English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
14
Partitions
Numériques
30
Librairie
Musicale
124
Matériel
de Musique
6 688
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
224
PIANO & CLAVIERS
Piano seul
186
Piano, Voix et Guitare
122
Piano Facile
115
Piano, Voix
111
Piano grosses notes
23
Orgue
9
Piano (partie séparée)
6
Accordéon
5
Instruments en Do
5
Piano Trio: piano, violon, violoncelle
2
1 Piano, 4 mains
2
Piano Quintette: piano, violon, alto, violoncelle, contre basse
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
29
Ligne De Mélodie, (Paroles) et Accords
19
Ukulele
16
Guitare
15
Paroles et Accords
14
Basse electrique
11
Ensemble de Ukulélés
8
Guitare (partie séparée)
6
Ukulele Baryton
4
Banjo
1
Dulcimer
1
Basse électrique (partie séparée)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
61
Chorale TTBB
23
Chorale 3 parties
22
Chorale 2 parties
17
Chorale SSAA
12
Chorale Unison
12
Voix duo
4
Voix seule
3
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix Alto, Piano
2
Voix moyenne, Piano
2
Voix Tenor, Piano
1
Voix haute
1
Voix Soprano
1
Voix basse
1
Instrumentations suivantes
Retracter
VENTS
Saxophone (partie séparée)
139
Clarinette (partie séparée)
48
Hautbois (partie séparée)
28
Flûte traversière
24
Clarinette
22
Flute (partie séparée)
19
Saxophone Alto
16
Flûte traversière et Piano
12
Quatuor de Saxophones: 4 saxophones
10
Clarinette et Piano
9
Saxophone Alto et Piano
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Flûte, Hautbois, Clarinette, Basson
8
Hautbois, Piano (duo)
8
Saxophone Tenor et Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
2 Saxophones (duo)
5
Saxophone Tenor
4
Saxophone Soprano et Piano
4
2 Flûtes traversières (duo)
4
2 Clarinettes (duo)
3
Saxophone Baryton, Piano
3
Saxophone, Clarinette (duo)
3
Flûte à Bec
3
Clarinette, Violon (duo)
2
Cor anglais, Piano
2
Quatuor de Flûtes à bec
2
Clarinette Basse, Piano
2
Clarinette et Alto
2
3 Clarinettes (trio)
1
Ensemble de Clarinettes
1
2 Flûtes traversières, Piano
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble de Flûtes
1
Ensemble de saxophones
1
Quintette de Saxophone: 5 saxophones
1
2 Hautbois (duo)
1
Hautbois, Flûte
1
Hautbois, Basson (duo)
1
Ensemble De Flûte à bec
1
Saxophone
1
Clarinette, Guitare (duo)
1
Clarinette, Basson (duo)
1
2 Clarinettes, Piano
1
Flûte et Guitare
1
Flûte à bec Soprano
1
Flûte, Violon
1
Flûte, Clarinette (duo)
1
Hautbois, Clarinette (duo)
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette (partie séparée)
64
Trombone (partie séparée)
39
Trombone
19
Trompette
17
Tuba (partie séparée)
13
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
13
Cor (partie séparée)
11
Cor
8
Cor et Piano
5
Trombone et Piano
5
Trompette, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Euphonium, Piano (duo)
3
Quatuor de Cuivres
2
Trompette, Saxophone (duo)
2
Cor anglais, Piano
2
Euphonium
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
2 Trompettes (duo)
1
2 Cors (duo)
1
2 Trombones (duo)
1
Tuba
1
Trompette, Trombone (duo)
1
Tuba et Piano
1
Instrumentations suivantes
Retracter
CORDES
Violoncelle (partie séparée)
30
Quatuor à cordes: 2 violons, alto, violoncelle
24
Violon (partie séparée)
23
Violon
22
Alto (partie séparée)
12
Violon et Piano
10
Contrebasse (partie séparée)
10
Violoncelle
8
Alto seul
8
Violoncelle, Piano
7
Alto, Piano
6
Harpe
5
Violon, Violoncelle (duo)
5
Contre Basse
3
2 Violoncelles (duo)
3
Trio à Cordes: 2 violons, violoncelle
2
Contrebasse, Piano (duo)
2
Harpe, Voix
2
Trio à Cordes: violon, alto, violoncelle
2
2 Violons (duo)
2
2 Altos (duo)
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Percussion (partie séparée)
32
Orchestre
30
Orchestre d'harmonie
25
Fanfare
20
Cloches
17
Ensemble Jazz
9
Orchestre de chambre
9
Batterie
8
Orchestre à Cordes
6
Batterie (partie séparée)
6
Ensemble de cuivres
4
Xylophone
4
Timbales (partie séparée)
4
Vibraphone (partie séparée)
3
Jazz combo
2
Quatuor à Vent : 4 instruments à vents
1
Vibraphone et Marimba
1
Percussion
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Let's go
Orchestre
Partitions à imprimer
30 partitions trouvées
<
1
26
Let's Go Crazy
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1369446 By Prince. By Prince. A…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1369446 By Prince. By Prince. Arranged by Ryan Shirar. 20th Century,Contemporary,Pop. 143 pages. S-OAA #953807. Published by S-OAA (A0.1369446).
$499.99
462.23 €
#
Orchestre
#
Prince
#
Ryan Shirar
#
Let's Go Crazy
#
S-OAA
#
SheetMusicPlus
Let It Go
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1436893 By Idina Menzel. By Kri…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1436893 By Idina Menzel. By Kristen Anderson-Lopez and Robert Lopez. Arranged by Georg Wiesinger. Film/TV,Pop. 62 pages. Georg Wiesinger #1016959. Published by Georg Wiesinger (A0.1436893). Experience the magic of Disney’s Frozen with this exquisite orchestral arrangement of Let it Go, composed by Robert Lopez and Kristen Anderson-Lopez. Crafted with meticulous attention to detail, this arrangement captures the essence and grandeur of the original film score, ensuring an authentic and immersive performance experience.Commissioned by the renowned Bruckner Orchestra Linz, this arrangement is designed for a full symphony orchestra and soloist. It includes parts for strings, woodwinds (3/3/3/2), brass (4/3/3/1), percussion (4 players), the solo part, and more (piano, harp, e-guitar, bass guitar), allowing every section to shine in this iconic piece. The arrangement stays true to the original vocal lines and harmonies, bringing the powerful and emotional lyrics to life through the rich textures of the orchestra.
$200.00
184.89 €
#
Orchestre
#
Idina Menzel
#
Georg Wiesinger
#
Let It Go
#
Georg Wiesinger
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Ha…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
18.49 €
#
Orchestre
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Merry-go-round Of Life
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisai…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisaishi. Arranged by Tom Maher. 21st Century,Classical,Film/TV. Score and Parts. 92 pages. Tom Maher #832309. Published by Tom Maher (A0.1236780). Merry Go Round of Life is a beautiful instrumental piece composed by Joe Hisaishi, a Japanese composer known for his work on various Studio Ghibli films. The song is featured in the soundtrack of the 2004 animated film Howl's Moving Castle, directed by legendary Japanese filmmaker Hayao Miyazaki.The piece opens with a delicate piano melody, heard in our arrangement on the vibraphone, gradually building in intensity as the rest of the orchestra joins in. The music captures a sense of whimsy and nostalgia, evoking images of a carousel or a child's music box.In Howl's Moving Castle, the song is used as a recurring theme throughout the film. It is played during several key moments, including the opening credits and the final scene. The music perfectly captures the film's themes of love, magic, and the passing of time.The title Merry Go Round of Life is fitting, as it suggests the cyclical nature of life and the idea that we are all constantly moving in circles. The music also conveys a sense of hope and joy, encouraging listeners to embrace the ups and downs of life and enjoy the ride.This arrangement is meant for intermediate to advanced high school symphonic orchestra. Most instruments play some version of the melody, and many of the figures from the original film version are present, yet written with younger players in mind. The strings should take extra care to play under the vibraphone solos, or the director may choose to double this part on another mallet percussion or piano.Instrumentation: 2 Flutes, 2 Clarinets, Bass Clarinet, Alto Sax, 2 Horns, 3 Trumpets, 2 Trombones, Mallet Percussion, Snare Drum/Crash Cymbal, Bass Drum, Timpani, Violin 1, Violin 2, Viola, Cello, Double Bass.
$80.00
73.96 €
#
Orchestre
#
Kumiko
#
Tom Maher
#
Merry-go-round Of Life
#
Tom Maher
#
SheetMusicPlus
Let's Go To The Movies
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1327446 Composed by Charles Str…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1327446 Composed by Charles Strouse and Martin Charnin. Arranged by Simon Elphick. Film/TV. 107 pages. Simon Elphick #915486. Published by Simon Elphick (A0.1327446). An arrangement for full orchestra of this popular song from the film musical Annie. For performance by full orchestra, singers and optional choir.
$52.50
48.53 €
#
Orchestre
#
Charles Strouse and Martin Charnin
#
Simon Elphick
#
Let's Go To The Movies
#
Simon Elphick
#
SheetMusicPlus
Don't Let The Sun Go Down On Me
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1244356 By Elton John & George …
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1244356 By Elton John & George Michael. By Bernie Taupin and Elton John. Arranged by Mike Campbell. Pop,Rock. Score and Parts. 71 pages. CapeMusic #839339. Published by CapeMusic (A0.1244356). Classic pop ballad as performed by Elton John and George Michael, for full orchestra and vocal soloist(s).
$65.00
60.09 €
#
Orchestre
#
Elton John & George Michael
#
Mike Campbell
#
Don't Let The Sun Go Down On Me
#
CapeMusic
#
SheetMusicPlus
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathan…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.730411 Composed by James Nathaniel Holland. Contemporary,Holiday,Love,Wedding. Score and parts. 35 pages. James Nathaniel Holland #3367719. Published by James Nathaniel Holland (A0.730411). A beautiful, sentimental slow waltz from the Pas de Deux of the ballet, The Snow Queen by American Costa Rican composer James Nathaniel Holland. Here arranged in the original orchestral format. Intermediate level. Full score in concert pitch. Individual parts included. Instr: 1 picc, 12fl, 12 ob, eh, 12clb, bcl, 12bsn, 1234hrn, 123trp, 12trm, btrm,tba, chimes/tim, hrp (or pno) stringsPerfect for Valentine's Day, Wedding Father Daughter Waltz, or anytime of the year!With Optional Lyrics (Reduced piano for solo voice or SATB choir sold separately):Beautiful and bright as the Red Rose;With only one hope: 'You'll remember me.'Know that I'll always love you,And that this love will not fade.Fresh, so sweet, the fragrance,Of those happy times, wonderful, sublime, we once shared.If I should dare, say you still care!Think of my love as a Rose.(Brief music interlude)I wish you nothing but gladness,And a life filled with Joy!Seasons may come;Years, they may go,Love can survive,Through Winter's snow.And so this love will for you,Think of my love as a Rose.As Seasons fly; Years, as they go,Think of my love as a Rose!J.N. Holland (Duration: 6 minutes)YouTube Video Presentation: https://youtu.be/9dgnKajSsE8 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook page: https://www.facebook.com/jamesnathanielholland/
$12.95
11.97 €
#
Orchestre
#
James Nathaniel Holland
#
Waltz of the Roses, for Orchestra, Pas de Deux / Theme from The Snow Queen, A Ballet
#
James Nathaniel Holland
#
SheetMusicPlus
Go West! (Medley): Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016109_M1 Mallets. Arranged…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0016109_M1 Mallets. Arranged by Ralph Ford. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016109_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016109_M1). UPC: 654979081388.Ride 'em Cowboy! In 2007 Ennio Morricone was awarded the Lifetime Achievement Award at the Academy Awards. Here's a high-energy medley of western favorites for the intermediate full or string orchestra. Favorite themes included The Magnificent Seven, Hang 'Em High, and The Good, the Bad, and the Ugly. This spirited arrangement will bring the crowd to their feet! (2:50).
$3.00
2.77 €
#
Orchestre
#
Ralph Ford
#
Go West!
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jésù ti dé o (Jesus has arrived)
Orchestre
Full Orchestra - Digital Download SKU: A0.1030263 Composed by Fr. Clement K Oyafemi…
(+)
Full Orchestra - Digital Download SKU: A0.1030263 Composed by Fr. Clement K Oyafemi. Arranged by Tolu Atoyebi. African,Christian,Christmas,Sacred,World. Score and parts. 7 pages. Clem Oyafemi #6168043. Published by Clem Oyafemi (A0.1030263). This is a very joyful and upbeat Christmas song on Yoruba Language. Written in September of 2020,this song is based on the Gospel of St. John 1:1-16. It is based on Christology from above, thus calling all humans to the essence of Christmas season. Let's go and adore him in Bethlehem (Ẹ wá ká lỠfiba fun). The beat is very joyful and the rhythm captivating. .
$4.99
4.61 €
#
Orchestre
#
Fr
#
Tolu Atoyebi
#
Jésù ti dé o
#
Clem Oyafemi
#
SheetMusicPlus
The Chicken Dance: Mallets
Orchestre
Full Orchestra - Digital Download SKU: AX.00-PC-0016620_M1 Mallets. Arranged…
(+)
Full Orchestra - Digital Download SKU: AX.00-PC-0016620_M1 Mallets. Arranged by Bob Cerulli. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016620_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016620_M1). UPC: 029156913088.Hold on to your hats for this one! You'll play only a few notes before everyone (and we mean everyone) in your audience gets the message. The grins will go from ear to ear, and chances are there will be more than a few who will be doing a bit of moving. It's all good fun and one heck of a way to bond your musicians with their audiences. With this wonderful Bob Cerulli arrangement, you'll hit solid home runs . . . never 'fowl' balls!
$3.00
2.77 €
#
Orchestre
#
Bob Cerulli
#
The Chicken Dance: Mallets
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
The President's Turkey-Pardon
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1205821 Composed by Gert Th. Wa…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1205821 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 84 pages. Gert Th. Walter #804005. Published by Gert Th. Walter (A0.1205821). Are you looking for modern and spirited Christmas music for your Full Orchestra? Here you go! Piccolo - Fl1.2 - Ob1.2 - Engl. Hr. - Clar1.2 - Bass Clarinet - Alto Sax 1.2 - Tenor Sax - Bsn1.2 - Double Bsn. / Hr1.2.3.4 - Trp1.2.3 - Tb1.2 - Bass Tromb. / Timpani / Mallet Perc. (Marimba, Xylophone & Glockenspiel) - Orchestra Perc. - Latin Perc. - Drum Set / Harp / Pianoforte / Strings. Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music!
$69.90
64.62 €
#
Orchestre
#
Gert Th
#
Gert Th
#
The President's Turkey-Pardon
#
Gert Th. Walter
#
SheetMusicPlus
Mary Poppins: A Symphonic Fantasy
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1418071 Composed by Irwin Kosta…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1418071 Composed by Irwin Kostal, Richard M Sherman, and Robert B Sherman. Arranged by David Woodcock. 20th Century,Broadway,Classical,Film/TV,Musical/Show,Standards. 190 pages. David Woodcock #999623. Published by David Woodcock (A0.1418071). This is a symphonic arrangement of four songs from Mary Poppins: A Spoonful of Sugar, Let's Go Fly a Kite, Feed the Birds, and Supercalifragilisticexpialidocious.It is written for full orchestra, and would be suitable for both professional and community orchestras.
$150.00
138.67 €
#
Orchestre
#
Irwin Kostal, Richard M Sherman, and Robert B Sherman
#
David Woodcock
#
Mary Poppins: A Symphonic Fantasy
#
David Woodcock
#
SheetMusicPlus
Concerto in Bb Major for Double Bass and Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Pr…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
18.44 €
#
Orchestre
#
Robert E
#
Concerto in Bb Major for Double Bass and Orchestra
#
R. E. Proctor
#
SheetMusicPlus
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathan…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldn’t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But let’s talk about this concerto. It first began with the composer’s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that I’ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â
$45.95
42.48 €
#
Orchestre
#
James Nathaniel Holland
#
Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts
#
James Nathaniel Holland
#
SheetMusicPlus
Prince: Let's Go Crazy (COMPLETE) - orchestra
Orchestre
Instantly printable sheet music by Prince for orchestra of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Prince for orchestra of MEDIUM skill level. / pop,rock
$43.99
40.67 €
#
Orchestre
#
Prince
#
Virtualsheetmusic
Symphony No. 5 ... Utopia Parkway (2003) full score
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
9.24 €
#
Orchestre
#
Thomas Oboe Lee
#
Symphony No. 5 ... Utopia Parkway
#
Thomas Oboe Lee
#
SheetMusicPlus
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Ha…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
29.12 €
#
Orchestre
#
Benjamin Harry Sajo
#
Kommos
#
Benjamin Sajo
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.11 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.11 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
#
Arkady Leytush
#
SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.11 €
#
Orchestre
#
Claude Debussy
#
Arkady Leytush
#
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
#
Arkady Leytush
#
SheetMusicPlus
Ebb and Flow
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1090023 By Daniel Burwasser. By…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1090023 By Daniel Burwasser. By Daniel Burwasser. Contemporary. Score and Parts. 326 pages. Head and Stem #694221. Published by Head and Stem (A0.1090023). Ebb and Flow harks back to the composer’s years at the City University of New York. The work was completed in 1990 and revised in 2022 for this video score. A colorful and dramatic work, Ebb and Flow is based on two main themes: the first of which is heard at the very onset in the lower strings, and later, a more subdued and lyrical theme is presented. Transitions between these sections are fluid and contain moments of tension and resolution, highlighting the contrasts and interplay between the two states. Ultimately, Ebb and Flow as a musical composition aims to evoke a sense of movement, contemplation, and emotional resonance, capturing the essence of the natural ebb and flow phenomenon through the music. The piece also displays the composer’s stylistic tendencies for episodic writing, tender lyricism, frequently shifting textures and rhythmic drive . For more information, go to: https://www.danielburwasser.com/To contact the composer directly, go to: danielburwasser9@gmail.comYoutube channel: https://www.youtube.com/@danielburwasser60.
$70.00
64.71 €
#
Orchestre
#
Daniel Burwasser
#
Ebb and Flow
#
Head and Stem
#
SheetMusicPlus
Faithful Is God
Orchestre
(Orchestra) - Digital Download SKU: H1.C5672ODP Composed by Joseph M. Martin. Piano…
(+)
(Orchestra) - Digital Download SKU: H1.C5672ODP Composed by Joseph M. Martin. Piano Accompaniment with Optional Orchestra. General Worship, Faith & Faithfulness, God's Attributes/Character, Gratefulness, Adoration & Praise. Set of Instrumental Parts. 24 pages. Hope Publishing - Digital #C5672ODP. Published by Hope Publishing - Digital (H1.C5672ODP). Joseph M. Martin & J. Paul Williams.Original anthem J. Paul Williams and Joseph Martin have collaborated in this powerhouse anthem featuring an engaging melody that boldly proclaims God's faithfulness through all time to every generation and nation. Additional instruments may be added to complement Joe Martin's exquisite piano accompaniment. Useful for services of praise, thanksgiving, and commitment with the text proclaiming, Rejoice with music. Rejoice with singing. With every alleluia, let the song go forth to every nation - faithful is God! The Orchestration includes a Conductor's Score and parts for: Flute, Oboe, B-flat Trumpet, Horn, Violin I, Violin II/Viola & Cello, Elec. Bass, and String Reduction.
$59.95
55.42 €
#
Orchestre
#
Joseph M
#
Faithful Is God
#
Hope Publishing - Digital
#
SheetMusicPlus
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe …
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
9.24 €
#
Orchestre
#
Thomas Oboe Lee
#
Symphony No. 6 ... The Penobscot River
#
Thomas Oboe Lee
#
SheetMusicPlus
Coffee And A Scone - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1148887 By Zane Kuchera. By wor…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1148887 By Zane Kuchera. By words: Zoë aan de Wiel, music: Zane Kuchera. Arranged by Zane Kuchera. Broadway,Classical,Film/TV,Jazz,Musical/Show,Pop. Score and parts. 6 pages. Zane Kuchera Music #749024. Published by Zane Kuchera Music (A0.1148887). 12/9/22 Zane Kuchera Music released “Coffee And A Scone†(AC/Jazz/Cabaret) - “Coffee and a Scone†is about a relationship that didn't end in the best way, so there's a last meeting to talk everything out. And in your head you keep reminding yourself it's just a coffee and a scone, one last talk that's not gonna fix anything between you two, but deep down you find it difficult to let the other person go. Words: Zoë aan de Wiel (Amsterdam), Music & performance: Zane Kuchera (zanekuchera.com) https://album.link/kg4bpm8v5pdjg.
$4.99
4.61 €
#
Orchestre
#
Zane Kuchera
#
Zane Kuchera
#
Coffee And A Scone - Score Only
#
Zane Kuchera Music
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
