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Jump - Snare Drum
Non classifié
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
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CHORALE - CHAN…
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Vous avez sélectionné:
Jump - Snare Drum
Orchestre
Partitions à imprimer
5 partitions trouvées
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Jump (For My Love)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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The Pointer Sisters
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Matt Amy
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Jump
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1415446 By The Pointer Sisters. By Gary Skardina, Marti Sharron, and Stephen Mitchell. Arranged by Matt Amy. Contempo...
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Full Orchestra - Level 4 - SKU: A0.1415446 By The Pointer Sisters. By Gary Skardina, Marti Sharron, and Stephen Mitchell. Arranged by Matt Amy. Contemporary,Disco,Funk,Pop. 121 pages. Matt Amy Music #997182. Published by Matt Amy Music (A0.1415446). Key: Ab majorBPM: 146Style: DiscoDuration: 3:56“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Jump (For My Love) (MIDI)Instrumentation- Reed 1- Reed 2- Reed 3- Horn 1, 2- Trumpet 1, 2, 3- Trombone- Voice- Piano- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00
Jump
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Van Halen
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Daryl McKenzie
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Jump
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1358936 By Van Halen. By Alex Van Halen, David Lee Roth, and Eddie Van Halen. Arranged by Daryl McKenzie. Contemporar...
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Full Orchestra - Level 4 - SKU: A0.1358936 By Van Halen. By Alex Van Halen, David Lee Roth, and Eddie Van Halen. Arranged by Daryl McKenzie. Contemporary,Pop,Rock. 135 pages. Daryl McKenzie #941727. Published by Daryl McKenzie (A0.1358936). Arranged in the style of Van Halen (Rock) for Vocal with Pops Orchestra (2Fl, 2Ob, Cl, BCl, 2Bsn, 5 Saxes, 4 Hns, 4 Trumpets, 4 Trombones, Tuba, Synth, Guitar, Bass, Drums, Tymps, 3 Percussion, Hp, Vln1,Vln2, Vla, Vcl,CB) Key of C Â Big Band arrangement also available on SMP: search HereDemo recording (Sibelius Sounds): Click HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Defying Gravity - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Stephen Lawrence Schwartz
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Stephan Langenberg
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Defying Gravity - Score Only
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Stephan Langenberg
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1291712 Composed by Stephen Lawrence Schwartz. Arranged by Stephan Langenberg. Broadway,Film/TV,Musical/Show,Pop,Rock...
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Full Orchestra - Level 4 - SKU: A0.1291712 Composed by Stephen Lawrence Schwartz. Arranged by Stephan Langenberg. Broadway,Film/TV,Musical/Show,Pop,Rock. 34 pages. Stephan Langenberg #882319. Published by Stephan Langenberg (A0.1291712). The Hit Song „Defying Gravity“ from the masterpiece Musical Wicked by Stephen Schwartz, we all know and love. Arranged for a Full Orchestra (Double Woodwinds). Pretty Detailed, has high precision in color and is arranged in the full length of both, the Duett and a Solo-version in the style of the Musical-Theater-Version to give you the choice. A must-have for your audience and next concert.Note: This arrangement is transposed one half-step lower than the original. The notes allow for a performance as a duet or with a single solo singer. You can also play this arrangement as a 'song' without dialogue parts. In this case, start at the Segno (bar 29) and jump from Coda (85) to Coda (131). This way, the song is fully playable and fits smoothly in terms of key signatures.This Arrangement adds Rock-instruments to your Orchestra! (Drumset, 2 electric Guitars, Bass, Piano, Keyboards)For further information, you are invited to visit my website: Don't miss any more publications and check out my other arrangements for this lineup!
$4.99
Surprise Symphony (Score & Parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Joseph Haydn
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Steven Klaus
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Surprise Symphony
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NiceChart
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.931996 Composed by Franz Joseph Haydn. Arranged by Steven Klaus. Classical. Score and parts. 56 pages. NiceChart #476...
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Full Orchestra - Level 4 - SKU: A0.931996 Composed by Franz Joseph Haydn. Arranged by Steven Klaus. Classical. Score and parts. 56 pages. NiceChart #4764607. Published by NiceChart (A0.931996). The first audience that heard this piece in London in 1792 undoubtedly jumped out of their seats at the loud surprise element they heard after being lulled by the quiet build up to it. This is the perfect choice to round out your program with a fun piece that will still catch any snoozing audience members off guard!Supplemental parts included for Piano, Guitar, Marimba, Bass Drum and Triangle/Tambourine.
$70.00
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