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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Love's Way - Piano
Non classifié
452
Piano & claviers
Instruments en Do
66
Orgue
19
Ligne De Mélodie, Piano
2
Orgue, Trompette (duo)
1
Guitares
Guitare notes et tablatures
46
Ligne De Mélodie, (Paroles) et Accords
36
Guitare
34
Guitare (partie séparée)
13
Ukulele
12
Basse electrique
9
Paroles et Accords
5
Dulcimer
3
Ensemble de Ukulélés
3
4 Guitares (Quatuor)
2
2 Dulcimers (duo)
1
2 Guitares (duo)
1
3 Guitares (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
200
Chorale 3 parties
58
Chorale TTBB
49
Chorale SSAA
39
Chorale 2 parties
27
Chorale Unison
24
Pack Instrumental pour Chorale
15
Voix seule
4
Voix duo
4
Voix Tenor
2
Voix Baryton
1
Chorale
1
Voix Soprano
1
+ 8 instrumentations
Retracter
Vents
Saxophone (partie séparée)
103
2 Saxophones (duo)
78
Flûte traversière
49
Clarinette
48
2 Flûtes traversières (duo)
48
Quatuor de Saxophones: 4 saxophones
45
Saxophone, Clarinette (duo)
36
2 Clarinettes (duo)
35
Saxophone Alto
35
Hautbois (partie séparée)
32
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Flûte, Hautbois, Clarinette, Basson
27
Hautbois, Basson (duo)
27
Saxophone Tenor
24
Clarinette, Violon (duo)
23
Hautbois
20
Clarinette, Trompette (duo)
18
Quatuor de Clarinettes: 4 clarinettes
18
Flûte, Clarinette (duo)
17
2 Hautbois (duo)
16
Clarinette et Alto
15
Flute (partie séparée)
15
Hautbois, Clarinette (duo)
15
Hautbois, Flûte
12
Clarinette (partie séparée)
12
Flûte, Saxophone (duo)
11
Quatuor de Flûtes : 4 flûtes
11
Flûte, Violon
10
Flûte, Alto (duo)
10
Quintette de Saxophone: 5 saxophones
8
Ensemble de Clarinettes
8
Clarinette, Guitare (duo)
8
Saxophone
7
Trio de Flûtes: 3 flûtes
7
Flûte, Trompette (duo)
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette, Basson (duo)
6
3 Saxophones (trio)
5
Flûte à Bec
5
3 Clarinettes (trio)
5
Flûte, Hautbois (duo)
5
Flûte, Clarinette et Basson
5
Ensemble de Flûtes
4
Flûte et Guitare
4
Clarinette, Violoncelle (duo)
3
Hautbois, Violoncelle
3
Flûte, Hautbois, Basson
3
Hautbois, violon (duo)
3
Saxophone Soprano
3
Ensemble de saxophones
3
Saxophone Baryton
3
Flûte, Violoncelle
3
Flûte à bec Soprano
3
Flûte, Hautbois, Clarinette (trio)
2
Flûte, Harpe et Violoncelle
2
Quintette de Flûte : 5 flûtes
2
Hautbois et alto (duo)
2
Cor Anglais
2
Flute, harpe et violon
2
Clarinette Basse
1
Clarinette, Tuba
1
Hautbois, Guitare (duo)
1
Clarinette, Trombone (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, trombone (duo)
1
Ocarina
1
Flûte, Tuba (duo)
1
Quatuor de Flûtes à bec
1
+ 63 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
60
Trombone (partie séparée)
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trompette
31
Trombone
29
Trompette, Saxophone (duo)
27
Cor
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
19
Trompette, Trombone (duo)
15
Tuba
13
2 Trombones (duo)
12
2 Trompettes (duo)
11
Cor (partie séparée)
7
Quatuor de Cuivres
7
Tuba (partie séparée)
7
2 Cors (duo)
7
Trompette, Cor (duo)
3
3 Trombones (trio)
3
Trompette, Tuba (duo)
3
Trombone, Tuba (duo)
2
2 Tubas (duo)
2
Cor Anglais
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Quatuor de cuivres: 4 trompettes
1
Trompette, Violoncelle (duo)
1
Euphonium
1
3 Euphoniums
1
Trompette, violon (duo)
1
Cor, Violoncelle (duo)
1
Ensemble de Tubas
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trombones
1
Quatuor de cuivres: 4 cors
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
139
Violon
56
Violoncelle
40
Violon, Violoncelle (duo)
37
Harpe
36
Violon (partie séparée)
25
Alto seul
23
Trio à Cordes: violon, alto, violoncelle
23
2 Violons (duo)
22
Contrebasse (partie séparée)
22
Violon, Alto (duo)
20
2 Violoncelles (duo)
19
2 Altos (duo)
18
Trio à Cordes: 2 violons, violoncelle
18
Alto (partie séparée)
13
Violoncelle (partie séparée)
10
Alto, Violoncelle (duo)
7
Harpe, Voix
7
Contre Basse
6
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 2 violons, alto
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto, Orgue
2
2 Harpes (duo)
2
2 Contrebasses (duo)
2
Harpe, Violon, Violoncelle
2
Violon, Basson (duo)
2
Harpe (partie séparée)
2
Harpe, Violon (duo)
2
Violoncelle, Contrebasse (duo)
1
Violoncelle , Guitare (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
166
Orchestre
42
Orchestre à Cordes
37
Cloches
24
Ensemble de cuivres
24
Ensemble Jazz
23
Orchestre de chambre
14
Percussion (partie séparée)
7
Fanfare
7
Batterie (partie séparée)
5
Ensemble de Percussions
4
Vibraphone (partie séparée)
3
Marimba
2
Batterie
2
Jazz combo
1
Quintette de Cuivres: autres combinaisons
1
Timbales (partie séparée)
1
Percussion
1
2 Xylophones
1
+ 14 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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AUTRES INST…
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BATTERIE
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
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SheetMusicPlus
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Vous avez sélectionné:
Love's Way - Piano
Orchestre
Partitions à imprimer
42 partitions trouvées
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1
26
Kommos (Lamentation) / "When the World Moved On" - Conductor's Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661...
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Full Orchestra - Level 4 - SKU: A0.1018940 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 13 pages. Benjamin Sajo #6078661. Published by Benjamin Sajo (A0.1018940). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$20.00
You've Got To Hide Your Love Away
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Orchestre
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INTERMÉDIAIRE
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Rock
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The Beatles
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Javier MartÃnez Maya
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You've Got To Hide Your Love A
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score an...
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Full Orchestra - Level 3 - SKU: A0.742589 By The Beatles. By John Lennon and Paul McCartney. Arranged by Javier MartÃnez Maya. Contemporary. Score and parts. 54 pages. Arte Nova Music Lab #6431891. Published by Arte Nova Music Lab (A0.742589). You've Got to Hide Your Love Away is a song by the English rock band the Beatles. It was written and sung by John Lennon (though credited to Lennon–McCartney) and released on the album Help! in August 1965.Lennon said of the song, That's me in my Dylan period again. I am like a chameleon, influenced by whatever is going on. If Elvis can do it, I can do it. If the Everly Brothers can do it, me and Paul can. Same with Dylan. The song is an early example of John self-reflecting in his writing, which had begun with songs such as I'm a Loser in the summer of 1964. Lennon wrote the song at home, wanting another song for the film Help!. The song is just basically John doing Dylan, Paul McCartney confirmed.The song is similar to a folkish strophic form and uses a Dylanesque acoustic guitar figure in compound duple time, chiefly acoustic accompaniment, no backing voices and light percussion from brushed snare, tambourine and maraca. A flute, however, replaces the harmonica that Dylan typically used. Taken from https://en.wikipedia.org/wiki/You%27ve_Got_to_Hide_Your_Love_Away
$60.00
Love Made a Way - Full Score (Digital Download)
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Orchestre
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Jay Rouse and Mary McDonald
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Love Made a Way - Full Score
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Conductor's Score, Full Orchestra - SKU: LX.30-3738MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral Cantatas. Advent,...
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Conductor's Score, Full Orchestra - SKU: LX.30-3738MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral Cantatas. Advent, Christmas. Full Score (). 166 pages. Lorenz Publishing - Digital Sheet Music #e30/3738MD. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3738MD). Downloadable Full Score for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God’s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..
$99.95
Love Made a Way - Set of Parts (Digital Download)
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Orchestre
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Jay Rouse and Mary McDonald
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Love Made a Way - Set of Parts
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
Full Orchestra, Instrumental Parts - SKU: LX.30-3739MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral Cantatas. Advent...
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Full Orchestra, Instrumental Parts - SKU: LX.30-3739MD The Journey of Christmas. Composed by Jay Rouse and Mary McDonald. Choral Cantatas. Advent, Christmas. Set of Parts (). 579 pages. Lorenz Publishing - Digital Sheet Music #e30/3739MD. Published by Lorenz Publishing - Digital Sheet Music (LX.30-3739MD). Downloadable Set of Parts for 65/2104MD Mary McDonald and Jay Rouse combine their compositional gifts to bring us this moving musical for Advent and Christmas. Beautiful music from Mary and Jay, deeply thoughtful narrations from Rose Aspinall, and a fabulous orchestration by Ed Hogan and Jay highlight the message at the heart of Christmas—God’s love through Jesus Christ. You’ll find a bit of everything here, including original songs, familiar carols, fresh settings of timeless Christmas favorites, and ministry songs that will reach the heart of every listener. Songs like Mary’s Sing Out Our Savior’s Birth and Look on Him with Love and Jay’s A Midwinter Noel and Love Made a Way all serve to bring into focus God’s undeserved and unfathomable love through Jesus Christ. Celebrate how love made a way for each of us with this impactful musical! His coming means freedom for the captive, sight for the blind, good news for the poor. Jesus is Love incarnate, and He alone makes a way home for fallen man..
$249.95
Spartacus - Love Theme
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Alex North Alex
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Chris Siddall
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Spartacus - Love Theme
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1453541 By Alex North Alex. By Alex North. Arranged by Chris Siddall. Film/TV. 77 pages. Chris Siddall Music Publishi...
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Full Orchestra - Level 3 - SKU: A0.1453541 By Alex North Alex. By Alex North. Arranged by Chris Siddall. Film/TV. 77 pages. Chris Siddall Music Publishing #1032766. Published by Chris Siddall Music Publishing (A0.1453541). The score for Spartacus is a musical masterpiece - monumental, ground-breaking and profound - as well as a masterpiece of scoring in the way composer Alex North was able to tell the story through music, giving character insight that no words or actor‘s performance ever could capture. It features not only one of the most touching love themes ever composed, one that achieves an almost paralyzing beauty in its most expressive moments, but also some of the most complex and bracing music that a composer ever dared to compose for a film. In the end, it is Alex North‘s magnum opus.Created from the original manuscript, this release offers a rare opportunity to perform film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$49.99
Spartacus - Love Theme - Score Only
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Orchestre
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INTERMÉDIAIRE
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Film/TV
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Alex North Alex
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Chris Siddall
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Spartacus - Love Theme - Score
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1381520 By Alex North Alex. By Alex North. Arranged by Chris Siddall. Film/TV. 8 pages. Chris Siddall Music Publishin...
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Full Orchestra - Level 3 - SKU: A0.1381520 By Alex North Alex. By Alex North. Arranged by Chris Siddall. Film/TV. 8 pages. Chris Siddall Music Publishing #966237. Published by Chris Siddall Music Publishing (A0.1381520). The score for Spartacus is a musical masterpiece - monumental, groundbreaking and profound - as well as a masterpiece of scoring in the way composer Alex North was able to tell the story through music, giving character insight that no words or actor‘s performance ever could capture. It features not only one of the most touching love themes ever composed, one that achieves an almost paralyzing beauty in its most expressive moments, but also some of the most complex and bracing music that a composer ever dared to compose for a film. In the end, it is Alex North‘s magnum opus.Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$4.99
This Is What Falling In Love Feels Like
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Jvke
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Scores by Ken
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This Is What Falling In Love F
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Scores by Ken
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1301805 By Jvke. By Jacob Lawson and Zachary Lawson. Arranged by Scores by Ken. New Age,Pop. Score and Parts. 60 page...
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Full Orchestra - Level 4 - SKU: A0.1301805 By Jvke. By Jacob Lawson and Zachary Lawson. Arranged by Scores by Ken. New Age,Pop. Score and Parts. 60 pages. Scores by Ken #891397. Published by Scores by Ken (A0.1301805). This Is What Falling In Love Feels Like | JVKE About the PieceJVKE's ability to use samples and strings has pushed him to be one of the ones to watch. The way of focusing on sounds to articulate true feelings such as the one this song showcases will help push him to begin thinking more creatively and venture into incorporating even more interesting elements within his pop discography. About the Composer From the breathtaking landscapes of New Zealand, Ken weaves melodies and harmonies that captivate and transport listeners to another realm. Specialising in screen composition, and versatile jazz renditions, each piece is a unique auditory experience, meticulously crafted to resonate with the soul. Whether you're seeking a composition that tells a profound story or a vibrant jazz chart that dances with energy, Scores by Ken promises unparalleled originality and precision in every note.
$49.99
Golliwog's Cake Walk for Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy
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David Watson
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Golliwog's Cake Walk for Orche
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David E. Watson
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.841055 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 41 pages....
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Full Orchestra - Level 4 - SKU: A0.841055 Composed by Claude Debussy. Arranged by David Watson. 20th Century,Romantic Period. Score and parts. 41 pages. David E. Watson #3483401. Published by David E. Watson (A0.841055). Golliwog's Cake Walk from the 6 movement ``Children's Corner´´ arranged for Orchestra. Parts for Strings, Flute (2), Oboe (2), B flat Clarinet (2), Bass Clarinet, Bassoon, Contrabassoon, Horn in F (4), Trumpet in C (2), Xylophone, Percussion, and Harp. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$40.00
Joseph M. Martin: Love's Way (COMPLETE) - orchestra/band
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Orchestre
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INTERMÉDIAIRE
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Joseph M. Martin
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Virtualsheetmusic
Instantly printable sheet music by Joseph M. Martin for orchestra/band of MEDIUM skill level. / love,wedding,sacred,festival
Instantly printable sheet music by Joseph M. Martin for orchestra/band of MEDIUM skill level. / love,wedding,sacred,festival
$79.99
A Fool In Love
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Tina Turner
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Daryl McKenzie
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3 Trombones
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A Fool In Love
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1492965 By Tina Turner. By Ike Turner. Arranged by Daryl McKenzie. Broadway,Musical/Show,Pop,Rock,Soul. 104 pages. Da...
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Full Orchestra - Level 4 - SKU: A0.1492965 By Tina Turner. By Ike Turner. Arranged by Daryl McKenzie. Broadway,Musical/Show,Pop,Rock,Soul. 104 pages. Daryl McKenzie #1069626. Published by Daryl McKenzie (A0.1492965). Arranged in the style of Tina Turner for Vocal with Pops Orchestra - Voice, Vocal Group, 2Fl/Picc, 2Ob, 2Cl, 2Bsn, 5Sax, 4Hn, 4Trpt, 4Trb, Tba, Timp, 2 Perc, Pno, Gtr, Bass, Drums, Harp, Vln1, Vln2, Vla, Vcl, CB. Key of GNote: Playable without Saxes. Playable with 3 Trumpets & 3 Trombones.Full audio demo (Sibelius Sounds): click hereA Fool in Love was the debut single by Ike & Tina Turner. It was released on Sue Records in 1960. The song was Tina Turner's first release with the stage name Tina Turner . The song features in the broadway show Tina the Musical.Same arrangement for Small Band (3-5 Horns) or Big Band also available: Search HereMore arrangements by Daryl McKenzie: https://bit.ly/2VKpOXFContact the Arranger: https://mckenziemusicproductions.com/contactYoutube Playlist: https://bit.ly/3m0oUkH
$99.99
A Love Before Time
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Orchestre
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INTERMÉDIAIRE
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James Schamus, Jorge Calandrel
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Matt Amy
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A Love Before Time
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Matt Amy Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1411248 Composed by James Schamus, Jorge Calandrelli, and Tan Dun. Arranged by Matt Amy. Broadway,Contemporary,Film/T...
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Full Orchestra - Level 3 - SKU: A0.1411248 Composed by James Schamus, Jorge Calandrelli, and Tan Dun. Arranged by Matt Amy. Broadway,Contemporary,Film/TV,Multicultural,Musical/Show,Pop,World. 114 pages. Matt Amy Music #993583. Published by Matt Amy Music (A0.1411248). Key: D minorBPM: 140Style: BalladDuration: 3:33“ Ensemble type: Pops OrchestraFull Recording (MIDI): A Love Before Time (MIDI)Instrumentation:- Piccolo- Flute 1, 2- Oboe 1, 2- Clarinet 1, 2- Bass Clarinet- Bassoon 1, 2- Alto Sax 1, 2- Tenor Sax 1, 2- Baritone Sax- Horn 1, 2- Horn 3, 4- Trumpet 1, 2, 3, 4- Trombone 1, 2, 3- Baritone Horn- Tuba- Voice- BV's- Choir- Keyboard- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion 1- Percussion 2 - Timpani- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$50.00
SURRENDER IN LOVE (TENOR VERSION)
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Orchestre
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MICHAEL L
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JOHN D
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SURRENDER IN LOVE
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Creative Horizons Music Publishers
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SheetMusicPlus
Full Orchestra - SKU: A0.991700 Composed by MICHAEL L. RICCIARDI AND JOHN D. NUGENT. Arranged by JOHN D. NUGENT. Broadway,Children,Musical/Show. Score a...
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Full Orchestra - SKU: A0.991700 Composed by MICHAEL L. RICCIARDI AND JOHN D. NUGENT. Arranged by JOHN D. NUGENT. Broadway,Children,Musical/Show. Score and parts. 8 pages. Creative Horizons Music Publishers (ASCAP) #3062657. Published by Creative Horizons Music Publishers (ASCAP) (A0.991700). FROM THE BROADWAY BOUND STAGE MUSICAL THE WILD SWANS BASED ON THE FAIRY TALE BY THE SAME NAME WRITTEN BY HANS CHRISTIAN ANDERSON. A YOUNG FATHER REALIZES THE SACRIFICE THAT HIS YOUNGEST CHILD IS MAKING IN ORDER TO SAVE HER EIGHT BROTHERS FROM A SPELL ENACTED BY THE CHILDREN'S WICKED STEPMOTHER: A MOST POWERFUL SORCERER NAMED QUEEN MERCY. FOR THE TENOR VOICE.
$4.50
Can You Feel The Love Tonight
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Film Walt Disney
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Elton John
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Marek Czekala
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Can You Feel The Love Tonight
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Marek Czekala
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1208958 By Elton John. By Elton John and Tim Rice. Arranged by Marek Czekala. 20th Century,Broadway,Film/TV,Musical/S...
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Full Orchestra - Level 4 - SKU: A0.1208958 By Elton John. By Elton John and Tim Rice. Arranged by Marek Czekala. 20th Century,Broadway,Film/TV,Musical/Show,Rock. Score and Parts. 30 pages. Marek Czekala #807065. Published by Marek Czekala (A0.1208958). The song, written by Tim Rice and Elton John, was performed in the film by Kristle Edwards, Joseph Williams, Sally Dworsky, Nathan Lane, and Ernie Sabella, while another version used in the film's closing credits was performed by Elton John. It won the 1994 Academy Award for Best Original Song, and the Golden Globe Award for Best Original Song. It also earned Elton John the Grammy Award for Best Male Pop Vocal Performance. The single version contains background vocals by Rick Astley, Gary Barlow and former collaborator Kiki Dee. Wikipedia.
$69.00
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Tenor and Orchestra
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Orchestre
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INTERMÉDIAIRE
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Comédie Musicale
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James Nathaniel Holland
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Sonnet 29 "When in Disgra
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.730318 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. Ja...
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Full Orchestra - Level 3 - SKU: A0.730318 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891071. Published by James Nathaniel Holland (A0.730318). The sonnet of William Shakespeare set to music and arranged for orchestra and tenor. (range C3 to G4)
$14.95
Kommos (Lamentation) / "When the World Moved On" - Extracted Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Kommos
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Benjamin Sajo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723...
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Full Orchestra - Level 4 - SKU: A0.1018959 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Score and parts. 34 pages. Benjamin Sajo #6078723. Published by Benjamin Sajo (A0.1018959). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles.  The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners.  Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer:  Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$31.50
Remember Me (Lullaby) - Score Only
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Orchestre
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Kristen Anderson-Lopez and Rob
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John McCoy
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Remember Me
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John T. McCoy
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SheetMusicPlus
Full Orchestra - SKU: A0.1473763 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by John McCoy. 21st Century,Children,Contemporary,Film/TV...
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Full Orchestra - SKU: A0.1473763 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by John McCoy. 21st Century,Children,Contemporary,Film/TV,Latin. 5 pages. John T. McCoy #1051482. Published by John T. McCoy (A0.1473763). Full of life and love, Disney Pixar's movie Coco is entertainment for all ages. Remember Me is the seminal song and is the basis for the entire movie. It's always sure to bring tears to an audience's eyes! Arranged here for full orchestra, it adds a reflective moment to any pops concert! (Score only, parts are separate).
$5.99
Remember Me (Lullaby)
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Orchestre
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Kristen Anderson-Lopez and Rob
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John McCoy
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Remember Me
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John T. McCoy
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SheetMusicPlus
Full Orchestra - SKU: A0.1461582 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by John McCoy. 21st Century,Contemporary,Film/TV,Latin,Po...
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Full Orchestra - SKU: A0.1461582 Composed by Kristen Anderson-Lopez and Robert Lopez. Arranged by John McCoy. 21st Century,Contemporary,Film/TV,Latin,Pop. 25 pages. John T. McCoy #1040326. Published by John T. McCoy (A0.1461582). Full of life and love, Disney Pixar's movie Coco is entertainment for all ages. Remember Me is the seminal song and is the basis for the entire movie. It's always sure to bring tears to an audience's eyes! Arranged here for full orchestra, it adds a reflective moment to any pops concert!
$55.00
Ballade For An Entablature
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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All Women's Orchestra, Norwich
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Ballade For An Entablature
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Geraldine
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,...
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Full Orchestra - Level 4 - SKU: A0.1314855 By All Women's Orchestra, Norwich, UK. Conducted by Sarah Chadwick. By Geraldine (Denny) Green. 21st Century,Classical,Contemporary,Romantic Period. 56 pages. Geraldine (Denny) Green at Oakmountmusic #903616. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1314855). ALL PURCHASES COME WITH SCORE AND PARTSThis short piece is very dear to my heart and lasts only about 3 minutes. It was written down in 1988 when I was 19, but had been with me in my head since I was about 8. Back then I had no idea how to write down full orchestral music, but after all my teenage years spent feeding off the Great Masters and studying their brilliant orchestrations in scores, I finally made an attempt at notating this florid little piece when I was at college (London College of Music) in 1988. Not wishing to waste it, I have now revised it and finally prepared its score and parts for performance.InstrumentationPiccolo, 2 flutes, 2 oboes, 2 Bflat clarinets, 2 bassoons, 2 French horns in F, 2 Bflat Trumpets, 2 Trombones, Bass trombone, Glock, 2 harps, celesta, large string section to accommodate divisi into 3 for all except the basses.Duration – 3 minutes approx.All the parts are fairly straightforward, except the harps and celesta, which I believe to be of some challenge.If it was to find a place in a concert programme, I believe it would be a lovely encore – a really loving way to send your audience home from a great night out. A thank you to the audience. A Good Night To All kind of piece, full of love and delight.
$45.00
The Twelfth Of Never
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Orchestre
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INTERMÉDIAIRE
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Donny Osmond
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Kevin Riley
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The Twelfth Of Never
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.850629 By Donny Osmond. By Jerry Livingston and Paul Francis Webster. Arranged by Kevin Riley. 20th Century,Pop. Scor...
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Full Orchestra - Level 3 - SKU: A0.850629 By Donny Osmond. By Jerry Livingston and Paul Francis Webster. Arranged by Kevin Riley. 20th Century,Pop. Score and parts. 86 pages. Kevin Riley #457301. Published by Kevin Riley (A0.850629). The Twelfth of Never is a popular song written in 1956 and first recorded by Johnny Mathis the following year. The title is a popular expression, which is used as the date of a future occurrence that will never come to pass. In the case of the song, the 12th of Never is given as the date on which the singer will stop loving his beloved, thus indicating that he will always love her. Mathis initially disliked the song, which was released as the flip side to his number 1 hit single Chances Are. It was written by Jerry Livingston and Paul Francis Webster, the tune (except for the bridge) being adapted from The Riddle Song (also known as I Gave My Love a Cherry), an old English folk song. Mathis's original version reached number 9 on what is now called the Billboard Hot 100 in the USA in 1957. A version by Cliff Richard was released in 1964 and reached number 8 in the UK. Donny Osmond's version, produced by Mike Curb and Don Costa, was his second number 1 single in the UK, spending a single week at the top of the UK Singles Chart in March 1973. In the U.S. it peaked at number 8.
$60.00
The American Seasons (violin solo part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
The American Seasons (2nd violins part – violin and string orchestra)
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Orchestre
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AVANCÉ
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik Inte...
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Full Orchestra - Level 5 - SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
Somewhere In Time
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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B
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Kevin Riley
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Somewhere In Time
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Sho...
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Full Orchestra - Level 4 - SKU: A0.1390491 Composed by B.A. Robertson and John Barry. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. 38 pages. Kevin Riley #973354. Published by Kevin Riley (A0.1390491). Somewhere in Time is a 1980 American romantic fantasy drama film from Universal Pictures, directed by Jeannot Szwarc, and starring Christopher Reeve, Jane Seymour, and Christopher Plummer. It is a film adaptation of the novel Bid Time Return (1975) by Richard Matheson, who also wrote the screenplay.Reeve plays Richard Collier, a playwright who becomes obsessed with a photograph of a young woman at the Grand Hotel on Mackinac Island, Michigan. Through self-hypnosis, he manifests himself back in time to the year 1912 to find love with actress Elise McKenna (portrayed by Seymour). He comes into conflict with Elise's manager, William Fawcett Robinson (portrayed by Plummer), who fears that romance will derail her career, and attempts to stop him.The film is known for its musical score composed by John Barry, featuring pianist Roger Williams. The 18th variation of Sergei Rachmaninoff's Rhapsody on a Theme of Paganini is also used several times.Seymour disclosed at the 2022 TCM Classic Film Festival that she and Christopher Reeve fell in love while working on the film. However, they broke up after Reeve found out his ex-girlfriend was expecting his child. Up until Reeve passed away, the two remained close friends.The film garnered a serious cult following and in 1990 super fan Bill Shepard, founded a fan club called INSITE, the International Network of Somewhere In Time EnthusiastsThis beautiful melody by John Barry has bee arrangend to feature flutes and clarinet.
$80.00
Forever Autumn
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Orchestre
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INTERMÉDIAIRE
#
The Moody Blues
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Kevin Riley
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Forever Autumn
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.525156 By The Moody Blues. By Gary Osborne, Jeff Wayne, and Paul Vigrass. Arranged by Kevin Riley. 20th Century,Film/...
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Full Orchestra - Level 3 - SKU: A0.525156 By The Moody Blues. By Gary Osborne, Jeff Wayne, and Paul Vigrass. Arranged by Kevin Riley. 20th Century,Film/TV,Rock. Score and parts. 43 pages. Kevin Riley #135691. Published by Kevin Riley (A0.525156). Forever Autumn is a song written by Jeff Wayne, Gary Osborne and Paul Vigrass. The original melody was written by Wayne in 1969 as a jingle for a Lego commercial. Vigrass and Osborne, the performers of the original jingle, added lyrics to the song and recorded it for inclusion on their 1972 album Queues. Their interpretation was also released as a single and gained moderate commercial success in Japan, selling more than 100,000 copies and becoming a top-20 hit on the country's record chart. The best-known version is the recording by Justin Hayward from the album Jeff Wayne's Musical Version of The War of the Worlds. Wayne wanted to include a love song on the album that sounded like Forever Autumn, and he decided that the best course of action was to simply use the original song. Wayne chose Hayward, of The Moody Blues, to sing it saying that he wanted that voice from 'Nights in White Satin'.It was recorded at London's Advision Studios in 1976. The song reached #5 on the UK Singles Chart in August 1978. A new version was released in late 2012, sung by Gary Barlow for the new album Jeff Wayne's Musical Version of The War of the Worlds – The New Generation.
$50.00
EP!C!!!
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
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Austin Wintory
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EP!C!!!
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Austin Wintory
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Au...
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Full Orchestra - Level 4 - SKU: A0.1031686 Composed by Austin Wintory. Contemporary. Score and parts. 39 pages. Austin Wintory #3512243. Published by Austin Wintory (A0.1031686). EP!C!!! is an overture-sized orchestral work, originally commissioned by the West Michigan Symphony in 2016. It is intended as a higher energy opener or Act 1 closer. Program notes:Entirely by mistake, EP!C!!! is study in conflict. The piece began with a simple premise: compose a work which teases some of the pervasive clichés of today’s musical landscape (particularly the Hollywood or so-called media music scenes). Those clichés are primarily two gestures: 1) a progression of chords, often called the Chords of Destiny (consisting of i – VI – III – VIII) and 2) an endlessly repeating minor third ostinato.The conflict emerged internally when, after multiple false starts, I would quickly start to hate the piece because it felt like the clichés were being presented whole cloth, without the slightest sense of irony. I became deeply paranoid that the music wasn’t in on its own joke. When I would reverse course, it felt condescending, as though it were declaring from some erudite ivory tower that it was above those gestures. The trouble particularly with the latter is that clichés become so for a reason; something genuinely compelling becomes so ubiquitous that it loses some of the freshness, but that doesn’t erase what initially made it compelling. So the piece needed to somehow make fun of the fact that these gestures are cliché, while not dismissing their intrinsic value. And indeed, to celebrate that value!It took a long time to find my place between those two extremes, and ultimately I think the music that emerged is actually the conflict itself manifest. The two gestures are this constant presence, almost like a seductive temptation, that are initially regarded as distractions, but eventually become the music’s core. It’s as though the music finally decided to just relent and find something to truly love and celebrate within these overwrought ideas, haters be damned.However, for the sake of total clarity of intention, I couldn’t resist some on-the-nose tongue-in-cheek. The little cameo of Haydn’s lulling 94th Symphony 2nd movement tune is my way of saying you think classical music is epic??? THEN LISTEN TO THIS SH*T!!! before inevitably popping open a Mountain Dew and snowboarding into an avalanche.- Austin Wintory, October 21, 2016
$40.00
Death Theme
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Ennio Morricone
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Death Theme
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www.studio-orchestrations.com
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamb...
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Full Orchestra - Level 4 - SKU: A0.1284734 Composed by Ennio Morricone. Arranged by John Langley (at Studio Orchestrations). 20th Century,Broadway,Chamber,Film/TV,Musical/Show. Score and Parts. 14 pages. Www.studio-orchestrations.com #875911. Published by www.studio-orchestrations.com (A0.1284734). This is one of Ennio Morricone's most evocative and yearning themes from the Kevin Costner and Sean Connery classic THE UNTOUCHABLES directed by Brian De Palma. The theme comes where Malone has been brutally/mortally shot and wounded and gives Elliott Ness, his friend, the critical information to enable him to arrest Al Capone's bookeeper before dying. Malone's murder is one of the most unexpected and shocking moments on celluloid when it happens but Morricone's theme is full of pathos and lament for a much loved character.For your event/concert of film music, this is a short but always moving piece that hopefully will fit around your other programming ideas. In a market where loud film music is all the rage, this offers a beautiful sorbet to an evening of movie classics.This arrangement is written for Solo Alto Saxophone (Default solo instrument)Solo Alto Flute* (alternative solo instrument)Acoustic guitar (or Harp)*Strings* Morricone does use Alto Flute to play a version of this theme earlier in the soundtrack and this can make a contemplative and quiet version of the same music so your group can choose instrumentation, esepcially where no saxophone is available in your group or concert; also if your group doesn't have a guitar then this can be played by Harp as well.
$80.00
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