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Virtualsheetmusic
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Ventes
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Prix + au -
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
6035
PIANO & CLAVIERS
Piano seul
3175
Piano Facile
1279
Piano, Voix
1243
Piano, Voix et Guitare
659
Instruments en Do
570
Orgue
285
Piano grosses notes
114
Accompagnement Piano
112
1 Piano, 4 mains
70
Piano (partie séparée)
59
Piano Trio: piano, violon, violoncelle
50
Accordéon
46
2 Pianos, 4 mains
35
Piano Quintette: piano, 2 violons, alto, violoncelle
16
Piano Quatuor: piano, violon, alto, violoncelle
16
Piano Quatuor: piano, 2 violons, violoncelle
8
Orgue, Trompette (duo)
5
2 Pianos, 8 mains
4
Clavecin
4
Orgue, Piano (duo)
2
Clavier
2
1 Piano, 6 mains
1
2 Accordéons
1
Accordéon et Orchestre
1
Instrumentations suivantes
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GUITARES
Guitare
320
Guitare notes et tablatures
246
Ligne De Mélodie, (Paroles) et Accords
140
Guitare (partie séparée)
116
Ukulele
74
Basse electrique
71
2 Guitares (duo)
32
Piano, Guitare (duo)
23
Dulcimer
21
4 Guitares (Quatuor)
19
Mandoline
10
Banjo
10
Basse électrique (partie séparée)
9
Ensemble de guitares
9
Paroles et Accords
9
3 Guitares (trio)
5
2 Mandolines (duo)
2
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
1
Dobro
1
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
Instrumentations suivantes
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VOIX
Chorale SATB
1152
Chorale 3 parties
374
Chorale 2 parties
274
Chorale TTBB
223
Chorale SSAA
193
Chorale Unison
134
Voix Soprano, Piano
74
Voix Tenor, Piano
56
Voix Alto, Piano
55
Voix haute
48
Voix duo, Piano
39
Voix Baryton, Piano
34
Voix duo
25
Voix moyenne, Piano
19
Voix seule
8
Voix Tenor
7
Voix Soprano
5
Chorale
5
Voix basse, Piano
4
Chorale SSAATTBB
3
Voix Mezzo-Soprano, Piano
3
Chorale SSATTB
3
Soli, choeur mixte et accompagnement
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
543
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
489
Quatuor de Saxophones: 4 saxophones
421
2 Saxophones (duo)
381
Flûte traversière et Piano
353
Quintette de Saxophone: 5 saxophones
306
Flûte, Hautbois, Clarinette, Basson
285
Clarinette et Piano
280
Saxophone Alto et Piano
271
Hautbois, Piano (duo)
270
Flûte traversière
269
Saxophone Alto
246
Clarinette
220
Quatuor de Clarinettes: 4 clarinettes
214
2 Flûtes traversières (duo)
199
Saxophone Tenor
192
Saxophone Tenor et Piano
188
Hautbois (partie séparée)
180
2 Clarinettes (duo)
172
Saxophone Soprano et Piano
145
Ensemble de saxophones
119
Saxophone Baryton, Piano
96
Saxophone, Clarinette (duo)
94
Ensemble de Clarinettes
89
2 Hautbois (duo)
84
Clarinette, Violon (duo)
82
Quatuor de Flûtes : 4 flûtes
80
Flûte irlandaise
79
Clarinette, Trompette (duo)
69
Flûte, Clarinette (duo)
66
Ensemble de Flûtes
66
Flute (partie séparée)
65
Cor anglais, Piano
60
2 Flûte à bec (duo)
60
Clarinette (partie séparée)
52
Quintette de Clarinettes: 5 clarinettes
49
Saxophone Soprano
49
3 Saxophones (trio)
48
Flûte, Violon
47
Hautbois, Basson (duo)
46
Clarinette Basse, Piano
45
Hautbois, Clarinette (duo)
44
Flûte à Bec
43
Clarinette et Alto
42
Quintette de Flûte : 5 flûtes
40
Flûte, Alto (duo)
39
Hautbois
38
Flûte, Saxophone (duo)
37
3 Clarinettes (trio)
37
Flûte et Guitare
37
Flûte à bec Soprano
34
Trio de Flûtes: 3 flûtes
33
Flûte, Trompette (duo)
32
Hautbois, Flûte
28
Cor Anglais
28
Clarinette, Guitare (duo)
24
Saxophone Baryton
22
Clarinette, Violoncelle (duo)
18
Quatuor de Flûtes à bec
17
Flûte, Hautbois (duo)
16
Clarinette, Basson (duo)
16
Flûte, Hautbois, Clarinette (trio)
15
Flûte, Violoncelle
14
Hautbois, Clarinette, Basson (trio d'anches)
13
Clarinette Basse
11
Hautbois, violon (duo)
11
Flûte, Trombone (duo)
11
Clarinette, Trombone (duo)
10
Flûte à bec Alto
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte à bec Tenor
8
Flûte, Violon, Piano
8
Hautbois, Violoncelle
8
2 Flûtes traversières, Piano
8
Saxophone
7
3 Flûtes à bec (trio)
7
Flûte à bec Soprano, Piano
7
Flûte, Hautbois, Basson
7
Piccolo, Piano
6
Hautbois, Guitare (duo)
6
Flûte, Clarinette, Piano (trio)
5
5 Flûtes à bec
5
Flûte, Clarinette et Basson
5
Flûte à bec Alto, Piano
4
2 Clarinettes, Piano
4
Flûte, Basson et Piano
3
Ensemble De Flûte à bec
3
Clarinette, Violoncelle, Piano (trio)
3
Clarinette, Harpe (duo)
3
Saxophone et Guitare
3
Ocarina
3
Ensemble de Hautbois
3
4 Hautbois
2
Hautbois et alto (duo)
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Contrebasse (duo)
2
Piccolo
2
Saxophone et Orgue
2
Harmonica
2
Cor anglais, Guitare (duo)
2
Flûte, Hautbois, Piano (trio)
2
Flûte, Violon et Violoncelle
2
2 Saxophones, Piano
2
3 Hautbois
2
Flute, harpe et violon
2
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Harpe
1
Clarinette, Tuba
1
Flûte, Violoncelle, Guitare
1
Flûte à bec, Guitare (duo)
1
2 Flûtes à bec, Guitare
1
Flûte et Trio à cordes
1
Cornemuse
1
Cor anglais et Harpe (duo)
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte traversière, Basse continue
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
529
Trombone (partie séparée)
307
Quatuor de Cuivres : 2 trompettes, trombone, tuba
302
Trompette
283
Trompette (partie séparée)
279
Trombone et Piano
229
Trompette, Piano
224
Cor et Piano
172
Trombone
171
Cor
118
Quatuor de Cuivres
114
Quatuor de Cuivres: 2 trompettes, Cor, trombone
110
2 Trompettes (duo)
102
Tuba
94
2 Trombones (duo)
91
Tuba et Piano
86
Cor (partie séparée)
70
Trompette, Saxophone (duo)
69
Euphonium, Piano (duo)
67
Cor anglais, Piano
60
Tuba (partie séparée)
58
Trompette, Trombone (duo)
58
Ensemble de Trombones
46
Quatuor de cuivres: 4 trombones
42
2 Cors (duo)
34
Ensemble de Trompettes
31
Cor Anglais
28
Quatuor de cuivres: 4 cors
19
2 Tubas (duo)
15
Trio de Cuivres
13
Euphonium
13
3 Trombones (trio)
13
4 Tubas
12
Trompette, Cor (duo)
12
Quatuor de cuivres: 4 trompettes
11
2 Euphoniums (duo)
11
Ensemble de Cors
11
Tuba et Orgue
8
3 Tubas (trio)
7
3 Cors (trio)
7
Cor, Violoncelle (duo)
7
Trompette, Basson (duo)
5
3 Trompettes (trio)
5
2 Euphoniums et 2 Tubas
4
Trombone, Cor (duo)
4
Trompette, violon (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Trombone basse
3
Trombone, Orgue
3
Cor et Basson (duo)
3
Bass Clef Instruments
2
Cor anglais, Guitare (duo)
2
Trompette, Violoncelle (duo)
2
Euphonium, Tuba (duo)
2
Trombone, Tuba (duo)
1
Ensemble de Tubas
1
Trompette, Euphonium (duo)
1
Cor et Harpe
1
Cor et Orgue
1
Trompette, Tuba (duo)
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais et Harpe (duo)
1
3 Euphoniums
1
2 Cors Anglais Et Pianoforte
1
Trompette et Guitare
1
Trompette, Harpe
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
917
Violon et Piano
403
Violon
378
Violoncelle, Piano
297
Violoncelle
282
Alto, Piano
258
Violon, Violoncelle (duo)
221
Harpe
171
2 Violons (duo)
145
Alto seul
135
Trio à Cordes: violon, alto, violoncelle
130
Quintette à cordes: 2 violons, alto, violoncelle, basse
127
2 Violoncelles (duo)
107
Contrebasse (partie séparée)
100
Contre Basse
94
Trio à Cordes: 2 violons, violoncelle
92
Violon, Alto (duo)
90
2 Altos (duo)
90
Alto (partie séparée)
75
Contrebasse, Piano (duo)
75
Violon (partie séparée)
52
2 Harpes (duo)
26
Trio à cordes: 3 violins
22
Alto, Violoncelle (duo)
20
Violon, Guitare (duo)
20
Trio à Cordes: 3 violoncelles
17
4 Violoncelles
17
Ensemble de Violons
16
Ensemble d'Altos
15
Harpe, Flûte (duo)
15
Piano Trio: Violon, Alto, Piano
13
2 Contrebasses (duo)
11
Violoncelle (partie séparée)
11
Quatuor à cordes: 4 violons
11
Trio à cordes: 3 altos
11
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Alto et Basson
9
Violon, Basson (duo)
9
Violoncelle , Guitare (duo)
8
Trio à Cordes: 2 violons, alto
7
Quatuor à cordes : 4 altos
7
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
Harpe, Voix
5
Violoncelle, Contrebasse (duo)
5
2 Violons, Piano
4
Harpe (partie séparée)
3
Flûte, Contrebasse (duo)
2
Harpe, Violoncelle (duo)
2
Violon, Clarinette, Piano (trio)
2
Ensemble de Violoncelles
2
Alto et Harpe
2
4 Contrebasses
2
Violoncelle, Orgue
2
Harpe et mandoline
1
Harpe, Violon, Violoncelle
1
Violoncelle, Orchestre
1
2 Violoncelles, Piano
1
Trio à cordes
1
Harpe et Piano
1
Harpe, Violon (duo)
1
Alto, Guitare (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
1212
Orchestre
426
Ensemble Jazz
274
Orchestre à Cordes
265
Cloches
226
Ensemble de cuivres
217
Orchestre de chambre
145
Batterie (partie séparée)
97
Batterie
73
Jazz combo
65
Ensemble de Percussions
59
Fanfare
50
Percussion (partie séparée)
36
Xylophone
18
Xylophone, Piano
17
Marimba
17
Vibraphone
7
2 Xylophones
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Piano et Orchestre
4
Ensemble d'École
3
Orchestre, Violon
2
Quintette de Cuivres: autres combinaisons
2
Timbales (partie séparée)
1
3 Marimbas
1
Bodhran
1
Vibraphone et Marimba
1
Percussion
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
It's On
Orchestre
Partitions à imprimer
426 partitions trouvées
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1
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426
It's Been a Long Journey
Orchestre
Full Orchestra - Digital Download SKU: A0.768572 Composed by Amphibia Cultural Lega…
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Full Orchestra - Digital Download SKU: A0.768572 Composed by Amphibia Cultural Legacy. 20th Century,Broadway,Classical,Film/TV,Multicultural,Musical/Show,World. Score and parts. 4 pages. Amphibia Cultural Legacy #370650. Published by Amphibia Cultural Legacy (A0.768572). It's Been a Long Journey is an instrumental cover that takes you on a nostalgic trip down memory lane. The track, remastered and remixed by the Amphibia Cultural Legacy, features music from Hello Kitty's Paradise, a popular animated series from the 1990s. The cover perfectly captures the essence of the show and its iconic tunes.The Amphibia Cultural Legacy is renowned for its ability to breathe new life into classic tracks while staying true to its original sound. With It's Been a Long Journey, they have done just that. The cover offers listeners a fresh take on familiar melodies that will transport them back in time with every note played.Hello Kitty's Paradise fans will be amazed at how well this interpretation captures the show's spirit.This cover is based on the music about Hello Kitty and Mimmy White happily enjoying enough adventure. At the same time, they float away in their Hot-Air Balloon from some episodes of Hello Kitty's Paradise.
$40.00
36.24 €
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Orchestre
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Amphibia Cultural Legacy
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It's Been a Long Journey
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Amphibia Cultural Legacy
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SheetMusicPlus
Because It's Christmas (For All The Children)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1505378 By Barry Manilow. By Ba…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1505378 By Barry Manilow. By Barry Manilow, Bruce Sussman, and Jack Feldman. Arranged by Kevin Riley. 20th Century,Christmas. 40 pages. Kevin Riley #1080765. Published by Kevin Riley (A0.1505378). Peaked at No. 38 on the Billboard Hot Adult Contemporary Tracks chart in 1991. From Manilow's first Christmas album, Because It's Christmas.A little known Christmas piece by Barry Manilow that should be heard a lot more. Here is a version for concert orchestra.
$60.00
54.35 €
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Orchestre
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Barry Manilow
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Kevin Riley
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Because It's Christmas
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Kevin Riley
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SheetMusicPlus
It's Christmas Time All Over The World
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.718523 Composed by Hugh Martin.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.718523 Composed by Hugh Martin. Arranged by Daryl McKenzie. Christmas,Holiday. Score and parts. 87 pages. Daryl McKenzie #6434727. Published by Daryl McKenzie (A0.718523). Arranged in the style of Sammy Davis Jr. Male Vocal, 2Fl, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 3Trpt, 3Trb, Tba, 3 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB, optional Children's Chorus. Note Saxes are all on woodwind doubles.Same arrangement for Big Band also available on SMPMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$89.99
81.52 €
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Orchestre
#
Hugh Martin
#
Daryl McKenzie
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It's Christmas Time All Over The World
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Daryl McKenzie
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SheetMusicPlus
It's Beginning To Look Like Christmas
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.718703 Composed by Meredith Wil…
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Full Orchestra - Level 5 - Digital Download SKU: A0.718703 Composed by Meredith Willson. Arranged by Daryl McKenzie. Christmas,Holiday. Score and parts. 66 pages. Daryl McKenzie #6517901. Published by Daryl McKenzie (A0.718703). Arranged in the style of Natalie Cole (based on Alan Broadbent's Orchestral version) for Vocal with Big Band and Strings (Pops Orchestra) (2 Flutes, 2 Clarinets, Bass Clarinet, 4 Trumpets, 4 Trombones, Piano, Keyboard, Guitar, Bass, Drums, Percussion, Vln1, Vln 2, Vla, Vcl, CB) Key of Eb to F
$99.99
90.58 €
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Orchestre
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Meredith Willson
#
Daryl McKenzie
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It's Beginning To Look Like Christmas
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Daryl McKenzie
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SheetMusicPlus
It's Better With A Band
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1455708 Composed by David Zippe…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1455708 Composed by David Zippel and Wally Harper. Arranged by Fred Barton. Broadway,Film/TV,Jazz,Musical/Show. 150 pages. Fred Barton Music #1034806. Published by Fred Barton Music (A0.1455708). Vocal and Symphony Orchestra arrangement of the Barbara Cook big-band-style classic showstopper. A simple piano solo begins, with each section of the orchestra featured in gradual, sequential entrances, until the song explodes in full-on big-band-style swing.
$99.99
90.58 €
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Orchestre
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David Zippel and Wally Harper
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Fred Barton
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It's Better With A Band
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Fred Barton Music
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.05 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Easy On Me
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1494427 By Adele. By Adele Adki…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1494427 By Adele. By Adele Adkins and Greg Kurstin. Arranged by Paul Lorenz. Broadway,Classical,Musical/Show,Pop,Rock,Soul. 39 pages. Paul Lorenz #1071020. Published by Paul Lorenz (A0.1494427). Adele Easy On Me Orchestral Version by Paul Lorenz – Sheet Music for a Breathtaking Crossover Masterpiece Discover the extraordinary orchestral arrangement of Adele’s iconic hit Easy On Me by the renowned composer and arranger Paul Lorenz. This exclusive sheet music offers musicians and ensembles the chance to perform a piece that blends the emotional depth of Adele’s original song with the grandeur and sophistication of a full orchestra. Whether you are a professional musician or part of an ensemble, this sheet music is designed to elevate your performance and captivate your audience. A Unique Orchestral Experience Paul Lorenz, known for his collaborations with the London Symphony Orchestra, has created a version of Easy On Me that is both powerful and moving. The arrangement captures the soul of Adele’s lyrics and melodies while introducing rich, orchestral textures that add a new dimension to the song. This sheet music allows you to bring that same majestic sound to your own performances, whether in a concert hall, studio, or classroom setting. What You’ll Find in This Sheet Music Complete Orchestral Score: The sheet music includes a full score, meticulously arranged to ensure that every instrument shines. Each part is crafted with precision, allowing musicians to deliver a flawless performance.Individual Parts for All Instruments: From strings to woodwinds, brass, and percussion, every section of the orchestra is represented. The individual parts are easy to follow, making it simple for musicians of all levels to perform together.Detailed Performance Notes: Paul Lorenz has included insights and tips on how to best bring out the emotion and dynamics of the piece. These notes are invaluable for conductors and musicians looking to deliver a performance that resonates with their audience. Why Choose Paul Lorenz’s Orchestral Arrangement? This sheet music is more than just notes on a page; it’s a gateway to an unforgettable musical experience. Paul Lorenz’s arrangement of Easy On Me has been praised for its innovative approach to orchestral music, combining classical techniques with contemporary elements. By choosing this sheet music, you’re not only adding a stunning piece to your repertoire but also embracing a composition that bridges the gap between pop and classical music. Perfect for Concerts, Recitals, and Special Performances This orchestral version of Easy On Me is ideal for a wide range of performances. Whether you’re planning a concert, a recital, or a special event, this piece will leave a lasting impression on your audience. Its universal appeal makes it suitable for diverse audiences, ensuring that everyone in attendance will be moved by the performance. Get Your Copy Today Don’t miss out on the opportunity to perform this beautiful and powerful orchestral arrangement of Easy On Me. Purchase your copy of Paul Lorenz’s sheet music today and take the first step towards an unforgettable performance. Available in digital and print formats, this sheet music is ready to be part of your next musical journey.
$149.90
135.79 €
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Orchestre
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Adele
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Paul Lorenz
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Easy On Me
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Paul Lorenz
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Conductor's Score
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018921 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 35 pages. Benjamin Sajo #6072943. Published by Benjamin Sajo (A0.1018921). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.12 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Extracted Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Ha…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018924 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 76 pages. Benjamin Sajo #6072951. Published by Benjamin Sajo (A0.1018924). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.54 €
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Orchestre
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Benjamin Harry Sajo
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Fugue: "Wear Pearls and Smile"
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Benjamin Sajo
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SheetMusicPlus
General's Suite Macarthur Patton - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1450384 Composed by Jerrald K G…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1450384 Composed by Jerrald K Goldsmith. Arranged by Chris Siddall. Film/TV. 39 pages. Chris Siddall Music Publishing #1030115. Published by Chris Siddall Music Publishing (A0.1450384). When composer Jerry Goldsmith was asked to write the score for MacArthur, people were surprised that he accepted the project because they wondered what he would have left to say, musically, after Patton. Jerry‘s feeling was that MacArthur was a totally different person, and it would be a real challenge to write about another military figure but do it in a different manner. He said “it‘s much more flamboyant in a different sort of way, and it was an interesting task“. Patton enjoyed resounding critical praise and has since been elevated to the designation of a classic. The film won Academy Awards for nearly all of its major players, with composer Jerry Goldsmith being an unfortunate exception. Goldsmith had already written many scores for World War II topics in his short mainstream career, but none would prove as memorable in any part as the march from Patton, a concert hall staple for the composer throughout his career. Despite the dominance of this theme and the fact that only roughly thirty minutes of music was employed in such a long picture, the effect of his score on the film is far more complicated than many people may realize. While the famous march, with all its bravado from brass, flutes, and snare, easily represents the identity of the character and war, Goldsmith’s work for the film actually spends more time dwelling on the deeper meanings of life that the general himself explored.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$19.99
18.11 €
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Orchestre
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Jerrald K Goldsmith
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Chris Siddall
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General's Suite Macarthur Patton - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Home on the Range - for symphony orchestra (optional sing-along)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1075450 Composed by Lyrics by B…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1075450 Composed by Lyrics by Brewster M. Higley, Music by Daniel E. Kelley. Arranged by Evan Halloin. Classical,Folk,Patriotic,Traditional. Score and parts. 118 pages. Evan Halloin #679638. Published by Evan Halloin (A0.1075450). Home on the Range is arranged here for full symphony orchestra, with and option to perform it as an audience sing-along. There is a short intro, 4 verses and choruses, and a short coda. Each verse and chorus is slightly different, like a series of variations.This arrangement was originally created for the Kansas City Symphony's Symphony in the Flint Hills event in 2022, an annual outdoor concert which traditionally ends with a crowd singing along to this, the state song of Kansas. The key is a friendly E flat, and the text is provided on the second page of the score. There are parts for:the sing-along vocal part 2 flutes, 2 oboes, 2 clarinets in B flat, 2 bassoons optional piccolo, English horn, bass clarinet, contrabassoon 4 horns in F, 3 trumpets in C, 2 trombones, bass trombone, tuba Timpani, 2 percussionists (glockenspiel, triangle, suspended cymbal), harp violin I, violin II, viola, cello, double bassI mean, it's a good tune! Score is 11 x 17 and parts are 9 x 12 size. Adobe Acrobat will easily shrink to fit letter size paper.
$60.00
54.35 €
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Orchestre
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Lyrics by Brewster M
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Evan Halloin
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Home on the Range - for symphony orchestra
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Evan Halloin
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SheetMusicPlus
It Ain't What You Do
Orchestre
Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797809 By Bananarama. B…
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Guitar Ensemble Guitar - Level 3 - Digital Download SKU: A0.797809 By Bananarama. By James Young and Sy Oliver. Arranged by Derek Hasted. Contemporary. Score and parts. 23 pages. Derek Hasted #6205715. Published by Derek Hasted (A0.797809). T'AINT WHAT YOU DO - 5 GUITARS/LARGE ENSEMBLEFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes This arrangement was inspired by the Bananarama & Fun Boy Three release, but in a nod to the fact that this piece was written many years before it was re-worked, I’ve taken it back still further in time, and the piece begins slowly and stately, like a Pavane, before moving to a busy Madrigal and finally to Big Band Shuffle.The piece suits 5 guitars, but a large ensemble will, of course, make a bigger and more compelling sound.It is ideal for a mixed ability group - the lower parts can all be played in first position whereas the upper parts go as high as the ninth position.This arrangement is based on a version that was played in concert by the Hampshire Guitar Orchestra - it’s pretty much guaranteed to get feet tapping in the audience...I hope you enjoy this piece!
$4.99
4.52 €
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Orchestre
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Bananarama
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Derek Hasted
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It Ain't What You Do
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Derek Hasted
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SheetMusicPlus
CH141ORC - Chansonnette 141 - The ballad of the king's cook
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.921201 Composed by Carl Van Pev…
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Full Orchestra - Level 3 - Digital Download SKU: A0.921201 Composed by Carl Van Pevenage. Classical,Folk,Romantic Period,World. Score and parts. 25 pages. Carl Van Pevenage #4325959. Published by Carl Van Pevenage (A0.921201). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 141 for orchestra. The sounds are still computer generated. Playing it, will bring the music to live.This song is variation on the old song Pastime with good company (almost identical but not minor), known also as The ballad of the king as it was written King Henry V. So this is about pastime with a good cake in the kitchen.
$19.95
18.07 €
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Orchestre
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Carl Van Pevenage
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CH141ORC - Chansonnette 141 - The ballad of the king's cook
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Carl Van Pevenage
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SheetMusicPlus
Golliwog's Cakewalk (Full Orchestra) – Score and Parts – Transposed to E
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1002399 Composed by Claude Debu…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1002399 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Romantic Period. Score and Parts. 64 pages. OlivePress Music #6617947. Published by OlivePress Music (A0.1002399). One of Debussy's most popular piano pieces comes to the full orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$29.99
27.17 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
Golliwog's Cakewalk (Standard Orchestra) – Score and Parts – Transposed to E
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1045771 Composed by Claude Debu…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1045771 Composed by Claude Debussy. Arranged by Ben Trigg. 20th Century,Classical,Romantic Period. Score and Parts. 58 pages. OlivePress Music #650358. Published by OlivePress Music (A0.1045771). This arrangement is for double winds, 4321 brass section, strings and percussion with optional xylophone. A 'full orchestra' version also exists for triple winds, 4331 brass, strings and xylophone included in the percussion section. Both arrangements are available in Eb (original key) or E (this one). Please note the audio and video samples reflect the 'full' orchestral version. One of Debussy's most popular piano pieces comes to the orchestra. The adventure leaps between the different sections as Debussy's toy clown tumbles between jollity and Wagnerian melancholy. The arrangement makes the most of Debussy's musical jibe at Wagner, bringing the 'Tristan' theme back to the cellos once more. A short work sure to delight and make a fizzling contribution to a concert programme. This version is transposed up a semitone from the original to the key of E (G for the middle section), to make it easier on some orchestral section players. Great for youth orchestras!Find the complete 'For Orchestra' catalogue from OlivePress Music at https://olivepressmusic.com/for-orchestra/
$24.99
22.64 €
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Orchestre
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Claude Debussy
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Ben Trigg
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Golliwog's Cakewalk
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OlivePress Music
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SheetMusicPlus
On Earth As It Is In Heaven
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1493613 By City Of Prague Philh…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1493613 By City Of Prague Philharmonic. By Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. 66 pages. Flavio Regis Cunha #1070293. Published by Flavio Regis Cunha (A0.1493613). **Introducing a Harmonious Masterpiece for Your Full Orchestra!** **Elevate Your Performance with 'On Earth As It Is In Heaven' by Ennio Morricone!** Are you ready to transport your audience to another world? Unleash the magic of Ennio Morricone's iconic film score with our meticulously crafted orchestral sheet music for 'On Earth As It Is In Heaven'!**Calling all School and Professional Orchestras, Conductors, and Musicians!** Dive into the sweeping melodies that have captured hearts worldwide. **Immerse Your Orchestra in Emotion:** Experience the thrill of conducting and performing a true masterpiece, bringing to life every emotion woven into the music.**Unforgettable Moments:** Relive the cinematic wonder of 'On Earth As It Is In Heaven,' known for its powerful crescendos, tender nuances, and captivating rhythms.**Ennio Morricone's Legacy:** Pay homage to the maestro behind legendary film scores. This is your chance to showcase the genius of Morricone's composition.**Bridge Past and Present:** Blend the nostalgia of a classic with the vitality of a live orchestra, creating a performance that resonates across generations.**Limited Time Offer:** Receive Exclusive Bonuses with Your Purchase! **Experience the Enchantment:** Unlock the Ennio Morricone experience for your orchestra today! Visit [YourWebsiteHere] to order now and embark on a musical journey that will leave your audience awe-struck. Don't miss out on this opportunity to inspire and captivate—get your 'On Earth As It Is In Heaven' orchestral sheet music now! **Intermediate Level** **Format:** Concert, 66 Pages **Full Score and Orchestral Parts****Instrumentation:** Full Orchestra**ARRANGEMENT DETAILS** **Arrangement Format:** Chamber Orchestra **Difficulty:** Intermediate**GENRE DETAILS** Genres: 20th Century, Contemporary, Film/TV, Instructional, Wedding.
$89.99
81.52 €
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Orchestre
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City Of Prague Philharmonic
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Flavio Regis Cunha
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On Earth As It Is In Heaven
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Flavio Regis Cunha
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (wind parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861960 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 176 pages. Mark O'Connor Musik International #6209395. Published by Mark O'Connor Musik International (A0.861960). Americana Symphony Variations on Appalachia Waltz (wind parts – symphony orchestra) MO164B-IWind Parts (score and parts available)Music by Mark O’Connor164 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
72.47 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (string parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861963 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 163 pages. Mark O'Connor Musik International #6209407. Published by Mark O'Connor Musik International (A0.861963). Americana Symphony Variations on Appalachia Waltz (string parts – symphony orchestra) MO164U-ZString Parts (score and parts available)Music by Mark O’Connor163 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American. Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
72.47 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (brass parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861961 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 162 pages. Mark O'Connor Musik International #6209399. Published by Mark O'Connor Musik International (A0.861961). Americana Symphony Variations on Appalachia Waltz (brass parts – symphony orchestra) MO164J-PBrass Parts (score and parts available)Music by Mark O’Connor162 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$80.00
72.47 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (percussion parts – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861962 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 99 pages. Mark O'Connor Musik International #6209401. Published by Mark O'Connor Musik International (A0.861962). Americana Symphony Variations on Appalachia Waltz (percussion parts – symphony orchestra) MO164Q-TPercussion Parts (score and parts available)Music by Mark O’Connor99 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$50.00
45.29 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Americana Symphony "Variations on Appalachia Waltz" (score – symphony orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861959 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 93 pages. Mark O'Connor Musik International #6209393. Published by Mark O'Connor Musik International (A0.861959). Americana Symphony Variations on Appalachia Waltz (score – symphony orchestra) MO164AScore (parts available)Music by Mark O’Connor86 pages – 33:00 minutes in length Americana Symphony Variations on Appalachia WaltzFor Large Symphony Orchestra3333/4331/timp/perc/pno/harp+stringsComposed and orchestrated by Mark O’Connor 1st Movement: Brass Fanfare: Wide Open Spaces2nd Movement: New World Fanciful Dance3rd Movement: Different Paths Towards Home4th Movement: Open Plains Hoedown5th Movement: Soaring Eagle, Setting Sun6th Movement: Theme: Splendid HorizonsNote: Any movement or combination of the movements can be singled out or re-organized for performance. Most any order of movements is acceptable. Suggestions for consideration included I., II., III., and IV., all recommended as stand alone pieces. Most an order of movements is acceptable. The composition was designed for maximum flexibility. Three or four movements combine to make a shorter variation Symphony. What is American Classical music? This CD contains Mark O'Connor's latest orchestral works: Americana Symphony Variations on Appalachia Waltz(2006) and Concerto No. 6 Old Brass (2003). Sony Classical//BMG label director Gilbert Hetherwick explains; Dvorak and Copland painted symphonic landscapes using melodies inspired by the Americana tradition, and Mark O'Connor actually comes from that tradition itself. He's lived it every day of his life. And you hear it in every note of his Americana Symphony. For the majority of his solo career, O'Connor has dedicated himself to composing for orchestra: he has written six full-length concertos, several orchestral suites and string orchestra compositions, and most recently his first Symphony.David Wallace, Juilliard School faculty member and Senior Teaching Artist with the New York Philharmonic, comments on the overall characteristics of O'Connor's music: The Americana Symphony combines historical narrative with classical and folk variation principles. The Symphony contains instrumental virtuosity, rhythmic drive, poignant lyricism, and probing counterpoint. With the Americana Symphony, Mark O'Connor provides his answer to a question that has intrigued U. S. composers since the debut of Dvorak's New World Symphony in 1892: How do you write the great American Symphony?William Intrilligator, artistic director of the Dubuque Symphony, conducted one of the first performances of the Americana Symphony: Very few pieces of new music have the same emotional and visceral effect as this Symphony, he writes. It has such power and beauty, and these traits are expressed in original ways that are pure O'Connor and truly American.Marin Alsop, artistic director of the Baltimore Symphony Orchestra and this recording's conductor of the Americana Symphony, calls the Symphony simply A hit! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2006 - 2007 Composed by Mark O’ConnorCommissioned by: Cabrillo Music Festival and Marin Alsop, Colorado Symphony, Dubuque Symphony, Fargo Moorhead Symphony, Fox Valley Symphony, Garrett Lakes Arts Festival, Greater Anderson Musical Arts Consortium, Imperial Symphony, Reading Symphony, Richmond Symphony, Rockford Symphony, Santa Fe Symphony, Springfield Symphony, Springfield Symphony, Symphony Silicon Valley, Youngstown Youth Symphony. Can be heard on Americana Symphony! OMAC RecordsBaltimore Symphony Orchestra, Marin Alsop
$40.00
36.24 €
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Orchestre
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Mark O'Connor
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Americana Symphony "Variations on Appalachia Waltz"
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Mark O'Connor Musik International
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SheetMusicPlus
Life On Mars
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1464081 By David Bowie. By Davi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1464081 By David Bowie. By David Bowie. Arranged by Kevin Riley. 20th Century,Pop. 42 pages. Kevin Riley #1042792. Published by Kevin Riley (A0.1464081). Life on Mars? is a song by the English singer-songwriter David Bowie, first released on his 1971 album Hunky Dory. Bowie wrote the song as a parody of Frank Sinatra's My Way. Life on Mars? was recorded on 6 August 1971 at Trident Studios in London, and was co-produced by Bowie and Ken Scott. Bowie's backing band consisted of guitarist and string arranger Mick Ronson, bassist Trevor Bolder, drummer Mick Woodmansey and Strawbs member Rick Wakeman on piano. Life on Mars? is primarily a glam rock ballad, with elements of cabaret and art rock; it has a complex structure that includes chord changes throughout. The lyrics are about a girl who goes to a cinema to escape reality, and include surreal images that reflect optimism and the effects of Hollywood.At the height of Bowie's fame as Ziggy Stardust, RCA Records issued Life on Mars? as a single on 22 June 1973 in the United Kingdom, where it peaked at number three. To promote the single, photographer Mick Rockfilmed a video that shows Bowie in make-up and a turquoise suit singing the song against a white backdrop. Bowie frequently performed Life on Mars? during his concerts and the song has appeared on numerous compilation albums. Scott remixed the song in 2003 and 2016, the latter being a stripped down mix.Life on Mars? is considered by commentators as one of Bowie's greatest songs, and one of the best songs of all time. Critics have praised Bowie's vocal performance and growth as a songwriter. The song's title was given to the British television series Life on Mars, and films and other television programmes have included Life on Mars?. Artists including Barbra Streisand, and Nine Inch Nails members Trent Reznor and Atticus Ross, have recorded cover versions of the song; and following Bowie's death in 2016, Life on Mars? was frequently chosen as a tribute to the artist.
$70.00
63.41 €
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Orchestre
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David Bowie
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Kevin Riley
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Life On Mars
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Kevin Riley
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SheetMusicPlus
Haydn's Sonata in E Minor
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1152147 By Fabio Henrique Teles…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Martins. Classical. Score and Parts. 104 pages. Fabio Dentello #752360. Published by Fabio Dentello (A0.1152147). Being one of his most elegant piano sonatas, the sonata in E minor (Hob. XVI: 34) can give us various feelings during its movements. It has a beautiful Adagio and a slight Molto Vivace as a Finale in Rondo form. This piece as said was thought of as a solo Piano Sonata, but the moment I heard it for the first time (on 12/18/2022, and yes, it was precisely on that day, because, I made the decision to start orchestrating it on the next day, the 19th) the idea of orchestrating it came to me because at least for me, it could sound like a beautiful symphony, even if it is very brief. I was extremely satisfied with the results, unfortunately with certain limitations of the VST I use (BBCSO pro) certain excerpts sound a little unrealistic, however, I have great esteem with the result. This orchestration/arrangement can be compared almost faithfully with the original, of course with several additions of voices and certain modifications to adapt it to the context of the orchestra, I tried to be as faithful as possible with Haydn's orchestral language, I am a great admirer of his vast work, and as I am also a classical/romantic composer, I learned a lot from him. I hope you enjoy this work as much as I enjoyed composing it!!
$150.00
135.88 €
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Orchestre
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Haydn's Sonata in E Minor
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Fabio Dentello
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.12 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathan…
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Full Orchestra - Level 4 - Digital Download SKU: A0.730401 Composed by James Nathaniel Holland. Contemporary,Musical/Show,Opera. Score and parts. 37 pages. James Nathaniel Holland #3142471. Published by James Nathaniel Holland (A0.730401). Tenor Aria From the Hillside from the 21st Century Opera ON THE WINGS OF THE SCARLET MESSENGER (Based on the Henry James novel, On the Wings of a Dove) here with full orchestral accompaniment. (Full score in concert pitch, voice, and individual parts included) This accompaniment can also be used with the solo and male ensemble that is contained in the full vocal score.Instrumentation: pic, fl12,ob12,eh,cl12,bcl,tenor sax, bsn12,hrn1234, trpt 12, trmb, btrm, timp, hand cym/egg shaker, hrp, voice, stringsDuration: 4:00 minutes (Sample here begins with extra measure) Video presentation at: https://www.youtube.com/watch?v=u47yb4kiE0Y Curious? Listen to the complete opera playlist en demo at: http://www.youtube.com/watch?v=Rr5x_aXnUMM&list=PLEcbVsA36MCvHG_MTBdv7x2UNjwG27sMa Adaptation, Libretto, and Music by James Nathaniel Holland Performance: James Nathaniel Holland, Tenor Orchestra: CH Symphony Group (Complete Duration: 2 hours) BRIEF SYNOPSIS: In the urban capital of Soon Rafa, lovers Mariana (Soprano) and Kai (Bass) cannot be together because of Mariana's disapproving wealthy Aunt (Mezzo-Soprano). Torn between love and financial security, an unlikely opportunity arises when a dying rich Occidental, Justin (Tenor) reveals his romantic interest in Kai. The couple plot a pretense to inherit Justin's money and be free to marry and live together. This aria occurs in Act I, Scene 2. Justin (tenor) has just hired a group of porters, including Kai (bass), to guide him through the jungles of the island to photograph the mythical bird, the Scarlet Messenger. Although the men insist it is a legend, Justin inspires them to persevere with him. Aria Libretto, Justin (tenor singing): From the hillside, something breaks free. Is it real? Or just illusion? Oh how I have to see you, feel that beauty. Upon your wings our souls must one day fly to heaven. Never doubt that you can find him, hiding among your dreams. For when you feel all hope is gone, that's when you spot his red wings, fiery bright. (to the group of porters) So come with me, all's not in vain. It is real, just not illusion. The day is fading fast, oh, so quickly. We'll be the first to see that blazing path of fire. The Scarlet Messenger! Oh how that would be the greatest gift of my life. Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html Music, Lyrics, Performance Copyright 2017 James Nathaniel Holland.
$15.95
14.45 €
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Orchestre
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James Nathaniel Holland
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From the Hillside, Aria for Tenor with Orchestral Accompaniment from On the Wings of the Scarlet Mes
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James Nathaniel Holland
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SheetMusicPlus
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