English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
10
Partitions
Numériques
36
Librairie
Musicale
115
Matériel
de Musique
978
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
584
PIANO & CLAVIERS
Piano seul
1191
Piano, Voix
487
Piano Facile
140
Accordéon
99
Piano, Voix et Guitare
88
Instruments en Do
59
Orgue
39
Accompagnement Piano
26
1 Piano, 4 mains
10
Piano Trio: piano, violon, violoncelle
8
2 Accordéons
4
Piano grosses notes
4
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
3
Piano (partie séparée)
2
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
345
Basse electrique
278
Guitare notes et tablatures
27
Ukulele
18
Ligne De Mélodie, (Paroles) et Accords
17
Mandoline
12
Ensemble de Ukulélés
6
2 Guitares (duo)
5
Piano, Guitare (duo)
5
Guitare (partie séparée)
2
Banjo
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Paroles et Accords
1
Instrumentations suivantes
Retracter
VOIX
Voix seule
454
Chorale SATB
217
Chorale 3 parties
62
Chorale 2 parties
55
Chorale SSAA
22
Chorale TTBB
19
Voix haute
13
Chorale
9
Chorale Unison
9
Voix Soprano, Piano
8
Voix duo, Piano
7
Voix duo
7
Voix Baryton, Piano
6
Voix moyenne, Piano
5
Voix Alto, Piano
4
Chorale SSAATTBB
2
Voix basse, Piano
2
Voix Soprano
1
Voix, Guitare
1
Voix basse
1
Chorale SSATB
1
Chorale SSAATB
1
Instrumentations suivantes
Retracter
VENTS
Saxophone
1183
Clarinette
448
Flûte traversière
443
Ocarina
278
Quatuor de Clarinettes: 4 clarinettes
58
Ensemble de Flûtes
53
Quatuor de Saxophones: 4 saxophones
52
Saxophone Alto
47
Ensemble de Clarinettes
45
Flûte à Bec
44
Saxophone Tenor
44
Flûte traversière et Piano
43
Saxophone Alto et Piano
41
Flûte, Hautbois, Clarinette, Basson
39
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Clarinette et Piano
36
Quintette de Saxophone: 5 saxophones
35
Quatuor de Flûtes : 4 flûtes
34
Ensemble de saxophones
28
2 Saxophones (duo)
28
Hautbois, Piano (duo)
25
Saxophone Tenor et Piano
21
Saxophone (partie séparée)
15
Hautbois (partie séparée)
15
2 Clarinettes (duo)
14
3 Clarinettes (trio)
12
2 Flûtes traversières (duo)
12
Saxophone Soprano et Piano
12
3 Saxophones (trio)
11
Flûte et Guitare
10
Clarinette (partie séparée)
9
Clarinette, Guitare (duo)
8
Quintette de Clarinettes: 5 clarinettes
8
Hautbois
7
Saxophone Baryton, Piano
7
Saxophone Soprano
6
Cor anglais, Piano
6
Cor anglais, Guitare (duo)
5
2 Hautbois (duo)
5
5 Flûtes à bec
4
Flûte, Hautbois, Basson
3
Flûte, Hautbois, Clarinette (trio)
3
Flute (partie séparée)
3
Saxophone, Clarinette (duo)
3
Quatuor de Flûtes à bec
3
Flûte, Clarinette et Basson
3
Trio de Flûtes: 3 flûtes
3
Saxophone et Guitare
3
Instruments en Mib
2
Hautbois, Basson (duo)
2
Clarinette, Violon (duo)
2
Flûte, Violoncelle
2
Clarinette, Trompette (duo)
2
Hautbois, Flûte
2
Clarinette Basse, Piano
2
Harmonica
2
Flûte à bec Soprano
1
Flûte à bec Alto
1
Flûte à Bec, Piano
1
Flûte, Trompette (duo)
1
Cor Anglais
1
Flûte, Violon et Violoncelle
1
Hautbois, Clarinette (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Guitare (duo)
1
Saxophone Baryton
1
Flûte à bec Soprano, Piano
1
Flûte à bec Tenor
1
Flûte, Clarinette (duo)
1
3 Hautbois
1
Clarinette et Alto
1
Quintette de Flûte : 5 flûtes
1
Flûte, Saxophone (duo)
1
Flûte, Hautbois (duo)
1
Flûte à bec Alto, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
426
Trombone
402
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
36
Trompette, Piano
27
Trombone et Piano
20
Cor
16
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Trompette (partie séparée)
12
Trombone (partie séparée)
11
Euphonium
10
Tuba
9
Cor et Piano
8
Tuba et Piano
6
Cor anglais, Piano
6
Cor anglais, Guitare (duo)
5
Cor (partie séparée)
4
Quatuor de Cuivres
4
Tuba (partie séparée)
4
Trompette, Saxophone (duo)
3
2 Trombones (duo)
3
Euphonium, Piano (duo)
3
2 Trompettes (duo)
3
Quatuor de cuivres: 4 cors
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Cors (duo)
2
Instruments en Sib
2
Bass Clef Instruments
2
Trompette, Trombone (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Tuba et Orgue
1
Cor Anglais
1
3 Trompettes (trio)
1
Trompette, Trombone, Piano
1
Ensemble de Trombones
1
Cor, Trompette, Trombone (trio)
1
Trompette, Cor (duo)
1
4 Tubas
1
2 Euphoniums (duo)
1
Trombone basse
1
Instrumentations suivantes
Retracter
CORDES
Violon
253
Violoncelle
230
Alto seul
198
Quatuor à cordes: 2 violons, alto, violoncelle
90
Violon et Piano
59
Violoncelle, Piano
43
Alto, Piano
43
Harpe
14
Violon, Violoncelle (duo)
14
2 Violoncelles (duo)
13
Contre Basse
13
2 Violons (duo)
12
Trio à Cordes: violon, alto, violoncelle
12
2 Altos (duo)
8
Alto (partie séparée)
7
Violon, Guitare (duo)
6
Violon (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 2 violons, alto
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse, Piano (duo)
4
Violon, Alto (duo)
4
4 Violoncelles
3
Violoncelle , Guitare (duo)
3
Alto, Violoncelle (duo)
3
Piano Trio: Violon, Alto, Piano
3
Contrebasse (partie séparée)
2
Trio à cordes: 3 violins
2
Violoncelle, Orgue
2
Alto, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
1
4 Contrebasses
1
2 Violons, Piano
1
2 Harpes (duo)
1
Violon, Orgue
1
Quatuor à cordes: 4 violons
1
Trio à cordes: 3 altos
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Batterie
285
Orchestre d'harmonie
172
Orchestre
36
Ensemble de cuivres
31
Orchestre à Cordes
23
Ensemble Jazz
15
Percussion (partie séparée)
7
Cloches
7
Orchestre de chambre
7
Fanfare
4
Marimba
3
Ensemble de Percussions
2
Percussion
2
Jazz combo
2
Batterie (partie séparée)
1
Xylophone, Piano
1
Xylophone
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
L Song
Orchestre
Partitions à imprimer
36 partitions trouvées
<
1
26
Canción Mixteca (Mixtec Song) Mexican Folk Song, For High Voice, Full Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.811495 Composed by José López Alave…
(+)
Full Orchestra - Digital Download SKU: A0.811495 Composed by José López Alavez. Arranged by Miguel Ãngel Barrera. Contemporary. Score and parts. 50 pages. Alfil #3547235. Published by Alfil (A0.811495). Beautiful Folk Song so called The Hymn of Immigrant.
$38.90
34.86 €
#
Orchestre
#
José López Alavez
#
Miguel Ãngel Barrera
#
Canción Mixteca
#
Alfil
#
SheetMusicPlus
Hymne A L'amour
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.772402 By Josh Groban. By Margu…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.772402 By Josh Groban. By Marguerite Monnot. Arranged by Amir Awad. Contemporary,Pop. Score and parts. 27 pages. Amir Awad #6451281. Published by Amir Awad (A0.772402). This is an arrangement for the song to Voice with Symphonic Orchestra2 Flutes + Piccolo2 Oboes2 Clarinets2 Bassoons2 Horn1 TromboneTimpaniTriangleCymbalHarpVoiceStrings.
$49.99
44.8 €
#
Orchestre
#
Josh Groban
#
Amir Awad
#
Hymne A L'amour
#
Amir Awad
#
SheetMusicPlus
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Orchestre
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debuss…
(+)
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.<br> <br> Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.<br> <br> The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.<br> <br> Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!<br>
$19.95
17.88 €
#
Orchestre
#
Claude Debussy/Robert Orledge
#
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
O Come, O Come Emmanuel – Full Orchestra and SATB Choir
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.888431 Composed by J M Neale. A…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.888431 Composed by J M Neale. Arranged by Noël Tredinnick. Christian,Christmas. Score and parts. 60 pages. All Souls Music Publishing #4838149. Published by All Souls Music Publishing (A0.888431). Enjoy the classic ‘O come, O Come, Emmanuel’ for full orchestra and SATB choir, taken from the fifteenth century plainsong melody and arranged by Conductor Emeritus of the All Souls Orchestra, Noël Tredinnick.
$60.00
53.77 €
#
Orchestre
#
J M Neale
#
Noël Tredinnick
#
O Come, O Come Emmanuel – Full Orchestra and SATB Choir
#
All Souls Music Publishing
#
SheetMusicPlus
Brazil
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1270201 By The Ritchie Family. …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1270201 By The Ritchie Family. By Ary Barroso and S.K. Russell. Arranged by Matthew Naughtin. 20th Century,Latin,Multicultural,Pop,World. Score and Parts. 117 pages. Matthew Naughtin #862632. Published by Matthew Naughtin (A0.1270201). On a stormy night in early 1939 Ary Barroso looked at a watercolor painting of a rainy landscape in his Rio de Janiero home and decided to stay home an write a song--in fact, he wrote two songs. The first, inspired by the painting, was Aquarela do Brasil ('Watercolor of Brazil'). He also wrote Três lágrimas ('Three Teardrops') that same night, before the rain ended. Aquarela do Brasil gained international fame after it was included in Walt Disney's 1942 cartoon Saludos Amigos, and became the first Brazilian song to be played over a million times on American radio in an English version by songwriter Bob Russell. The song's celebration of Brazil's great qualities marked the creation of a new patriotic genre within samba, known as samba-exaltação (exaltation samba). This rhythmically vibrant arrangement presents the song in all its joyous exhilaration. Score and all parts are included. The instrumentation: 2 Flutes (Fl. 2 d. Piccolo), 2 Oboes, 2 Clarinets in Bb (Cl. 2 d. Bass Clarinet), 2 Bassoons, 4 Horns, 2 Trumpets in Bb, 3 Trombones, Tuba, Timpani, 3 Percussion, Harp, Strings.
$150.00
134.43 €
#
Orchestre
#
The Ritchie Family
#
Matthew Naughtin
#
Brazil
#
Matthew Naughtin
#
SheetMusicPlus
What The World Needs Now Is Love
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1181952 By Jackie DeShannon. By…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1181952 By Jackie DeShannon. By Burt Bacharach and Hal David. Arranged by L.C. Harnsberger. 20th Century,Jazz,Pop,Rock,Singer/Songwriter. Score and Parts. 54 pages. LCH Music #781712. Published by LCH Music (A0.1181952). Burt Bacharach composed the hit song “What the World Needs Now is Love†in 1965 with lyricist Hal David. The song was first made popular by vocalist Jackie DeShannon, later performed by Dionne Warwick in 1966, and covered by numerous artists in the decades that followed. The song has been beautifully arranged for full orchestra by L. C. Harnsberger with inspiration from the original Bacharach orchestration. This arrangement is a perfect addition to any pops concert, and works especially well as a closer or encore.
$69.99
62.73 €
#
Orchestre
#
Jackie DeShannon
#
L
#
What The World Needs Now Is Love
#
LCH Music
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÃ…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
34.91 €
#
Orchestre
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, score only
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÃ…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
26.84 €
#
Orchestre
#
Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Swayfaring Stranger
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.834142 Composed by M. L. Daniel…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.834142 Composed by M. L. Daniels. 20th Century,Jazz. Score and parts. 57 pages. M. L. Daniels #14059. Published by M. L. Daniels (A0.834142). Swayfaring Stranger is a swinging version of the old spiritual song, I'm Just a Poor Wayfaring Stranger. It goes through 3 renditions of the tune with completely different orchestrations of each version. If you have a good jazz improvisation performer in the orchestra, he/she can improvise while playing with the orchestra, either throughout the entire piece or at any section(s) you should choose. We performed it with a jazz flutist, and it went over very well.
$25.00
22.41 €
#
Orchestre
#
M
#
Swayfaring Stranger
#
M. L. Daniels
#
SheetMusicPlus
Il Mondo
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1098339 Composed by Carlo Pes, …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1098339 Composed by Carlo Pes, Enrico Sbriccoli, Gianni Meccia, and Italo Greco. Arranged by Marek Czekala. Classical,Pop. Score and Parts. 33 pages. Marek Czekala #702208. Published by Marek Czekala (A0.1098339). Il Mondo ('The World') is a song composed by Carlo Pes, Lilli Greco, Gianni Meccia and Jimmy Fontana, and performed by Jimmy Fontana. Arrangements were from Ennio Morricone. The song premiered at the 1965 edition of Un disco per l'estate. The single peaked at first place for four weeks between July and October 1965 on the Italian hit parade. It was the most successful song of Fontana. (Wikipedia).
$69.00
61.84 €
#
Orchestre
#
Carlo Pes, Enrico Sbriccoli, Gianni Meccia, and Italo Greco
#
Marek Czekala
#
Il Mondo
#
Marek Czekala
#
SheetMusicPlus
Reach
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1469378 By S Club 7. By Andrew …
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1469378 By S Club 7. By Andrew Todd and Cathy Dennis. Arranged by Kevin Riley. 21st Century,Pop. 68 pages. Kevin Riley #1047399. Published by Kevin Riley (A0.1469378). Reach is a song by English pop group S Club 7. Released as the lead single from their second studio album, 7 (2000), on 22 May 2000, it is an up-tempo track co-written by Cathy Dennis and Republicakeyboardist Andrew Todd.Reach debuted at number two on the UK Singles Chart and spent three weeks at its peak, unable to dislodge Sonique's It Feels So Good from number one. The song has sold 600,000 copies in the UK, allowing it to receive a platinum sales certification from the British Phonographic Industry (BPI). Reach was the theme tune to the second series of the group's CBBC series, L.A. 7.
$60.00
53.77 €
#
Orchestre
#
S Club 7
#
Kevin Riley
#
Reach
#
Kevin Riley
#
SheetMusicPlus
TELL 'EM A WHOPPER (TELL 'EM A LIE)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.991705 Composed by MICHAEL L. R…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.991705 Composed by MICHAEL L. RICCIARDI AND JOHN D. NUGENT. Arranged by JOHN D. NUGENT. Broadway,Contemporary,Musical/Show. Score and parts. 14 pages. Creative Horizons Music Publishers (ASCAP) #3063131. Published by Creative Horizons Music Publishers (ASCAP) (A0.991705). A VERY FUN DUET NUMBER PERFECT FOR DUAL AUDITIONS. THIS COMEDY SONG IS FEATURED IN THE BROADWAY BOUND MUSICAL BROADWAY ANGELS' TWO VERY FAMOUS ARCHANGELS (MICHAEL AND GABRIEL NO LESS) HAVE BEEN TURNED INTO ORDINARY MORTALS BECAUSE THEY HAVE DOUBTED THE WISDOM OF GOD FINDING A SOLUTION TO THE PLIGHT OF A GROUP OF DOMINICAN NUNS BEING EVICTED FROM THEIR CONVENT BY A GREEDY EVIL CARDINAL WHO HAS SOLD HIS SOUL TO THE DEVIL. RECORDED AND SUNG HERE BY DISNEYLAND SINGER BILL LEWIS AND VOCALIST BRIAN MARTIN. SONG FOR TWO TENORS
$3.00
2.69 €
#
Orchestre
#
MICHAEL L
#
JOHN D
#
TELL 'EM A WHOPPER
#
Creative Horizons Music Publishers
#
SheetMusicPlus
Jésù ti dé o (Jesus has arrived)
Orchestre
Full Orchestra - Digital Download SKU: A0.1030263 Composed by Fr. Clement K Oyafemi…
(+)
Full Orchestra - Digital Download SKU: A0.1030263 Composed by Fr. Clement K Oyafemi. Arranged by Tolu Atoyebi. African,Christian,Christmas,Sacred,World. Score and parts. 7 pages. Clem Oyafemi #6168043. Published by Clem Oyafemi (A0.1030263). This is a very joyful and upbeat Christmas song on Yoruba Language. Written in September of 2020,this song is based on the Gospel of St. John 1:1-16. It is based on Christology from above, thus calling all humans to the essence of Christmas season. Let's go and adore him in Bethlehem (Ẹ wá ká lỠfiba fun). The beat is very joyful and the rhythm captivating. .
$4.99
4.47 €
#
Orchestre
#
Fr
#
Tolu Atoyebi
#
Jésù ti dé o
#
Clem Oyafemi
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.41 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.41 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.41 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
Nationalhymne von Rheinbergen (National Anthem of Rheinbergen) baritone and orchestra (with PARTS)
Orchestre
Large Ensemble Cello,Double Bass,Horn,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3…
(+)
Large Ensemble Cello,Double Bass,Horn,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - Level 3 - Digital Download SKU: A0.576336 Composed by David Warin Solomons. 20th Century,A Cappella,Contemporary,Multicultural,Patriotic,World. Score and parts. 20 pages. David Warin Solomons #17607. Published by David Warin Solomons (A0.576336). Video: https://youtu.be/ivz-fm1VpU8National anthem for the micronation of Rheinbergen (the length of the river Rhine). Words originally by the crown prince of Rheinbergen Gerard Conielje and tweaked by the composer. Very grand and rousing music. The pdf file contains score and parts and I have also added an optional baritone saxophone part which can stand in place of the vocal line.  The words are:  Die Quelle von Rheinbergen Liegt in den Alpen hoch Der Prinz von Fluß und Wellen Stammt aus dem Delta-Schoß Das Licht auf uns'ren Wässern leuchtet hell und klar So strahlen uns're Augen aus Herzens Stolz fürwahr. Lass den Gesang dem Fluss zulieb in allen Ländern wehen Zusammen sind wir wie der Strom dem keine widerstehen.  === ​Translation into English:  The source of Rheinbergen Lies high up in the alps The Prince of river and waves Stems from the lap of the Delta.  The lights on our waters shine bright and clear Like our eyes shine from Our proud hearts.  Let songs of love for our river wave over all nations Together we are like a stream ​That none can resist. The sound sample is the world premiere performed by Budapest Scoring and baritone Róbert RezsnyákThere are other versions available:Baritone and orchestra - Score onlyKaraoke (music minus one version (mp3) Unison choir and orchestraUnison Choir a cappellaHarmonized choir and orchestraHarmonized choir a cappella
$18.00
16.13 €
#
Orchestre
#
David Warin Solomons
#
Nationalhymne von Rheinbergen
#
David Warin Solomons
#
SheetMusicPlus
Journey to Grace (Elegy on "Amazing Grace")
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1494054 Composed by John Newton…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1494054 Composed by John Newton. Arranged by L.C. Harnsberger. Classical,Contemporary,Contest,Festival,Holiday,Spiritual. 40 pages. LCH Music #1070663. Published by LCH Music (A0.1494054). Few hymn tunes are as popular and moving as “Amazing Grace.” This timeless melody known as “New Britain” was adapted in 1835 to include the inspiring words written by John Newton in 1772. This arrangement holds personal significance, as it was written when my father was very ill—it was his favorite song, especially near the end of his life. The piece starts quietly with an introduction that gradually builds with brass fanfares and woodwind flourishes, emulating both the calm and struggles of youth. The somber mood continues as sustained drones support the iconic melody, echoing in the distance and symbolizing the complex journey of finding one’s path in life. A flowing, calm chromatic section represents a joyous period, which then abruptly shifts to a tumultuous descent. This resolves into a quiet and peaceful conclusion, reflecting ultimate resolution and acceptance. This touching piece will engage audiences and will be a welcome addition to any performance. (duration 4:15)
$69.99
62.73 €
#
Orchestre
#
John Newton
#
L
#
Journey to Grace
#
LCH Music
#
SheetMusicPlus
THERE'S EVIL IN THE HEART OF HER (ME)
Orchestre
Full Orchestra - Digital Download SKU: A0.991699 Composed by MICHAEL L. RICCIARDI A…
(+)
Full Orchestra - Digital Download SKU: A0.991699 Composed by MICHAEL L. RICCIARDI AND TIMOTHY C. DORAN. Arranged by TIMOTHY C. DORAN. Broadway,Children,Musical/Show. Score and parts. 15 pages. Creative Horizons Music Publishers (ASCAP) #3062539. Published by Creative Horizons Music Publishers (ASCAP) (A0.991699). A GREAT AUDITION SONG FROM THE BROADWAY BOUND MUSICAL THE TRAVELING COMPANION BASED ON THE FAIRY TALE BY HANS CHRISTIAN ANDERSEN, THE SAME AUTHOR WHO GAVE US THE LITTLE MERMAID AND FROZEN. ORCHESTRATED TRACK INCLUDED.
$4.00
3.58 €
#
Orchestre
#
MICHAEL L
#
TIMOTHY C
#
THERE'S EVIL IN THE HEART OF HER
#
Creative Horizons Music Publishers
#
SheetMusicPlus
A Touch of Jazz: 1st & 3rd F Horns
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_H13 1st & 3rd F Horns
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_H13 1st & 3rd F Horns. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_H13. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_H13). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
#
Orchestre
#
Jerry Brubaker
#
A Touch of Jazz: 1st & 3rd F Horns
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Touch of Jazz: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_M1 Mallets. Arranged…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_M1 Mallets. Arranged by Jerry Brubaker. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_M1). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
#
Orchestre
#
Jerry Brubaker
#
A Touch of Jazz: Mallets
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Touch of Jazz: Flute
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_F1 Flute. Arranged b…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_F1 Flute. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_F1). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
#
Orchestre
#
Jerry Brubaker
#
A Touch of Jazz: Flute
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Touch of Jazz: Drums
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_D Drums. Arranged by…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_D Drums. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_D). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
#
Orchestre
#
Jerry Brubaker
#
A Touch of Jazz: Drums
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Touch of Jazz: Cello
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_VC1 Cello. Arranged …
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_VC1 Cello. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_VC1). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
#
Orchestre
#
Jerry Brubaker
#
A Touch of Jazz: Cello
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
A Touch of Jazz: Bassoon
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_B1 Bassoon. Arranged…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0017094_B1 Bassoon. Arranged by Jerry Brubaker. Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0017094_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017094_B1). UPC: 029156998139.In the words of the great Duke Ellington, It don't mean a thing if it ain't got that swing. That song title is just one of the tasty morsels in this orchestral salute to the world of jazz. The medley just plain cooks when these other classics are added to the mix: The Swingin' Shepherd Blues, Round Midnight, Take Five, Li'l Darlin', C Jam Blues, and Cute! Cool, man! (5:45).
$3.00
2.69 €
#
Orchestre
#
Jerry Brubaker
#
A Touch of Jazz: Bassoon
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
