Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Just Dance - Percussion 1
Non classifié
87
Piano & claviers
Piano seul
35
Piano Facile
29
Piano, Voix et Guitare
8
Piano, Voix
5
1 Piano, 4 mains
4
2 Pianos, 4 mains
3
Orgue
2
Piano Trio: piano, violon, violoncelle
1
+ 3 instrumentations
Retracter
Guitares
Guitare
3
Guitare notes et tablatures
3
Basse electrique
2
Ligne De Mélodie, (Paroles) et Accords
1
Guitare (partie séparée)
1
Basse électrique (partie séparée)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
6
Chorale 2 parties
2
Chorale SSAA
2
Chorale 3 parties
1
Chorale TTBB
1
Vents
Flûte traversière
13
Clarinette
12
Saxophone (partie séparée)
7
Quatuor de Saxophones: 4 saxophones
6
Hautbois
5
Flûte, Hautbois, Clarinette, Basson
4
Quatuor de Flûtes : 4 flûtes
3
Saxophone Tenor
3
Saxophone Alto
3
Hautbois (partie séparée)
3
Clarinette (partie séparée)
3
Quatuor de Clarinettes: 4 clarinettes
2
2 Flûtes traversières (duo)
2
Ensemble de Clarinettes
2
Hautbois, Piano (duo)
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Ocarina
1
Clarinette Basse
1
Quintette de Flûte : 5 flûtes
1
Flute (partie séparée)
1
Clarinette et Piano
1
Flûte traversière et Piano
1
Flûte, Violon, Piano
1
Quatuor de Flûtes à bec
1
+ 19 instrumentations
Retracter
Cuivres
Cor
12
Trompette
11
Trombone
9
Tuba
6
Trompette (partie séparée)
5
Trombone et Piano
2
Trombone (partie séparée)
2
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Tuba (partie séparée)
2
Tuba ou Euphonium ou Saxhorn
1
+ 6 instrumentations
Retracter
Cordes
Violon
15
Violon et Piano
14
Violoncelle
12
Quatuor à cordes: 2 violons, alto, violoncelle
11
Alto seul
10
Trio à Cordes: violon, alto, violoncelle
6
2 Violoncelles (duo)
3
Alto, Piano
2
Quatuor à cordes: 4 violons
2
Alto (partie séparée)
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
2 Altos (duo)
1
2 Violons (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Basse continue
1
+ 11 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
32
Orchestre à Cordes
8
Orchestre
8
Batterie (partie séparée)
2
Cloches
2
Ensemble de cuivres
2
Fanfare
2
Batterie
1
Orchestre de chambre
1
Ensemble Jazz
1
+ 5 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
0
Partitions Numériques
8
Librairie Musicale
4
Matériel de Musique
930
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Just Dance - Percussion 1
Orchestre
Partitions à imprimer
8 partitions trouvées
<
1
Symphony No.1
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Han-Ki Kim
#
#
Symphony No.1
#
Han-Ki Kim
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-...
(+)
Full Orchestra - Level 4 - SKU: A0.511812 Composed by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and parts. 186 pages. Han-Ki Kim #6440929. Published by Han-Ki Kim (A0.511812). Symphony No.1 “KangKangSullae†Symphony No. 1 has the name “KangKangSullaeâ€, and the composer is like any other korean composer. “What does it mean to be Korean?†With the question, he is trying to compose such works. A Korean work means a work that contains Korean emotions and spirit, and the melody of “KangKangSullae†has been handed down through a long history to this day, so it can be said that it is a keepsake containing the soul of Korea. With this in mind, the theme of “KangKangSullae†was cited in the 4th movement, and it was named as a representative name for the Symphony as an element that forms the basic character of this movement.For reference, the origin of “KangKangSullae†is from women's circular dance. It was because they valued the relationship between each other. They held hands, sang and danced, and it was a representative event to commemorate the full moon and the harvest.The first movement is in 6/8 time, and two contrasting themes, masculine and feminine, appear in normal sonata form.The second movement crosses the natural harmonics of the violin and the normal playing method in 4/4 time, expressing oriental excellence and emotion.The third movement is composed in a short ABA form with a humorous lightness and weight in 3/8 time.The fourth movement quoted the theme of “Ganggangsullae†in 8/12 time, and was composed in the form of variations that change with various personalities, sometimes majestic, sometimes sobbing, calmly, etc.Attached Music file is only 1st. movement, it's just for a reference.
$45.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
#
Orchestre
#
Classique
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estamp
#
Arkady Leytush
#
SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
(+)
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
Dance of the Reed Pipes (Fantasia from Nutcracker) for School Orchestra
#
Orchestre
#
DÉBUTANT
#
Classique
#
Peter Ilyich Tchaikovsky
#
David Burndrett
#
Dance of the Reed Pipes
#
David Burndrett
#
SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.558672 Composed by Peter Ilyich Tchaikovsky. Arranged by David Burndrett. Romantic Period. Score and parts. 27 pages....
(+)
Full Orchestra - Level 1 - SKU: A0.558672 Composed by Peter Ilyich Tchaikovsky. Arranged by David Burndrett. Romantic Period. Score and parts. 27 pages. David Burndrett #4626225. Published by David Burndrett (A0.558672). This works well as a concert piece or just for fun!I have added an violin three part, which is the same as the viola part, if you do not have any viola players. I have also added an optional piano part.Download includes the score and all of the parts.
$14.95
Chinese Dance (Fantasia from Nutcracker) for School Orchestra
#
Orchestre
#
DÉBUTANT
#
Classique
#
Peter Ilyich Tchaikovsky
#
David Burndrett
#
Chinese Dance
#
David Burndrett
#
SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.558671 Composed by Peter Ilyich Tchaikovsky. Arranged by David Burndrett. Romantic Period. Score and parts. 27 pages....
(+)
Full Orchestra - Level 1 - SKU: A0.558671 Composed by Peter Ilyich Tchaikovsky. Arranged by David Burndrett. Romantic Period. Score and parts. 27 pages. David Burndrett #4624997. Published by David Burndrett (A0.558671). This works well as a concert piece or just for fun!I have added an violin three part, which is the same as the viola part, if you do not have any viola players. I have also added an optional piano part.Download includes the score and all of the parts.
$12.95
Country Dance for School Orchestra
#
Orchestre
#
DÉBUTANT
#
Classique
#
David Burndrett
#
Country Dance for School Orche
#
David Burndrett
#
SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.558508 Composed by David Burndrett. Baroque. Score and parts. 25 pages. David Burndrett #3423877. Published by David ...
(+)
Full Orchestra - Level 1 - SKU: A0.558508 Composed by David Burndrett. Baroque. Score and parts. 25 pages. David Burndrett #3423877. Published by David Burndrett (A0.558508). This works well as a concert piece or just for fun!As usual I have added a violin three part, which is the same as the viola part, if you do not have any viola players. I have also added an optional piano part.Download includes the score and all of the parts.
$12.95
Arabian Dance (Fantasia from Nutcracker) for School Orchestra
#
Orchestre
#
DÉBUTANT
#
Classique
#
Peter Ilyich Tchaikovsky
#
David Burndrett
#
Arabian Dance
#
David Burndrett
#
SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.558669 Composed by Peter Ilyich Tchaikovsky. Arranged by David Burndrett. Romantic Period. Score and parts. 27 pages....
(+)
Full Orchestra - Level 1 - SKU: A0.558669 Composed by Peter Ilyich Tchaikovsky. Arranged by David Burndrett. Romantic Period. Score and parts. 27 pages. David Burndrett #4623847. Published by David Burndrett (A0.558669). This works well as a concert piece or just for fun!I have added an violin three part, which is the same as the viola part, if you do not have any viola players. I have also added an optional piano part.Download includes the score and all of the parts.
$10.95
Laudatio Amadeus
#
Orchestre
#
INTERMÉDIAIRE
#
Elizabeth Skola Davis
#
Laudatio Amadeus
#
Elizabeth Ann Davis
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1459569 Composed by Elizabeth Skola Davis. Classical,Historic,Opera,Standards. 99 pages. Elizabeth Ann Davis #1038524...
(+)
Full Orchestra - Level 3 - SKU: A0.1459569 Composed by Elizabeth Skola Davis. Classical,Historic,Opera,Standards. 99 pages. Elizabeth Ann Davis #1038524. Published by Elizabeth Ann Davis (A0.1459569). The quadrille (a precursor to American square dancing) was a dance fashionable in late 18th- and 19th-century Europe and its colonies. It was usually performed by four pairs of dancers in a rectangular formation, and frequently danced to a medley of opera melodies. So, it turns out that a quadrille is just the 19th-century version of a mash-up! This Quadrille features excerpts from: Symphony #38 (Prague), the Impressario overture, Viennese Sonatina No. 1, Symphony #41 (Jupiter), Don Giovanni, Marriage of Figaro, March for Orchestra, KV 189, Queen of the Night aria from Magic Flute, Abduction from the Seraglio, Turkish March, and the finale from Symphony #29. The title comes from Laudatio which means commendation or praise, and Amadeus from Wolfgang Mozart's best known middle name.
$14.99
Divinum Mysterium
#
Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
12th Century Plainchant
#
Robert Myers
#
Oboe 1,2
#
Divinum Mysterium
#
WheatMyer Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
(+)
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Just Dance - Percussion 1
