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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Litt at www
Non classifié
840
Piano & claviers
Piano seul
472
Piano Facile
177
Piano, Voix
167
Piano, Voix et Guitare
128
Instruments en Do
31
1 Piano, 4 mains
20
Orgue
20
2 Pianos, 4 mains
9
Accompagnement Piano
7
Piano (partie séparée)
6
Piano Trio: piano, violon, violoncelle
6
Accordéon
6
Piano Quatuor: piano, violon, alto, violoncelle
5
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
2
Clavecin
2
1 Piano, 6 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Guitare
68
Guitare notes et tablatures
66
2 Guitares (duo)
11
Ukulele
8
Guitare (partie séparée)
8
Piano, Guitare (duo)
6
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
4
4 Guitares (Quatuor)
4
3 Guitares (trio)
3
Mandoline
2
Dulcimer
2
Mandoline, Guitare (duo)
1
Ensemble de guitares
1
Guitare, Violon, Violoncelle (trio)
1
+ 10 instrumentations
Retracter
Voix
Chorale SATB
166
Chorale 3 parties
67
Chorale 2 parties
33
Chorale TTBB
32
Chorale SSAA
29
Chorale Unison
19
Voix Soprano, Piano
6
Voix duo, Piano
5
Voix Baryton, Piano
4
Voix duo
4
Voix Alto, Piano
2
Voix moyenne, Piano
2
Voix Tenor, Piano
2
Chorale SSAATTBB
2
Chorale SSATTB
1
Voix Tenor
1
Voix Soprano
1
Voix haute
1
Voix duo, Orgue
1
+ 14 instrumentations
Retracter
Vents
2 Saxophones (duo)
138
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
66
Flûte traversière et Piano
64
2 Clarinettes (duo)
60
Saxophone, Clarinette (duo)
60
2 Flûtes traversières (duo)
58
Quatuor de Saxophones: 4 saxophones
50
Flûte, Hautbois, Clarinette, Basson
48
Clarinette et Piano
48
Clarinette, Violon (duo)
43
Quatuor de Clarinettes: 4 clarinettes
43
Clarinette, Trompette (duo)
37
Hautbois, Piano (duo)
37
Quintette de Saxophone: 5 saxophones
33
Saxophone (partie séparée)
32
Flûte, Clarinette (duo)
28
Saxophone Tenor et Piano
28
2 Hautbois (duo)
28
Clarinette
26
Saxophone Alto et Piano
26
Hautbois, Basson (duo)
25
Hautbois, Flûte
24
Saxophone Alto
23
Clarinette et Alto
22
Flûte traversière
21
Hautbois, Clarinette (duo)
20
Flûte, Violon
19
Flûte, Saxophone (duo)
18
Flûte, Alto (duo)
16
Ensemble de Flûtes
16
Hautbois (partie séparée)
16
Saxophone Tenor
15
Ensemble de saxophones
15
Flûte, Trompette (duo)
13
Ensemble de Clarinettes
13
Flûte et Guitare
13
Quatuor de Flûtes : 4 flûtes
12
Flûte à bec Soprano
11
Quintette de Clarinettes: 5 clarinettes
10
Quintette de Flûte : 5 flûtes
8
Cor Anglais
8
Saxophone Soprano et Piano
6
Flûte à Bec
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Violoncelle, Piano (trio)
4
Saxophone Baryton, Piano
4
3 Saxophones (trio)
4
Clarinette (partie séparée)
3
2 Clarinettes, Piano
3
Clarinette, Guitare (duo)
3
Cor anglais, Piano
3
Flûte, Alto et Piano
3
Flûte à bec Alto, Piano
3
Clarinette Basse, Piano
3
3 Clarinettes (trio)
3
Flûte, Hautbois (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Violon, Violoncelle et Piano
2
Quatuor de Flûtes à bec
2
Clarinette, Violoncelle (duo)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Flûte à bec Alto
2
Flute (partie séparée)
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Clarinette et Basson
2
Flûte, Violon, Piano
2
Clarinette, Trombone (duo)
2
Hautbois
2
Hautbois, Guitare (duo)
2
Clarinette, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à bec Soprano, Piano
1
Saxophone et Guitare
1
Clarinette, Alto et Piano (trio)
1
Saxophone Soprano
1
2 Flûte à bec (duo)
1
Flûte, Violoncelle
1
Instruments en Mib
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, Orgue
1
Flûte, Hautbois, Basson
1
Piccolo, Piano
1
Saxophone et Orgue
1
Ensemble à vent
1
2 Saxophones, Piano
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
67
Trompette, Saxophone (duo)
49
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
Quatuor de cuivres: 4 trombones
43
Trombone et Piano
31
2 Trompettes (duo)
28
Trompette, Trombone (duo)
27
2 Trombones (duo)
26
Trompette
24
Trompette (partie séparée)
21
Trombone
19
Trompette, Piano
19
Cor et Piano
18
Trombone (partie séparée)
16
Euphonium, Piano (duo)
8
Cor Anglais
8
Ensemble de Trombones
7
Quatuor de cuivres: 4 cors
7
Ensemble de Trompettes
7
Quatuor de Cuivres
6
Euphonium
6
Tuba et Piano
6
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Tuba
5
Cor
5
Cor anglais, Piano
3
Cor (partie séparée)
3
Tuba et Orgue
3
Tuba (partie séparée)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
2
Trompette, Trombone, Piano
2
Bass Clef Instruments
2
Quatuor de cuivres: 4 trompettes
2
Ensemble de Tubas
1
4 Tubas
1
Trio de Cuivres
1
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
Instruments en Fa
1
2 Tubas (duo)
1
2 Cors (duo)
1
Trombone basse
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
148
Violon et Piano
89
Violon
57
Violoncelle, Piano
53
Violon, Violoncelle (duo)
50
2 Violons (duo)
45
Alto, Piano
43
2 Violoncelles (duo)
33
Violon, Alto (duo)
29
Harpe
27
Violoncelle
26
2 Altos (duo)
25
Alto seul
18
Trio à Cordes: violon, alto, violoncelle
13
Trio à Cordes: 2 violons, violoncelle
10
Violon (partie séparée)
10
Alto (partie séparée)
8
Contrebasse, Piano (duo)
8
Contrebasse (partie séparée)
8
Ensemble d'Altos
4
Contre Basse
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Alto, Violoncelle (duo)
4
Quatuor à cordes: 4 violons
3
Ensemble de Violons
3
2 Harpes (duo)
3
Harpe, Flûte (duo)
3
Violon, Basson (duo)
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
2 Contrebasses (duo)
1
Ensemble de Violoncelles
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
Violoncelle (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Harpe et mandoline
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 3 violoncelles
1
Harpe, Voix
1
+ 35 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
197
Orchestre à Cordes
62
Orchestre
49
Ensemble Jazz
48
Ensemble de cuivres
40
Cloches
37
Jazz combo
31
Orchestre de chambre
23
Ensemble de Percussions
7
Fanfare
5
Batterie (partie séparée)
5
Percussion (partie séparée)
4
Batterie
3
Vibraphone
3
Marimba
2
Xylophone, Piano
2
Xylophone
2
Big band
2
Percussion
1
+ 14 instrumentations
Retracter
Autres
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Instruments
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BASSON
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
LIVRES
LUTH, THEOR…
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MARIMBA
ORCHESTRE
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PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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VIBRAPHONE
VIELLE A RO…
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VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
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Litt at www
Orchestre
Partitions à imprimer
49 partitions trouvées
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1
26
Merry Christmas, Darling
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
The Carpenters
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Merry Christmas, Darling
#
www.studio-orchestrations.com
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1470001 By The Carpenters. By Frank Pooler and Richard Carpenter. Arranged by John Langley / Studio Orchestrations. C...
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Full Orchestra - Level 4 - SKU: A0.1470001 By The Carpenters. By Frank Pooler and Richard Carpenter. Arranged by John Langley / Studio Orchestrations. Christmas,Holiday,Pop,Singer/Songwriter,Standards. 95 pages. Www.studio-orchestrations.com #1047742. Published by www.studio-orchestrations.com (A0.1470001). Merry Christmas, Darling is a Christmas song by the Carpenters (music by Richard Carpenter, lyrics by Frank Pooler), and originally recorded in 1970. It received a number of remixes, most notably in 1978 in a newly recorded vocal version by Karen Carpenter, which was done at her request. Richard Carpenter himself called the original recording one of his sister's very best. Hearing this song today with knowing ears and the knowledge of Karen Carepenter's mental health problems it makes a beautiful, sentimental song all the more bitter sweet and precious. It is a perfect little gem.In this orchestration - in the original Karen Carpenter key - there is never any heavy brass apart from 4 horns used very sparingly, and the optional original alto saxophone solo is also cued (as an alternative) for a Trumpet or Flugel horn if a sax is not available. A guitar in this texture is always desirable but can be traded off as long as there is bass guitar, light kit and percussion to support the soupy lush string lines.The backing vocals are a significant part of the song's haunting beauty and are also highly desirable however their harmony lines are covered by alternative wind instrument figures so this can be performed with or without backing vocals.INSTRUMENTATION:2 FlutesOboeCor Anglais2 Clarinets2 Bassoons4 HornsAlto Saxophone solo (Can be played on alt. Flugel/Trumpet part)2-3 PercussionHarpPianoElectric Guitar [Optional]Bass GuitarDrum KitVocal female soloistSATB Backing Vocals [Optional, cued to alt. instruments]StringsLook out for other arrangement/orchestrated titles by John Langley and writing partner Paul Campbell at www.studio-orchestrations.com.
$140.00
The Little Drummer Boy
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Orchestre
#
INTERMÉDIAIRE
#
Josh Groban Featuring Andy Mck
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Kevin Riley
#
The Little Drummer Boy
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Kevin Riley
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1307541 By Josh Groban Featuring Andy Mckee. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Kev...
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Full Orchestra - Level 3 - SKU: A0.1307541 By Josh Groban Featuring Andy Mckee. By Harry Simeone, Henry Onorati, and Katherine K. Davis. Arranged by Kevin Riley. 20th Century,Christian,Christmas. Score and Parts. 58 pages. Kevin Riley #896807. Published by Kevin Riley (A0.1307541). The Little Drummer Boy (originally known as Carol of the Drum) is a popular Christmas song written by American composer Katherine Kennicott Davis in 1941. First recorded in 1951 by the Trapp Family, the song was further popularized by a 1958 recording by the Harry Simeone Chorale; the Simeone version was re-released successfully for several years, and the song has been recorded many times since. In the lyrics, the singer relates how, as a poor young boy, he was summoned by the Magi to the Nativity of Jesus. Without a gift for the Infant, the little drummer boy played his drum with approval from Jesus' mother, Mary, recalling, I played my best for him and He smiled at me.
$60.00
Have Yourself A Merry Little Christmas
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Orchestre
#
FACILE
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Noël
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Barry Manilow
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Luis Cardoso
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Have Yourself A Merry Little C
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Luis Cardoso
#
SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1142806 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Luis Cardoso. Broadway,Christmas,Musical/Show. ...
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Full Orchestra - Level 2 - SKU: A0.1142806 By Barry Manilow. By Hugh Martin and Ralph Blane. Arranged by Luis Cardoso. Broadway,Christmas,Musical/Show. Score and parts. 41 pages. Luis Cardoso #743177. Published by Luis Cardoso (A0.1142806). Arrangement of the well-known Christmas piece, “Have Yourself a Merry Little Christmasâ€, for voice - Alto, Bass or Baritone - and orchestra - 2222 2200 1Perc Strings. Easy to perform, intimate piece, ideal for a music sharing moment at the Christmas concert. Duration: 4m15s. Year of composition/arrangement: 2021.
$49.99
Little Lullaby for Beginning School Orchestra
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Orchestre
#
DÉBUTANT
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Contemporain
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David Burndrett
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Little Lullaby for Beginning S
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David Burndrett
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SheetMusicPlus
Full Orchestra - Level 1 - SKU: A0.1436009 Composed by David Burndrett. Contemporary. 28 pages. David Burndrett #1016178. Published by David Burndrett (...
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Full Orchestra - Level 1 - SKU: A0.1436009 Composed by David Burndrett. Contemporary. 28 pages. David Burndrett #1016178. Published by David Burndrett (A0.1436009). This easy lullaby is aimed at beginning school orchestra.The violin 4, viola 2, cello and double bass parts use only one open string!The violin 3 part is the same as the viola 1 part.I have also added an optional very easy piano part.Download includes the score and all of the parts.
$12.95
Little Sea Nocturne
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Stanley M
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Little Sea Nocturne
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stanleymhoffman.com
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.924857 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913...
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Full Orchestra - Level 4 - SKU: A0.924857 Composed by Stanley M. Hoffman. 20th Century,Contemporary. Score and parts. 1 pages. Stanleymhoffman.com #3913649. Published by stanleymhoffman.com (A0.924857). Written for a reading session while the composer was a student at New England Conservatory, this piece is dedicated to his good friend, fine artist/painter Malcolm Tuffnell, whose artworks of New England seascapes inspired the music. .
$15.00
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
#
AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95
TAPS A Rembrance
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Orchestre
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INTERMÉDIAIRE
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Traditional
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Ken Litton
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TAPS A Rembrance
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Artist of Note, Inc.
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 2...
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Full Orchestra - Level 3 - SKU: A0.1226101 Composed by Traditional. Arranged by Ken Litton. Historic,Patriotic,Standards,Traditional. Score and Parts. 28 pages. Artist of Note, Inc. #822125. Published by Artist of Note, Inc. (A0.1226101). TAPS  A Remembrance   Bb Solo Trumpet, Narrator, Piano/Organ/Orchestra, optional SATB Choir  > 2:00TAPS - A Remembrance is ideal for the kinds of brief but important Memorial Day and/or Independence Day observances so often called for in our time.The poignant narration recalls the story of United States Army Sergeant Keith Clark playing the bugle call know today as Taps for the interment of President John F. Kennedy (November of 1963). As author William Manchester later wrote, “The 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†that the whole world heard, and that remains part of our national heritage.The background arrangement (optionally with chorus) heightens the emotion of the story until both give way to a regulation trumpet solo version that includes the grace note error and fades at the end. The orchestration is done in a 4 Part + format that lends itself to optional performance by any section of the orchestra (originally for brass alone).The choral octavo carries the complete narration (also see below) with accompaniment (playable by/adaptable to organ) and the solo trumpet part (all that’s really needed to perform the piece) along with permission to reproduce the octavo for optional choir/ensemble.The choral writing involves divisi only at two easily sung cadence points.And, it can be performed by just the brass and the narrator.For those who may not know the story:CBS News video of A Bugle Call Remembered Gathering 11/16/2013  [01:15]  https://www.youtube.com/watch?v=E3u2qKWQ8io----NARRATOR:  Since the mid 1800s the bugle call known today as Taps has heralded rest for the weary, as well as comfort and encouragement in times of deep personal and collective grief.** music beginsAt about 3:00 p.m. on November 24th 1963, as the nation mourned the assassination of President John F. Kennedy, United States Army Sergeant Keith Clark raised his bugle at Arlington National Cemetery [†with thoughts of I Corinthians 15:51 in mind, “The trumpet shall soundâ€].Clearly broadcast throughout the country and around the world, the 6th note of the 24 he played seemed like “a catch in your voice or a swiftly stifled sob†as author William Manchester put it. But, as another observer** noted: “Like the crack in the Liberty Bell, it remains part of our national heritage.â€(Taps solo Trumpet with intentional error at m.14 continues)________† Optional text** Ed Hunter for www.TapsForever.com.
$29.99
So This Is Love
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Orchestre
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INTERMÉDIAIRE
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James Ingram
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Ken Litton
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So This Is Love
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Artist of Note, Inc.
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1474066 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Ken Litton. Broadway,Film/TV,In...
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Full Orchestra - Level 3 - SKU: A0.1474066 By James Ingram. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Ken Litton. Broadway,Film/TV,Instructional,Musical/Show,Standards,Traditional. 65 pages. Artist of Note, Inc. #1051695. Published by Artist of Note, Inc. (A0.1474066). So This Is Love(The Cinderella Waltz)from Walt Disney’s CINDERELLABy Jerry Livingston, Mack David, Al HoffmanFULL ORCHESTRA© 1948 Walt Disney Music Company Copyright Renewed. All Rights Reserved. Used by Permission.East of the Altar/Artist of Note, Inc.How about a blast from the past in the form of a highly playable dance for your student (high school/college), community, professional or even church orchestra?The romantic ballad from Disney's classic animated film Cinderella (1950) originally ”sung” by Cinderella and Prince Charming as they finally dance together at the ball.The accelerating introduction leads to the elegant melody with light accompaniment. Then, material from the intro brings an easily playable lift into a new key and the melody up an octave, leading to a dramatic chord resolution at the words “dreaming of.” Add a choice of effective endings and, well…it’s love at first play!All this from the places you go for the best in downloadable resources:Sheet Music Directhttps://www.sheetmusicdirect.com/en-US/se/ID_No/1574510/Product.aspxSheet Music Plushttps://www.sheetmusicplus.com/en/product/so-this-is-love-22801217.htmlAs well as via Hal Leonard InStore™ retailers.Also…be sure to check out other titles from East of the Altar/Artist of Note, Inc. including an INTERMEDIATE PIANO arrangement taken directly from this score.Thanks, as always to the good folks at ArrangeMe.com, a division of Hal Leonard.
$49.99
Testament Cues - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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James Horner
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Chris Siddall
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Testament Cues - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1265999 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 48 pages. Chris Siddall Music Publishing #85873...
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Full Orchestra - Level 4 - SKU: A0.1265999 Composed by James Horner. Arranged by Chris Siddall. Film/TV. 48 pages. Chris Siddall Music Publishing #858732. Published by Chris Siddall Music Publishing (A0.1265999). 1983 saw the release of director Lynne Littman’s adaptation of Carol Amen’s short story The Last Testament. Originally produced for PBS’s “American Playhouseâ€, the quality of the movie was considered so high that Paramount decided to purchase the rights for a full theatrical release, and received an Oscar nomination for lead actress Jane Alexander.Testament is an unreservedly stark and disturbing experience, following a suburban family as they endure the effects of nuclear fallout.At this point in his career James Horner had already hit the mainstream with his immense science fiction music, with this project falling between his two Star Trek offerings.  His work here is built for an ensemble of only ten players, usually consisting of duets or solo horn or woodwind performances, with the occasional addition of a small choir.  Whilst having an overall sombre tone, there are moments of hope and unexpected heroism, and Horner’s score is an excellent example of how much can be achieved with a small ensemble.Now musicians, music students, conductors – any music lover – can study the complete score from Testament in this high-quality edition, carefully reproduced and edited from the original handwritten manuscript.Includes foreword by Testament director, Lynne Littman.
$35.00
Sea Pictures, Op. 37 Score and Parts (Letter Size) (Original higher keys for soprano)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward Elgar
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Sandstone Music
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Sea Pictures, Op. 37 Score and
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Sandstone Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978455 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 255 pages. Sandstone ...
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Full Orchestra - Level 4 - SKU: A0.978455 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 255 pages. Sandstone Music #6716911. Published by Sandstone Music (A0.978455). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.
$99.99
Sea Pictures, Op. 37 Score and Parts (A4 Size) (Original higher keys for soprano)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward Elgar
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Sandstone Music
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Sea Pictures, Op. 37 Score and
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Sandstone Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978456 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 253 pages. Sandstone ...
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Full Orchestra - Level 4 - SKU: A0.978456 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 253 pages. Sandstone Music #6716913. Published by Sandstone Music (A0.978456). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.
$99.99
Sea Pictures, Op. 37 Conductor Score (Letter Size) (Original higher keys for soprano)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward Elgar
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Sandstone Music
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Sea Pictures, Op. 37 Conductor
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Sandstone Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978452 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 65 pages. Sandstone M...
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Full Orchestra - Level 4 - SKU: A0.978452 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 65 pages. Sandstone Music #6716131. Published by Sandstone Music (A0.978452). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.
$31.99
Sea Pictures, Op. 37 Conductor Score (A4 Size) (Original higher keys for soprano)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edward Elgar
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Sandstone Music
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Sea Pictures, Op. 37 Conductor
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Sandstone Music
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.978454 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 65 pages. Sandstone M...
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Full Orchestra - Level 4 - SKU: A0.978454 Composed by Edward Elgar. Arranged by Sandstone Music. Romantic Period. Score and parts. 65 pages. Sandstone Music #6716133. Published by Sandstone Music (A0.978454). This newly edited version of Elgar's 'Sea Pictures' matches up our piano vocal score with a new conductor score and orchestra parts. Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions, which have been fixed in this edition, including the addition of rehearsal marks which correspond across the piano vocal and conductor scores and orchestra parts. Elgar's 1899 work is a song cycle consisting of five songs: Sea Slumber Song, In Haven (Capri), Sabbath Morning at Sea, Where Corals Lie and The Swimmer. It has become one of the most popular works for singers and is frequently a major study work at conservatoires and universities. In the piano vocal score (available elsewhere on this website), the piano part has been adjusted to more closely resemble the orchestral parts. Please note, this version features the original higher keys which Elgar wrote initially for soprano. Sea Pictures is traditionally performed in lower keys, suitable for mezzo-soprano / contralto, as Elgar adjusted them for contralto Dame Clara Butt for the premiere and we also publish this score elsewhere on this site. This is the original, higher version for soprano.
$31.99
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Festival
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mike Lyons
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Festival
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Lyons Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #72126...
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Full Orchestra - Level 4 - SKU: A0.1119919 By Mike Lyons. By Mike Lyons. Classical,Contemporary. Score and parts. 111 pages. Lyons Music Services #721269. Published by Lyons Music Services (A0.1119919). Festival:(Time 7:05) This is an original, previously unpublished piece, composed specifically for the ICF festival 2022. It is a programmatic piece in 3 sections, with each section being a description of some aspect of the word Festival. I have taken the broadest definition of the word festival to give as much scope for variety as possible. The first section opens with ‘sunrise’ on the day of the festival, shown by long-held open fourth chords, with the snapping of the violin pizzicatos (perhaps) being the rattle of tent lines/guys. The bass clarinet solo then shows people waking up and stretching, yawning and just before Letter A, the descending figures throughout the ensemble bring us all together to start the festival. From Letter A, one sets off at a marching pace through the crowds. We hear a mish-mash of vendors’ calls overlaying each other, repeating variations of the same motif and this little tune develops as it moves around the festival site, sometimes loud and sometimes faint. At some point, of course, arguments break out (e.g. Letter B between the strings and brass), but generally, the mood is business-like. At Letter C, there comes a parade of minstrels through the field which eventually fades off into the distance. At Letter D, we look at a different kind of festival. Not necessarily religious, but certainly spiritual. The harp and bell sounds evoke far-eastern temples while the string harmonics evoke an eerie stillness which is broken only by the melodic fragments (based on the 4ths of the first section) which pass around the orchestra. The theme is first heard on the Cor Anglais (echoed by the harp) which gives it a warmer, less piercing, sound than the oboe. The quartal chords at b.149 denote the vast mysteries of the cosmos. As our gaze widens, we are suddenly brought back to Earth with a rush as yet another kind of festival is evoked. This time we are looking briefly at the Indian subcontinent. Where fakirs charm snakes and young boys climb ropes only to disappear. The third and final section returns us to the British Isles, where the Celts are making merry in a festival. There is dancing, singing, feasting and drinking a-plenty. And, just when you think it’s all over, there’s a final push to get another dance going. The final chords are a reminder of the opening as we finish our revels as the sun descends below the horizon in a beautiful sunset.
$55.00
The Glastry Pearl. Tone Poem Elegy For My Mum.
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Orchestre
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AVANCÉ
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Geraldine
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The Glastry Pearl. Tone Poem E
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldin...
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Full Orchestra - Level 5 - SKU: A0.1315331 Composed by Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 468 pages. Geraldine (Denny) Green at Oakmountmusic #904077. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1315331). Duration : Approx. 30 minutesInstrumentationFlutes 1&2Piccolo/Flute 3Oboes 1&2Cor AnglaisClarinets 1&2 in BflatBass Clarinet in Bflat (To Low C)Bassoons 1&2Horns 1 – 4 in FTrumpets 1&2 in BflatTenor Trombones 1&2Bass TromboneTubaTimpani – 4Bass Drum, Sleigh Bells, Temple Blocks, Maracas, Cymbals – Crash and Suspended Snare Drum,Tambourine Triangle Tubular Bell (only 1 B bell required) Glockenspeil XylophoneCelestaHarpViolins 1&2ViolasCellosDouble BassesAbout The WorkOn Tuesday March 24th 2020, one day into the first UK national Lockdown at the start of the worldwide Covid-19 Pandemic, my Mum died! She was 91 and had been poorly with many different illnesses for the previous 6 months, so we knew it was coming. But the timing and unfathomable sadness of her death, together with the start of a worldwide pandemic, little did I know it at the time, was to bring forth from me a tsunami of music the likes of which I hadn’t written for many years. A set of six solo studies for various members of the clarinet family came first, written between March 20th and April 20th. As I wrote them they were orchestrating themselves in my head and forming something else as well. That “something else†grew and grew, as the Six Studies intertwined themselves around each other and expanded together, joining forces with two brand new themes to form what soon was to become an immense orchestral work. The title was easy. Glastry is a tiny district in the middle of the Co.Down countryside of Northern Ireland, where my Mum was born and brought up. And Pearl was her name. Her full name was actually Margaret Mary Ward (eventually to become Denny when she married my Dad, Colum Denny, from Belfast), but everyone always called her Pearl. The nickname was bestowed upon her just after she was born on February 28th 1929 and stuck ever since.The Glastry Pearl is a tribute to my Mum and the great and mighty person she was to me and all who knew her. It employs at least one theme or motif from each of the Six Studies For Various Solo Clarinets and uses them throughout the work in the from of Leitmotifs. It was only when the work was nearing completion that I began to wonder how to describe it. Freddy Naftel, a good composer friend of mine, suggested that Tone Poem was a fitting description and I immediately agreed. The music itself is completely tonal and highly Romantic, yet also peppered with exciting contemporary disonance. I believe it to be a good, and hopefully fun, challenge to symphony orchestras, both professional and high standard amateur alike. It offers everything from the the somber opening to the hilarious and wildly energetic central Waltz, to the glorious soaring final section, so plenty of variety to please many palates.
$200.00
Ballade For An Entablature
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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All Women's Orchestra, Norwich
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Ballade For An Entablature
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,...
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Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.
$45.00
The Thunderer
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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J P Sousa
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Kevin Riley
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The Thunderer
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1488381 Composed by J P Sousa. Arranged by Kevin Riley. March. 90 pages. Kevin Riley #1065270. Published by Kevin Ril...
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Full Orchestra - Level 4 - SKU: A0.1488381 Composed by J P Sousa. Arranged by Kevin Riley. March. 90 pages. Kevin Riley #1065270. Published by Kevin Riley (A0.1488381). Other than the fact that Sousa’s “thunderer” was undoubtedly a Mason, his identity may never be revealed. “The Thunderer” march was dedicated to Columbia Commandery No. 2, Knights Templar, of Washington, D.C., and it was composed on the occasion of the Twenty-fourth Triennial Conclave of the Grand Encampment. The conclave was held in October 1889 and was sponsored by Columbia Commandery No. 2. Sousa had been “knighted” in that organization three years earlier.“The Thunderer” was Mrs. John Philip Sousa’s favorite march. This was revealed by their daughter Helen, who also surmised that the “thunderer” might have been her father’s salute to the London Times, which was known as “the thunderer.” It has since been determined that Sousa probably had no association with the newspaper at that time, however. The “thunderer” might have been one of the men in charge of making arrangements for the 1889 conclave–in particular, Myron M. Parker, who worked tirelessly to make the event the spectacular success that it was.This version has been arranged for orchestra with a little something in the trio!If you would like other arrangements of Sousa marches please get in touch at klscj(at)me(dot)com.
$70.00
One Sows for the Benefit of Another Age - Orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kyle Vanderburg
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One Sows for the Benefit of An
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NoteForge
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteF...
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Full Orchestra - Level 5 - SKU: A0.1002835 Composed by Kyle Vanderburg. Contemporary. Score and parts. 112 pages. NoteForge #5793397. Published by NoteForge (A0.1002835). I started writing what would become One Sows for the Benefit of Another Age in 2013, as I was sketching ideas for what became a piano trio. I liked what I had created, but two things became evident: The piece was destined to be for orchestra, and I was not good enough as a composer to finish it. Over the next seven years, I kept returning to this piece in my spare time, adding some sections, tweaking some others, and at some point I gained the experience to finish it. But the trade-off was that I no longer had the time. At least until Spring of 2020, when the COVID-19 pandemic put most of my projects on hold, and I was able to return to--and finish--the work.The title came last. My ideas while I was writing centered around Americana (I was listening to a lot of Copland, Barber, and Ives) and infusing my history and experience in the Ozarks and on the plains. I knew I wanted to make use of the idea of illumination, of dawn. I wanted to start in the shadows and end aglow. The darkness was such a defining feature that my working title was Aegri Somnia, loosely translated from Latin as troubled dreams. As I continued working, I realized that the focus wasn't the darkness--the focus was the change.I discuss change a lot in my teaching. Students often see change as transformative change--massive, radical, sweeping change, like winning the lottery, or winning an audition. Transformative change is easy--it usually involves hoping for a situation or a Deus ex Machina, and if it happens, it benefits us immediately. Iterative change, however--small, repeated, incremental change that builds up over time--is hard. An extra half-hour of work every day, a little extra contributed to savings every month, these changes add up over time and become significant. But it requires intention and action, and it doesn't reap immediate benefits. It may not end up benefitting us at all.One Sows changes iteratively. It starts from a dark place, but is sprinkled with seeds of hope. A descending motive introduced in the violins brings us out of the darkness, albeit slowly. The idea spreads, develops, and eventually becomes part of a new idea, a new paradigm, that takes over.In searching for a title, I came across Serit ut alteri saeclo prosit, North Dakota's Latin state motto, whose English translation is the title of this work. It's a recent addition to the North Dakota statutes, but a timeless message. Our work isn't finished yet.
$49.99
In The Shadows
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Orchestre
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Herman Finck
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Kevin Riley
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In The Shadows
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Kevin Riley
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SheetMusicPlus
Full Orchestra - SKU: A0.481449 Composed by Herman Finck. Arranged by Kevin Riley. 20th Century,Broadway,Musical/Show. Score and parts. 82 pages. Publis...
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Full Orchestra - SKU: A0.481449 Composed by Herman Finck. Arranged by Kevin Riley. 20th Century,Broadway,Musical/Show. Score and parts. 82 pages. Published by Kevin Riley (A0.481449). Herman Finck (1872–1939) was born in London as Herman von de Vinck, the son of an immigrant Dutch musician. For over twenty years he conducted the orchestra at the Palace Theatre of Varieties, and he was musical director at the Theatre Royal, Drury Lane, in the 1920s during the heyday of big musical successes such as Rose Marie and Show Boat. He composed a great deal of music for musical plays and revues, as well as short orchestral pieces. It was for a skipping-rope routine for the Palace Theatre’s troupe of John Tiller dancers that Finck composed the graceful little In the Shadows (1910), which went on to enjoy international success.
$50.00
Spinning Through The Ages-A Chanukah Tribute
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Orchestre
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Klezmer
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M
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Jeremiah Klarman
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Spinning Through The Ages-A Ch
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Inner Places Music
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SheetMusicPlus
Full Orchestra - SKU: A0.920226 Composed by M. Gelbart, S. Goldfarb, and Traditional. Arranged by Jeremiah Klarman. Contemporary,Hanukkah,Jewish,World. ...
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Full Orchestra - SKU: A0.920226 Composed by M. Gelbart, S. Goldfarb, and Traditional. Arranged by Jeremiah Klarman. Contemporary,Hanukkah,Jewish,World. Score and parts. 17 pages. Inner Places Music #5025887. Published by Inner Places Music (A0.920226). This fun and moving selection is a great choice for orchestras who need Chanukah selections for their Holiday Concerts. The arrangement incorporates four classic Chanukah songs and combines two of them at the end in a never-heard-before mashup of I Have A Little Dreidel and Maoz Tzur. This arrangement is sure to be a hit with orchestras and audiences alike at your next Holiday Concert!
$29.99
A Christmas Greeting Op. 52
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Orchestre
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INTERMÉDIAIRE
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Noël
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Edward Elgar
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Kara Williams
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Fl1&2
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A Christmas Greeting Op. 52
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Kara Williams
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1098583 Composed by Edward Elgar (1857-1934). Arranged by Kara Williams. Christmas,Classical,Contest,Festival,Holiday...
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Full Orchestra - Level 3 - SKU: A0.1098583 Composed by Edward Elgar (1857-1934). Arranged by Kara Williams. Christmas,Classical,Contest,Festival,Holiday,Religious. Score and Parts. 59 pages. Kara Williams #702446. Published by Kara Williams (A0.1098583). Whilst not as well-known as some of his other work, this delicate little Christmas song is distinctly Elgar. Composed for the Choir of Hereford Cathedral it evokes love, friendship and the English countryside at Christmas. Originally scored for two soprano voices, accompanied by two violins and piano, this delightful work has been thoughtfully re-scored for orchestra (including percussion) by Kara Williams, and is aimed at intermediate level ensembles. The passionately pastoral introduction section leads into a joyful 6/8 section featuring the two trumpets and a cheeky quote from Handel’s ‘Messiah’. This work is a lovely addition to any program, and not just for Christmas time! Scoring: Picc; Fl1&2; Ob1&2; Cl1&2; Bsn1&2 (Bsn2 sub Bcl); FHn1&2; Tbn (sub FHn3); Tba; Timp, Perc1&2; Vln I; Vln2; Vla; VC; CB.
$25.00
Autumn tableau
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Dario Duarte
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Autumn tableau
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Dario Duarte
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages....
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Full Orchestra - Level 4 - SKU: A0.1080608 By Dario Duarte. By Dario Duarte. Classical,Contemporary,Folk,Multicultural,World. Score and parts. 45 pages. Dario Duarte #684825. Published by Dario Duarte (A0.1080608). The piece consists of a description of a small tableau with an autumn theme in an idyllic town. In the region of the Latin American Andes, more precisely the tableau called ayacuchano is an art form very representative of the folklore of the region. Taking this idea of micro-stories, the work narrates four scenes of a day that begins at dawn and ends with the town's festival. Each story corresponds to the four sections of the music, which are performed successively. First tableau: Autumn morning lights. The change of season is perceived in the ashen morning lights of the autumn season, the sun rises lightly with a slight warmth, giving the ochre color that dominates the landscape a sense of tranquility and reflectiveness. The mood of this piece is one of contemplation. Second tableau: Noon in the town The tableau opens. It is midday. The whole town is busy with preparations for the harvest festival celebration. The music goes by with the sounds of the town and the joy of the inhabitants for the important festivity they are about to share as a community. The whole town is a great hustle and bustle. You hear barrel organs, feel the excitement of hanging banners and decorating the houses for the main parade. Third tableau. Little song for siesta time. A nostalgic voice sings an old folk song to lull the children to sleep. The voices of other adults of the town intertwine to sing a song to the sleeping children. It is a tender song that recovers the stillness and tranquility of the town at the hour when everyone returns to their homes to rest. Fourth tableau: Night of celebration. Harvest Festival The first chords of the town band can be heard in the distance, a melody invites to enter with enthusiasm to the place where the festival will take place. The dance begins, the band plays energetically and everyone participates in a dance of joy. In the most important moment of the party, the town's hymn is played, everyone joins in one voice to sing the song that distinguishes them. And now: the announcement of the winners of the harvest contest. Someone is honored and everyone applauds vigorously. Then the dancing continues again. Everyone occupies the center of the dance floor and enjoys being part of a colorful celebration of unity for the town. Instragram (to be contacted by the instrumental parts): @darioduartenunez.
$15.99
"Requiem for Jane" for full orchestra
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Orchestre
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AVANCÉ
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Contemporain
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Kerry Barnes --- British Femal
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"Requiem for Jane" f
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kerry barnes
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.969765 Composed by Kerry Barnes --- British Female Composer born 1962. Contemporary. Score and parts. 11 pages. Kerry...
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Full Orchestra - Level 5 - SKU: A0.969765 Composed by Kerry Barnes --- British Female Composer born 1962. Contemporary. Score and parts. 11 pages. Kerry barnes #6065293. Published by kerry barnes (A0.969765). A symphonic work to remember my little sister Jane who died from breast cancer 5 years ago at the age of 47. This Requiem for Jane is my tribute in memory of her.Jane was a beautiful dancer, natural and graceful. I'm sure when she hears this in Heaven, she'll be working on 'some-moves' to go with it!!The climax of the piece is right at the end with all the power an orchestra has to evoke her final ascension into another world, where I will see her again one day. Amen!!
$13.77
The Flying Hat, Scenes from a Fairy Tale for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Panagiotis Theodossiou
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The Flying Hat, Scenes from a
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Panagiotis Theodossiou
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.886737 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 220 pages. Panag...
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Full Orchestra - Level 4 - SKU: A0.886737 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 220 pages. Panagiotis Theodossiou #6027245. Published by Panagiotis Theodossiou (A0.886737). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.https://www.youtube.com/watch?v=mqaKLf2QUgE&t=478shttps://www.youtube.com/watch?v=-tsNKs5i2b0
$60.00
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