Partitions Numériques de Living Sin pour Orchestre

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TRI ET FILTRES

Tri et filtres :

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Non classifié 152

PIANO & CLAVIERS

Piano seul 74 Piano, Voix et Guitare 60 Piano, Voix 54 Orgue 15 Piano Facile 13

Instruments en Do 9 Accompagnement Piano 4 Piano Quatuor: piano, violon, alto, violoncelle 2 Piano Trio: piano, violon, violoncelle 1 1 Piano, 4 mains 1

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GUITARES

Guitare notes et tablatures 13 Guitare 4 Ligne De Mélodie, (Paroles) et Accords 2 Basse electrique 2

VOIX

Chorale SATB 79 Chorale 3 parties 34 Chorale 2 parties 15 Chorale Unison 11 Voix Alto, Piano 9

Chorale TTBB 5 Voix seule 3 Chorale SSAA 2 Voix duo, Piano 2 Voix haute 2 Voix moyenne, Piano 1 Voix Tenor 1 Voix Tenor, Piano 1

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VENTS

Clarinette et Piano 7 Flûte traversière et Piano 5 Hautbois, Piano (duo) 5 Flûte traversière 4 Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 4

Quatuor de Clarinettes: 4 clarinettes 4 Saxophone Soprano et Piano 3 Saxophone Tenor et Piano 3 Saxophone (partie séparée) 3 Saxophone Alto 3 Saxophone Alto et Piano 3 Saxophone Baryton, Piano 2 Ensemble de Flûtes 2 Hautbois (partie séparée) 2 Clarinette 2 Quintette de Clarinettes: 5 clarinettes 1 Flûte, Hautbois, Clarinette, Basson 1 Quatuor de Flûtes : 4 flûtes 1 Flûte, Violon, Piano 1 Cor anglais, Piano 1 Cor Anglais 1 2 Flûtes traversières (duo) 1

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CUIVRES

Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 5 Trompette, Piano 5 Cor et Piano 4 Trombone et Piano 4 Euphonium, Piano (duo) 2

Trio de Cuivres 1 Cor 1 Quatuor de Cuivres: 2 trompettes, Cor, trombone 1 Trompette 1 2 Trombones (duo) 1 Quatuor de Cuivres : 2 trompettes, trombone, tuba 1 Cor anglais, Piano 1 Tuba 1 Cor Anglais 1 Tuba et Orgue 1 Quatuor de Cuivres 1

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CORDES

Quatuor à cordes: 2 violons, alto, violoncelle 15 Violon et Piano 7 Alto, Piano 5 Harpe 4 Violon 4

Violon, Guitare (duo) 3 Violon, Violoncelle (duo) 3 Violoncelle, Piano 3 Contrebasse, Piano (duo) 1 Quintette à cordes: 2 violons, alto, violoncelle, basse 1 2 Harpes (duo) 1 Violon (partie séparée) 1 Alto seul 1 Trio à Cordes: violon, alto, violoncelle 1 Violoncelle 1

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PERCUSSIONS & ORCHESTRES

Orchestre d'harmonie 23 Orchestre à Cordes 20 Orchestre de chambre 9 Orchestre 7 Ensemble de cuivres 6

Cloches 4 Jazz combo 3 Ensemble Jazz 3 Fanfare 1 Ensemble de Percussions 1

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AUTRES

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Living Sin

Orchestre

Partitions à imprimer

7 partitions trouvées

SUITE II - Rising From The Death (Prelude)

Orchestre

Full Orchestra - Level 3 - Digital Download SKU: A0.1032575 Composed by Samuel Joha…(+)

Full Orchestra - Level 3 - Digital Download SKU: A0.1032575 Composed by Samuel Johanes. Christian,Contemporary,Easter,New Age,Praise & Worship. Score and parts. 4 pages. Samuel Johanes #5001521. Published by Samuel Johanes (A0.1032575). Composed by Samuel Johanes (2019)The title Rise from the Dead refers to Jesus Christ who conquered death then rose.He had risen! He's a true living GOD!The opening (prelude) part which I mostly done with begins with cello and contrabass play heroic repeated notes theme then gradually other instruments join with them.

$4.99 4.58 € #Orchestre #Samuel Johanes #SUITE II - Rising From The Death #Samuel Johanes #SheetMusicPlus

His Glories Now We Sing - Orchestral Score and Parts

Orchestre

Full Orchestra - Digital Download SKU: LX.30-3307L Arranged by Thomas Fettke. Sacre…(+)

Full Orchestra - Digital Download SKU: LX.30-3307L Arranged by Thomas Fettke. Sacred Anthem, Easter. Orchestral Score and Parts. 92 pages. Lorenz Publishing - Digital Sheet Music #e30/3307L. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3307L). With vocal lines that are rich and accessible, this vigorous resurrection anthem pairs NETTLETON and DIADEMATA with a brilliant orchestration to fill your congregation with Easter joy! Blessed day of resurrection, glorious day of hope divine. (From the cantata A Living Hope, SATBâ??55/1178L).

$69.95 64.16 € #Orchestre #Thomas Fettke #His Glories Now We Sing - Orchestral Score and Parts #Lorenz Publishing - Digital Sheet Music #SheetMusicPlus

Feel the Spirit

Orchestre

Full orchestra - Grade 1 - Digital Download SKU: IZ.OMW171 Composed by Traditional.…(+)

Full orchestra - Grade 1 - Digital Download SKU: IZ.OMW171 Composed by Traditional. Arranged by Marsha Chusmir Shapiro. Score and Parts. 67 pages. Imagine Music - Digital #OMW171. Published by Imagine Music - Digital (IZ.OMW171). 9 x 12 in inches.Feel the Spirit is an arrangement of four pre-Civil War spirituals which were sung by slaves inAmerica. These wereChristian songs which described Bible stories (Joshua Fought the Battle of Jericho) or about living with the spiritof God (Every Time I Feel the Spirit). Sometimes the spirituals described the hardships of slavery (NobodyKnows the Trouble I've Seen). Most interestingly, some spirituals had hidden meanings. In Swing Low, SweetChariot it appears that the singer is talking about dying and going to heaven, but in actuality, home refers to aplace of freedom, and crossing the river Jordan means overcoming the obstacles to freedom.

$60.00 55.03 € #Orchestre #Traditional #Marsha Chusmir Shapiro #Feel the Spirit #Imagine Music - Digital #SheetMusicPlus

Celtiberian Landscape For Harp And Orquestra

Orchestre

Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…(+)

Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). â€žCeltiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, â€žGlockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo â€žoh and â€žah can be used â€žad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals â€žG, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my â€žgenetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.

$24.99 22.92 € #Orchestre #Luis Anjos Teixeira #Celtiberian Landscape For Harp And Orquestra #Luis Anjos Teixeira #SheetMusicPlus

Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts

Orchestre

Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathan…(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.730455 Composed by James Nathaniel Holland. Contemporary,Jazz. 217 pages. James Nathaniel Holland #3545937. Published by James Nathaniel Holland (A0.730455). Full Orchestral Score and Individual PartsA New Concerto for Flute and Orchestra The Hummingbird from contemporary American composer James Nathaniel Holland in three movements. A fun and light-hearted piece. Why the hummingbird? Those cute, little, delicate creatures that just want to go about their business admiring the flowers. After living in Costa Rica for some time it couldnâ€™t be farther from the truth, they are aggressive birds that pick a fight with anything that comes into their territory. But letâ€™s talk about this concerto. It first began with the composerâ€™s desire to write a concerto for flute. Influenced by the 3/8 rhythm of the piano sonatas of Alessandro Scarlatti. Hence, the first movement was born with its sort of here, there, and here again quality which reminded me of the many hummingbirds that Iâ€™ve seen in Costa Rica. The first movement also contains a quality of jazz to it and is a nice addition to the flute concerto repertoire. The second movement is slow and straight forward. It is relax time that only a flute can evoke. The third is a sort of Mozart styled third Rondo movement. But as you will listen there are some elements that have nothing to do with Mozart. The harmonies are modern as well as some of the rhythmic aspects.Â

$45.95 42.14 € #Orchestre #James Nathaniel Holland #Flute Concerto The Hummingbird Full Orchestral Score and Individual Parts #James Nathaniel Holland #SheetMusicPlus

Homage to O'Keeffe for Orchestra

Orchestre

Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. …(+)

Full Orchestra - Level 5 - Digital Download SKU: A0.755297 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 157 pages. Sy Brandon #6067165. Published by Sy Brandon (A0.755297). This four-movement composition contains musical interpretations of four of Georgia Oâ€™Keeffeâ€™s New Mexico paintings. The score prints on legal size paper and the parts on letter. I. From the Faraway Nearby The highly charged contrast of closely viewed foreground details and hugely distant horizons, which typified the New Mexican Views of O'Keeffe, was not a mere optical illusion. The large scale, bright light, and clear air of the region permitted one to see for the proverbial forever, and the juxtaposition of faraway and nearby was an integral aspect of desert vision. Soft dynamics and orchestration represent the faraway while the loud dynamics and orchestration represent the nearby. Near the end, the faraway and nearby begin to merge. II. Jimson Weed, White Flower No. 1 This painting depicts one of O'Keeffe's favorite subjects: a magnified flower. To her, the delicate blooms stood as some of the most overlooked pieces of naturally occurring beauty, objects that the bustling contemporary world ignored. So she made it her mission to highlight their complex structures, explaining: When you take a flower in your hand and really look at it, it's your world for the moment. I want to give that world to someone else. Most people in the city rush around so, they have no time to look at a flower. I want them to see it whether they want to or not. This movement is slow and lyrical reflecting the beauty of the close-up image. III. Red Hills and Bone O'Keeffe 's most effective composition of bones in the landscape appeared in 1941, with Red Hills and Bone; the large canvas is also among her most ambitions evocations of the arid country of which she was by then an owner, having purchase the house at Ghost Ranch the preceding year. In 1939, O'Keeffe had written of the bones as strangely more living than the animals walking around, and in the 1941 painting her response is given visual from. The minimalistic noodling represents the red hills and the bold triplets represent the mystique of the bone. IV. Ladder to the Moon This painting shows a handmade wooden ladder suspended in the turquoise sky. In the background are the pitch-black Pedernal Mountains and a pearl colored half moon. This painting was very similar to a picture taken of O'Keeffe and her surroundings at Ghost Ranch. In the picture, a large wooden ladder is leaned against an outer wall of a patio from where it rises up into the sky with the Pedernal Mountains in the background. In Pueblo culture the ladder is used to symbolize the link between the Pueblos and cosmic forces. The fact that the ladder is pointed up in the sky may represent the link between nature and the cosmos. While there are motifs that depict specifics of the painting, such as the scale-wise ascending and descending figure for the crescent mood and rising arpeggios for the ladder, the focus of this movement is the spiritual element. The music rises and grows in intensity from a ground bass-like theme to a soaring ending.

$39.99 36.68 € #Orchestre #Sy Brandon #Homage to O'Keeffe for Orchestra #Sy Brandon #SheetMusicPlus