy's version pays homage to these themes while adding their flair through orchestral instruments.Amphibia Cultural Legacy has done it again with their latest release, an orchestral cover of Alice In Wonderland. Initially written by the Jud Conlon Chorus in Walt Disney's Alice In Wonderland, this classic song has been given a fresh new sound thanks to the fantastic talent and creativity of Amphibia Cultural Legacy.Listening to this cover is like going down the rabbit hole into a magical world filled with wonder and imagination. Various instruments help create a whimsical atmosphere that perfectly captures the essence of Lewis Carroll's timeless tale. The music builds up gradually, taking listeners through different emotions and moods before finally reaching its climax at the end.The attention to detail in this cover is truly remarkable, with every instrument perfectly timed and synchronized throughout the entire piece.
$70.00
So This Is Love
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Orchestre
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INTERMÉDIAIRE
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James Ingram
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Ken Litton
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So This Is Love
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Artist of Note, Inc.
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1474066 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Ken Litton. Broadway,Film/TV,In...
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Full Orchestra - Level 3 - SKU: A0.1474066 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Ken Litton. Broadway,Film/TV,Instructional,Musical/Show,Standards,Traditional. 65 pages. Artist of Note, Inc. #1051695. Published by Artist of Note, Inc. (A0.1474066). So This Is Love(The Cinderella Waltz)from Walt Disney’s CINDERELLABy Jerry Livingston, Mack David, Al HoffmanFULL ORCHESTRA© 1948 Walt Disney Music Company Copyright Renewed. All Rights Reserved. Used by Permission.East of the Altar/Artist of Note, Inc.How about a blast from the past in the form of a highly playable dance for your student (high school/college), community, professional or even church orchestra?The romantic ballad from Disney's classic animated film Cinderella (1950) originally ”sung” by Cinderella and Prince Charming as they finally dance together at the ball.The accelerating introduction leads to the elegant melody with light accompaniment. Then, material from the intro brings an easily playable lift into a new key and the melody up an octave, leading to a dramatic chord resolution at the words “dreaming of.” Add a choice of effective endings and, well…it’s love at first play!All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1574510/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/product/so-this-is-love-22801217.htmlAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. including an INTERMEDIATE PIANO arrangement taken directly from this score.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$49.99
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