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21
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14
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Hautbois
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64
Trombone (partie séparée)
60
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55
Trompette
41
Trombone et Piano
29
Trombone
27
Trompette, Piano
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
21
Cor et Piano
18
Cor
16
Cor (partie séparée)
13
Euphonium, Piano (duo)
12
Tuba et Piano
12
Ensemble de Trombones
10
Quatuor de Cuivres
10
Tuba
9
Tuba (partie séparée)
7
Cor anglais, Piano
7
2 Cors (duo)
6
Trompette, Trombone (duo)
6
2 Trombones (duo)
6
2 Trompettes (duo)
5
Trompette, Cor (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Ensemble de Trompettes
3
Euphonium
3
Cor, Violoncelle (duo)
2
Trombone, Violon (duo)
2
Trompette, Violoncelle (duo)
2
Trombone, Cor (duo)
2
Cor et Basson (duo)
2
Quatuor de cuivres: 4 trombones
2
Trombone, Alto (duo)
2
Trio de Cuivres
2
Trompette, Saxophone (duo)
2
4 Tubas
1
2 Euphoniums et 2 Tubas
1
Trombone, Tuba (duo)
1
Ensemble de Tubas
1
Bass Clef Instruments
1
Tuba ou Euphonium ou Saxhorn
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Trombone et orchestre
1
2 Trombones, Piano
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
110
Violoncelle (partie séparée)
70
Violon
55
Violon, Violoncelle (duo)
43
Violon et Piano
39
Violoncelle, Piano
35
Alto, Piano
26
2 Violons (duo)
25
2 Violoncelles (duo)
20
Trio à Cordes: violon, alto, violoncelle
16
Contrebasse (partie séparée)
16
Alto seul
15
Harpe
13
Violoncelle
12
Alto (partie séparée)
12
Violon, Alto (duo)
12
2 Altos (duo)
11
Violon (partie séparée)
11
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Contre Basse
6
Alto, Violoncelle (duo)
6
Piano Trio: Violon, Alto, Piano
5
Contrebasse, Piano (duo)
5
Trio à Cordes: 2 violons, violoncelle
5
Alto et Basson
3
2 Harpes (duo)
2
Violon, Basson (duo)
2
Violon, Guitare (duo)
2
4 Contrebasses
2
Trio à Cordes: 3 violoncelles
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
4 Violoncelles
1
Trio à cordes: 3 violins
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
113
Cloches
66
Ensemble de cuivres
57
Orchestre à Cordes
41
Orchestre
36
Ensemble Jazz
28
Batterie (partie séparée)
21
Orchestre de chambre
15
Percussion (partie séparée)
11
Fanfare
11
Batterie
10
Jazz combo
6
Ensemble de Percussions
5
Percussion
3
Xylophone
3
Quintette de Cuivres: autres combinaisons
2
Piano et Orchestre
1
Vibraphone et Marimba
1
Xylophone, Piano
1
Marimba
1
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Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.32 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.85 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
#
SheetMusicPlus
That's The Way (i Like It)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.546779 By K.C. And The Sunshine…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.546779 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 35 pages. Kevin Riley #156712. Published by Kevin Riley (A0.546779). That's the Way (I Like It) is a song by the American group KC and the Sunshine Band from their self-titled second studio album. The single became the band's second No. 1 hit in the Billboard Hot 100, and it is one of the few chart-toppers in history to hit No. 1 on more than one occasion during a one-month period, as it did between November and December 1975. It topped the American pop chart for one week, and then was replaced by another disco song, Fly, Robin, Fly by Silver Convention. That's the Way (I Like It) returned to No. 1 for one more week after Fly, Robin, Fly completed three weeks at the top. That's the Way (I Like It) also spent one week at No. 1 in the soul singles chart. The song is in natural minor. The song was also an international chart hit, reaching No. 1 in Canada[4] and the Netherlands and charting in Australia (No. 5), Belgium (No. 2), Germany (No. 20), Ireland (No. 17), New Zealand (No. 12), Norway (No. 5) and the United Kingdom (No. 4). For release as a single and radio airplay, the song was toned down from the original recording, which would have jeopardized it receiving getting radio airplay at the time. However the sexual overtones may have improved the record's reception at discos, increasing its overall popularity in the charts.
$50.00
45.8 €
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Orchestre
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K
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Kevin Riley
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That's The Way
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Kevin Riley
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SheetMusicPlus
That's The Way (I Like It)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1398398 By K.C. And The Sunshin…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1398398 By K.C. And The Sunshine Band. By Harry Wayne Casey and Richard Finch. Arranged by Enrico Lope-Yañez. Disco. 100 pages. AUDIOFREAKUENCY #981676. Published by AUDIOFREAKUENCY (A0.1398398).
$500.00
458 €
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Orchestre
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K
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Enrico Lope-Yañez
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That's The Way
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AUDIOFREAKUENCY
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SheetMusicPlus
It's The Hard-Knock Life
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1401250 Composed by Charles Str…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1401250 Composed by Charles Strouse and Martin Charnin. Arranged by Daryl McKenzie. Broadway,Film/TV,Musical/Show. 123 pages. Daryl McKenzie #984436. Published by Daryl McKenzie (A0.1401250). Arranged in the style of the Broadway cast recording of Annie the Musical for Vocal with Pops Orchestra - Voice, Backing Vocals (children), Picc, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, 3 Perc, Pno, 2 Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of BNote: Playable without Saxes, playable with 3 Trumpets and 3 Trombones.Full audio demo (Sibelius Sounds): Click hereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: http://www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$49.99
45.79 €
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Orchestre
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Charles Strouse and Martin Charnin
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Daryl McKenzie
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It's The Hard-Knock Life
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Daryl McKenzie
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SheetMusicPlus
It's The Hard-knock Life
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1341064 Composed by Charles Str…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1341064 Composed by Charles Strouse and Martin Charnin. Arranged by Juan Villodre. 20th Century,Broadway,Children,Film/TV,Musical/Show. 66 pages. Juan Villodre #926638. Published by Juan Villodre (A0.1341064). Arrange for voices and full orchestra.
$49.99
45.79 €
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Orchestre
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Charles Strouse and Martin Charnin
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Juan Villodre
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It's The Hard-knock Life
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Juan Villodre
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SheetMusicPlus
Life Is Good
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1406091 By Zane Kuchera. By Mus…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1406091 By Zane Kuchera. By Music by Zane Kuchera and Words by Paul Norman Tapp. Broadway,Classical,Contemporary,Jazz,Musical/Show. 5 pages. Zane Kuchera Music #989182. Published by Zane Kuchera Music (A0.1406091). Https://album.link/cgddc8zcfgxhx3/21/24 Zane Kuchera Music released “Life Is Good†(Pop/AC/Jazz). When all is said and done, enduring hardships, reflecting back, looking forward, choosing to look at the bright side, together, we are stronger and better. “We still have neighbors in our neighborhood, when you need a hand, it's understood, times are hard but life is goodâ€. Words: Paul Tapp , music & performance: Zane Kuchera.
$4.99
4.57 €
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Orchestre
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Zane Kuchera
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performance: Zane Kuchera
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Life Is Good
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Zane Kuchera Music
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SheetMusicPlus
One Sows for the Benefit of Another Age - Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vander…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
45.79 €
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Orchestre
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Kyle Vanderburg
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One Sows for the Benefit of Another Age - Orchestra
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NoteForge
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
87.02 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Snow
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1112826 By Leslie Odom, Jr. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1112826 By Leslie Odom, Jr. By Coleridge Tillman, Joseph Abate, Kyle Mann, Leslie Odom Jr., and Theron Feemster. Arranged by Marek Czekala. 20th Century,Christmas. Score and Parts. 43 pages. Marek Czekala #714783. Published by Marek Czekala (A0.1112826). „Snow†by Leslie Odom jr it's a beautiful Christmas song. Easy to play but... hard to sing. 😊.
$50.00
45.8 €
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Orchestre
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Leslie Odom, Jr
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Marek Czekala
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Snow
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Marek Czekala
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SheetMusicPlus
Lil Darlin'
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1437491 Composed by Jon Hendric…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1437491 Composed by Jon Hendricks and Neal Hefti. Arranged by Rich DeRosa. Jazz,Standards. 83 pages. Richard DeRosa #1017463. Published by Richard DeRosa (A0.1437491). This orchestral arrangement of Li'l Darlin' features a solo pianist. Every note is written to sound like a jazz improvisation so classical players can be featured too! It's also a nice setting for a jazz pianist who prefers to improvise. There is also a wonderful soli in a melodic jazz style for the string section.Optional parts include a jazz tenor sax (instead of featuring piano), jazz bass, and drumset. The orch basses and percussion otherwise cover these parts. Please listen to the audio demo of the complete track and view the score via the YouTube link below.
$65.00
59.54 €
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Orchestre
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Jon Hendricks and Neal Hefti
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Rich DeRosa
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Lil Darlin'
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Richard DeRosa
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SheetMusicPlus
Live And Let Die
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCa…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1284109 By Wings. By Linda McCartney and Paul McCartney. Arranged by Kevin Riley. 20th Century,Film/TV,Pop. Score and Parts. 60 pages. Kevin Riley #875342. Published by Kevin Riley (A0.1284109). Live and Let Die is the theme song of the 1973 James Bond film of the same name, performed by the British–American rock band Wings. Written by English musician Paul McCartney and his wife Linda McCartney, it reunited McCartney with former Beatlesproducer George Martin, who produced the song and arranged the orchestra. McCartney was contacted to write the song by the film's producers Harry Saltzman and Albert R. Broccoli before the screenplay was finished. Wings recorded Live and Let Die during the sessions for Red Rose Speedway in October 1972 at AIR Studios. It was also the first rock song to open a Bond film. Another version by B. J. Arnau also appears in the film.Upon release, Live and Let Die was the most successful Bond theme up to that point, reaching No. 1 on two of the three major US charts (though it only reached No. 2 on the Billboard Hot 100) and No. 9 on the UK Singles Chart. The song also received positive reviews from music critics and continues to be praised as one of McCartney's best songs. It became the first Bond theme song to be nominated for the Academy Award for Best Original Song, but ultimately lost the award to Barbra Streisand's The Way We Were. It won the Best Arrangement Accompanying Vocalist(s) at the 16th Annual Grammy Awardsin 1974.Wings performed Live and Let Die live during their concert tours and McCartney continues to play it on his solo tours, often using pyrotechnics during the instrumental breaks. It has been covered by several bands, including Guns N' Roses, whose version appears on their 1991 album Use Your Illusion I. One of the more popular covers of the song, their version was nominated for the Grammy Award for Best Hard Rock Performanceat the 35th Annual Grammy Awards in 1993. In 2012, McCartney was awarded the Million-Air Award from Broadcast Music, Inc. (BMI), for more than 4 million performances of the song in the US.
$70.00
64.12 €
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Orchestre
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Wings
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Kevin Riley
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Live And Let Die
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Kevin Riley
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SheetMusicPlus
El Cerro de la Muerte
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1250317 Composed by Luis Diego …
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Full Orchestra - Level 2 - Digital Download SKU: A0.1250317 Composed by Luis Diego Piedra. Classical,Instructional. Score and Parts. 53 pages. Piedra Music #844625. Published by Piedra Music (A0.1250317). El Cerro de la Muerte is translated to The Mountain of Death and it is the name of a mountain range in Costa Rica. When I was growing up, it was necessary to drive through it in order to go to the beach on the west coast. The mountain is filled with pictoresque sights as well as deep, dangerous cliffs with tough, steep hills that are hard even for cars. This piece is a mini tone poem describing a journey through this mountain, with some quotations from Verdi's Dies Irae as well as Beethoven's fifth, and Paganini's Capriccio No. 24. It is a fun piece.
$20.00
18.32 €
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Orchestre
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Luis Diego Piedra
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El Cerro de la Muerte
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Piedra Music
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SheetMusicPlus
O Sacred Head, Now Wounded (Instrumental Parts)(SATB, Full Orchestra, Orch. Reduction for Organ)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1364399 By Jim Ailor. By Freder…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1364399 By Jim Ailor. By Frederic Chopin. Arranged by Jim Ailor. Christian,Easter,Lent,Religious,Sacred. 49 pages. ResurrectionSong #948690. Published by ResurrectionSong (A0.1364399). (INSTRUMENTAL PARTS) A beautiful marriage of text and melody. This time-honored, medieval text is set to an orchestrated version of Chopin’s Piano Prelude in C minor (Op. 28, No. 20). Through song we are taken to Christ’s final procession to the cross and His suffering and death. Musically, it works equally well with just piano accompaniment and/or with organ, which is an orchestral reduction. It opens with an optional snare drum dirge. Hard copies available at https://www.jwpepper.com/11531232.item.
$35.00
32.06 €
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Orchestre
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Jim Ailor
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Jim Ailor
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O Sacred Head, Now Wounded
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ResurrectionSong
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SheetMusicPlus
O Sacred Head, Now Wounded (Score)(SATB, Full Orchestra, Orch. Reduction for Organ) - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1364391 By ResurrectionSong Stu…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1364391 By ResurrectionSong Studio Choir. By Frederic Chopin. Arranged by Jim Ailor. Christian,Easter,Lent,Religious,Sacred. 16 pages. ResurrectionSong #948682. Published by ResurrectionSong (A0.1364391). A beautiful marriage of text and melody. This time-honored, medieval text is set to an orchestrated version of Chopin’s Piano Prelude in C minor (Op. 28, No. 20). Through song we are taken to Christ’s final procession to the cross and His suffering and death. Musically, it works equally well with just piano accompaniment and/or with organ, which is an orchestral reduction. It opens with an optional snare drum dirge. Hard copies available at https://www.jwpepper.com/11531232.item.
$35.00
32.06 €
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Orchestre
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ResurrectionSong Studio Choir
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Jim Ailor
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O Sacred Head, Now Wounded
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ResurrectionSong
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SheetMusicPlus
Repetitions
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.939372 Composed by Adam Grim. C…
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Full Orchestra - Level 2 - Digital Download SKU: A0.939372 Composed by Adam Grim. Concert,Contemporary,Standards. Score and parts. 4 pages. Adam B. Grim #5726213. Published by Adam B. Grim (A0.939372). This piece is inspired by Terry Riley's In C. Repetitions is a solo for found objects and The Repeater Orchestra, a free program online that mimics live sounds in real time, and plays them back in a stereo/spacial environment. It has non-standard notation in a way, with single bits written on a staff arranged in an order to play them. The player is given freedom to repeat things as many times as they want, making the piece possible to play in under 2 minutes, to well into the dozens. In my interpretation (shown in the YouTube video), it takes around 11 minutes. This piece is about making a soundscape of repeated patterns, and overlapping and combining them to create one conglomerate. Instruments include: planks of wood, a bucket of water, ceramic tiles, a glass bottle with marbles in it, a can, and a separate glass bottle for hitting. Implements include: a 2 paintbrush, a ring, rubber xylophone mallets, and oak dowel rods with Moleskin wrapped on one tip. Note, I apologize for the feedback near the first third of the recording, I had to adjust the settings, and did not hear the feedback as hard as the computer did!
$4.99
4.57 €
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Orchestre
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Adam Grim
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Repetitions
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Adam B. Grim
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SheetMusicPlus
Southwood - Modern Symphony for small orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1005640 Composed by Rudy Volkma…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1005640 Composed by Rudy Volkmann. Contemporary. Score and parts. 225 pages. Rudy Volkmann #6073661. Published by Rudy Volkmann (A0.1005640). Southwood is a 20-minute, three-movement symphony for small (Schubert-sized) orchestra with an expanded percussion section. It is melodic, structured on classical formal models, and often harmonically dissonant (employing mixed meters as well). It is scored for 2 Flutes ( II d. Piccolo), 2 Oboes ( II d. English Horn), 2 Bb Clarinets ( II d. Bass Clarinet), 2 Bassoons, 2 French Horns, 2 Trumpets in C, Timpani, Xylophone (both soft and hard mallets), Snare Drum, Bass Drum, Auxiliary Percussion (2 players - including Cymbals, Suspended Cymbal, Tambourine, Triangle, Large Gong, and Mark Tree), and Strings. The FINALE mp3 gives you the feel for the piece, but FINALE’S un-pitched percussion sound files are inadequate to convey the real feel of any of those instruments. In addition, several effects such as string glissandos, Suspended Cymbal coin edge slides, and the Mark Tree parts are simply missing.
$95.00
87.02 €
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Orchestre
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Rudy Volkmann
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Southwood - Modern Symphony for small orchestra
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Rudy Volkmann
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SheetMusicPlus
Master Of Puppets
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1382866 By Metallica. By Cliff …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1382866 By Metallica. By Cliff Burton, James Hetfield, Kirk Hammett, and Lars Ulrich. Arranged by Kostas Rekleitis. 21st Century,Contemporary. 247 pages. Kostas Rekleitis #966911. Published by Kostas Rekleitis (A0.1382866). Introducing a symphonic arrangement that redefines metal classics: Metallica's song Master of Puppets as you've never seen and heard it before. A fusion of epic orchestration and heavy metal grit as every riff comes to life in a meticulous orchestral rendition. A dynamic interplay between classical elegance and metal ferocity; Whether you're a die-hard Metallica fan seeking a fresh perspective or a lover of orchestral grandeur craving a new musical adventure, this arrangement promises to captivate and inspire. Orchestral score and parts available now for purchase on Arrangeme, seize the opportunity to add a touch of symphonic brilliance to your collection of scores and unleash the full potential of Master of Puppets in a whole new light.
$249.90
228.91 €
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Orchestre
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Metallica
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Kostas Rekleitis
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Master Of Puppets
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Kostas Rekleitis
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SheetMusicPlus
Delius: La Calinda (from Koanga) for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1308584 By Frederick Delius. By Frederick Delius. Arranged by Flavio Regis Cunha. 19th Century,Classical,Contest,Festival,Film/TV. Score and Parts. 26 pages. Flavio Regis Cunha #897825. Published by Flavio Regis Cunha (A0.1308584). Another of Delius’s best-known works falls into the same category as The Walk to the Paradise Garden, being an interlude from an opera that is now rarely heard in full. Koanga predates A Village Romeo and Juliet by just four years and comes from the composer’s Bohemian years in Paris during the 1890s. Delius himself considered it his best opera to date. It was his third after Irmelin and The Magic Fountain and it drew on his experiences in the orange groves of Florida. The hero of the opera, Koanga, is an African prince and voodoo priest, now working as a slave on a Mississippi plantation. Delius incorporated a traditional Martinique dance from the seventeenth century into the plot, for which he wrote a small musical interlude, borrowing from something he had written earlier in his first orchestral work, the Florida Suite. When his trusty companion and scribe Eric Fenby arranged the interlude for orchestra in 1938 – some forty years later – it quickly became another hardy perennial on concert programmes up and down the land.
$49.99
45.79 €
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Orchestre
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Frederick Delius
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Flavio Regis Cunha
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Delius: La Calinda
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Flavio Regis Cunha
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SheetMusicPlus
Come, Thou Long-Expected Jesus - Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1148784 Composed by Rowland H P…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1148784 Composed by Rowland H Prichard. Arranged by Mark R Lewis. Christmas,Holiday,Religious. Score and Parts. 35 pages. Mark R Lewis #748921. Published by Mark R Lewis (A0.1148784). Come, Thou Long-Expected Jesus is a lovely Advent hymn. The text was written by Charles Wesley and has been used in Advent services regularly since it was written in the 1740s. The text has been set to many tunes but the one used in this version is Hyfrydol, This tune was written by Rowland Prichard about 100 years after Wesley's text and is used extensively in many hymnals but especially for this particular text. This arrangement is for orchestra with optional 3-5 octave handbell choir. The handbell arrangement unusual in that the 4 octave version does require the use of the F3 bell. Other than that this is a relatively simple, if thickly orchestrated, arrangement. There are three sections using different methods of music making, the first is a fairly straightforward setting, the second focuses on short sounds in the melody which is also in the lower voices, and the third explores musical canon before bringing back a more traditional musical setting. There are two distinct parts for most instruments with a few splitting more. Flutes, trumpets, and trombones have three parts. The trombone 3 part is intended to be bass trombone but should be playable on regular trombone and if any section only has two divisions, the lower voice should have more players unless otherwise notated. That applies to flutes and trumpets as well. There are four horn parts that do not split. The timpani part should be playable on two drums with active pedaling to change notes mid-piece, although four drums is perfectly acceptable.
$34.99
32.05 €
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Orchestre
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Rowland H Prichard
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Mark R Lewis
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Come, Thou Long-Expected Jesus - Full Orchestra
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Mark R Lewis
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SheetMusicPlus
Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1004734 Composed by Adrian Gagiu. 20th Century,Classical. Score and parts. 524 pages. Adrian Gagiu #6631587. Published by Adrian Gagiu (A0.1004734). Fourth Symphony in E flat major Homage to Beethoven (2003, revised 2021), a Neo-Classical symphony based on Beethoven's sketches for his Tenth Symphony, like a speculative reconstruction. In 1822-1827, the fascinating Tenth Symphony (Biamonti 838) was one of Beethoven’s relatively advanced projects, but still it was at the beginning of its elaboration. The material is not quite abundant, and many secondary features in the concept sketches could have been modified, according to his working habits, should he have lived a few years more. For a true reconstruction, the sketches are too scarce, but they are also too good to be left aside and very stimulating for a composer, especially for one whose formation is indebted to Beethoven and who is willing to pay him homage. I have chosen a Neo-Classical idiom, an approach analogous to Stravinsky’s The Fairy’s Kiss (after Tchaikovsky). For such a work, the thorough study of fundamental articles on Beethoven’s projects and sketches (by Barry Cooper, Sieghard Brandenburg, Robert Winter, Martin Staehelin, Nicholas Cook, and Lewis Lockwood) was a necessity. Then, in 2021, the symphony was heavily revised, mainly to make it terser and truer to the sketches and to Classical practices For this symphony, all the thematic material is Beethoven’s, and also the general outline, as much as the latter could be inferred from his sketches. In its revised version, I made use only of the sketches clearly identifiable as intended for the Tenth Symphony and dating from 1822 and later years (most of the themes of its corresponding movements), but also of a few other sketches, most of them contemporary or relatable, unused or intended for other compositions: in the continuation to the second subject group in the first movement, in the second strains of the Presto and of its Trio, and in the transitions and the episodes in the Finale. The symphony has 4 movements and is scored for a normal concert orchestra, including 3 trombones. The revised version makes use also of a contrabassoon, to support the double basses and suggesting a stronger presence of the winds like in the larger scale concerts in the Classical era (usually with doubled winds).Total duration: 34 min. Performing Rights Organization: SOCAN. The mp3 audio clip is a recording of the first movement (Andante-Allegro-Andante).
$49.95
45.75 €
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Orchestre
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Adrian Gagiu
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Symphony No. 4 "Homage to Beethoven", op. 21a, after his sketches for the Tenth Symphony
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Adrian Gagiu
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SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
18.27 €
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Orchestre
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Claude Debussy/Robert Orledge
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Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Merry Christmas, Darling
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1470001 By The Carpenters. By F…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1470001 By The Carpenters. By Frank Pooler and Richard Carpenter. Arranged by John Langley / Studio Orchestrations. Christmas,Holiday,Pop,Singer/Songwriter,Standards. 95 pages. Www.studio-orchestrations.com #1047742. Published by www.studio-orchestrations.com (A0.1470001). Merry Christmas, Darling is a Christmas song by the Carpenters (music by Richard Carpenter, lyrics by Frank Pooler), and originally recorded in 1970. It received a number of remixes, most notably in 1978 in a newly recorded vocal version by Karen Carpenter, which was done at her request. Richard Carpenter himself called the original recording one of his sister's very best. Hearing this song today with knowing ears and the knowledge of Karen Carepenter's mental health problems it makes a beautiful, sentimental song all the more bitter sweet and precious. It is a perfect little gem.In this orchestration - in the original Karen Carpenter key - there is never any heavy brass apart from 4 horns used very sparingly, and the optional original alto saxophone solo is also cued (as an alternative) for a Trumpet or Flugel horn if a sax is not available. A guitar in this texture is always desirable but can be traded off as long as there is bass guitar, light kit and percussion to support the soupy lush string lines.The backing vocals are a significant part of the song's haunting beauty and are also highly desirable however their harmony lines are covered by alternative wind instrument figures so this can be performed with or without backing vocals.INSTRUMENTATION:2 FlutesOboeCor Anglais2 Clarinets2 Bassoons4 HornsAlto Saxophone solo (Can be played on alt. Flugel/Trumpet part)2-3 PercussionHarpPianoElectric Guitar [Optional]Bass GuitarDrum KitVocal female soloistSATB Backing Vocals [Optional, cued to alt. instruments]StringsLook out for other arrangement/orchestrated titles by John Langley and writing partner Paul Campbell at www.studio-orchestrations.com.
$140.00
128.24 €
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Orchestre
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The Carpenters
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Merry Christmas, Darling
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www.studio-orchestrations.com
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SheetMusicPlus
Exeter City March
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1009741 Composed by Richard Bow…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1009741 Composed by Richard Bowyer. Contemporary. Score and parts. 73 pages. Richard Bowyer #2024939. Published by Richard Bowyer (A0.1009741). Exeter City March was composed for the professional Football (soccer) Club in Exeter, UK, for performance over the public address system by the 100-strong Exeter Children's Orchestra. It includes parts for hooligans in the percussion section playing rattles and whistles (these don't sound in the MP3). There was an online competition for the club's fans to choose a title; they chose March of the Grecians (the club's nickname) but as the brief introduction uses the beginning of Rule Britannia I think listeners might be mystified by the Greek allusion, so I prefer my original title! In June 2011 Exeter City March was broadcast on the UK national music radio station, BBC Radio 3, as part of its festival of light music Light Fantastic. There are separate printed parts for all the standard orchestral instruments, including alto and tenor saxophone and descant recorder (not necessary) and there are also optional parts for violin replacing viola, trombone in treble clef, baritone saxophone and horn in E flat.
$50.00
45.8 €
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Orchestre
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Richard Bowyer
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Exeter City March
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Richard Bowyer
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