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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
La La
Non classifié
3 845
Piano & claviers
Piano seul
26 867
Accordéon
2 670
Piano, Voix
1 989
Piano, Voix et Guitare
1 155
Piano Facile
861
Instruments en Do
272
1 Piano, 4 mains
130
Orgue
126
Accompagnement Piano
81
2 Pianos, 4 mains
68
Piano grosses notes
52
Piano Trio: piano, violon, violoncelle
45
Piano (partie séparée)
15
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quintette: piano, 2 violons, alto, violoncelle
12
Clavier
8
Orgue, Trompette (duo)
6
Accordéon, Voix
6
Ensemble d'Accordéons
5
Clavecin
5
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Piano (duo)
4
Ligne De Mélodie, Piano
4
Accordéon et Orchestre
2
1 Piano, 6 mains
2
Instrument seul et Orgue
2
Fake Book
2
Accordéon, Piano
1
Accordéon, Corde(s)
1
2 Pianos, 8 mains
1
+ 25 instrumentations
Retracter
Guitares
Guitare
5 356
Basse electrique
3 642
Guitare notes et tablatures
1 561
Ukulele
464
Ligne De Mélodie, (Paroles) et Accords
253
Paroles et Accords
83
2 Guitares (duo)
75
4 Guitares (Quatuor)
41
Mandoline
33
Ensemble de guitares
24
Guitare (partie séparée)
19
3 Guitares (trio)
18
Banjo
16
Piano, Guitare (duo)
13
Dulcimer
6
Guitare, Orchestre
4
Ukulele Baryton
3
Basse électrique (partie séparée)
2
Ensemble de Ukulélés
2
Guitare, Violon, Violoncelle (trio)
2
Mandoline, Piano (duo)
2
Orchestre à Plectres
2
Guitare, Quatuor à cordes
1
Guitare Tab, Voix, Basse, Batterie
1
2 Dulcimers (duo)
1
Mandoline, Guitare (duo)
1
2 Guitares et Orchestre
1
Partitions De Groupes
1
+ 23 instrumentations
Retracter
Voix
Voix seule
5 871
Chorale SATB
667
Chorale 3 parties
247
Chorale 2 parties
106
Chorale TTBB
83
Chorale
69
Chorale SSAA
58
Voix Soprano, Piano
55
Voix Tenor, Piano
46
Chorale Unison
42
Voix basse, Piano
39
Pack Instrumental pour Chorale
34
Voix haute
31
Voix Baryton, Piano
25
Voix duo
24
Voix Alto, Piano
23
Voix duo, Piano
22
Voix Mezzo-Soprano, Piano
22
Voix, Guitare
8
Voix moyenne, Piano
7
Voix d'Enfants
6
Voix et basse continue
4
Voix Tenor
4
Chorale SSATB
2
Voix basse
2
Chorale SSAATTBB
2
Chorale SATTB
1
Voix haute, Piano
1
Voix Soprano
1
Chorale SSATTB
1
Chorale SSAB a cappella
1
Voix d'Enfants, Piano
1
Chorale SAATB A Cappella
1
Chorale SSAATB
1
Soli, choeur mixte et accompagnement
1
+ 30 instrumentations
Retracter
Vents
Saxophone
17 765
Flûte traversière
8 097
Clarinette
7 550
Saxophone Alto
1 435
Saxophone Tenor
1 369
Flûte à Bec
1 209
Hautbois
782
Saxophone Soprano
583
Flûte traversière et Piano
325
Clarinette et Piano
223
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
216
Saxophone (partie séparée)
215
Quatuor de Saxophones: 4 saxophones
189
Hautbois, Piano (duo)
188
Saxophone Alto et Piano
151
Quatuor de Clarinettes: 4 clarinettes
142
2 Saxophones (duo)
131
2 Flûtes traversières (duo)
131
Flûte, Hautbois, Clarinette, Basson
124
Saxophone Tenor et Piano
100
2 Clarinettes (duo)
90
Clarinette (partie séparée)
85
Hautbois (partie séparée)
78
Saxophone Soprano et Piano
71
Flûte et Guitare
67
Quatuor de Flûtes : 4 flûtes
62
Instruments en Mib
58
Quintette de Saxophone: 5 saxophones
56
Quatuor de Flûtes à bec
46
3 Saxophones (trio)
45
3 Clarinettes (trio)
39
Flute (partie séparée)
33
Ensemble de saxophones
33
Trio de Flûtes: 3 flûtes
31
Cor anglais, Piano
29
Saxophone Baryton, Piano
27
Ensemble de Clarinettes
23
Ensemble de Flûtes
22
2 Hautbois (duo)
22
Quintette de Clarinettes: 5 clarinettes
22
Ocarina
21
Clarinette Basse, Piano
16
Clarinette, Guitare (duo)
16
Harmonica
15
Flûte à Bec, Piano
12
2 Flûte à bec (duo)
11
Saxophone Baryton
11
Flûte à bec Soprano
11
Flûte à bec Soprano, Piano
10
Flûte, Violon, Piano
10
Flûte à bec Alto, Piano
10
Piccolo, Piano
9
Flûte, Clarinette et Basson
9
Cor Anglais
9
3 Flûtes à bec (trio)
9
Flûte à bec Alto
8
Clarinette, Violon (duo)
8
Flûte à bec Tenor
8
Flûte, Hautbois, Clarinette (trio)
8
Saxophone et Guitare
7
2 Saxophones, Piano
7
Ensemble De Flûte à bec
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte, Violon
6
Cor anglais et Harpe (duo)
6
Hautbois, Basson (duo)
6
Flûte, Clarinette (duo)
6
Flûte, Hautbois, Basson
6
3 Hautbois
5
Saxophone, Clarinette (duo)
5
2 Flûtes traversières, Piano
4
Harmonica, Piano
4
Flûte, Violoncelle, Guitare
4
Flûte à bec, Guitare (duo)
4
2 Cors Anglais Et Pianoforte
4
Flûte, Violoncelle, Piano (trio)
4
Clarinette, Trompette (duo)
4
Flûte, Violon et Violoncelle
4
Saxophone et Piano
3
Flûte, Alto (duo)
3
2 Clarinettes, Piano
3
Quintette de Flûte : 5 flûtes
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Clarinette, Piano (trio)
3
Hautbois, Flûte
3
Cor anglais, Guitare (duo)
3
Piccolo
3
Flûte, Alto et Violoncelle
2
Clarinette, Violoncelle (duo)
2
Clarinette, Basson (duo)
2
Hautbois, Clarinette (duo)
2
Clarinette, Orchestre
2
Flûte, Saxophone (duo)
2
Flute, harpe et violon
2
5 Flûtes à bec
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
2 Hautbois et Cor anglais
1
Hautbois, Clarinette, Basson et Piano
1
Saxophone et Orgue
1
Flûte, Basson et Piano
1
Ensemble à vent
1
Flûte à bec Soprano, Basse continue
1
Flûte, Alto et Piano
1
Flûte, Violoncelle
1
Hautbois et alto (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Violon, Guitare
1
Flûte traversière, Orgue (duo)
1
Flûte à bec Alto, Basse continue
1
Clarinette Basse
1
Hautbois, Violoncelle
1
Clarinette et Alto
1
2 Clarinettes, Basson
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Hautbois et Orchestre
1
Flûte traversière, Basse continue
1
Flûte, Trompette (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Hautbois (duo)
1
+ 115 instrumentations
Retracter
Cuivres
Trompette
6 651
Trombone
6 193
Cor
613
Euphonium
418
Tuba
389
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
241
Trompette, Piano
161
Trompette (partie séparée)
139
Quatuor de Cuivres : 2 trompettes, trombone, tuba
138
Trombone (partie séparée)
138
Trombone et Piano
112
Cor et Piano
109
Instruments en Sib
58
Tuba et Piano
56
2 Trompettes (duo)
52
Quatuor de Cuivres: 2 trompettes, Cor, trombone
44
2 Trombones (duo)
43
Ensemble de Trompettes
42
Cor (partie séparée)
42
Quatuor de cuivres: 4 trombones
42
Tuba (partie séparée)
34
Cor anglais, Piano
29
Euphonium, Piano (duo)
27
Quatuor de Cuivres
26
2 Cors (duo)
24
Quatuor de cuivres: 4 cors
16
Bass Clef Instruments
12
Ensemble de Trombones
11
2 Euphoniums et 2 Tubas
11
2 Tubas (duo)
10
Cor Anglais
9
Ensemble de Cors
8
Trompette, Trombone (duo)
8
4 Tubas
7
Trombone basse et Piano
7
Cor anglais et Harpe (duo)
6
Quatuor de cuivres: 4 trompettes
6
3 Trompettes (trio)
5
Trio de Cuivres
5
3 Trombones (trio)
4
2 Cors Anglais Et Pianoforte
4
Trompette, Saxophone (duo)
4
Trompette, Orchestre
3
Ensemble de Tubas
3
Tuba et Orgue
3
Trompette, Tuba (duo)
3
Trombone, Tuba (duo)
3
Instruments en Fa
3
Euphonium, Tuba (duo)
3
2 Euphoniums (duo)
3
Cor anglais, Guitare (duo)
3
Cor, Tuba (duo)
2
Tuba ou Euphonium ou Saxhorn
2
Trompette, Cor (duo)
2
Trombone basse
2
Trompette et Guitare
1
2 Trompettes, Clavier (piano ou orgue)
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Violoncelle et Piano
1
Cor, Violoncelle (duo)
1
Trompette, Trombone, Piano
1
Cor et Harpe
1
3 Cors (trio)
1
+ 59 instrumentations
Retracter
Cordes
Violon
4 699
Violoncelle
3 076
Alto seul
2 506
Quatuor à cordes: 2 violons, alto, violoncelle
952
Violon et Piano
473
Contre Basse
333
Violoncelle, Piano
243
Harpe
224
Alto, Piano
204
2 Violons (duo)
104
Violon (partie séparée)
101
Violon, Violoncelle (duo)
94
2 Violoncelles (duo)
86
Trio à Cordes: violon, alto, violoncelle
84
Quintette à cordes: 2 violons, alto, violoncelle, basse
57
Contrebasse, Piano (duo)
55
Alto (partie séparée)
49
Contrebasse (partie séparée)
47
4 Violoncelles
44
Violon, Alto (duo)
40
Trio à Cordes: 2 violons, violoncelle
37
2 Altos (duo)
32
Violoncelle , Guitare (duo)
28
Violon, Guitare (duo)
26
Violoncelle (partie séparée)
24
2 Violons, Piano
23
Trio à Cordes: 3 violoncelles
19
Alto, Violoncelle (duo)
18
Alto, Guitare (duo)
18
Trio à cordes: 3 violins
18
Trio à cordes
9
Piano Trio: Violon, Alto, Piano
9
Harpe, Flûte (duo)
9
Trio à cordes: 3 altos
8
Trio à Cordes: 2 violons, alto
5
2 Harpes (duo)
4
Quatuor à cordes: 4 violons
3
Harpe, Quatuor à cordes
3
2 Contrebasses (duo)
3
Violoncelle, Basse continue
3
Quatuor à cordes : 4 altos
3
Harpe, Violon (duo)
3
Violon, Basse continue
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Violoncelle, Orchestre
2
2 Violons et Basse continue
2
Violon, Contrebasse (duo)
2
Violon, Basson (duo)
2
3 Contrebasses
2
Violon, Clarinette, Piano (trio)
2
Ensemble de Violoncelles
2
2 Altos, Piano
2
2 Violoncelles, Piano
1
Harpe, Violoncelle (duo)
1
Harpe et Piano
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Harpe, Voix
1
Ensemble d'Altos
1
Violon, Orgue
1
Violoncelle, Contrebasse (duo)
1
Ensemble de Violons
1
+ 56 instrumentations
Retracter
Orchestre & Percussions
Batterie
6 281
Orchestre
1 581
Orchestre d'harmonie
747
Orchestre à Cordes
313
Ensemble Jazz
183
Percussion
160
Ensemble de cuivres
129
Fanfare
128
Orchestre de chambre
121
Percussion (partie séparée)
51
Ensemble de Percussions
33
Instrumentation Flexible
29
Cloches
19
Jazz combo
16
Batterie (partie séparée)
15
Timbales (partie séparée)
13
Marimba
10
Quintette à Vent
7
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Voix et Orchestre
3
Orchestre Symphonique
3
Big band
3
Vibraphone (partie séparée)
3
Quatuor à Vent : 4 instruments à vents
2
Xylophone
2
Xylophone, Piano
2
Marimba, Piano (duo)
2
Vibraphone
2
Quintette de Cuivres: autres combinaisons
1
2 Xylophones
1
2 Marimbas
1
Timbales
1
3 Percussions
1
+ 28 instrumentations
Retracter
Autres
Formation musicale - Solfège
131
Théorie de la musique
53
Instruments
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--INSTRUMENTS--
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1576
Albeniz/Leytush – “La Vega”, (The Alhambra)
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Orchestre
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AVANCÉ
#
Classique
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Isaac Albeniz
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A
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Albeniz/Leytush – &ldquo
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #6...
(+)
Full Orchestra - Level 5 - SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
La Pampa y la Puna - Para voz y orquesta
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Orchestre
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INTERMÉDIAIRE
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Carlos Valderrama
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Patricio Cueto
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La Pampa y la Puna - Para voz
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Patricio Cueto
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1447383 Composed by Carlos Valderrama. Arranged by Patricio Cueto. 20th Century,Classical,Latin,Romantic Period. 31 p...
(+)
Full Orchestra - Level 3 - SKU: A0.1447383 Composed by Carlos Valderrama. Arranged by Patricio Cueto. 20th Century,Classical,Latin,Romantic Period. 31 pages. Patricio Cueto #1027163. Published by Patricio Cueto (A0.1447383). La pampa y la puna, canción peruana de Carlos Valderrama para voz y orquesta en la tonalidad original para voz aguda (Soprano o. Tenor) 2.2.2.2. 2.2.1.0. Tim. Cuerdas.La pampa y la puna, Peruvian song by Carlos Valderrama for voice and orchestra in the original key for high voice (Soprano or Tenor) 2.2.2.2. 2.2.1.0. Tim. Strings.
$35.00
I. Albeniz -"La Vega", Symphonic Poem, Orchestrated by A. Leytush - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Isaac Albeniz
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A
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I. Albeniz -"La Vega", Symphon
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1378418 Composed by Isaac Albeniz. Arranged by A. Leytush. 19th Century. 98 pages. Arkady Leytush #963038. Published ...
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Full Orchestra - Level 4 - SKU: A0.1378418 Composed by Isaac Albeniz. Arranged by A. Leytush. 19th Century. 98 pages. Arkady Leytush #963038. Published by Arkady Leytush (A0.1378418). Albeniz completed only La Vega (on 26 January 1897) and the first 16 bars of Generalife. The score was written in piano solo format, and La Vega was later orchestrated. The orchestral version of La Vega was never published however, but the composer decided to publish the piano solo version after discarding the last three pages and writing a new, more developed version of the entire piece, with a reprise of the opening A section taking the place of the three discarded pages. This new expanded version was completed on 14 February 1897 and published that year. The piece lasts approximately 14 minutes. «La Vega» is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada.
$60.00
La Passerella Di Addio
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Nino Rota
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Flavio Regis Cunha
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La Passerella Di Addio
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1302948 Composed by Nino Rota. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional. S...
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Full Orchestra - Level 4 - SKU: A0.1302948 Composed by Nino Rota. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Film/TV,Instructional. Score and Parts. 166 pages. Flavio Regis Cunha #892557. Published by Flavio Regis Cunha (A0.1302948). 🎶 Unleash Your Orchestra's Potential with 'Otto e Mezzo for Orchestra'! 🎶Calling all maestros, musicians, and music aficionados! Elevate your performances to extraordinary heights with 'La Passerella Di Addio for Orchestra,' a magnum opus meticulously composed by the legendary Italian film composer, Nino Rota, and brilliantly arranged by the maestro Flavio Regis Cunha.✨ Why 'La Passerella Di Addio for Orchestra' Stands Apart: ✨🌟 Cinematic Grandeur: Immerse your audience in the captivating melodies that defined the golden era of Italian cinema. Nino Rota's timeless composition, brought to life by Flavio Regis Cunha, resonates with emotive richness, painting vivid musical landscapes that stir the soul.🌟 Unmatched Versatility: Break free from the constraints of standard ensemble formats! 'La Passerella Di Addio for Orchestra' is a musical chameleon, seamlessly adapting to the unique dynamics of school orchestras, and professional ensembles. Its adaptive brilliance ensures a performance that is nothing short of spectacular, tailored to your specific setting.🌟 Masterful Arrangement: Dive into the nuances of expertly crafted sheet music. Flavio Regis Cunha's arrangement strikes the perfect balance between complexity and accessibility, catering to musicians of all levels. Whether you're a seasoned virtuoso or a budding talent, this composition challenges and inspires, fostering musical growth.🌟 Spellbinding Storytelling: Every note in 'Otto e Mezzo for Orchestra' narrates a story, evoking emotions that linger long after the performance concludes. From the delicate whispers to the powerful crescendos, experience the enchanting journey that this composition offers, leaving your audience enthralled and yearning for more.🎻 Unlock Limitless Musical Horizons - Get Your Copy Now! 🎻Don't miss this chance to infuse your orchestra with the magic of 'La Passerella Di Addio for Orchestra.' Whether you're orchestrating a divine church recital, a spirited school concert, or a professional orchestral masterpiece, this sheet music is your passport to musical brilliance.🎵 Transform Ordinary Moments into Extraordinary Memories! 🎵Order your copy today and embark on a musical odyssey that transcends boundaries. Let the melodies of Nino Rota and the expertise of Flavio Regis Cunha redefine your orchestra's legacy. Elevate your performances, mesmerize your audience, and create memories that resonate for a lifetime.🔥 **Seize the Baton and Make Your Orchestra's Mark! Order Now! 🔥Level: Advanced intermediate Format: Concert, 9 x 12 inchesSize: 166 pagesContent: Full Score and Parts)PLUS!!! Engraved with Urtext Kapellmeister Music Font.
$89.99
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
L' heure de la Mort (for Orchestra with Cello Solo)
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Tito Abeleda
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L' heure de la Mort
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.984558 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 73 pages. Visionary Quest Records #57125...
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Full Orchestra - Level 3 - SKU: A0.984558 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 73 pages. Visionary Quest Records #5712563. Published by Visionary Quest Records (A0.984558). L' heure de la Mort means the hour of death. L’ heure de la Mort allows one to reflect and to contemplate about the sanctity of life. Musicians, young and seasoned, will find this piece easily accessible and enjoyable for learning and performing. Audiences will identify with the musical emotionality conveyed in this piece as it takes its listeners on a vivid epic journey filled with much pathos. L' heure de la Mort (for Orchestra with Cello Solo) was composed by Tito Abeleda (1964 - ). = 73 pages Level = Advanced IntermediateInstruments: Flute 1-2, Oboe, Clarinet 1-2, Bassoon1-2, Horn 1-4, Trumpet1-4, Trombone1-2, Timpani, Snare Drum, Bass Drum, Tubular Bells, Orchestral Bells, Cymbals, Piano, Violin 1-2, Viola 1-2, Violoncello Solo, Violoncello 1-2, ContrabassContact Tito for original compositions -Email: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesSpecial Thanks to Ivan Siarbolin - photographer for sheet music cover.
$40.00
Les oiseaux dans la charmille (La chanson d'Olympia)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Jacques Offenbach
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Patricio Cueto
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Les oiseaux dans la charmille
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Patricio Cueto
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1162762 Composed by Jacques Offenbach. Arranged by Patricio Cueto. Classical,Opera. Score and parts. 28 pages. Patric...
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Full Orchestra - Level 4 - SKU: A0.1162762 Composed by Jacques Offenbach. Arranged by Patricio Cueto. Classical,Opera. Score and parts. 28 pages. Patricio Cueto #763129. Published by Patricio Cueto (A0.1162762). Jacques Offenbach's aria Les oiseaux dans la charmille (Chanson d'Olympia) The Doll song in a concert version with reduced orchestration, only two horns and no trombones.
$35.00
CONCIERTO EN LA LUNA - TANGO FANTASIA
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Tango
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OSMAR MADERNA
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DANTE C
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RITMICAS .-.
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CONCIERTO EN LA LUNA - TANGO F
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Dante Editions
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.887655 Composed by OSMAR MADERNA. Arranged by DANTE C. D'IORIO. 20th Century,Pop,World. Score and parts. 66 pages. Da...
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Full Orchestra - Level 4 - SKU: A0.887655 Composed by OSMAR MADERNA. Arranged by DANTE C. D'IORIO. 20th Century,Pop,World. Score and parts. 66 pages. Dante Editions #4642025. Published by Dante Editions (A0.887655). ESTA ES UNA OBRA INSTRUMENTAL CON RITMO DE TANGO - ES MUSICA NO CONDICIONADA POR LA POESIA POR LO TANTO OFRECE LA POSIBILIDAD DE CONSTRUIR UNA MELODIA MAS COMPLEJA Y CON MAYOR EXTENSION SONORA Y MELODICAMENTE CON MAS POSIBILIDADES RITMICAS .-.
$70.00
Où va la jeune hindoue? - Air des clochettes (Aria of the bells) Lakmé - Léo Delibes
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Leo Delibes
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Patricio Cueto
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Où va la jeune hindoue?
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Patricio Cueto
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1159510 Composed by Leo Delibes. Arranged by Patricio Cueto. Classical,Opera. Score and parts. 69 pages. Patricio Cue...
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Full Orchestra - Level 4 - SKU: A0.1159510 Composed by Leo Delibes. Arranged by Patricio Cueto. Classical,Opera. Score and parts. 69 pages. Patricio Cueto #759777. Published by Patricio Cueto (A0.1159510). The aria of the bells: Légende de la fille du Paria Où va la jeune hindoue? (Air des clochettes) from Léo Delibes Lakmé in a concert version with a reduced wind section. Without English horn, Without trombones, only two horns, and optional part of Glockenspiel. The clarinet and trumpets parts are provided in A and B.
$45.00
La Jornada/Din din din. Aguinaldo venezolano. Full intermediate-level orchestra. SCORE & PARTS
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Orchestre
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INTERMÉDIAIRE
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Tradicional
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Laura C
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La Jornada/Din din din. Aguina
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Laura Quijada
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1292788 Composed by Tradicional. Arranged by Laura C. Quijada OrtÃz. Children,Christmas,Folk,Latin,Multicultural,W...
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Full Orchestra - Level 3 - SKU: A0.1292788 Composed by Tradicional. Arranged by Laura C. Quijada OrtÃz. Children,Christmas,Folk,Latin,Multicultural,World. 60 pages. Laura Quijada #883329. Published by Laura Quijada (A0.1292788). Popular aguinaldo venezolano arreglado para full orquesta, nivel intermedio.Detalles:Sol MayorLa cuerda toca en primera posiciónLetra incluida al final del score, adaptado para acortar la duración del aguinaldoInstrumentación: flute, oboe, clarinet Bb, bassoon, horn in F, 2 trumpets in Bb, trombone, bass trombone, tuba, timpani, xylophone, triangle, stringsVisita mi IG para más: @lauraqmusic.
$45.00
Intercant La Sinfonia de mi ser - Orchestra - Partituras
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Samuel Nuñez
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Intercant La Sinfonia de mi se
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David Puc N
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.924565 Composed by Samuel Nuñez. Arranged by Transcription by David Puc Narváez. Christian,Latin,Praise & Worsh...
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Full Orchestra - Level 4 - SKU: A0.924565 Composed by Samuel Nuñez. Arranged by Transcription by David Puc Narváez. Christian,Latin,Praise & Worship. Score and parts. 74 pages. David Puc N #3878699. Published by David Puc N (A0.924565). Grupo IntercantÃlbum La sinfonÃa de mi serCanción La sinfonÃa de mi serScore + Set of Parts 74 páginasDuración 5:15 minbpm 140Tonalidad G
$20.00
la danse de Aurès
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Abdelhakim HAMAZ
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Abdelhakim HAMAZ
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la danse de Aurès
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Abdelhakim HAMAZ
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018660 Composed by Abdelhakim HAMAZ. Arranged by Abdelhakim HAMAZ. Folk,World. Score and parts. 35 pages. Abdelhakim...
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Full Orchestra - Level 4 - SKU: A0.1018660 Composed by Abdelhakim HAMAZ. Arranged by Abdelhakim HAMAZ. Folk,World. Score and parts. 35 pages. Abdelhakim HAMAZ #539725. Published by Abdelhakim HAMAZ (A0.1018660). Score de parties séparée plus le mp3 , de la composition d'origine Algériénne de l'aurès, d'inspiration de la musique de cette partie du pays,.
$14.99
Intercant La Sinfonia de mi ser - Orchestra - Set of Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Samuel Nuñez
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Intercant La Sinfonia de mi se
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David Puc N
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.924564 Composed by Samuel Nuñez. Arranged by Transcription by David Puc Narváez. Christian,Latin,Praise & Worsh...
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Full Orchestra - Level 4 - SKU: A0.924564 Composed by Samuel Nuñez. Arranged by Transcription by David Puc Narváez. Christian,Latin,Praise & Worship. Score and parts. 56 pages. David Puc N #3878697. Published by David Puc N (A0.924564). Grupo Intercant Ãlbum La sinfonÃa de mi serCanción La sinfonÃa de mi serDuración 5:15 minbpm 140Tonalidad G
$12.00
La Forma de lo amorfo...Escultura y Espacio
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Enrique Vázquez
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La Forma de lo amorfo...Escult
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Enrique Vázquez
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1014754 Composed by Enrique Vázquez. Contemporary. Score and parts. 11 pages. Enrique Vázquez #5018909. Publish...
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Full Orchestra - Level 4 - SKU: A0.1014754 Composed by Enrique Vázquez. Contemporary. Score and parts. 11 pages. Enrique Vázquez #5018909. Published by Enrique Vázquez (A0.1014754). La obra plantea dos caminos relacionados con la escultura y en particular con el arte
$6.00
Claude Bolling : Jazz à la française
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Orchestre
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AVANCÉ
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Jazz
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Blues
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Claude Bolling
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Jazz à la française
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Tomplay
Telechargez la partition Bands et Ensembles Jazz à la française de Bolling. Partition pour Trio -- Jazz et blues...
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Telechargez la partition Bands et Ensembles Jazz à la française de Bolling. Partition pour Trio -- Jazz et blues
5.99€
Edith Piaf : La Vie En Rose (Violon 1)
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Orchestre
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FACILE
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Chanson Française
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Edith Piaf
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La Vie En Rose
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Tomplay
Telechargez la partition Bands et Ensembles La Vie En Rose (Violon 1) de Edith Piaf. Partition pour Trio -- Variete française...
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Telechargez la partition Bands et Ensembles La Vie En Rose (Violon 1) de Edith Piaf. Partition pour Trio -- Variete française
5.99€
Edith Piaf : La Vie en Rose
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Orchestre
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INTERMÉDIAIRE
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Chanson Française
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Edith Piaf
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La Vie en Rose
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Tomplay
Telechargez la partition Bands et Ensembles La Vie en Rose. Partition pour Trio -- Variete française...
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Telechargez la partition Bands et Ensembles La Vie en Rose. Partition pour Trio -- Variete française
17.99€
Claude Bolling : Jazz à la française
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Orchestre
#
AVANCÉ
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Jazz
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Blues
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Claude Bolling
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Jazz à la française
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Tomplay
Telechargez la partition Bands et Ensembles Jazz à la française. Partition pour Trio -- Jazz et blues...
(+)
Telechargez la partition Bands et Ensembles Jazz à la française. Partition pour Trio -- Jazz et blues
7.99€
Edith Piaf : La Vie en Rose
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Orchestre
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FACILE
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Chanson Française
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Edith Piaf
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La Vie en Rose
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Tomplay
Telechargez la partition Bands et Ensembles La Vie en Rose de Edith Piaf. Partition pour Trio -- Variete française...
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Telechargez la partition Bands et Ensembles La Vie en Rose de Edith Piaf. Partition pour Trio -- Variete française
5.99€
Claude Bolling : Jazz à la française
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Orchestre
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AVANCÉ
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Jazz
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Blues
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Claude Bolling
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Jazz à la française
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Tomplay
Telechargez la partition Bands et Ensembles Jazz à la française de Bolling. Partition pour Trio -- Jazz et blues...
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Telechargez la partition Bands et Ensembles Jazz à la française de Bolling. Partition pour Trio -- Jazz et blues
5.99€
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