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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR
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DEEJAY
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
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GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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LUTH
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Non classifié
497
PIANO & CLAVIERS
Piano seul
432
Piano Facile
241
Piano, Voix
161
Piano, Voix et Guitare
54
Instruments en Do
34
Orgue
31
1 Piano, 4 mains
21
Accompagnement Piano
10
Piano Trio: piano, violon, violoncelle
7
Piano grosses notes
5
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4
Piano Quatuor: piano, violon, alto, violoncelle
4
Accordéon
1
2 Pianos, 4 mains
1
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GUITARES
Guitare notes et tablatures
87
Ligne De Mélodie, (Paroles) et Accords
47
Ukulele
47
Guitare
17
Paroles et Accords
6
2 Guitares (duo)
4
Piano, Guitare (duo)
3
Basse electrique
3
4 Guitares (Quatuor)
3
Banjo
1
Mandoline
1
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VOIX
Chorale SATB
206
Chorale 2 parties
140
Chorale Unison
89
Chorale 3 parties
65
Chorale SSAA
17
Chorale TTBB
17
Voix duo, Piano
16
Voix Alto, Piano
12
Voix Soprano, Piano
6
Voix basse, Piano
5
Voix duo
4
Voix Tenor, Piano
3
Voix moyenne, Piano
3
Soli, choeur mixte et accompagnement
2
Chorale
2
Voix Baryton, Piano
1
Chorale SSAATTBB
1
Voix haute, Piano
1
Voix seule
1
Voix haute
1
Voix Soprano
1
Instrumentations suivantes
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VENTS
Flûte traversière et Piano
46
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
38
Clarinette
35
Hautbois, Piano (duo)
32
Clarinette et Piano
31
Quatuor de Saxophones: 4 saxophones
30
2 Saxophones (duo)
27
2 Flûtes traversières (duo)
23
Flûte traversière
22
Saxophone Alto et Piano
20
Hautbois (partie séparée)
19
Saxophone Tenor et Piano
19
2 Clarinettes (duo)
18
Saxophone Soprano et Piano
17
Quintette de Saxophone: 5 saxophones
15
Flûte, Clarinette (duo)
14
Saxophone Baryton, Piano
12
Quatuor de Clarinettes: 4 clarinettes
11
Flûte, Hautbois, Clarinette, Basson
11
3 Clarinettes (trio)
10
Saxophone Alto
9
Quatuor de Flûtes : 4 flûtes
9
Cor anglais, Piano
9
Clarinette Basse, Piano
8
Flûte à Bec
7
Saxophone Tenor
7
Saxophone (partie séparée)
6
Ensemble de Clarinettes
5
Flûte, Violoncelle
5
Clarinette, Basson (duo)
5
Clarinette, Violoncelle (duo)
5
2 Hautbois (duo)
5
Saxophone, Clarinette (duo)
4
Trio de Flûtes: 3 flûtes
4
Ensemble de Flûtes
4
Hautbois, Basson (duo)
4
Flûte, Violon
3
Flûte à bec Soprano
3
2 Flûte à bec (duo)
3
Hautbois
3
Hautbois, Clarinette (duo)
3
Ensemble de saxophones
3
Harmonica
2
Clarinette, Trompette (duo)
2
Hautbois, Violoncelle
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois (duo)
2
Clarinette, Violon (duo)
2
Flûte à bec Alto
2
Clarinette, Guitare (duo)
2
Quintette de Flûte : 5 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
5 Flûtes à bec
2
3 Saxophones (trio)
2
Flûte, Hautbois, Clarinette (trio)
2
Hautbois, Clarinette, Basson (trio d'anches)
1
Quatuor de Flûtes à bec
1
Ocarina
1
Flûte à bec Soprano, Piano
1
Flûte, Trompette (duo)
1
Flûte, Alto (duo)
1
3 Flûtes à bec (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Flûte
1
Flûte, Hautbois, Basson
1
Clarinette et Alto
1
Flûte, Violon, Piano
1
Flûte, Clarinette et Basson
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
40
Trompette
33
Trombone et Piano
25
Trompette, Piano
18
Cor et Piano
17
Trombone
16
2 Trombones (duo)
15
Euphonium, Piano (duo)
14
Cor
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Tuba et Piano
11
Tuba
10
Cor anglais, Piano
9
2 Trompettes (duo)
9
2 Euphoniums (duo)
6
Trompette, Trombone (duo)
5
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Cor (duo)
4
Cor, Violoncelle (duo)
4
2 Cors (duo)
4
Trompette (partie séparée)
4
2 Tubas (duo)
3
Euphonium
2
Quatuor de Cuivres
2
Ensemble de Trompettes
2
2 Euphoniums et 2 Tubas
2
Trompette, Saxophone (duo)
2
Trio de Cuivres
2
Ensemble de Trombones
2
2 Trompettes, Clavier (piano ou orgue)
1
Trombone basse
1
Quatuor de cuivres: 4 trompettes
1
3 Trompettes (trio)
1
Euphonium, Tuba (duo)
1
Cor et Basson (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
56
Violon et Piano
48
Violoncelle
38
Violon
33
Alto, Piano
31
Violoncelle, Piano
29
Alto seul
24
Violon, Violoncelle (duo)
21
2 Violons (duo)
19
Trio à Cordes: violon, alto, violoncelle
18
Harpe
15
Violon, Alto (duo)
14
2 Violoncelles (duo)
14
Contre Basse
13
2 Altos (duo)
12
Trio à Cordes: 2 violons, violoncelle
9
Alto (partie séparée)
7
Alto, Violoncelle (duo)
6
Contrebasse, Piano (duo)
5
Violon, Basson (duo)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Quatuor à cordes : 4 altos
4
Alto et Basson
3
Trio à cordes: 3 violins
3
Harpe, Voix
2
Harpe, Violon (duo)
2
2 Contrebasses (duo)
2
Violon, Guitare (duo)
2
Ensemble d'Altos
2
Quatuor à cordes: 4 violons
2
2 Harpes (duo)
2
Ensemble de Violons
2
Trio à Cordes: 2 violons, alto
2
Violon (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
Violoncelle (partie séparée)
1
Alto, Guitare (duo)
1
Harpe, Violon, Violoncelle
1
Violoncelle , Guitare (duo)
1
Trio à Cordes: 3 violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre à Cordes
60
Orchestre d'harmonie
41
Orchestre
20
Cloches
13
Ensemble de cuivres
12
Orchestre de chambre
10
Ensemble Jazz
10
Ensemble de Percussions
2
Marimba
2
Fanfare
2
Batterie
1
Vibraphone
1
Xylophone, Piano
1
2 Xylophones
1
Quintette de Cuivres: autres combinaisons
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Like a Child
SheetMusicPlus
Partitions à imprimer
20 partitions trouvées
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1
You've Got A Friend In Me
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1494236 By Randy Newman And Lyl…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1494236 By Randy Newman And Lyle Lovett. By Randy Newman. Arranged by John Langley (Studio Orchestrations). Broadway,Children,Christmas,Film/TV,Musical/Show,Wedding. 60 pages. Www.studio-orchestrations.com #1070827. Published by www.studio-orchestrations.com (A0.1494236). This arrangement is for Trombone Solo and Orchestra.Randy Newman's timeless, evergreen and sweet classic ballad comes from the original Disney Toy Story and in its 3 sequels that came after it. The unlikely and - in the early days - strained relationship between Woody and Buzz Lightyear (You ARE A CHILDS PLAYTHING...) comes to its famously happy conclusion at the end of the first movie with a blossoming friendship that we the audience know will endure through eternity, and this song caps that beautifully as only the genius of Randy newman knows how.This score is arranged for Trombone solo and orchestra and would be a perfect addition for a concert of film music or kids music event.Instrumentation :FluteOboeClarinetBassoon2 Horns2 TrumpetsTrombone (Solo)Tuba (Optional ... but certainly preferable!!)1 Percussion (Vibes)DrumsStringsCheckout www.studio-orchestrations.com for other similar arrangements and orchestrations by John Langley and Paul Campbell for sale and hire.
$60.00
55.03 €
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Orchestre
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Randy Newman And Lyle Lovett
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You've Got A Friend In Me
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www.studio-orchestrations.com
#
SheetMusicPlus
Feed The Birds (Tuppence A Bag)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1509331 Composed by Richard M. …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1509331 Composed by Richard M. Sherman and Robert B. Sherman. Arranged by John Langley (Studio Orchestrations). Broadway,Children,Christmas,Film/TV,Musical/Show,Standards. 88 pages. Www.studio-orchestrations.com #1084580. Published by www.studio-orchestrations.com (A0.1509331). For vocal soloist, (Optional SATB chorus) and Orchestra in G MajorBrothers Richard Sherman and Robert Sherman were two of the finest song writers of all time, creating iconic family friendly songs and scores for many Disney films including Mary Poppins (1964), Chitty Chitty Bang Bang (1968), and Bedknobs and Broomsticks (1971) and the animated films The Sword in the Stone (1963), The Jungle Book (1967), Charlotte's Web (1973), The Aristocats (1970), and of course the theme park songs There's A Great Big Beautiful Tomorrow and It's A Small World (After All). The score for Mary Poppins is especially perfect with so many immortal songs like Chim chimeney, Spoonful of sugar, Fly a kite, Supercali ........ and of course the simple but beautiful Feed the birds. It has such finely balanced musicality as a song and tugs the heart strings with its gentle lilting narrative of the unassuming bird lady on the steps of St. Paul's Cathedral.This arrangement tries to capture the magic of the original song, using some occasional harmonic ideas from the stage musical version as well. Instrumentation:2 FlutesOboeCor Anglais2 Clarinets2 Bassoons4 Horns2 PercussionHarpKeyboard Strings Optional SATB chorusCheck out other arrangements and orchestrations by John Langley and Paul Campbell at https://www.studio-orchestrations.com/buy-hire-music
$120.00
110.06 €
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Orchestre
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Richard M
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Feed The Birds
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www.studio-orchestrations.com
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SheetMusicPlus
Ouverture
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.989417 Composed by Thomas Nasza…
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Full Orchestra - Level 3 - Digital Download SKU: A0.989417 Composed by Thomas Naszalyi. 20th Century,Film/TV,Standards. Score and parts. 10 pages. Thomas Naszalyi #3387955. Published by Thomas Naszalyi (A0.989417). Romantic and epic orchestral music. Also suitable for any children enchanting movie, like Walt Disneys. Magical and wondrous. Start with a slow and mysterious introduction, leading to a zenith with glockenspiel and trombones. The end is like a smooth post-romantic symphonic movement. Instrumental, Dramatic, Energizing Music
$4.50
4.13 €
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Orchestre
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Thomas Naszalyi
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Ouverture
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Thomas Naszalyi
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SheetMusicPlus
Ikons
Orchestre
Full orchestra - Grade 6 - Digital Download SKU: IZ.OMW072 Composed by Keith Dippre…
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Full orchestra - Grade 6 - Digital Download SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Published by Imagine Music - Digital (IZ.OMW072). 9 x 12 in inches.By Keith Dippre. Each of the three movements deals with symbols, specifically those that have autobiographical significance to the composer. The first movement, Klee on Loan, pays homage to the famous abstract expressionist painter. The gestures are traditional and all easily identifiable, from the sweeping Mahleresque beginning to the Bartok meets The Rolling Stones motifs found at mid movement. These are the composer's attempts to represent Klee's crosses and arrows through some familiar and abstract sound. Klee's genius, I believe, is found in his ability to make very generic symbols very abstract. The second movement, Roadside Memorial, is a musical journey that goes the route of a dangerous and ominous highway replete with roadside crosses and flowers. Present are the sounds of radio static and the motorist's attempts to find an interesting station in the midst of a punishing blizzard, all the while praying to make the trek safely home. Ikonoklastic is the third and least serious movement of the three, sporting a playful and somewhat schizophrenic waltz. There are childlike melodies set against more serious romantic style gestures. The blending of the serious with the less serious at times combines to create contrapuntal moments. The final movement is the most sublime of the four, and it is solely based upon a loping, adieu-like gesture. The line is continually recycling itself, and the piano takes the role of psychopomp as it escorts the movement to its out of body conclusion.
$90.00
82.55 €
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Orchestre
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Keith Dippre
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Keith Dippre
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Ikons
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Imagine Music - Digital
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SheetMusicPlus
Family Fugue
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy A…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1447011 Composed by Jenny-Joy Ahimsa Moore. Classical,Contemporary. 15 pages. Jenny Joy Ahimsa Moore #1026786. Published by Jenny Joy Ahimsa Moore (A0.1447011). This piece is for a symphony that would play more challenging music. It is how I view, and harmonize, my dysfuctional/abusive family. The middle section falls apart much like my family truly was, behind closed doors. That is: we lived in the same house, but we did not communicate, we did not listen to each other. Near the end, it becomes much darker, almost funereal, like the truth of what being the youngest child (of a narcissistice mother, with an older narcissistic sister, a dad who chooses to remain ignorant) in my family was truly like. The various parts represent members of my family , sometimes several parts represent one member, or (at times) one part represents several members. Typically, the flute represents my sister, clarinet represents myself (sometimes tuba and trumpet as well). The parts overlap , to show how we did not listen and spoke at each other rather than with each other. This piece shows not just what each person was like on the outside, but also shows the more subtle sides of each member that few people really see or know about (the abuse behind closed doors). This piece is multi faceted, multi layered, like the 4 main members of my family are. The very end points to the Grace of God being the only thing that can heal my family at this point. The flute ends higher than clarinet, in the Hope that Healing can truly occur (not just my family, but with other families that hurt as well).
$79.99
73.37 €
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Orchestre
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Jenny-Joy Ahimsa Moore
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Family Fugue
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Jenny Joy Ahimsa Moore
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SheetMusicPlus
Silent Night, Holy Night (for Orchestra)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gru…
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Full Orchestra - Level 4 - Digital Download SKU: A0.984555 Composed by Franz X. Gruber. Arranged by Tito Abeleda. Christmas. Score and parts. 69 pages. Visionary Quest Records #4895613. Published by Visionary Quest Records (A0.984555). To understand why I composed this arrangement of Silent Night, Holy Night in the way that I did, close your eyes and imagine taking a holy journey or pilgrimage to visit the Holy Nativity. I musically convey what I imagined it would have been like to make this long journey like the Three Wise Kings and others did to follow the Star of Bethlehem to see the Blessed Child that prophets had foretold. As each person begins the journey, you will hear the distinctly grave motif indicative of the quest that was before them. The brass gloriously herald one's approach to the Holy Nativity coupled with the commencement of the Silent Night, Holy Night carol theme upon one's arrival. The music Silent Night, Holy Night was originally composed in 1818 by Franz X. Gruber. The original lyrics were were written in German by James Mohr also in 1818. This Christmas Classic was translated to English in 1859 by John Young. I wrote this arrangement yesterday as an intermediate level piano solo.This is a re-imagined version of Franz Gruber's Christmas Carol classic Silent Night, Holy Night. Section A begins with a poignant introduction in C Minor, then modulates to C Major for the main Silent Night, Holy Night Christmas Carol theme in Section B. Section C returns to a new version of its introductory C Minor motif. The song segues back to its Silent Night, Holy Night theme, but modulating to D Major for its closing.F. Gruber's Silent Night, Holy Night (for Full Orchestra) Arranged by Tito Abeleda (1964 - ). Digital Download = 70 pages. Duration = 4 minutes 42 seconds.INSTRUMENTATION - Piccolo 1.2nFlute 1.2.3nAlto FlutenOboe 1.2.3.4nCor Anglais 1.2nClarinet in E^bnClarinet in DnClarinet in B^b 1.2.3nClarinet in A 1.2.3nBassoon 1.2.3.4nContrabassoon 1.2nHorn in F 1–8nTrumpet in DnTrumpet in C 1.2.3.4nBass Trumpet in E^bnTrombone 1.2.3nTenor Tuba in B^b 1.2nBass Tuba in FnTimpani 1.2nCymbalsnTubular BellsnHarpnViolin InViolin IInViolanVioloncellonDouble BassContact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$35.00
32.1 €
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Orchestre
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Franz X
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Tito Abeleda
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Silent Night, Holy Night
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Visionary Quest Records
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SheetMusicPlus
Mr. Blue Sky
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1025683 By Electric Light Orche…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1025683 By Electric Light Orchestra. By Jeff Lynne. Arranged by Brett A Foster (BF Music). Pop. Score and parts. 96 pages. Brett A Foster #6682945. Published by Brett A Foster (A0.1025683). Mr. Blue Sky is a song by the Electric Light Orchestra (ELO), featured on the band's seventh studio album Out of the Blue (1977). Written and produced by front man Jeff Lynne, the song forms the fourth and final track of the Concerto for a Rainy Day suite, on side three of the original double album. Mr. Blue Sky was the second single to be taken from Out of the Blue, peaking at number 6 in the UK Singles Chart and number 35 in the US Billboard Charts.Like the album from which the single was issued, promotional copies were released on blue vinyl. Due to its popularity and frequent use in multiple television shows and movies, it has sometimes been described as the band's signature song. The song has been used in the films , Megamind, Role Models, The Magic Roundabout, Wild Mussels, Eternal Sunshine of the Spotless Mind, Paul Blart: Mall Cop, The Game Plan, Doogal, Martian Child, The Invention of Lying, Guardians of the Galaxy Vol. 2.and Shaun of the Dead.
$79.00
72.46 €
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Orchestre
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Electric Light Orchestra
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Brett A Foster (BF Music)
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Mr. Blue Sky
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Brett A Foster
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SheetMusicPlus
O Perfect Love - Orchestra/Concert Band Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.751056 Composed by Richard Runc…
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Full Orchestra - Level 3 - Digital Download SKU: A0.751056 Composed by Richard Runciman Terry 1865-1938. Arranged by Brendan Elliget MAGA 537. Christian,Sacred. Score and parts. 35 pages. BJE Music #6516483. Published by BJE Music (A0.751056). O Perfect Love – This hymn of probably the lesser-known tune, called Highwood, is often sung at weddings or funerals. The arrangement here is for both Orchestra and/or Concert Band with parts for Harp and Optional Piano (Both shown on the score). The only percussion part is for the Timpani. Various combinations of instrumentals from a small group with the keyboard to the full Orchestra are possible. There is a descant part for Oboe, Clarinet, or Trumpet in the final verse.Grade = 3 Duration = 2:25 mins. The MP3 was recorded with NotePerformer 3.Introduction – Verse 1: Oboe Solo, Strings, Piano, and Harp.Verse 2: +Woodwinds.Verse 3: +All Brass plus the Descant for Oboe, Clarinet, and Trumpet (Full Orchestra) plus Timpani.Tune: Highwood Meter: Irregular Style: Early 20th Century Composer: Richard Runciman Terry (1865 – 1938) Lyricist: Dorothy Blomfield Gurney (1867 – 1936)The lyrics:O perfect Love, all human thought transcending, lowly we kneel in prayer before thy throne, that theirs may be the love which knows no ending, whom thou forevermore dost join in one.O perfect Life, be thou their full assurance of tender charity and steadfast faith, of patient hope and quiet, brave endurance, with childlike trust that fears not pain nor death.Grant them the joy which brightens earthly sorrow; grant them the peace which calms all earthly strife, and to life’s day the glorious unknown morrow that dawns upon eternal love and life.
$15.00
13.76 €
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Orchestre
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Richard Runciman Terry 1865-1938
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Brendan Elliget MAGA 537
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O Perfect Love - Orchestra/Concert Band Score and Parts PDF
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BJE Music
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.93 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.93 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.93 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Psalm 145 (Downloadable Choral Score)
Orchestre
Children's choir, descant, SATB choir divisi, and keyboard or full orchestra - Medium - Di…
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Children's choir, descant, SATB choir divisi, and keyboard or full orchestra - Medium - Digital Download SKU: MQ.50-7086-E Composed by Michael John Trotta. Instrument part. 14 pages. MorningStar Music Publishers - Digital Sheet Music #50-7086-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-7086-E). English. Psalms 145.A big, fun festival piece. The children's choir part is prominent and often sings with or against the adults, so it's essential. The SATB writing varies from full chords to quick imitative passages to a quiet chorale-like section. The accompaniment is flashy and could be effectively done on either piano or organ. In fact, a full orchestra accompaniment is available, with winds in pairs, two percussionists, harp, and strings. Duration: 4:00.
$2.85
2.61 €
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Orchestre
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Michael John Trotta
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Psalm 145
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
RAGING FURIES - Goettinnen der Rache
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orches…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1225840 By Rainer Fabich Orchestra. By Rainer Fabich. Arranged by Rainer Fabich. 21st Century,Classical,Contemporary,Film/TV. Score and Parts. 212 pages. Fajora Music #821876. Published by Fajora Music (A0.1225840). RAGING FURIES - Rasende FurienGoddesses of revenge - Göttinnenn der RageConcert Piece for big orchestra - Score and PartsThe image of the raging furies as a topos has permeated the world of thoughts and images of mankind for thousands of years and has inspired and fascinated countless artists.This idea is also based on an emotional background, a violent, uncontrolled emotional outburst, a rage (Latin: furor, in the sense of frenzy, passion and madness, French: rage). The resulting affect action is described as rage or fury, combined with a state of mind of uncontrolled excitement in the sense of being beside oneself or out of one's senses.The personification of these affects was in Greek and Roman mythology with the trio of vengeance goddesses, the Erinyens (Latin furia) called: Alekto (the incessant, the never resting), Megaira (German: Megäre, the envious anger) and Tisiphone (the Vengeance avenging the murder, represented with a dog's head and bat's wings), and another, that of Nemesis (the reconciling justice). Already in antiquity they were depicted in sculptures, embossed on coins or immortalized as images on amphorae.They appear in all eras of fine arts, sometimes in female, male or androgynous form, e.g. as avenging angels, or as hybrid beings between humans and animals. Pictures by Albrecht Dürer, Hieronymus Bosch, Tizian, Peter Paul Rubens, William Hamilton, Johann Heinrich Fuessli, Franz von Stuck, Alfred Kubin, Salvador Dali, Francis Bacon, Yongbo Zhao and many others are proof of this.They found their way into the literature of Virgil (Aeneis), Dante (Divine Comedy) or John Milton (Paradise Lost). Goethe lets them appear in Faust II, Schiller (Die Kraniche des Ibykus) and many others refer to them directly or in a modified form, such as Kurt Tucholsky (Gripsholm Palace), Alfred Döblin (Berlin Alexanderplatz), Max Frisch (Homo Faber) or Jean-Paul Sartre (The Flies).In opera, they become an important element in highly dramatic scenes, especially on themes with a mythological or historical background, often also related to the underworld, as in Monteverdi (Il Ritorno d`Ulisse in Patria), Lully (Armide), Gluck (Orpheus and Euridice) or Purcell (Dido and Aeneas). Haendel dedicates an aria to them in Rinaldo, the Furie Terribili. Mozart also uses it in The Magic Flute, in his aria Der Hölle Rache by the Queen of the Night.Furies appear up to the present in various forms, in comics, fantasy novels, computer games, or kung fu films of the 70s (Furies on the yellow river). They are even popular as plastic children's toys, mostly in particularly frightening and creepy presentations (Matchbox/Fighting Furies or Warhammer/Erinnye). This remarkable history and reception inspired Rainer Fabich to create this new orchestral work from his MYThS series. PEGASUS - Ride on Wings, ULYSSES - Prélude to an Odyssey and THE AMONZS - Myth and Projection have already been released. As the title suggests, this is frantically wild music (Allegro molto vivace) that seems to run away, like an action film with fast motives and runs of strings and woodwinds, combined with strong accents of brass and massive percussion Set. Alternations of straight and asymmetrical beats illustrate erratic sequences of movement, as are typical of scenes with the highest intensity, especially in films (e.g. a chase). In the jazzy middle section, the furies calm down a little, before they pick up speed again in a bombastic third section and increase to the point of ecstasy.
$49.95
45.81 €
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Orchestre
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Rainer Fabich Orchestra
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Rainer Fabich
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RAGING FURIES - Goettinnen der Rache
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Fajora Music
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SheetMusicPlus
Round Up - Score Only
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel We…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1204655 By Various. By Nigel Westlake. Arranged by Chris Siddall. Film/TV. Score and parts. 12 pages. Chris Siddall Music Publishing #803129. Published by Chris Siddall Music Publishing (A0.1204655). Writer-producer George Miller, the director behind the Mad Max movies, had heard about Dick King-Smith’s children’s book The Sheep-Pig and dreamed about turning it into a movie. When it came to writing the score he turned to Jerry Goldsmith, with whom he had previously collaborated on his segment of Twilight Zone: The Movie (Nightmare at 20,000 Feet). Fate however, stepped in when Jerry sent his work in progress. Miller felt that the music was too beautiful and lyrical, that it should play up the darker moments in the story. With a typically busy schedule, Goldsmith had no time available to rewrite the score, so the process of selecting a replacement began. Babe was being produced in Australia, which made communicating with LA-based composers a challenge, so six local composers were invited to audition, and Nigel Westlake was selected for the role. Westlake deftly weaves well-known classical themes such as Saint-Saens’ Organ Symphony and Delibes’ Pizzicati from the ballet Sylvia into his score, which sparkles and shines like the unprejudiced heart of the titular pig.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
9.16 €
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Orchestre
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Various
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Chris Siddall
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Round Up - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Victory Music
Orchestre
Full Orchestra - Digital Download SKU: A0.617904 Composed by Amphibia Cultural Lega…
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Full Orchestra - Digital Download SKU: A0.617904 Composed by Amphibia Cultural Legacy. Arranged by Britney Taylor. 20th Century,Broadway,Classical,Contemporary,Musical/Show,Opera. Score and parts. 2 pages. Amphibia Cultural Legacy #227055. Published by Amphibia Cultural Legacy (A0.617904). Victory Music is a new sensation that has overtaken the music industry. It is an orchestral cover remixed with additional instruments by Amphibia Cultural Legacy based on the popular children's song, Head Shoulders Knees and Toes, by TabTale. This creative masterpiece combines classical instruments with modern elements like EDM beats and electronic synths.The result is a unique sound that will leave you feeling energized and triumphant. The arrangement of different instruments creates a harmonious melody that awakens your senses from the song's beginning. The composition also features powerful percussion sounds that give listeners a sense of adrenaline rush.Victory Music pays tribute to the original Head Shoulders Knees and Toes track while elevating it to new heights with its catchy tune.
$26.00
23.85 €
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Orchestre
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Amphibia Cultural Legacy
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Britney Taylor
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Victory Music
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Amphibia Cultural Legacy
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SheetMusicPlus
Elizabethen Walzer
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1208496 Composed by Johann Stra…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1208496 Composed by Johann Strauss Sr. Arranged by Marek Czekala. 19th Century,Classical. Score and Parts. 83 pages. Marek Czekala #806610. Published by Marek Czekala (A0.1208496). Johann Strauss I (German: Johann Baptist Strauß, Johann Strauss (Vater); also Johann Baptist Strauss, Johann Strauss Sr., the Elder, the Father; 14 March 1804 – 25 September 1849) was an Austrian Romantic composer. He was famous for his waltzes, and he popularized them alongside Joseph Lanner, thereby setting the foundations for his sons to carry on his musical dynasty. He is best known for his composition of the Radetzky March (named after Joseph Radetzky von Radetz).In 1835 he composed one of his most beautiful waltzes – Elisabethen Walzer.Strauss died in Vienna on 25 September 1849 at the age of 45 from scarlet fever contracted from one of his illegitimate children. He was buried at the Döblinger cemetery beside his friend Joseph Lanner. In 1904, both of their remains were transferred to the graves of honour at the Zentralfriedhof. The former Döbling Cemetery is now a Strauss-Lanner Park. Hector Berlioz himself paid tribute to the 'Father of the Viennese Waltz' by commenting that Vienna without Strauss is like Austria without the Danube.
$10.00
9.17 €
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Orchestre
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Johann Strauss Sr
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Marek Czekala
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Elizabethen Walzer
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Marek Czekala
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SheetMusicPlus
Humdinger (Orchestral Arrangement)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1297405 Composed by Geraldine (…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1297405 Composed by Geraldine (Denny) Green. 21st Century,Children,Classical,Comedy. Score and Parts. 85 pages. Geraldine (Denny) Green at Oakmountmusic #887482. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1297405). ALL PURCHASES COME WITH SCORE AND PARTSHumdinger was written in March 2010. Â Duration: Â 4 minutes 42 seconds.This piece was specially written for and dedicated to Gary Woolf and the Banda di Musica in Emsdetten, Germany. It is fast, lively, tuneful and comical, with a very mischievous character. It could be enjoyed by both students and professionals alike. It was inspired by a nail biting dash through Frankfurt airport in order to just about catch a plane!There are three arrangements available:No.1 Â School arrangement: for Violin 1, Violin 2, Violin 3, Cello 1 and CelloNo.2 Â Standard: for Violin 1, violin 2, viola, cello and double bassNo.3 Â Youth Orchestra Arrangement:In May 2019 I completed an orchestration for Youth orchestra for this piece. The instrumentation is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bflat Bass Clarinet, 1 Bassoon, 1 Alto Saxophone.Trumpets 1&2 in Bflat, 1 Tenor Trombone.Maracas, Snare Drum (with brushes), Tambourine, Triangle, Xylophone.Violins 1,2&3, Viola (same as violin 3 part), Cellos 1&2, Double Bass (same as Cello 2 part).
$40.00
36.69 €
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Orchestre
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Geraldine
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Humdinger
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Geraldine
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SheetMusicPlus
Chinese National Anthem for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Nie Er (1912- 1935). Arrange…
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Full Orchestra - Intermediate - Digital Download Composed by Nie Er (1912- 1935). Arranged by Keith Terrett. 20th Century, Asian, Patriotic. Score, Set of Parts. 26 pages. Published by Music for all Occasions
An arrangement of the national anthem of China arranged for Symphony Orchestra. There are alternative versions for Symphony and Brass Quintet in my stores The "March of the Volunteers"[5][6] is the national anthem of the People's Republic of China, including its special administrative regions of Hong Kong and Macau. Unlike most previous Chinese state anthems, it is written entirely in the vernacular, rather than in Classical Chinese. Its lyrics were composed as a dramatic poem by the poet and playwright, the Japan-educated Tian Han in 1934 and set to music by Nie Er from Yunnan Province the next year for the film Children of Troubled Times. It was adopted as the PRC's provisional anthem in 1949 in place of the "Three Principles of the People" of the Republic of China and the Communist "Internationale". When Tian Han was imprisoned during the Cultural Revolution in the 1960s, the march was briefly and unofficially replaced by "The East Is Red", then played without words, then played with altered words. Restored to its original version, the "March of the Volunteers" was raised to official status in 1982, adopted by Hong Kong and Macau upon their restorations to China in 1997 and 1999, respectively, and included in the Chinese Constitution's Article 136 in 2004 (Article 141 in 2018). For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1http://www.sheetmusicplus.com/search?Ntt=keith terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett. Love national anthems, then join me on twitter, facebook, instagram and soundcloud for frequent updates and news on my Olympic bid! Need anthems for your next event, e-mail me your requirements. I can supply high quality MP3's of any of my national anthem arrangements.An arrangement of the national anthem of China arranged for Symphony Orchestra. There are alternative versions for Symphony and Brass Quintet in my stores
The "March of the Volunteers"[5][6] is the national anthem of the People's Republic of China, including its special administrative regions of Hong Kong and Macau. Unlike most previous Chinese state anthems, it is written entirely in the vernacular, rather than in Classical Chinese.
Its lyrics were composed as a dramatic poem by the poet and playwright, the Japan-educated Tian Han in 1934 and set to music by Nie Er from Yunnan Province the next year for the film Children of Troubled Times. It was adopted as the PRC's provisional anthem in 1949 in place of the "Three Principles of the People" of the Republic of China and the Communist "Internationale". When Tian Han was imprisoned during the Cultural Revolution in the 1960s, the march was briefly and unofficially replaced by "The East Is Red", then played without words, then played with altered words. Restored to its original version, the "March of the Volunteers" was raised to official status in 1982, adopted by Hong Kong and Macau upon their restorations to China in 1997 and 1999, respectively, and included in the Chinese Constitution's Article 136 in 2004 (Article 141 in 2018).
For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: https://www.scoreexchange.com/profiles/keithterrett1http://www.sheetmusicplus.com/search?Ntt=keith terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
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