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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
It Latin
Non classifié
632
Piano & claviers
Piano seul
431
Piano, Voix
142
Piano, Voix et Guitare
126
Instruments en Do
101
Piano Facile
98
Accompagnement Piano
59
Piano (partie séparée)
18
Orgue
16
1 Piano, 4 mains
16
2 Pianos, 4 mains
11
Piano Trio: piano, violon, violoncelle
9
Clavecin
8
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
3
Accordéon
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Guitare
139
Ligne De Mélodie, (Paroles) et Accords
49
Guitare notes et tablatures
44
Guitare (partie séparée)
39
Paroles et Accords
6
2 Guitares (duo)
5
Basse electrique
4
Ukulele
4
Mandoline
4
Ensemble de guitares
3
Banjo
2
4 Guitares (Quatuor)
2
3 Guitares (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
315
Chorale 3 parties
61
Chorale TTBB
36
Chorale 2 parties
34
Chorale Unison
30
Chorale SSAA
26
Voix Tenor, Piano
18
Voix Soprano, Piano
12
Voix Alto, Piano
7
Voix haute
7
Voix duo, Piano
5
Chorale SSAATTBB
5
Voix Tenor
4
Voix moyenne, Piano
3
Pack Instrumental pour Chorale
3
Voix duo
3
Soli, choeur mixte et accompagnement
2
Voix Baryton, Piano
2
Chorale SSATTB
1
Voix basse, Piano
1
Chorale SSATB
1
Chorale SSAB, Piano
1
Voix Soprano
1
Voix seule
1
+ 19 instrumentations
Retracter
Vents
Saxophone (partie séparée)
134
Flûte traversière
59
2 Saxophones (duo)
56
Quatuor de Saxophones: 4 saxophones
56
Saxophone Alto
51
Flûte traversière et Piano
50
Saxophone Tenor
45
2 Flûtes traversières (duo)
41
2 Clarinettes (duo)
31
Quatuor de Clarinettes: 4 clarinettes
30
Clarinette et Piano
29
Saxophone Alto et Piano
26
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
25
Hautbois, Piano (duo)
23
Quatuor de Flûtes : 4 flûtes
20
Flûte, Hautbois, Clarinette, Basson
19
Clarinette
19
Saxophone Tenor et Piano
19
Flute (partie séparée)
19
Saxophone, Clarinette (duo)
18
Flûte et Guitare
17
Clarinette, Trompette (duo)
15
Clarinette (partie séparée)
15
Hautbois (partie séparée)
14
Clarinette, Violon (duo)
13
Flûte, Clarinette (duo)
12
Ensemble de Clarinettes
12
Quintette de Saxophone: 5 saxophones
12
Quintette de Clarinettes: 5 clarinettes
9
3 Saxophones (trio)
9
Saxophone Soprano et Piano
9
Flûte, Violon
8
Ensemble de saxophones
8
Flûte, Saxophone (duo)
7
2 Hautbois (duo)
7
Clarinette et Alto
7
Hautbois, Clarinette (duo)
7
Flûte, Trompette (duo)
6
Ensemble de Flûtes
6
Hautbois, Basson (duo)
6
Clarinette, Guitare (duo)
5
Hautbois, Flûte
5
Flûte, Alto (duo)
4
Clarinette, Basson (duo)
4
Saxophone Baryton, Piano
4
Quintette de Flûte : 5 flûtes
4
Cor anglais, Piano
4
Flûte à bec Soprano
3
3 Clarinettes (trio)
3
2 Flûte à bec (duo)
3
Flûte, Hautbois (duo)
3
Flûte, Violon et Violoncelle
2
Saxophone Soprano
2
Clarinette Basse, Piano
2
Trio de Flûtes: 3 flûtes
2
Saxophone
2
3 Flûtes à bec (trio)
2
2 Saxophones, Piano
2
Saxophone et Harpe
2
Hautbois, violon (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte, Violon, Piano
1
Cor Anglais
1
Instruments en Mib
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle
1
Flûte, Clarinette et Basson
1
5 Flûtes à bec
1
Hautbois, Guitare (duo)
1
Cor anglais, Guitare (duo)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone Baryton
1
Hautbois, Harpe
1
Flûte à bec Alto
1
Flûte à Bec
1
Piccolo
1
Flûte, alto et harpe
1
Quatuor de Flûtes à bec
1
2 Flûtes traversières, Piano
1
+ 75 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
99
Trompette (partie séparée)
82
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
62
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Trompette
49
Trombone
37
Trompette, Piano
30
Trombone et Piano
28
Cor (partie séparée)
16
Tuba (partie séparée)
15
Cor et Piano
13
Trompette, Saxophone (duo)
12
Quatuor de cuivres: 4 trombones
12
Trompette, Trombone (duo)
11
Cor
9
Tuba et Piano
9
2 Trompettes (duo)
8
2 Trombones (duo)
8
Euphonium, Piano (duo)
8
Ensemble de Trombones
6
Trio de Cuivres
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trompettes
4
Cor anglais, Piano
4
Ensemble de Cors
3
2 Euphoniums et 2 Tubas
2
3 Trompettes (trio)
2
Quatuor de Cuivres
1
2 Tubas (duo)
1
Instruments en Sib
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
3 Tubas (trio)
1
Trompette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Ensemble de Trompettes
1
Trombone, Cor (duo)
1
Cor et Harpe
1
Cor anglais, Guitare (duo)
1
Trombone basse
1
Trompette, Euphonium (duo)
1
2 Cors (duo)
1
4 Tubas
1
Bass Clef Instruments
1
+ 41 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
134
Violon
65
Violon et Piano
45
Violoncelle
42
Violoncelle, Piano
30
Violon, Violoncelle (duo)
28
Contrebasse (partie séparée)
27
Alto, Piano
26
2 Violoncelles (duo)
21
Harpe
20
Alto seul
18
2 Harpes (duo)
17
Trio à Cordes: 2 violons, violoncelle
16
Trio à Cordes: violon, alto, violoncelle
15
2 Violons (duo)
12
Violon, Alto (duo)
12
Alto (partie séparée)
11
2 Altos (duo)
9
Violon (partie séparée)
9
Contrebasse, Piano (duo)
4
Harpe, Trombone (duo)
3
Contre Basse
3
Alto, Violoncelle (duo)
3
4 Violoncelles
2
Trio à cordes: 3 altos
2
Violon, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
2
Quintette à cordes: 2 violons, alto, violoncelle, basse
2
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
Violoncelle , Guitare (duo)
1
4 Contrebasses
1
Harpe, Violon (duo)
1
Harpe, Violoncelle (duo)
1
Quatuor à cordes : 4 altos
1
+ 31 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
252
Ensemble Jazz
246
Orchestre
84
Jazz combo
77
Orchestre à Cordes
52
Ensemble de cuivres
22
Orchestre de chambre
19
Batterie (partie séparée)
18
Ensemble de Percussions
16
Fanfare
15
Cloches
11
Batterie
8
Percussion (partie séparée)
6
Marimba
6
Ensemble d'École
3
Percussion
3
Vibraphone
2
Xylophone
2
Bongos
1
Conga
1
+ 15 instrumentations
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Instruments
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
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VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
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CHRISTIAN (contempor…
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ENFANTS : EVEIL - IN…
FILM - TV
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FUNK
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Note4Piano
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Vous avez sélectionné:
It Latin
Orchestre
Partitions à imprimer
84 partitions trouvées
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1
26
51
76
It Had Better Be Tonight
#
Orchestre
#
AVANCÉ
#
Michael Buble
#
Matt Amy
#
It Had Better Be Tonight
#
Matt Amy Music
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1412915 By Michael Buble. By Franco Migliacci, Henry Mancini, and Johnny Mercer. Arranged by Matt Amy. Contemporary,J...
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Full Orchestra - Level 5 - SKU: A0.1412915 By Michael Buble. By Franco Migliacci, Henry Mancini, and Johnny Mercer. Arranged by Matt Amy. Contemporary,Jazz,Latin,Pop. 130 pages. Matt Amy Music #994916. Published by Matt Amy Music (A0.1412915). Key: F# minorBPM: 220Style: LatinDuration: 3:04“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): It Had Better Be Tonight (MIDI)Instrumentation- Reed 1- Reed 2- Reed 3- Reed 4- Horn 1, 2- Trumpet 1, 2, 3- Trombone 1, 2- Voice- Piano- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion 1- Percussion 2 - Timpani- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
I Like It
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Workout Music
#
Daryl McKenzie
#
I Like It
#
Daryl McKenzie
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1146035 By Workout Music. By Manny Rodriguez and Tony Pabon. Arranged by Daryl McKenzie. Latin,Pop. Score and parts. ...
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Full Orchestra - Level 4 - SKU: A0.1146035 By Workout Music. By Manny Rodriguez and Tony Pabon. Arranged by Daryl McKenzie. Latin,Pop. Score and parts. 103 pages. Daryl McKenzie #746276. Published by Daryl McKenzie (A0.1146035). I Like It Like That is a song written by Tony Pabon and Manny Rodriguez. It was initially a hit for boogaloo musician Pete Rodriguez in 1967, and was one of the most influential boogaloo songs of the era. This arrangement based on a version by Girl group V5 on TV show X-factor, for Vocals with Pops Orchestra - Voice, Picc, 2Fl, 2Ob, 2Cl, BCl, Bsn, CBsn, 5Sax, 4Hn, 4Trpt, 4Trb, 3 Perc, Pno, Kbd(opt.), Gtr, Bass, Drums, Vln1, Vln2, Vla, Vcl, CB. Key of Fm More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
It's Impossible (somos Novios)
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Orchestre
#
INTERMÉDIAIRE
#
Elvis Presley
#
Chris Walden
#
It's Impossible
#
Chris Walden
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1105024 By Elvis Presley. By Armando Manzanero and Sid Wayne. Arranged by Chris Walden. Latin,Pop. Score and parts. 4...
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Full Orchestra - Level 3 - SKU: A0.1105024 By Elvis Presley. By Armando Manzanero and Sid Wayne. Arranged by Chris Walden. Latin,Pop. Score and parts. 41 pages. Chris Walden #708268. Published by Chris Walden (A0.1105024). For vocal and symphony orchestra plus rhythm section in the key of C. Duration: 76 BPM, 3'11. Instrumentation: 2 flutes, 1 engl. horn, 1 clarinet, 1 bass clarinet, 3 horns, percussion, harp, opt. backgr. vocals, guitar, piano, bass, drums, strings.
$65.00
Henry Mancini: It Had Better Be Tonight - full orchestra (full score)
#
Orchestre
#
INTERMÉDIAIRE
#
Jazz
#
Henry Mancini
#
Virtualsheetmusic
Instantly printable sheet music by Henry Mancini for full orchestra (full score) of MEDIUM skill level. / jazz,pop,film/tv,standards,movies,concert,latin,instructional,children...
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Instantly printable sheet music by Henry Mancini for full orchestra (full score) of MEDIUM skill level. / jazz,pop,film/tv,standards,movies,concert,latin,instructional,children
$8.99
Henry Mancini: It Had Better Be Tonight (COMPLETE) - full orchestra
#
Orchestre
#
INTERMÉDIAIRE
#
Jazz
#
Henry Mancini
#
Virtualsheetmusic
Instantly printable sheet music by Henry Mancini for full orchestra of MEDIUM skill level. / jazz,pop,film/tv,standards,movies,concert,latin,instructional,children...
(+)
Instantly printable sheet music by Henry Mancini for full orchestra of MEDIUM skill level. / jazz,pop,film/tv,standards,movies,concert,latin,instructional,children
$79.99
Kirby Shaw: Blame It On The Bossa Nova (complete set of parts) - orchestra/band
#
Orchestre
#
INTERMÉDIAIRE
#
Latin/Musique du monde
#
Kirby Shaw
#
Virtualsheetmusic
Instantly printable sheet music by Kirby Shaw for orchestra/band of MEDIUM skill level. / latin,concert
Instantly printable sheet music by Kirby Shaw for orchestra/band of MEDIUM skill level. / latin,concert
$32.99
David Sanborn: Bang Bang/I Like It (complete set of parts) - orchestra/band
#
Orchestre
#
INTERMÉDIAIRE
#
David Sanborn
#
Virtualsheetmusic
Instantly printable sheet music by David Sanborn for orchestra/band of MEDIUM skill level. / concert,latin
Instantly printable sheet music by David Sanborn for orchestra/band of MEDIUM skill level. / concert,latin
$32.99
Kirby Shaw: It's A Grand Night For Singing (complete set of parts) - orchestra/band
#
Orchestre
#
INTERMÉDIAIRE
#
Enfant
#
Kirby Shaw
#
Virtualsheetmusic
Instantly printable sheet music by Kirby Shaw for orchestra/band of MEDIUM skill level. / children,film/tv,latin,musical/show,standards,movies
Instantly printable sheet music by Kirby Shaw for orchestra/band of MEDIUM skill level. / children,film/tv,latin,musical/show,standards,movies
$32.99
Kirby Shaw: It's a Grand Night for Singing - orchestra/band (guitar)
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Orchestre
#
INTERMÉDIAIRE
#
Enfant
#
Kirby Shaw
#
Virtualsheetmusic
Instantly printable sheet music by Kirby Shaw for orchestra/band (guitar) of MEDIUM skill level. / children,film/tv,latin,musical/show,standards,movies...
(+)
Instantly printable sheet music by Kirby Shaw for orchestra/band (guitar) of MEDIUM skill level. / children,film/tv,latin,musical/show,standards,movies
$7.98
Kirby Shaw: It's a Grand Night for Singing - orchestra/band (drums)
#
Orchestre
#
INTERMÉDIAIRE
#
Enfant
#
Kirby Shaw
#
Virtualsheetmusic
Instantly printable sheet music by Kirby Shaw for orchestra/band (drums) of MEDIUM skill level. / children,film/tv,latin,musical/show,standards,movies
Instantly printable sheet music by Kirby Shaw for orchestra/band (drums) of MEDIUM skill level. / children,film/tv,latin,musical/show,standards,movies
$6.98
Kirby Shaw: It's a Grand Night for Singing - orchestra/band (tenor sax)
#
Orchestre
#
INTERMÉDIAIRE
#
Enfant
#
Kirby Shaw
#
Virtualsheetmusic
Instantly printable sheet music by Kirby Shaw for orchestra/band (tenor sax) of MEDIUM skill level. / children,film/tv,latin,musical/show,standards,movies...
(+)
Instantly printable sheet music by Kirby Shaw for orchestra/band (tenor sax) of MEDIUM skill level. / children,film/tv,latin,musical/show,standards,movies
$6.98
Palm Beach
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
William Pagan-Perez
#
Palm Beach
#
William Pagan-Perez
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1242325 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 106 pages. William Pagan-Perez #837636....
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Full Orchestra - Level 4 - SKU: A0.1242325 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 106 pages. William Pagan-Perez #837636. Published by William Pagan-Perez (A0.1242325). Palm Beach is a single-movement piece for an advanced youth orchestra (symphony orchestra) by composer William Pagán-Pérez. It was inspired by music by Yanni. Using the tradition of brass fanfares, the piece presents melodies and rhythms in an Afro-Latino style with montunos, mambos, and the 2-3 clave. Also, it has open repeats to improvise solos and percussion descargas..
$52.95
Donde Esta Santa Claus
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Orchestre
#
INTERMÉDIAIRE
#
Noël
#
Alvin Greiner, George Scheck,
#
John Hoesly
#
Donde Esta Santa Claus
#
PRS&B
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1353144 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holiday,L...
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Full Orchestra - Level 3 - SKU: A0.1353144 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holiday,Latin,Pop. 102 pages. PRS&B #937943. Published by PRS&B (A0.1353144). Dónde Está Santa Claus- for full orchestra is a playful and festive Christmas song that has delighted audiences for decades. Translating to Where is Santa Claus in English, this cheerful tune captures the excitement and curiosity surrounding Santa's whereabouts on Christmas Eve. The catchy melody and upbeat tempo of Donde está Santa Claus make it a fun and memorable for your audiences. Written for full orchestra with an extended percussion section (all of which are optional and could be played by members of the orchestra), this Latin tinged arrangement will be a welcomed addition to your holiday library. 1-2-2-2-bs. clar., 2-4-3-3-1-timp., vib or marmb., sl. bls., bong., clav., guiro., maras., drm set (or divided between two perc.), kybrd., hrp., str. Includes a condensed score. Intermediate level.
$80.00
Crux Fidelis
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Orchestre
#
DÉBUTANT
#
Musique Sacrée
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Luis Cardoso
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Crux Fidelis
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Luis Cardoso
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SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.1142768 Composed by Luis Cardoso. Children,Classical,Easter,Historic,Praise & Worship. Score and Parts. 271 pages. Lu...
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Full Orchestra - Level 1 - SKU: A0.1142768 Composed by Luis Cardoso. Children,Classical,Easter,Historic,Praise & Worship. Score and Parts. 271 pages. Luis Cardoso #743138. Published by Luis Cardoso (A0.1142768). Crux Fidelis is a sixteenth-century Latin religious text used in the creation and title of this cantata. It refers to Holy Week and the glorification of the Christian cross. The work has a simple and profound musical language, translating the text's message of redemption. The composition was made in 2022 for the various groups of students at the Conservatorio de Musica da Bairrada (Portugal). Includes Soprano singer soloist, Choir (Children's Choir - 2 voices, with optional 3 little choirs division), Guitar Ensemble in 4 voices, Percussion Ensemble with 2 lines, Orchestra - Flt12, Clrn, SaxATB, Trp, Trb, Timpani, Organ with Pedals, Strings. 32m. Very easy, for beginners or young musicians, but very powerful music.
$149.99
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
España Cañí - Pasodoble - Espana Cani
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Orchestre
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INTERMÉDIAIRE
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Pascual Marquina Narro
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Pablo Guerrero-MartÃn
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España Cañ&iacut
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Pablo Guerrero-MartÃn
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1211732 Composed by Pascual Marquina Narro. Arranged by Pablo Guerrero-MartÃn. Classical,Contest,Festival,Folk,Mar...
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Full Orchestra - Level 3 - SKU: A0.1211732 Composed by Pascual Marquina Narro. Arranged by Pablo Guerrero-MartÃn. Classical,Contest,Festival,Folk,March,Multicultural,World. Score and Parts. 51 pages. Pablo Guerrero-MartÃn #809346. Published by Pablo Guerrero-MartÃn (A0.1211732). España cañà (meaning Gypsy Spain in Spanish) is a famous instrumental Spanish piece of pasodoble music by Pascual Marquina Narro (1873–1948). The song was written around 1923 and first recorded in 1926. Its main refrain (eight bars of arpeggiated chords that go from E major to F major (with added 4 instead of 5) to G major and back) is arguably the best known snippet of Spanish music and is popular worldwide.Several arrangements of the tune are often used for the Latin Paso Doble dance (to the point that, among Latin dancers, it is known as the paso doble song as it is very commonly played in competition due to the common custom for the choreography to match the phrasing and accents of the music for the full effect of the dance). The song has also been used as the theme song for Pablo Sanchez in the Backyard Sports games.
$49.99
Reach
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Orchestre
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INTERMÉDIAIRE
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S Club 7
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Kevin Riley
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Reach
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1469378 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Kevin Riley. 21st Century,Pop. 68 pages. Kevin Rile...
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Full Orchestra - Level 3 - SKU: A0.1469378 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Kevin Riley. 21st Century,Pop. 68 pages. Kevin Riley #1047399. Published by Kevin Riley (A0.1469378). Reach is a song by English pop group S Club 7. Released as the lead single from their second studio album, 7 (2000), on 22 May 2000, it is an up-tempo track co-written by Cathy Dennis and Republicakeyboardist Andrew Todd.Reach debuted at number two on the UK Singles Chart and spent three weeks at its peak, unable to dislodge Sonique's It Feels So Good from number one. The song has sold 600,000 copies in the UK, allowing it to receive a platinum sales certification from the British Phonographic Industry (BPI). Reach was the theme tune to the second series of the group's CBBC series, L.A. 7.
$60.00
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper.
$65.00
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Mexican law and custom
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Miguel Rios Toledano
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Joel Jacklich (ASCAP)
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Aires Nacionales Mexicanos, Op
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score a...
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Full Orchestra - Level 4 - SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11).
$25.00
Flauta Carioca (2000) for flute and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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2222-2221-timp-2perc-strings
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Flauta Carioca
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pa...
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Full Orchestra - Level 4 - SKU: A0.869354 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 88 pages. Thomas Oboe Lee #15873. Published by Thomas Oboe Lee (A0.869354). Instrumentation: solo flute & 2222-2221-timp-2perc-strings. Program note: I lived in São Paulo, Brazil, during my teenage years, from 1959 to 1966. Consequently, the samba and the bossa nova are forever engraved into my heart. So, when Larry Tamburri, Executive Director of the New Jersey Symphony Orchestra, proposed that I write a flute concerto for Bart Feller, principal flutist of the NJSO, he (Larry) thought it would be most appropriate if I wrote something inspired by my musical experiences in Brazil. The result is Flauta Carioca, literally meaning, flute in the manner of the people of Rio de Janeiro. The work is in three movements. The first is a chôro, an instrumental ensemble music that features a soloist that is often virtuosic when it is fast, and lyrical when it is slow. The second movement is a bossa nova. It features Bart on the alto flute and the music is very luscious and sexy. The listener can fantasize about Rio and the beach at Ipanema. The last movement begins with a slow introduction, a pastorale. Without a break, a forró enters in the strings, followed immediately by the percussion. Forró is party music, and this last movement is all about dancing. As a matter of fact, Bart wants to party all night ... The evening finally ends when someone turns the light out!!!Audio link: https://thomasoboelee.bandcamp.com/album/flauta-carioca-2000.
$9.99
Mozartina
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Orchestre
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AVANCÉ
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Otoniel Rojas
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Mozartina
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Otoniel Rojas
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Oto...
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Full Orchestra - Level 5 - SKU: A0.1302257 Composed by Otoniel Rojas. 20th Century,Classical,Historic,Latin,Traditional. Score and Parts. 119 pages. Otoniel Rojas #891863. Published by Otoniel Rojas (A0.1302257). Based on a traditional Merengue tune from Dominican Republic in a Rondó style a'la Mozart, combining Mozart's Jupiter symphony 35th 4-note theme.Originally commissioned by the 'Fundación Filarmónica del Cibao' in  1997. Mozartina is an effervescent overture that paints us a contemporary Mozart, exposed to the melodic and rhythmic resources of the Caribbean identity, fusing the style and spirit of the famous Austrian with a mixed of the rhythmic and harmonic developments of the last 200 years of musical development. The work is structured as Rondo ,taking as its theme the traditional merengue (a traditional Dominican dance) El jarro 'ta pichao using it as melodic material that integrates into many styles and orchestral techniques. The topic is presented in juxtaposition with the monumental melodic motif of the last movement of the symphony ' Jupiter ' . Sometimes we appreciate it as it is , sometimes in inverted or hidden among contrapuntistic passages in striped and woven into different instrumental colors and harmonic richness coated within countless melodic modulations or put into small pieces. The climax part suddenly surrounds us with the classic merengue, where the 'tambora' (traditional dominican percussion instrument) makes appearance and gives it its soul. Meanwhile, in the background we still can hear the theme of 'Jupiter'. There briefly we can discover a 'perico ripiao' (another traditional Dominican dance)with its typical melisma embodied by the horn, we finally get to a climax that concludes with a short cadenza of 'tambora' and the reitaration of the main merengue theme in unison. The work was commissioned in 1997 for the opening concert of the Philharmonic of Cibao and this time receives his first audition by the National Symphony Orchestra.
$9.99
Rejoice, the Lord Is King
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Charles Wesley
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Laird Halling
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Rejoice, the Lord Is King
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Laird Halling
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1396274 Composed by Charles Wesley. Arranged by Laird Halling. Christian,Easter,Funk,Latin,Praise and Worship. 69 pag...
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Full Orchestra - Level 4 - SKU: A0.1396274 Composed by Charles Wesley. Arranged by Laird Halling. Christian,Easter,Funk,Latin,Praise and Worship. 69 pages. Laird Halling #979663. Published by Laird Halling (A0.1396274). This is a cheerful syncopated rendition of the popular hymn Rejoice, the Lord Is King arranged for full orchestra. This makes a great prelude, offertory or special feature. It is nonseasonal but could be a great choice for Palm Sunday or Easter.Funky Latin brass and rhythm parts are contrasted by sweeping string and woodwind lines. The middle breakdown section showcases the rhythm and percussion, with an expanding pyramid of instruments. Your players will love playing this fun chart!
$74.99
Out Of This World
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Harold Arlen and Johnny Mercer
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Rich DeRosa
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Out Of This World
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Richard DeRosa
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1259382 Composed by Harold Arlen and Johnny Mercer. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwrite...
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Full Orchestra - Level 4 - SKU: A0.1259382 Composed by Harold Arlen and Johnny Mercer. Arranged by Rich DeRosa. Contemporary,Jazz,Latin,Singer/Songwriter,Standards. Score and Parts. 129 pages. Richard DeRosa #852657. Published by Richard DeRosa (A0.1259382). This dynamic arrangement is set in a driving Latin style (quasi-Samba with an Afro-Cuban feel during the bridge). It features a jazz soprano vocalist (range C4-F5) which can also be performed an 8ve lower to accommodate a tenor voice. Piano, electric guitar, electric bass, and drumset are the driving force for the orchestra.The demo recording features a short improvisation section with a piano solo but this expanded arrangement for full orchestra is designed to feature an electric guitarist. The solo section can linger until orchestral backgrounds are cued. With the extended improvisation, the performance time is approximately 5:00. Suited for intermediate to advanced performers.
$100.00
RAGING FURIES - Goettinnen der Rache
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der
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Fajora Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,...
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Full Orchestra - Level 4 - SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109...
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Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
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