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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
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Non classifié
421
PIANO & CLAVIERS
Piano seul
274
Piano Facile
153
Piano, Voix et Guitare
127
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85
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1 Piano, 4 mains
12
Orgue
9
Piano grosses notes
6
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4
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3
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1
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78
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10
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6
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6
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3
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2
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1
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60
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26
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17
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11
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7
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6
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4
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2
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2
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1
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1
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72
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61
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34
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30
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26
2 Clarinettes (duo)
26
Flûte traversière
25
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23
Clarinette, Violon (duo)
22
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20
Clarinette et Piano
20
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20
Clarinette, Trompette (duo)
18
2 Hautbois (duo)
16
Flûte, Clarinette (duo)
13
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13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Flûte, Violon
12
Saxophone Tenor et Piano
11
Saxophone Alto et Piano
11
Hautbois, Flûte
10
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10
Hautbois, Clarinette (duo)
10
Clarinette et Alto
10
Saxophone Tenor
9
Clarinette (partie séparée)
9
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8
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8
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7
Hautbois, Basson (duo)
7
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7
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7
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7
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5
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5
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4
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4
3 Clarinettes (trio)
4
Flûte à Bec
4
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3
Hautbois, Clarinette, Basson (trio d'anches)
3
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3
Flute (partie séparée)
3
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Harmonica
2
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2
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2
Clarinette, Violoncelle (duo)
2
Flûte à bec Soprano
2
Cor Anglais
2
Clarinette, Trombone (duo)
1
Saxophone Baryton
1
Quatuor de Flûtes à bec
1
Hautbois
1
Hautbois, Guitare (duo)
1
Flûte à bec Alto, Piano
1
Saxophone
1
Flute, harpe et violon
1
5 Flûtes à bec
1
Flûte à bec Alto
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Violon
1
Clarinette Basse
1
Ocarina
1
3 Saxophones (trio)
1
Flûte à bec Soprano, Piano
1
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Trompette
25
Trombone
22
Trompette, Saxophone (duo)
21
Trombone (partie séparée)
20
Cor
18
Trompette (partie séparée)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Tuba
15
Trompette, Trombone (duo)
14
Trombone et Piano
13
2 Trompettes (duo)
12
2 Trombones (duo)
10
Cor et Piano
9
Tuba et Piano
7
Trompette, Piano
7
Euphonium
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Cor (partie séparée)
5
Quatuor de Cuivres
5
Tuba (partie séparée)
5
Trompette, Cor (duo)
4
2 Cors (duo)
4
Cor anglais, Piano
4
Euphonium, Piano (duo)
3
2 Tubas (duo)
3
Cor Anglais
2
Quatuor de cuivres: 4 trompettes
1
Ensemble de Trompettes
1
Quatuor de cuivres: 4 trombones
1
Euphonium, Tuba (duo)
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Ensemble de Cors
1
Clarinette, Cor (duo)
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
107
Violon
42
Violon, Violoncelle (duo)
31
Violon et Piano
28
2 Violons (duo)
23
Violoncelle (partie séparée)
21
Alto seul
21
Violoncelle, Piano
18
Harpe
16
Violon, Alto (duo)
15
Alto, Piano
15
2 Altos (duo)
14
Trio à Cordes: violon, alto, violoncelle
13
2 Violoncelles (duo)
12
Alto (partie séparée)
10
Violoncelle
10
Contre Basse
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
Trio à Cordes: 2 violons, violoncelle
6
Contrebasse, Piano (duo)
6
Contrebasse (partie séparée)
6
Trio à cordes
5
Harpe, Voix
4
2 Harpes (duo)
4
Violon (partie séparée)
2
2 Contrebasses (duo)
2
Trio à Cordes: 3 violoncelles
1
Harpe et Piano
1
Alto, Violoncelle (duo)
1
Violon, Clarinette, Piano (trio)
1
Quatuor à cordes: 4 violons
1
Alto et Basson
1
Violon, Basson (duo)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
93
Orchestre
28
Ensemble Jazz
25
Orchestre à Cordes
14
Ensemble de cuivres
12
Fanfare
12
Batterie
11
Percussion (partie séparée)
7
Cloches
6
Jazz combo
5
Batterie (partie séparée)
4
Percussion
2
Timbales (partie séparée)
2
Marimba
2
Ensemble de Percussions
2
Vibraphone
1
Orchestre de chambre
1
Xylophone, Piano
1
Quintette à Vent
1
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AUTRES
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Just The Way You Are
Orchestre
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Where Eagles Dare (Theme) - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1402356 Composed by Ron Goodwin. Arranged by Chris Siddall. Film/TV. 33 pages. Chris Siddall Music Publishing #985569. Published by Chris Siddall Music Publishing (A0.1402356). While his scores for both 633 Squadron (1963) and Operation Crossbow (1965) had boasted patriotic, major-key themes celebrating the heroics of the protagonists, composer Ron Goodwin took a different approach for Where Eagles Dare, generating his main theme for the picture out of the initial notes of an ascending minor scale. Rather than celebrate the heroics of the screen characters, the title music embodies the single-minded ambition of the protagonists to infiltrate the mountain fortress of Schloss Adler and complete their mission, no matter what the costs. The composer recalled in a 1994 interview that some of this approach came from the filmâ??s director, Brian Hutton. For instance, he wanted music at the beginning of the film but he also wanted to hear the airplane engines approaching from the distance, which is actually why he started off with just the side drums playing quietly and then building up and getting louder, so that you could actually hear the sound of the airplane before the orchestra comes in. After the snare drum and the â??Aâ? section of the main title comes a melodically related fugal section that, the composer told Randall D. Larson in 1984, was an idea that arose from the â??concept of people following each other around and dodging away from each other...[which] gave me the idea of writing a sort of fugue-style theme...and then I used that in various ways for all the sort of creeping and following and chasing that was going on throughout the film.â?Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$14.99
13.76 €
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Orchestre
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Ron Goodwin
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Chris Siddall
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Where Eagles Dare
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Chris Siddall Music Publishing
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SheetMusicPlus
You Raise Me Up
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.1413785 By Josh Groban. By Bren…
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Full Orchestra - Level 2 - Digital Download SKU: A0.1413785 By Josh Groban. By Brendan Graham and Rolf Lovland. Arranged by Paul Lorenz. Broadway,Celtic,Christian,Irish,Musical/Show,Pop,Praise & Worship. 35 pages. Paul Lorenz #995571. Published by Paul Lorenz (A0.1413785). Elevate Your Performance with Josh Groban You Raise Me Up Sheet Music Discover the Ultimate Musical Experience At Paul Lorenz Music, we understand the power of a single piece to transform your musical journey. That's why we are thrilled to present the Josh Groban You Raise Me Up Sheet Music, a testament to our commitment to quality, innovation, and connection. This piece, a beacon of inspiration and emotion, is designed to meet the diverse needs of musicians, ensembles, orchestras, choirs, and creatives seeking to elevate their performances and resonate with audiences worldwide. Masterful Arrangements for Every Performer Our Josh Groban You Raise Me Up Sheet Music collection spans various arrangements, ensuring that every musician finds their perfect match. Whether you're searching for the piano sheet You Raise Me Up, longing for the stirring You Raise Me Up music score, or in need of the You Raise Me Up sheet music PDF, we've meticulously crafted each piece to cater to your artistic demands.For soloists and educators, the You Raise Me Up lead sheet PDF and You Raise Me Up easy piano sheet music provide accessible yet rich renditions. Meanwhile, ensembles and larger groups will find the You Raise Me Up choir sheet music arrangement, You Raise Me Up orchestra sheet music, and You Raise Me Up SATB to offer a comprehensive and immersive musical experience. Immerse Yourself in the Music Each note of the Josh Groban You Raise Me Up Sheet Music invites you into a world where melodies soar and emotions run deep. From the PDF You Raise Me Up to the finely detailed You Raise Me Up notes, every element of our sheet music is produced with the highest quality, echoing our collaboration with renowned musicians and world-class studios like Abbey Road in London. Transform Your Musical Expression Paul Lorenz Music stands at the intersection of tradition and innovation, bringing together top-trained talent and strong industry connections to offer the best quality worldwide. Our Josh Groban You Raise Me Up Sheet Music is not just notes on a page; it's an opportunity to connect with your audience on a profound level, appealing to both classical aficionados and the modern listener.Elevate your performance with Paul Lorenz Music. Experience the unparalleled beauty of Josh Groban You Raise Me Up Sheet Music and let it lift you and your audience to new heights of musical expression.
$149.99
137.73 €
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Orchestre
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Josh Groban
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Paul Lorenz
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You Raise Me Up
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Paul Lorenz
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
28.93 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.37 €
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Orchestre
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
You've Got To Hide Your Love Away
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John …
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Full Orchestra - Level 3 - Digital Download SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
55.1 €
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Orchestre
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The Beatles
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Javier MartÃnez Maya
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You've Got To Hide Your Love Away
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Arte Nova Music Lab
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SheetMusicPlus
Bruno Mars' Greatest Hits: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016902_F1 Flute. By Bruno M…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016902_F1 Flute. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016902_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016902_F1). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$3.00
2.75 €
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Orchestre
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Bruno Mars
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Victor Lopez
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Bruno Mars' Greatest Hits: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Bruno Mars' Greatest Hits: Timpani
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016902_TMP Timpani. By Brun…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016902_TMP Timpani. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016902_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016902_TMP). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$3.00
2.75 €
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Orchestre
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Bruno Mars
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Victor Lopez
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Bruno Mars' Greatest Hits: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Bruno Mars' Greatest Hits: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016902_B1 Bassoon. By Bruno…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016902_B1 Bassoon. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016902_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016902_B1). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$3.00
2.75 €
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Orchestre
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Bruno Mars
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Victor Lopez
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Bruno Mars' Greatest Hits: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Bruno Mars' Greatest Hits: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016902_VC1 Cello. By Bruno …
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Full Orchestra - Digital Download SKU: AX.00-PC-0016902_VC1 Cello. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0016902_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016902_VC1). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$3.00
2.75 €
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Orchestre
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Bruno Mars
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Victor Lopez
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Bruno Mars' Greatest Hits: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Bruno Mars' Greatest Hits: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016902_M1 Mallets. By Bruno…
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Full Orchestra - Digital Download SKU: AX.00-PC-0016902_M1 Mallets. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016902_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016902_M1). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$3.00
2.75 €
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Orchestre
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Bruno Mars
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Victor Lopez
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Bruno Mars' Greatest Hits: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Bruno Mars' Greatest Hits: Score
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PR-0005144 Score. By Bruno Mars…
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Full Orchestra - Digital Download SKU: AX.00-PR-0005144 Score. By Bruno Mars. By Bruno Mars. Arranged by Victor Lopez. Pop. Score. 28 pages. Alfred Music - Digital Sheet Music #00-PR-0005144. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005144). UPC: 038081496801.These songs are hot and kids know it! Loaded with hits this medley has all the ingredients necessary to engage students and audience. Don't miss this golden opportunity to program Just the Way You Are, When I Was Your Man, and, Locked Out of Heaven. Guaranteed to rock the house! (5:20).
$9.00
8.26 €
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Orchestre
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Bruno Mars
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Victor Lopez
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Bruno Mars' Greatest Hits: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Silver Threads Among The Gold
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1336407 By Amelita Galli-Curci,…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1336407 By Amelita Galli-Curci, Billy Vaughn, Bing Crosby, Chris Walden, Dick Curless, Janey Kirk, Jerry Lee Lewis, Jo Stafford, John McCormack, Maud Powell, Papa Bue's Viking Jazz Band, Red Nichols, Richard Jose, Sammy Rimington, Sidney Bechet, Slim Whitman, and etc. By Eben Eugene Rexford and Hart Pease Danks. Arranged by Javier Soria Laso. 19th Century,Classical,Standards. 18 pages. Javier Soria Laso #922205. Published by Javier Soria Laso (A0.1336407). The well-known 19th Century ballad written by Hank Pease Danks & Eben Eugene Rexford is still popular among the public, and as a testament of its popularity, it gets a majestic yet peaceful orchestral arrangement in this occasion even with a modern harmonization that yet still supports the tune. This arrangement features nice spots for flute, bassoon, English horn & clarinet as well as the French horn & string sections. The bass clarinet is also included in a duet with the bassoon [although in the original recording one of the French horns was in place of the bass clarinet]. This arrangement can be useful for opening or closing your concert as well as an interlude in a pacific way! About Digital DownloadsDigital Downloads are downloadable sheet music files that can be viewed directly on your computer, tablet or mobile device. Once you download your digital sheet music, you can view and print it at home, school, or anywhere you want to make music, and you dont have to be connected to the internet. Just purchase, download and play!PLEASE NOTE: Your Digital Download will have a watermark at the bottom of each page that will include your name, purchase date and number of copies purchased. You are only authorized to print the number of copies that you have purchased. You may not digitally distribute or print more copies than purchased for use (i.e., you may not print or digitally distribute individual copies to friends or students).
$5.99
5.5 €
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Orchestre
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Amelita Galli-Curci, Billy Vaughn, Bing Crosby, Chris Walden, Dick Curless, Janey Kirk, Jerry Lee Lewis, Jo Stafford, John McCormack, Maud Powell, Papa Bue's Viking Jazz Band, Red Nichols, Richard Jose, Sammy Rimington, Sidney Bechet, Slim Whitman, and etc
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Javier Soria Laso
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Silver Threads Among The Gold
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Javier Soria Laso
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SheetMusicPlus
Bruno Mars: Just The Way You Are (complete set of parts) - orchestra/band (Rhythm)
Orchestre
Instantly printable sheet music by Bruno Mars for orchestra/band (Rhythm) of MEDIUM skill …
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Instantly printable sheet music by Bruno Mars for orchestra/band (Rhythm) of MEDIUM skill level. / film/tv,pop,wedding,movies,festival,love
$19.99
18.36 €
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Orchestre
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Bruno Mars
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Virtualsheetmusic
Ari Levine: Just The Way You Are (COMPLETE) for orchestra
Orchestre
Instantly downloadable sheet music by Ari Levine for orchestra of MEDIUM skill level.
Instantly downloadable sheet music by Ari Levine for orchestra of MEDIUM skill level.
$36.99
33.97 €
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Orchestre
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Ari Levine
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Virtualsheetmusic
Love and Loss
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1015102 Composed by Dane Anthon…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1015102 Composed by Dane Anthony Madrigal. 20th Century,Contemporary. Score and Parts. 34 pages. Dane Anthony Madrigal #6487505. Published by Dane Anthony Madrigal (A0.1015102). Love and Loss is a work detailing a small love story of a young man from the early nineteen-sixties. There are two primary emotions that are implied just through the title. Therefore there are two prime areas of material that play with one another through a straight form. In this way, the listener can rest assured that love works out for this young fellow.The piece is meant to have a tone that sounds enchanting and well charmed. As the piece continues to evolve, it becomes clear that there is actually a chaotic and destructive nature in love. When trying to find peace in the chaos, there is only one way to resolve it, together.
$120.00
110.19 €
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Orchestre
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Dane Anthony Madrigal
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Love and Loss
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Dane Anthony Madrigal
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.96 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.96 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.96 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Brahms Sonata in F-minor, Opus 5, 5th movement, as a Symphony
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1282260 By Aere Greenway. By Jo…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1282260 By Aere Greenway. By Johannes Brahms. Arranged by Aere Greenway. Classical,Romantic Period. Score and Parts. 105 pages. Aere R Greenway #873570. Published by Aere R Greenway (A0.1282260). Brahms composed his piano sonata in F-minor, in 1853, at the age of 20. Â Markings in the piano music, such as 'like cello', or in another place 'like pizzicato', suggest he was thinking in orchestral terms. Â Indeed, the earliest sketches of his 1st symphony come from the year his sonata in F-minor was published. Â Yet he worked at least 14 years on his first symphony, finally publishing it in 1876, at age 43. Â What if Brahms had orchestrated his sonata in F-minor, opus 5, publishing it as his first symphony, in his youth, rather than at age 43? Â Attempting to answer that, I embarked on a big project, to orchestrate Brahms sonata in F-minor, into a symphony. Â And you can listen to it yourself, as the music of Brahms comes shining through, as a symphony that 'might have been'. Â Though the instrument choices and dynamics adjustments for orchestra are mine, the music is all Brahms. Â See what you think. Â This is the 5th movement, the Finale. Â The music of Brahms is a long-time favorite of symphony audiences, and this could be a hit with your audience, as well.
$47.97
44.05 €
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Orchestre
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Aere Greenway
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Aere Greenway
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Brahms Sonata in F-minor, Opus 5, 5th movement, as a Symphony
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Aere R Greenway
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.95 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
EP!C!!!
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wint…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
36.73 €
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Orchestre
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
La Línea de la Concepción "La Sinfonía del Silencio"
Orchestre
Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez …
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Full Orchestra - Level 1 - Digital Download SKU: A0.1365197 By Alicia DomÃnguez Arcos Sonay. By Alicia DomÃnguez Arcos. Arranged by Alicia DomÃnguez Arcos. Classical,Contemporary,Instructional,Multicultural,Traditional,World. 82 pages. Alicia Dominguez #949514. Published by Alicia Dominguez (A0.1365197). The charm lies in the fact that complete silence does not occur, where there is an audience you can hear the ambient sound: The sum of the breaths, the small movements, coughs... The sound qualities of the air itself and the reverberation of the room. The spectator suddenly discovers that the piece of music is composed of the sounds that surround him and of which he is not usually aware, including his own breathing, the beating of his heart or even the plaintive sound of his own shoes. In society, noise, as in this case, sound in music is present in our daily lives, forgetting to appreciate and the importance of silence. Silence does not have to give a feeling of fear. Appreciate silence, giving it that perception of inner peace and balance, equally linked to perseverance, that perseverance that occurs with music, with its constancy and persistence making it flow. Thus, just as each musical figure has its corresponding silence representing its same value and duration. Although the painter Pablo Picasso said that you have to learn the rules like a professional to be able to break them like an artist, reaffirming what Don Blas Infante, father of the Andalusian homeland (Spain), said: any paper on the ground must always be read , since any role can be important. Music scores and the time spent making them do not take the degree of value in human beings of this century. When they own it for themselves.https://youtu.be/GvEx1Bn2HS8?si=IW1ZUw1yFcJzz0uf
$7.00
6.43 €
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Orchestre
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Alicia DomÃnguez Arcos Sonay
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Alicia DomÃnguez Arcos
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La Línea de la Concepción "La Sinfonía del Silencio"
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Alicia Dominguez
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SheetMusicPlus
Running, Searching (for Orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.984543 Composed by Tito Abeleda…
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Full Orchestra - Level 5 - Digital Download SKU: A0.984543 Composed by Tito Abeleda. Contemporary. Score and parts. 72 pages. Visionary Quest Records #4794297. Published by Visionary Quest Records (A0.984543). Full Orchestra: Flutes 1-2, Oboe 1-2, Clarinet 1-2, Bassoon 1-2, Trumpet 1-2, Horn 1-2, Trombone 1-2, Timpani, Tom-Tom, Concert Bass Drum, Cymbal, Wood Blocks, Xylophone, Violin 1-2, Viola 1-2, Violoncello 1-2, ContrabassComposed by Tito Abeleda (1964 - ) Digital Download Music score plus parts = 72 PagesSometimes we need to run away. Sometimes we need to run towards something. Other times we are in need of searching for something important. Sometimes that search is frenetic or a matter of survival. Then there are those times we just need get away as quietly as possible. This encapsulates the essence of this piece Running, Searching (for Orchestra).Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$30.00
27.55 €
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Orchestre
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Tito Abeleda
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Running, Searching
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Visionary Quest Records
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SheetMusicPlus
Mini Concerto For Alex (School Orchestra Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297997 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical. Score and Parts. 71 pages. Geraldine (Denny) Green at Oakmountmusic #887901. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297997). ALL PURCHASES COME WITH SCORE AND PARTS1992 – The Mini Concerto For Alex, for solo cello (about grade 6 or 7) and school orchestra was commissioned in 1992 by Ibstock Place School for a talented young cellist, Alex Hunt, who was a student at the school at the time.  The Head of the school’s music department was Chris Artley, who was a marvelous support to me, throwing my way many wonderful opportunities or orchestrate for the Ibstock Place orchestra. The Mini Concerto For Alex is just one example. Chris is now a very successful composer living and working in New Zealand!Duration: approx. 10 minutes.In one movement, this piece is light in character and great fun for a school orchestra with a young, aspiring cellist.There are two Arrangements;No.1 – For Solo Cello and School Orchestra. Instrumentation as follows: 1st Flute2nd Flute1st Bflat Clarinet2nd Bflat Clarinet3rd Bflat Clarinet1st Alto Saxophone2nd Alto Saxophone1 Trumpet in Bflat2 TimpaniSide Drum(brushes and sticks)Sleigh BellsTambourineMaraccasCymbals(crash and suspended)TriangleWind ChimesGlockenspeilPianoKeyboard(strings and celesta sounds)*Solo CelloViolin 1Violin 2Violin 3ViolasCellosDoubles BassesNo.2 – For Solo Cello and PianoThere is a choice of 2 cadenzas: The first one is fairly easy and the second one is for the more advanced soloist. The one you hear below is the second, more advanced one. Both Cadenzas come with all arrangements.
$40.00
36.73 €
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Orchestre
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Geraldine
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Mini Concerto For Alex
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Geraldine
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
9.17 €
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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SheetMusicPlus
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