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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Like A Star
Non classifié
402
Piano & claviers
Piano seul
522
Piano, Voix et Guitare
384
Piano, Voix
168
Piano Facile
149
Instruments en Do
53
Orgue
29
1 Piano, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
5
Accompagnement Piano
5
Piano Trio: piano, violon, violoncelle
5
Orgue, Piano (duo)
4
2 Pianos, 4 mains
4
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano (partie séparée)
1
+ 11 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
111
Guitare notes et tablatures
46
Guitare
35
Ligne De Mélodie, (Paroles) et Accords
10
2 Guitares (duo)
5
Ukulele
4
Paroles et Accords
3
Mandoline
3
Guitare (partie séparée)
2
4 Guitares (Quatuor)
2
Basse electrique
2
Dulcimer
1
Banjo
1
3 Guitares (trio)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
198
Chorale 3 parties
61
Chorale 2 parties
25
Chorale TTBB
24
Chorale SSAA
15
Chorale Unison
14
Voix Alto, Piano
10
Voix duo, Piano
6
Voix duo
4
Voix basse, Piano
3
Voix seule
2
Voix Soprano, Piano
2
Voix Mezzo-Soprano, Piano
1
Voix haute
1
Chorale SSATTB
1
Voix Baryton, Piano
1
+ 11 instrumentations
Retracter
Vents
Hautbois, Piano (duo)
206
Clarinette et Piano
183
Flûte traversière et Piano
179
Saxophone Alto et Piano
133
Saxophone Tenor et Piano
131
2 Saxophones (duo)
46
Flûte traversière
35
Quatuor de Saxophones: 4 saxophones
35
Quintette de Saxophone: 5 saxophones
33
Clarinette
31
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
30
Hautbois (partie séparée)
24
Saxophone Alto
19
Flûte, Hautbois, Clarinette, Basson
19
Quatuor de Clarinettes: 4 clarinettes
18
Ensemble de saxophones
14
Saxophone (partie séparée)
13
Saxophone Tenor
12
Ensemble de Clarinettes
11
Flûte, Trombone (duo)
10
Flûte, Clarinette (duo)
8
3 Saxophones (trio)
8
Quatuor de Flûtes : 4 flûtes
7
2 Flûtes traversières (duo)
7
Saxophone, Clarinette (duo)
6
Ensemble de Flûtes
6
Saxophone Baryton, Piano
5
Flûte à bec Soprano
5
Saxophone Soprano et Piano
5
5 Flûtes à bec
5
2 Clarinettes (duo)
5
Clarinette, Violon (duo)
4
Clarinette, Trompette (duo)
4
Quintette de Clarinettes: 5 clarinettes
4
Flûte à Bec
4
Hautbois
4
Cor anglais, Piano
4
Quintette de Flûte : 5 flûtes
4
2 Flûte à bec (duo)
3
Flûte, Saxophone (duo)
3
Flute (partie séparée)
2
Cor Anglais
2
Quatuor de Flûtes à bec
2
Hautbois, Clarinette (duo)
2
Clarinette et Alto
2
Flûte à bec Alto, Piano
2
Flûte à bec Alto
2
Hautbois, Flûte
2
2 Hautbois (duo)
2
Flûte, Violon
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Basson (duo)
1
Clarinette Basse, Piano
1
Saxophone
1
2 Clarinettes, Piano
1
3 Flûtes à bec (trio)
1
3 Clarinettes (trio)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Trompette (duo)
1
Clarinette, Guitare (duo)
1
Clarinette, Orgue
1
Flûte et Guitare
1
Hautbois, Guitare (duo)
1
Hautbois, Basson (duo)
1
Clarinette Basse
1
Ensemble De Flûte à bec
1
Flûte, Violoncelle
1
Clarinette, Violoncelle (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte irlandaise
1
Flûte à bec Tenor
1
Flûte et Quatuor à Cordes
1
Saxophone Soprano
1
+ 68 instrumentations
Retracter
Cuivres
Trombone et Piano
150
Trompette
98
Trompette, Piano
71
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
26
Trombone
24
Trompette (partie séparée)
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor
13
Tuba
11
Quatuor de Cuivres
7
Cor et Piano
6
Trombone (partie séparée)
5
Ensemble de Trombones
5
Ensemble de Trompettes
5
Trompette, Trombone (duo)
5
Tuba et Piano
5
2 Trombones (duo)
4
Trompette, Cor (duo)
4
Trompette, Saxophone (duo)
4
2 Trompettes (duo)
4
Cor anglais, Piano
4
Euphonium
2
Quatuor de cuivres: 4 trombones
2
Cor Anglais
2
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
4 Tubas
1
Cor (partie séparée)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trompettes
1
Ensemble de Cors
1
+ 27 instrumentations
Retracter
Cordes
Alto, Piano
172
Violon et Piano
164
Violoncelle, Piano
144
Quatuor à cordes: 2 violons, alto, violoncelle
91
Violon
42
Violoncelle
36
Alto seul
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
14
Violon, Violoncelle (duo)
13
Alto (partie séparée)
12
Harpe
12
Trio à Cordes: violon, alto, violoncelle
12
2 Violoncelles (duo)
9
Contre Basse
8
Violon, Alto (duo)
7
2 Violons (duo)
7
2 Altos (duo)
6
Contrebasse, Piano (duo)
5
Piano Trio: Violon, Alto, Piano
3
Trio à Cordes: 3 violoncelles
2
Ensemble d'Altos
2
Contrebasse (partie séparée)
2
Alto, Violoncelle (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
2
Violon, Guitare (duo)
2
Harpe, Voix
2
Ensemble de Violons
2
Violon, Orgue
1
Trio à cordes: 3 altos
1
Violon (partie séparée)
1
Trio à cordes: 3 violins
1
Violoncelle (partie séparée)
1
4 Violoncelles
1
Quatuor à cordes : 4 altos
1
Harpe, Violon (duo)
1
Harpe et mandoline
1
Quatuor à cordes: 4 violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
96
Orchestre à Cordes
43
Ensemble de cuivres
35
Ensemble Jazz
33
Orchestre
27
Cloches
9
Fanfare
8
Orchestre de chambre
7
Batterie
6
Ensemble de Percussions
6
Marimba
3
Xylophone
2
Vibraphone et Marimba
1
Batterie (partie séparée)
1
Percussion (partie séparée)
1
Jazz combo
1
+ 11 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Like A Star
Orchestre
Partitions à imprimer
27 partitions trouvées
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26
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Battle Beyond The Stars - Main Theme - Score Only
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Orchestre
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AVANCÉ
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Film/TV
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James Horner
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Chris Siddall
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Battle Beyond The Stars - Main
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1318829 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 12 pages. Chris Siddall Music Publishing #90746...
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Full Orchestra - Level 5 - SKU: A0.1318829 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 12 pages. Chris Siddall Music Publishing #907464. Published by Chris Siddall Music Publishing (A0.1318829). 1980’s Battle Beyond the Stars saw James Horner explode onto the Hollywood scoring scene. Whilst it wasn’t the first movie he scored, it was certainly the one that made everyone sit up and pay attention, and the exuberant writing most likely led to his appointment as composer on Star Trek II: The Wrath of Khan.  In fact, Battle Beyond the Stars is also where Horner made the acquaintance of then art director James Cameron, with the pair later collaborating on Aliens, Titanic and Avatar. Several moments within the Battle Beyond the Stars score will sound very familiar to fans of Horner’s Star Trek and Aliens scores!Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
The Star Spangled Banner for Full Orchestra
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Orchestre
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AVANCÉ
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John Stafford Smith
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L
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The Star Spangled Banner for F
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LCH Music
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1458020 Composed by John Stafford Smith. Arranged by L.C. Harnsberger. Classical,Historic,Holiday,Multicultural,Patri...
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Full Orchestra - Level 5 - SKU: A0.1458020 Composed by John Stafford Smith. Arranged by L.C. Harnsberger. Classical,Historic,Holiday,Multicultural,Patriotic,World. 39 pages. LCH Music #1036992. Published by LCH Music (A0.1458020). Experience the timeless beauty of the United States national anthem like never before with this stunning new orchestral arrangement of The Star-Spangled Banner. Perfect for opening any concert, this stirring instrumental piece invites audiences and choirs to sing along with its vibrant brass fanfares, refreshing instrumentation, subtle new harmonies, and spirited percussion parts. Crafted by award-winning composer and arranger L. C. Harnsberger, this new setting of The Star-Spangled Banner is an essential addition to any performance.A correlating SATB choral arrangement (#14205) is available from your local music retailer and LCHmusic.com.
$59.99
MASSive - A Mass in Rock (Instrumental Pack Minus Score)
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Orchestre
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INTERMÉDIAIRE
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Paul Barker Music
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MASSive - A Mass in Rock
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Paul Barker Music
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SheetMusicPlus
Strings B-Flat Clarinet,B-Flat Trumpet,Bass Drum,Bass Guitar,Choir,Cymbals,Drum Set,Electric Guitar,Flute,Glockenspiel,Horn,Oboe,Piano,Piccolo,Soprano voice,Tim...
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Strings B-Flat Clarinet,B-Flat Trumpet,Bass Drum,Bass Guitar,Choir,Cymbals,Drum Set,Electric Guitar,Flute,Glockenspiel,Horn,Oboe,Piano,Piccolo,Soprano voice,Timpani,Triangle,Trombone/Baritone B.C. - Level 3 - SKU: A0.725224 By Paul Barker Music. By Paul Barker. 21st Century,Classical,Contemporary,Contest,Festival,Rock. 179 pages. Paul Barker Music #6249409. Published by Paul Barker Music (A0.725224). MASSive is a new and dynamic concert piece composed for Soprano Solo, SAB Choir, Lead Guitar, Rhythm Section and Orchestra and sets selected elements of the traditional Mass to an exciting array of contemporary music. Built on its hugely successful predecessor RoQuiem, available from Starshine Music, MASSive is guaranteed to make your musical event an electrifying experience. You can easily perform this ‘choral explosion’ with just piano or add a rhythm section for that big rock feel. Full orchestration is also available for that electrifying sound everyone enjoys. Suitable for schools, youth choirs and professional performers alike. This product is for the Instrumental Pack - Conductor Score and Vocal Scores are available separately on this site and from www.paulbarkermusic.com. Accompaniment MP3s are available for Choir with and without Lead Guitar on this site and from www.paulbarkermusic.com ​Duration: 20:00 Level: Intermediate/Advanced (UK Grade 6+ & USA 3+) Occasion: Large Concert/Main Event - Formal/Informal - Celebration - Finale Orchestration: Full Orchestra - Rock Band Feat. Lead Guitar Instrumental Pack (Minus Conductor Score)
$29.95
EP!C!!!
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
One Sows for the Benefit of Another Age - Orchestra
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
Symphony No. 5 ... Utopia Parkway (2003) full score
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723...
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Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
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Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
Ouverture
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INTERMÉDIAIRE
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Film Walt Disney
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Thomas Naszalyi
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Ouverture
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Thomas Naszalyi
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.989417 Composed by Thomas Naszalyi. 20th Century,Film/TV,Standards. Score and parts. 10 pages. Thomas Naszalyi #33879...
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Full Orchestra - Level 3 - SKU: A0.989417 Composed by Thomas Naszalyi. 20th Century,Film/TV,Standards. Score and parts. 10 pages. Thomas Naszalyi #3387955. Published by Thomas Naszalyi (A0.989417). Romantic and epic orchestral music. Also suitable for any children enchanting movie, like Walt Disneys. Magical and wondrous. Start with a slow and mysterious introduction, leading to a zenith with glockenspiel and trombones. The end is like a smooth post-romantic symphonic movement. Instrumental, Dramatic, Energizing Music
$4.50
Haydn's Sonata in E Minor
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Haydn's Sonata in E Minor
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Fabio Dentello
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Martins. Classical. ...
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Full Orchestra - Level 4 - SKU: A0.1152147 By Fabio Henrique Teles Martins. By Franz Joseph Haydn. Arranged by Fabio Henrique Teles Martins. Classical. Score and Parts. 104 pages. Fabio Dentello #752360. Published by Fabio Dentello (A0.1152147). Being one of his most elegant piano sonatas, the sonata in E minor (Hob. XVI: 34) can give us various feelings during its movements. It has a beautiful Adagio and a slight Molto Vivace as a Finale in Rondo form. This piece as said was thought of as a solo Piano Sonata, but the moment I heard it for the first time (on 12/18/2022, and yes, it was precisely on that day, because, I made the decision to start orchestrating it on the next day, the 19th) the idea of orchestrating it came to me because at least for me, it could sound like a beautiful symphony, even if it is very brief. I was extremely satisfied with the results, unfortunately with certain limitations of the VST I use (BBCSO pro) certain excerpts sound a little unrealistic, however, I have great esteem with the result. This orchestration/arrangement can be compared almost faithfully with the original, of course with several additions of voices and certain modifications to adapt it to the context of the orchestra, I tried to be as faithful as possible with Haydn's orchestral language, I am a great admirer of his vast work, and as I am also a classical/romantic composer, I learned a lot from him. I hope you enjoy this work as much as I enjoyed composing it!!
$150.00
All Time High
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporar...
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Full Orchestra - Level 4 - SKU: A0.1393788 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley for Studio Orchestrations. Contemporary,Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977260. Published by www.studio-orchestrations.com (A0.1393788). IMPORTANT: Please see note below about the key of this versionThis classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days.  Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. This score and parts are a semitone/half-step higher (starting in F major) which might suit some female performers slightly better for range.  The original Rita Coolidge performancxe key (starting in E major) is dusky and mellow (ie. quite low) but is also available on this website.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
All Time High
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Rita Coolidge
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All Time High
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,P...
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Full Orchestra - Level 4 - SKU: A0.1393785 By Rita Coolidge. By John Barry and Tim Rice. Arranged by John Langley (for Studio Orchestrations). Film/TV,Pop,Standards. 103 pages. Www.studio-orchestrations.com #977256. Published by www.studio-orchestrations.com (A0.1393785). This classic song by John Barry and Tim Rice originally sung by Rita Coolidge comes from Roger Moore's last Bond appearance in Octopussy. This is a film very much of its time, many dry double-entendre from our leading man for sure which might raise a Moore-like eyebrow these days. Likewise the song here is perhaps one of the lesser played James Bond title tracks too but it is a charming departure from some of the higher octane anthems like Thunderball, Live and let die or even Goldfinger and returns us to the gentler musical era / genre of From Russia with love, For your eyes only and You only live twice.So why not program this in your film night for singer and orchestra. In this version we have the original Rita Coolidge performancxe key (starting in E major) which is dusky and mellow but is also available on this website a semitone/half-step higher (strarting in F major) which might suit some female performers ranges better.INSTRUMENTATION:2 Flutes2 Oboes2 Clarinets[Optional 2nd clarinet dbl. Alto Saxophone SOLO]Alto Saxophone (SOLO)2 Bassoons4 French Horns3 TrombonesTubaTimpaniPercussion [Susp.Cym. / Glock]HarpPianoElectric Guitar (Lead)Acoustic Guitar (Rhythm)[Optional]Bass GuitarDrum KitString SectionEnjoy!If you like this arrangement then other dramatic and very striking orchestrations exist from arranger John Langley for the following pieces:BarcelonaCome what mayDiamonds are foreverLet it snow, let it snow, let it snowMary did you knowMillion DreamsOnce upon a DecemberSummer wineTango de RoxanneWhen you believe
$120.00
The Great Escape March
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Al Stillman and Elmer Bernstei
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The Great Escape March
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1454722 Composed by Al Stillman and Elmer Bernstein. Arranged by John Langley / Studio Orchestrations. Film/TV,Histor...
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Full Orchestra - Level 4 - SKU: A0.1454722 Composed by Al Stillman and Elmer Bernstein. Arranged by John Langley / Studio Orchestrations. Film/TV,Historic,March,Patriotic,Thriller. 106 pages. Www.studio-orchestrations.com #1033795. Published by www.studio-orchestrations.com (A0.1454722). The Great Escape (1963) is one of the great American epic war adventure films starring some of the greatest actors of the age like Steve McQueen, James Garner, Richard Attenborough, Charles Bronson, Donald Pleasence, James Coburn, David McCallum, Gordon Jackson, among many others. The soundtrack was composed by Elmer Bernstein who had enjoyed great acclaim for his music for the 1960 epic The Magnificent 7 (also starrring Steve McQueen). The Great Escape March theme is regarded as one of the best loved war film themes harnessing both a British and an American patriotic flavour in its themes. Its bitter sweet jauntiness successfully catches the mood of the film, the optimism and indominatable spirit of the prisoners always hell bent on trying to escape, and the German march theme also makes a brief appearance to reflect all the voices in the narrative of the story. Other film composers have used a similar approach using a jaunty march theme like Bernstein does - notably The bridge over the river Kwai and A bridge too far - while other composers have tried (arguably) less successfully to encapsulate appropriate pathos alongside that optimism in the 'optimistic' themes.This arrangement is a great bite sized orchestral excerpt appropriate for any concert of film music, or military war/historic themes. INSTRUMENTATION:FlutePiccolo2 Oboes2 Clarinets2 Bassoons4 Horns4 Trumpets3 TrombonesTubaTimpani3 Percussion [Bass Drum/Cymbals/2 Side Drums]StringsFeel free to browse other similar titles on this website written by John langley and Paul Campbell at www.studio-orchestrations.com
$100.00
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Pride (In The Name Of Love)
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Orchestre
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FACILE
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Clivelles & Cole
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Paul Lorenz
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Pride
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Paul Lorenz
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1488545 By Clivelles & Cole. By U2. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Rock. 70 pages. Paul Lorenz #1...
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Full Orchestra - Level 2 - SKU: A0.1488545 By Clivelles & Cole. By U2. Arranged by Paul Lorenz. Broadway,Musical/Show,Pop,Rock. 70 pages. Paul Lorenz #1065412. Published by Paul Lorenz (A0.1488545). Pride (In the Name of Love) Sheet Music - for Orchestra, Choir and Band Unlock the beauty of U2's iconic song Pride (In the Name of Love) with our exclusive sheet music, expertly arranged by renowned composer Paul Lorenz. Perfect for orchestra, choir, and band, this arrangement brings a fresh, classical twist to the beloved rock anthem, making it a must-have for any music ensemble. Discover the Power of Pride (In the Name of Love) Sheet Music Our Pride (In the Name of Love) sheet music captures the essence of U2's powerful message and melody, allowing musicians to connect with their audience on a deeper level. Whether you're a seasoned performer or a passionate amateur, this arrangement is designed to elevate your musical performance. Versatile Arrangements for Orchestra, Choir, and Band Paul Lorenz's arrangement of Pride (In the Name of Love) is crafted to suit various ensembles, including orchestras, choirs, and bands. This versatility makes it ideal for concerts, recitals, and special performances, ensuring that each musician can shine. Download Pride (In the Name of Love) Sheet Music PDF For your convenience, our Pride (In the Name of Love) sheet music is available for immediate download in PDF format. This allows you to start practicing right away and ensures that you always have a high-quality copy at your fingertips. Why Choose Paul Lorenz's Pride (In the Name of Love) Sheet Music? Paul Lorenz Music is renowned for its commitment to quality and innovation in classical music. Our Pride (In the Name of Love) sheet music stands out with the following features: High-Quality Arrangement: Each note is meticulously arranged to ensure a seamless blend of classical and rock elements. Professional Collaboration: Arranged in collaboration with top-tier musicians and recorded in world-class studios like Abbey Road. Audience Engagement: This crossover sheet music appeals to both classical music lovers and U2 fans, ensuring a memorable performance. Elevate Your Performance with U2 Sheet Music Adding Pride (In the Name of Love) to your repertoire not only enriches your musical collection but also offers a unique opportunity to connect with a wide range of audiences. This arrangement by Paul Lorenz is crafted to inspire both performers and listeners alike. Get Your Pride (In the Name of Love) Piano Sheet Music Today Don't miss out on the chance to bring this iconic song to life with your ensemble. Visit sheetmusicdirect.com and download your Pride (In the Name of Love) sheet music today. Embrace the power of music with Paul Lorenz's exquisite arrangement and make your next performance unforgettable. Conclusion Pride (In the Name of Love) sheet music, arranged by Paul Lorenz, is a testament to the fusion of classical and contemporary music. Perfect for orchestras, choirs, and bands, this arrangement brings new life to a timeless song. Download your copy now and experience the magic of U2's music through the lens of classical excellence.
$149.90
Silent Night, Holy Night (for Orchestra)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest R...
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Full Orchestra - Level 4 - SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
Who Wants To Live Forever
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Queen
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Who Wants To Live Forever
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1428141 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera...
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Full Orchestra - Level 4 - SKU: A0.1428141 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 118 pages. Www.studio-orchestrations.com #1008969. Published by www.studio-orchestrations.com (A0.1428141). This arrangement / score is set in C# Minor, a Minor 3rd / 3 steps below the original recorded song. Versions of this same score will be available on this website in both E Minor [original key] and also D Minor [Down a TONE / 2 steps] to give your vocal soloist and choir key options.Amid a truly extraordinary and long back catalogue of amazing songs written and performed by QUEEN, Who wants to live forever stands out as one of their greatest and most popular musical achievements. Written originally for the 1986 Sean Connery/Christopher Lambert film HIGHLANDER it highlighted the incredible range of musical output the band were capable of, being best known for their rock music output. It became a poignant and wistful anthem for the great Freddie Mercury who died only a matter of 5 years later.It is the most incredible song and in this arrangement combines symphony orchestra, with rock singer, rhythm section and for added value optional SATB chorus, bringing an additional texture to what is already an epic piece. The Youtube link below illustrates the power of this version in an incarnation recorded during lockdown in 2020 with the combined forces of the Welsh National Opera orchestra and chorus and Welsh, TV stage and Hollywood actor star Luke Evans. All individual tracks and performances were recorded in their singers and musicians own homes, then mixed, spliced and compiled into what many have now come to regard as a classic. This recording is - like this score - also in C# Minor Both this and the WNO version were arranged by John Langley and pay a respectful tribute to the original version and its composer Brian May. We commend this for any concert of film or popular music with your professional, semi-professional or intermediate orchestra, choir and soloist. [The choir is optional but the piece is much more epic with one!]INSTRUMENTATION:2 Flutes1 Oboe1 Clarinet1 Bassoon4 Horns2 Trumpets3 TrombonesTimpani2 Percussion [Cymbals / Bass Drum / Snare Drum / Cabasa or small shaker]PianoElectric GuitarBass GuitarDrum KitRock - Tenor SoloistSATB [Optional but desirable!]Strings.
$140.00
Down From His Glory--Parts.pdf
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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E
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Marilyn Thompsona
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Down From His Glory--Parts.pdf
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Marilyn Thompson
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809593 Composed by E. di Capua. Arranged by Marilyn Thompsona. Christian,Christmas,Gospel,Sacred. Score and parts. 32...
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Full Orchestra - Level 4 - SKU: A0.809593 Composed by E. di Capua. Arranged by Marilyn Thompsona. Christian,Christmas,Gospel,Sacred. Score and parts. 32 pages. Marilyn Thompson #6293831. Published by Marilyn Thompson (A0.809593). The tune was adapted from that of the Italian song, O Sole Mio, recorded in 1916 by famous by opera star Enrico Caruso. William Emmanuel Booth-Clibborn, the grandson of William Booth, the founder of the Salvation Army, is the lyricist. Down from His Glory is likely more of a solo (and in this case a moving choral selection than a congregational hymn), but it speaks effectively of the Saviour’s willing condescension. The Orchestral Score and SATB/Piano are available on separate posts. (Please contact marilyn@mtmusicministries.com for further information.) ASCAP
$12.99
Festival
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
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Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
Kabuki Pieces, Op. 20
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Orchestre
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AVANCÉ
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Chris Knapp
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Kabuki Pieces, Op. 20
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Chris Knapp
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chr...
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Full Orchestra - Level 5 - SKU: A0.1373704 Composed by Chris Knapp. 21st Century,Classical,Contemporary. 52 pages. Chris Knapp #958094. Published by Chris Knapp (A0.1373704). Kabuki pieces takes influence and inspiration from Japanese Kabuki theatre productions. In this work, the main aspects of Kabuki theatre are explored through the 'deconstructed' Orchestra. Kabuki theatre employs the principles of jo-ha-kyu which helps sets the pace for a dramatic play. Jo-ha-kyustates that a play should start slow, get quicker and end fast. Kabuki employs this technique over a series of 5 acts, hence this composition uses 5 movements and the pace of the work as a whole speeds up as it moves through.1. Introduction - Like with all good pieces of theatre, the first act sets the scene and establishes characters. In this compositon, the scene is set by the Cello accompanied by a selection of percussion (a characteristic trait of Kabuki theatre).2. Battle #1 - In Kabuki theatre there are always a number of battles, these usually occur during the 2nd and 4th acts. This composition similarly mimics the chaos of a battle and features the Woodwind section.3. Tragedy - During the 3rd act, a Tragedy or emotional event usually occurs, thus this composition hopes to mirror that with an emotional outpouring of melodic ideas introducing the Brass.4. Battle #2 - In the 2nd battle of this work, the feature is placed more on the Xylophone who takes a solo role and sets out a frantic tune which provides the basis for a Fugue of sorts picked up by the Strings.5. Conclusion - The conclusion to most Kabuki plays are satisfying and short, this is mirrored by the very brief conclusion to this work.
$35.99
I Will Follow
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Orchestre
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INTERMÉDIAIRE
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Christian contemporain
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Chris Tomlin
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C
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I Will Follow
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FossPayneMusic
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1121977 By Chris Tomlin. By Chris Tomlin, Jason Ingram, and Reuben Morgan. Arranged by C. Foster Payne. Christian. Sc...
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Full Orchestra - Level 3 - SKU: A0.1121977 By Chris Tomlin. By Chris Tomlin, Jason Ingram, and Reuben Morgan. Arranged by C. Foster Payne. Christian. Score and parts. 85 pages. FossPayneMusic #723154. Published by FossPayneMusic (A0.1121977). A mashup of two songs focused on the theme of surrender, I Surrender All and Chris Tomlin’s I Will Follow, this modern reimagining of these songs start with an almost ballad-like style before shifting gears to a more upbeat version. This mashup is perfect in a service where both classic hymns and contemporary Christian charts are both honored and sung. SATB choral arrangement as available.
$59.99
Midnight Cowboy
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Orchestre
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INTERMÉDIAIRE
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John Barry
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Kevin Riley
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Midnight Cowboy
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1109534 Composed by John Barry. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 32 pages. Kevin Riley...
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Full Orchestra - Level 3 - SKU: A0.1109534 Composed by John Barry. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 32 pages. Kevin Riley #711925. Published by Kevin Riley (A0.1109534). Midnight Cowboy is a 1969 American drama film, based on the 1965 novel of the same name by James Leo Herlihy. The film was written by Waldo Salt, directed by John Schlesinger, and stars Dustin Hoffman and Jon Voight, with notable smaller roles being filled by Sylvia Miles, John McGiver, Brenda Vaccaro, Bob Balaban, Jennifer Salt, and Barnard Hughes. Set in New York City, Midnight Cowboy depicts the unlikely friendship between two hustlers: naïve sex worker Joe Buck (Voight), and ailing con man Enrico Ratso Rizzo (Hoffman). At the 42nd Academy Awards, the film won three awards: Best Picture, Best Director and Best Adapted Screenplay. Midnight Cowboy is the only X-rated film ever to win Best Picture. It has since been placed 36th on the American Film Institute's list of the 100 greatest American films of all time, and 43rd on its 2007 updated version. In 1994, Midnight Cowboy was deemed culturally, historically or aesthetically significant by the Library of Congress and selected for preservation in the United States National Film Registry.
$60.00
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