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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
La Bas
Non classifié
1 291
Piano & claviers
Accordéon
723
Piano seul
629
Piano, Voix
118
Piano Facile
82
Piano, Voix et Guitare
29
Orgue
26
Instruments en Do
19
1 Piano, 4 mains
8
2 Pianos, 4 mains
6
Accompagnement Piano
4
Piano grosses notes
2
Piano Trio: piano, violon, violoncelle
2
Ensemble d'Accordéons
1
Piano Quatuor: piano, violon, alto, violoncelle
1
2 Pianos, 8 mains
1
Orgue, Trompette (duo)
1
+ 11 instrumentations
Retracter
Guitares
Basse electrique
3 644
Guitare
59
Guitare notes et tablatures
59
Paroles et Accords
13
Ukulele
11
Ligne De Mélodie, (Paroles) et Accords
8
2 Guitares (duo)
7
4 Guitares (Quatuor)
4
Mandoline, Piano (duo)
2
Basse électrique (partie séparée)
2
Guitare, Violon, Violoncelle (trio)
1
Mandoline
1
Piano, Guitare (duo)
1
3 Guitares (trio)
1
Guitare Tab, Voix, Basse, Batterie
1
2 Dulcimers (duo)
1
Orchestre à Plectres
1
+ 12 instrumentations
Retracter
Voix
Voix seule
510
Chorale SATB
112
Voix basse, Piano
39
Chorale 3 parties
27
Pack Instrumental pour Chorale
12
Voix Baryton, Piano
11
Chorale TTBB
11
Chorale 2 parties
10
Chorale Unison
10
Chorale
9
Voix haute
8
Chorale SSAA
5
Voix duo, Piano
5
Voix et basse continue
4
Voix moyenne, Piano
4
Voix Soprano, Piano
3
Voix d'Enfants
3
Voix Alto, Piano
3
Voix basse
2
Voix haute, Piano
1
Voix duo
1
Voix Tenor, Piano
1
Chorale SAATB A Cappella
1
Chorale SATTB
1
+ 19 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
216
Flûte, Hautbois, Clarinette, Basson
124
Flûte traversière
104
Quatuor de Clarinettes: 4 clarinettes
71
Flûte à Bec
27
2 Clarinettes (duo)
25
Hautbois, Piano (duo)
21
2 Flûtes traversières (duo)
20
Clarinette
20
Flûte traversière et Piano
20
2 Saxophones (duo)
19
Clarinette (partie séparée)
19
Quatuor de Flûtes : 4 flûtes
19
Clarinette et Piano
16
Clarinette Basse, Piano
16
3 Clarinettes (trio)
15
Quatuor de Saxophones: 4 saxophones
15
Quintette de Saxophone: 5 saxophones
14
Ensemble de saxophones
13
Saxophone Alto
12
Saxophone Alto et Piano
12
Ensemble de Flûtes
11
Saxophone Tenor
10
Saxophone Tenor et Piano
10
Flûte à Bec, Piano
9
Flûte, Clarinette et Basson
9
Quintette de Clarinettes: 5 clarinettes
9
3 Saxophones (trio)
9
Saxophone Soprano et Piano
8
Saxophone
8
Flûte et Guitare
7
Flûte, Hautbois, Basson
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Hautbois, Basson (duo)
6
Quatuor de Flûtes à bec
6
Ensemble de Clarinettes
5
Trio de Flûtes: 3 flûtes
5
Saxophone Soprano
3
2 Flûte à bec (duo)
3
Ensemble De Flûte à bec
3
Clarinette, Guitare (duo)
3
3 Flûtes à bec (trio)
3
Flûte à bec Soprano
3
Clarinette, Violoncelle (duo)
2
2 Hautbois (duo)
2
Hautbois
2
Hautbois (partie séparée)
2
Instruments en Mib
2
Saxophone (partie séparée)
2
2 Cors Anglais Et Pianoforte
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Clarinette, Basson (duo)
2
Harmonica
1
2 Clarinettes, Basson
1
Clarinette, Orchestre
1
Hautbois, Violoncelle
1
Ocarina
1
Flûte à bec Soprano, Basse continue
1
Flûte, Basson et Piano
1
Flûte, Alto (duo)
1
Flûte traversière, Basse continue
1
2 Flûtes traversières, Piano
1
Clarinette Basse
1
Hautbois, Clarinette, Basson et Piano
1
Cor anglais, Piano
1
Flûte à bec Alto, Basse continue
1
Flûte, Violon, Piano
1
2 Clarinettes, Piano
1
Clarinette, Basson, Piano (trio)
1
Flûte, Violoncelle
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Alto
1
Cor anglais, Guitare (duo)
1
Clarinette, Trompette (duo)
1
Clarinette, Violon (duo)
1
Quintette de Flûte : 5 flûtes
1
Saxophone, Clarinette (duo)
1
2 Saxophones, Piano
1
+ 73 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
30
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trombone
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
20
Trompette
18
Trompette, Piano
15
Bass Clef Instruments
12
2 Euphoniums et 2 Tubas
11
2 Tubas (duo)
10
2 Trombones (duo)
10
Trombone et Piano
9
Trombone basse et Piano
7
Euphonium, Piano (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor
6
2 Cors (duo)
6
4 Tubas
6
Tuba et Piano
6
2 Trompettes (duo)
5
Cor et Piano
4
Tuba
4
Trompette (partie séparée)
3
Ensemble de Tubas
3
Ensemble de Trombones
3
Euphonium, Tuba (duo)
3
2 Euphoniums (duo)
3
Trombone basse
2
Quatuor de cuivres: 4 cors
2
Quatuor de Cuivres
2
Trombone (partie séparée)
2
Instruments en Sib
2
2 Cors Anglais Et Pianoforte
2
Trompette, Trombone (duo)
2
Tuba et Orgue
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Euphonium
1
Trompette, Trombone, Piano
1
3 Trombones (trio)
1
Cor anglais, Piano
1
Ensemble de Cors
1
Cor (partie séparée)
1
Cor anglais, Guitare (duo)
1
+ 37 instrumentations
Retracter
Cordes
Contre Basse
333
Violoncelle
144
Quatuor à cordes: 2 violons, alto, violoncelle
99
Contrebasse, Piano (duo)
55
Quintette à cordes: 2 violons, alto, violoncelle, basse
54
Contrebasse (partie séparée)
47
Violon
38
Violon et Piano
36
Harpe
24
Alto seul
17
Violon, Violoncelle (duo)
16
2 Violoncelles (duo)
16
Violoncelle, Piano
15
Alto, Piano
14
Trio à Cordes: violon, alto, violoncelle
13
2 Violons (duo)
8
Violon (partie séparée)
5
Alto (partie séparée)
5
2 Contrebasses (duo)
3
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Basse continue
3
Violon, Alto (duo)
3
Violon, Basse continue
2
Violon, Contrebasse (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Violons et Basse continue
2
2 Altos (duo)
2
Violon, Guitare (duo)
2
3 Contrebasses
2
Violon, Basson (duo)
2
Violoncelle , Guitare (duo)
2
Ensemble de Violoncelles
1
Harpe, Flûte (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
Violon, Orgue
1
4 Violoncelles
1
Violoncelle, Orchestre
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre
185
Orchestre d'harmonie
175
Orchestre à Cordes
70
Ensemble Jazz
51
Ensemble de cuivres
35
Batterie
28
Orchestre de chambre
16
Fanfare
14
Ensemble de Percussions
9
Jazz combo
8
Cloches
6
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Marimba
3
Batterie (partie séparée)
1
2 Marimbas
1
+ 10 instrumentations
Retracter
Autres
Théorie de la musique
8
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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EGLISE - SACRE
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FILM WALT DISNEY
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GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
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KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Partitions à imprimer
185 partitions trouvées
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176
La Passion, from Le Martyr de St. Sébastien for orchestra, score only - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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La Passion, from Le Martyr de
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1086964 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 17 pages. Musik Fab...
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Full Orchestra - Level 4 - SKU: A0.1086964 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 17 pages. Musik Fabrik Music Publishing #691154. Published by Musik Fabrik Music Publishing (A0.1086964). Scored for Pic31CA2clbs2/4121/timp/hp/strings. This piece is an unused movement, probably a first draft of ‘La Passion’, the third of the ‘Fragments symphoniques’ in Le Martyre de Saint Sébastien (1911). This anguished but beautiful piece was never performed during Debussy’s lifetime. This item is the score only. The parts are on rental from the publisher.
$13.95
Vivaldi : Concerto pour flûte n° 1 en fa majeur 'La tempesta di mare', RV 433 - I. Allegro (Basse continue)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Vivaldi
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Concerto pour flûte n° 1 en
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour flûte n° 1 en fa majeur 'La tempesta di mare', RV 433 - I. Allegro (Basse continue...
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Telechargez la partition Bands et Ensembles Concerto pour flûte n° 1 en fa majeur 'La tempesta di mare', RV 433 - I. Allegro (Basse continue) de Vivaldi. Partition pour Grand Ensemble -- Classique
5.99€
Vivaldi : Concerto pour flûte n° 1 en fa majeur 'La tempesta di mare', RV 433 - II. Largo (Basse continue)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Vivaldi
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Concerto pour flûte n° 1 en
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour flûte n° 1 en fa majeur 'La tempesta di mare', RV 433 - II. Largo (Basse continue)...
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Telechargez la partition Bands et Ensembles Concerto pour flûte n° 1 en fa majeur 'La tempesta di mare', RV 433 - II. Largo (Basse continue) de Vivaldi. Partition pour Grand Ensemble -- Classique
5.99€
Vivaldi : Concerto pour flûte n° 1 en fa majeur 'La tempesta di mare', RV 433 - III. Presto (Basse continue)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Vivaldi
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Concerto pour flûte n° 1 en
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour flûte n° 1 en fa majeur 'La tempesta di mare', RV 433 - III. Presto (Basse continu...
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Telechargez la partition Bands et Ensembles Concerto pour flûte n° 1 en fa majeur 'La tempesta di mare', RV 433 - III. Presto (Basse continue) de Vivaldi. Partition pour Grand Ensemble -- Classique
5.99€
Albeniz/Leytush – “La Vega”, (The Alhambra)
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Orchestre
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AVANCÉ
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Classique
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Isaac Albeniz
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A
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Albeniz/Leytush – &ldquo
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #6...
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Full Orchestra - Level 5 - SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
La People II
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Orchestre
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AVANCÉ
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Peso Pluma, Tito Double P, Joe
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Unknown
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La People II
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Clem & Jun Bascar
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1507919 By Peso Pluma, Tito Double P, Joel De La P. By Jesus Roberto Laijia Garcia and Joel Aleicarg Portillo Landero...
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Full Orchestra - Level 5 - SKU: A0.1507919 By Peso Pluma, Tito Double P, Joel De La P. By Jesus Roberto Laijia Garcia and Joel Aleicarg Portillo Landeros. Arranged by Unknown. 20th Century,A Cappella,Contemporary,Contest,Festival,Latin. 9 pages. Clem & Jun Bascar #1083196. Published by Clem & Jun Bascar (A0.1507919). Wonderful Latin music.
$49.99
L' heure de la Mort (for Orchestra with Cello Solo)
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Tito Abeleda
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L' heure de la Mort
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.984558 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 73 pages. Visionary Quest Records #57125...
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Full Orchestra - Level 3 - SKU: A0.984558 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 73 pages. Visionary Quest Records #5712563. Published by Visionary Quest Records (A0.984558). L' heure de la Mort means the hour of death. L’ heure de la Mort allows one to reflect and to contemplate about the sanctity of life. Musicians, young and seasoned, will find this piece easily accessible and enjoyable for learning and performing. Audiences will identify with the musical emotionality conveyed in this piece as it takes its listeners on a vivid epic journey filled with much pathos. L' heure de la Mort (for Orchestra with Cello Solo) was composed by Tito Abeleda (1964 - ). = 73 pages Level = Advanced IntermediateInstruments: Flute 1-2, Oboe, Clarinet 1-2, Bassoon1-2, Horn 1-4, Trumpet1-4, Trombone1-2, Timpani, Snare Drum, Bass Drum, Tubular Bells, Orchestral Bells, Cymbals, Piano, Violin 1-2, Viola 1-2, Violoncello Solo, Violoncello 1-2, ContrabassContact Tito for original compositions -Email: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesSpecial Thanks to Ivan Siarbolin - photographer for sheet music cover.
$40.00
Lindpaintner - La Chasse, Op.60 for 2 Horns with Orchestra
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Orchestre
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Classique
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Peter Joseph Von Lindpaintner
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J
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Lindpaintner - La Chasse, Op.6
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.1384368 Composed by Peter Joseph Von Lindpaintner. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. 160...
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Full Orchestra - SKU: A0.1384368 Composed by Peter Joseph Von Lindpaintner. Arranged by J.G. Cucó Barber. 19th Century,Classical,Romantic Period. 160 pages. J.G. Cuco Barber #968687. Published by J.G. Cuco Barber (A0.1384368). Work Title La ChasseAlternative Title pour Deux Cors avec OrchestreComposer Lindpaintner, Peter Joseph vonOpus/Catalogue Number Op.60Key E majorDedication Gugl, father and sonComposer Time Period RomanticPiece Style RomanticInstrumentation 2 horns, orchestraInstrDetail2 flutes, 2 clarinets, 2 bassoons, 2 Horns,2 trumpets, trombone, timpani, Bass drum, strings.
$45.00
Vivaldi : Concerto pour flûte n° 3 en ré majeur 'Il Gardellino', RV 428 (Basse continue)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Vivaldi
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Concerto pour flûte n° 3 en
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour flûte n° 3 en re majeur 'Il Gardellino', RV 428 (Basse continue) de Vivaldi. Parti...
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Telechargez la partition Bands et Ensembles Concerto pour flûte n° 3 en re majeur 'Il Gardellino', RV 428 (Basse continue) de Vivaldi. Partition pour Grand Ensemble -- Classique
11.99€
Vivaldi : Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 - III. Allegro (Basse continue)
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Orchestre
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FACILE
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Classique
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Vivaldi
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Concerto pour flûte n° 5 en
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 - III. Allegro (Basse continue) de Vivaldi. Par...
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Telechargez la partition Bands et Ensembles Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 - III. Allegro (Basse continue) de Vivaldi. Partition pour Grand Ensemble -- Classique
4.99€
Vivaldi : Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 (Basse continue)
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Orchestre
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FACILE
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Classique
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Vivaldi
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Concerto pour flûte n° 5 en
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 (Basse continue) de Vivaldi. Partition pour Ave...
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Telechargez la partition Bands et Ensembles Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 (Basse continue) de Vivaldi. Partition pour Avec accompagnement orchestre -- Classique
13.99€
Vivaldi : Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 - II. Largo cantabile (Basse continue)
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Orchestre
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FACILE
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Classique
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Vivaldi
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Concerto pour flûte n° 5 en
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 - II. Largo cantabile (Basse continue) de Vival...
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Telechargez la partition Bands et Ensembles Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 - II. Largo cantabile (Basse continue) de Vivaldi. Partition pour Grand Ensemble -- Classique
5.99€
Vivaldi : Concerto pour flûte n° 3 en ré majeur 'Il Gardellino', RV 428 - II. Cantabile (Basse continue)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Vivaldi
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Concerto pour flûte n° 3 en
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour flûte n° 3 en re majeur 'Il Gardellino', RV 428 - II. Cantabile (Basse continue) d...
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Telechargez la partition Bands et Ensembles Concerto pour flûte n° 3 en re majeur 'Il Gardellino', RV 428 - II. Cantabile (Basse continue) de Vivaldi. Partition pour Avec accompagnement orchestre -- Classique
4.99€
Vivaldi : Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 - I. Allegro non molto (Basse continue)
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Orchestre
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FACILE
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Classique
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Vivaldi
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Concerto pour flûte n° 5 en
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 - I. Allegro non molto (Basse continue) de Viva...
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Telechargez la partition Bands et Ensembles Concerto pour flûte n° 5 en fa majeur, Opus 10, RV 434/442 - I. Allegro non molto (Basse continue) de Vivaldi. Partition pour Grand Ensemble -- Classique
5.99€
Vivaldi : Concerto pour flûte n° 3 en ré majeur 'Il Gardellino', RV 428 - I. Allegro (Basse continue)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Vivaldi
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Concerto pour flûte n° 3 en
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour flûte n° 3 en re majeur 'Il Gardellino', RV 428 - I. Allegro (Basse continue) de V...
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Telechargez la partition Bands et Ensembles Concerto pour flûte n° 3 en re majeur 'Il Gardellino', RV 428 - I. Allegro (Basse continue) de Vivaldi. Partition pour Grand Ensemble -- Classique
5.99€
Vivaldi : Concerto pour flûte n° 3 en ré majeur 'Il Gardellino', RV 428 - III. Allegro (Basse continue)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Vivaldi
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Concerto pour flûte n° 3 en
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Tomplay
Telechargez la partition Bands et Ensembles Concerto pour flûte n° 3 en re majeur 'Il Gardellino', RV 428 - III. Allegro (Basse continue) de...
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Telechargez la partition Bands et Ensembles Concerto pour flûte n° 3 en re majeur 'Il Gardellino', RV 428 - III. Allegro (Basse continue) de Vivaldi. Partition pour Grand Ensemble -- Classique
5.99€
Grieg : Suite Holberg, Opus 40 - II. Sarabande (Basses)
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Orchestre
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INTERMÉDIAIRE
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Classique
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Grieg
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Suite Holberg, Opus 40
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Tomplay
Telechargez la partition Bands et Ensembles Suite Holberg, Opus 40 - II. Sarabande (Basses) de Grieg. Partition pour Grand Ensemble -- Classique...
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Telechargez la partition Bands et Ensembles Suite Holberg, Opus 40 - II. Sarabande (Basses) de Grieg. Partition pour Grand Ensemble -- Classique
5.99€
Grieg : Suite Holberg, Opus 40 - I. Praeludium (Basses)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Grieg
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Suite Holberg, Opus 40
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Tomplay
Telechargez la partition Bands et Ensembles Suite Holberg, Opus 40 - I. Praeludium (Basses) de Grieg. Partition pour Grand Ensemble -- Classique...
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Telechargez la partition Bands et Ensembles Suite Holberg, Opus 40 - I. Praeludium (Basses) de Grieg. Partition pour Grand Ensemble -- Classique
5.99€
La selva incantata
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Orchestre
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Hans Werner Henze
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La selva incantata
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Schott Music - Digital
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SheetMusicPlus
Orchestra - SKU: S9.Q3135 The Enchanted Forest. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study ...
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Orchestra - SKU: S9.Q3135 The Enchanted Forest. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 11 minutes. Schott Music - Digital #Q3135. Published by Schott Music - Digital (S9.Q3135). This music is taken from the second act of my early opera King Stag. In the original, the aria - here rescored for the orchestra alone - is sung by the protagonist (tenor) who yearns to return to the woods, to nature, to the origins of his animal existence. The rondo is set in a very fast dance tempo (a Tarantella?) and is in three parts: the first one is cheerful and comic, the second one lyrical, almost romantically so, whereas the third one is impetuous and dramatic. The music of both pieces has been considerably rewritten and altered, in harmonic, melodic and rhythmic aspects. - Hans Werner Henze2 (2. auch Picc.) * 2 (2. auch Engl. Hr.) * 2 (2. auch Bassklar.) * Altsax. * 2 (2. auch Kfg.) - 3 * 2 * 2 * 0 - P. S. (Trgl. * hg. Beck. * Beckenpaar * 3 Tomt. * 3 Bong. * Mil. Tr. * gr. Tr. [mit Beck.]) (2 Spieler) - Hfe. * Cel. * Klav. - Str.
$23.99
La Jornada/Din din din. Aguinaldo venezolano. Full intermediate-level orchestra. SCORE & PARTS
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Orchestre
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INTERMÉDIAIRE
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Tradicional
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Laura C
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La Jornada/Din din din. Aguina
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Laura Quijada
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1292788 Composed by Tradicional. Arranged by Laura C. Quijada OrtÃz. Children,Christmas,Folk,Latin,Multicultural,W...
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Full Orchestra - Level 3 - SKU: A0.1292788 Composed by Tradicional. Arranged by Laura C. Quijada OrtÃz. Children,Christmas,Folk,Latin,Multicultural,World. 60 pages. Laura Quijada #883329. Published by Laura Quijada (A0.1292788). Popular aguinaldo venezolano arreglado para full orquesta, nivel intermedio.Detalles:Sol MayorLa cuerda toca en primera posiciónLetra incluida al final del score, adaptado para acortar la duración del aguinaldoInstrumentación: flute, oboe, clarinet Bb, bassoon, horn in F, 2 trumpets in Bb, trombone, bass trombone, tuba, timpani, xylophone, triangle, stringsVisita mi IG para más: @lauraqmusic.
$45.00
La Donna é Mobile
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Luciano Pavarotti
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Matt Amy
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La Donna é Mobile
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1415447 By Luciano Pavarotti. By Giuseppe Verdi. Arranged by Matt Amy. Classical,Opera. 52 pages. Matt Amy Music #997...
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Full Orchestra - Level 4 - SKU: A0.1415447 By Luciano Pavarotti. By Giuseppe Verdi. Arranged by Matt Amy. Classical,Opera. 52 pages. Matt Amy Music #997183. Published by Matt Amy Music (A0.1415447). Key: A majorBPM: 78Style: AriaDuration: 1:42“ Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): La Donna é Mobile (MIDI)Instrumentation- Flute- Oboe- Clarinet- Bassoon- Horn 1, 2- Trumpet 1, 2- Trombone- Voice- Piano- Acoustic Bass (Rhythm Section)- Percussion- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$50.00
La mamma morta - Concert version with reduced wind section
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Umberto Giordano
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Patricio Cueto
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La mamma morta - Concert versi
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Patricio Cueto
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1313309 Composed by Umberto Giordano. Arranged by Patricio Cueto. Classical,Opera. 34 pages. Patricio Cueto #902098. ...
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Full Orchestra - Level 4 - SKU: A0.1313309 Composed by Umberto Giordano. Arranged by Patricio Cueto. Classical,Opera. 34 pages. Patricio Cueto #902098. Published by Patricio Cueto (A0.1313309). The aria La mamma morta from the opera Andrea Chénier in a concert version with a reduced wind section: Only 2 flutes (second doubles to piccolo), 2 oboes (no English horn needed), 2 Clarinets, 2 Bassoons, 2 Horns, Harp, Timpani and Strings.2.2.2.2.  2.0.0.0.  Tim. Harp, Strings.
$45.00
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