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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Low Baroque
Non classifié
1 114
Piano & claviers
Piano seul
336
Piano, Voix
236
Piano Facile
128
Piano, Voix et Guitare
35
Orgue
32
2 Pianos, 4 mains
16
Piano Trio: piano, violon, violoncelle
10
Instruments en Do
9
1 Piano, 4 mains
7
Accompagnement Piano
4
Piano Quatuor: piano, violon, alto, violoncelle
4
Orgue, Piano (duo)
2
Clavecin
2
Orgue, Trompette (duo)
2
Fake Book
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Mandoline
100
Ukulele
66
Guitare
57
Guitare notes et tablatures
36
2 Guitares (duo)
5
Basse electrique
4
4 Guitares (Quatuor)
4
Ensemble de guitares
2
Ukulele Baryton
1
Ligne De Mélodie, (Paroles) et Accords
1
3 Guitares (trio)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
58
Voix Alto, Piano
30
Chorale 3 parties
27
Voix moyenne, Piano
24
Voix basse, Piano
15
Chorale 2 parties
12
Chorale TTBB
11
Voix Soprano, Piano
10
Chorale SSAA
9
Voix haute
5
Voix seule
4
Voix duo, Piano
3
Chorale Unison
2
Voix Baryton, Piano
2
Voix basse
2
Voix Tenor
1
Voix duo
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
117
Quatuor de Saxophones: 4 saxophones
115
Quatuor de Clarinettes: 4 clarinettes
83
Flûte, Hautbois, Clarinette, Basson
80
2 Saxophones (duo)
75
Quintette de Saxophone: 5 saxophones
69
2 Flûtes traversières (duo)
59
Flûte traversière et Piano
52
2 Clarinettes (duo)
49
Clarinette et Piano
47
3 Saxophones (trio)
34
Hautbois, Piano (duo)
34
Flûte traversière
34
2 Hautbois (duo)
28
3 Clarinettes (trio)
27
Clarinette
26
Quatuor de Flûtes : 4 flûtes
23
Quintette de Clarinettes: 5 clarinettes
22
2 Flûte à bec (duo)
20
Saxophone Alto et Piano
19
Ensemble de Clarinettes
17
Ensemble de saxophones
17
Saxophone Soprano et Piano
16
Trio de Flûtes: 3 flûtes
16
Hautbois, Basson (duo)
14
Hautbois
14
Cor anglais, Piano
14
Saxophone Tenor et Piano
14
Flûte à bec Soprano
13
Hautbois, Clarinette, Basson (trio d'anches)
12
Quatuor de Flûtes à bec
12
Ensemble de Flûtes
12
Quintette de Flûte : 5 flûtes
12
Flûte et Guitare
11
Clarinette, Basson (duo)
11
Saxophone Alto
11
Flûte, Violoncelle
10
Saxophone Baryton, Piano
10
Flûte, Hautbois, Clarinette (trio)
10
Hautbois (partie séparée)
9
Ensemble De Flûte à bec
8
Flûte, Clarinette (duo)
8
Flûte, Clarinette et Basson
8
Clarinette, Violon (duo)
7
Hautbois, Violoncelle
7
Clarinette, Violoncelle (duo)
7
Hautbois, Clarinette (duo)
7
Saxophone (partie séparée)
7
Flûte à bec Alto
6
3 Flûtes à bec (trio)
6
Saxophone, Clarinette (duo)
6
Saxophone Tenor
6
Flûte, Hautbois, Basson
5
Clarinette, Guitare (duo)
5
Flûte, Violon
5
Flûte à bec Tenor
4
Clarinette Basse, Piano
4
Flûte, Trombone (duo)
3
Clarinette (partie séparée)
3
Clarinette, Trompette (duo)
3
Ocarina
3
Clarinette et Alto
3
Flûte, Alto (duo)
3
Flûte irlandaise
2
Clarinette, Harpe (duo)
2
Saxophone Soprano
2
Cor anglais, Guitare (duo)
2
3 Hautbois
2
5 Flûtes à bec
2
Ensemble de Hautbois
2
Flûte, Saxophone (duo)
2
Flûte à Bec
2
Flûte et Trio à cordes
2
Flûte, Trompette (duo)
2
Hautbois, Flûte
2
2 Saxophones, Piano
2
Saxophone Baryton
2
Piccolo
1
Flûte, Violon, Guitare
1
Saxophone, Violon (duo)
1
Harmonica
1
Flûte, Violoncelle, Guitare
1
Cor Anglais
1
Flûte, Basson et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte, Alto et Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Hautbois, Violon
1
Flûte, Clarinette, Piano (trio)
1
2 Clarinettes, Piano
1
Flûte à bec Soprano, Piano
1
Flûte, Violon et Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
4 Hautbois
1
Flûte, Violon, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
2 Flûtes traversières, Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Trombone (duo)
1
2 Clarinettes, Basson
1
Clarinette, trompette et piano
1
Clarinette Basse
1
+ 100 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
79
Quatuor de Cuivres : 2 trompettes, trombone, tuba
51
Trompette, Piano
42
Trompette
38
Trombone
33
Trombone et Piano
32
Cor et Piano
24
Cor
22
2 Trombones (duo)
22
Tuba
22
Tuba et Piano
18
Trompette, Trombone (duo)
16
2 Trompettes (duo)
16
2 Cors (duo)
15
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Cor anglais, Piano
14
Quatuor de cuivres: 4 trombones
12
Ensemble de Trombones
11
2 Tubas (duo)
10
Quatuor de Cuivres
9
Trompette, Violoncelle (duo)
9
3 Trombones (trio)
8
Trompette, Basson (duo)
8
Ensemble de Trompettes
6
Euphonium, Piano (duo)
6
Trompette, Saxophone (duo)
5
Quatuor de cuivres: 4 trompettes
5
Quatuor de cuivres: 4 cors
5
Cor, Violoncelle (duo)
4
Ensemble de Cors
4
2 Euphoniums (duo)
3
3 Trompettes (trio)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
3 Tubas (trio)
3
Trio de Cuivres
3
Trompette (partie séparée)
3
Euphonium, Tuba (duo)
3
3 Cors (trio)
2
Trombone, Cor (duo)
2
Trombone basse
2
Cor anglais, Guitare (duo)
2
Cor et Basson (duo)
2
4 Tubas
2
2 Euphoniums et 2 Tubas
2
Trompette, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
1
Cor Anglais
1
Cor (partie séparée)
1
Tuba (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Orchestre
1
Trompette, violon (duo)
1
Trombone basse et Piano
1
Euphonium
1
2 Cors Anglais Et Pianoforte
1
Cor, Tuba (duo)
1
Cor, Violoncelle et Piano
1
Trombone (partie séparée)
1
Trompette, Trombone, Piano
1
Tuba et Orgue
1
+ 55 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
195
Violon
63
Violon, Violoncelle (duo)
61
Violon et Piano
55
Violoncelle
46
Alto, Piano
45
Trio à Cordes: violon, alto, violoncelle
44
Violoncelle, Piano
42
Violon, Alto (duo)
38
2 Violoncelles (duo)
33
Alto seul
27
Harpe
25
2 Violons (duo)
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Contrebasse, Piano (duo)
19
Contre Basse
18
Trio à Cordes: 3 violoncelles
17
2 Altos (duo)
17
4 Violoncelles
15
Alto, Violoncelle (duo)
13
2 Harpes (duo)
10
Trio à cordes: 3 violins
10
Alto (partie séparée)
10
Violon, Basson (duo)
9
Alto et Basson
9
Violon (partie séparée)
6
Trio à cordes: 3 altos
5
Trio à Cordes: 2 violons, violoncelle
5
2 Contrebasses (duo)
5
Violoncelle , Guitare (duo)
5
Quatuor à cordes: 4 violons
5
Violon, Basse continue
4
3 Contrebasses
2
Ensemble de Violons
2
Violoncelle, Contrebasse (duo)
2
Ensemble d'Altos
2
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Violoncelle (partie séparée)
1
Harpe, Flûte (duo)
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
Alto, Guitare (duo)
1
Ensemble de Violoncelles
1
Flûte, Contrebasse (duo)
1
2 Violons, Piano
1
Violoncelle, Basse continue
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Ensemble de cuivres
126
Orchestre à Cordes
65
Orchestre de chambre
37
Orchestre
23
Orchestre d'harmonie
22
Marimba
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
5
Ensemble Jazz
4
Cloches
3
Xylophone
1
Percussion (partie séparée)
1
Voix et Orchestre
1
+ 7 instrumentations
Retracter
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ACCORDEON
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BASSE
BASSON
BATTERIE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
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MARIAGE - AMOUR - BA…
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METHODE : TECHNIQUES
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POP ROCK - ROCK CLAS…
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PUNK
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Vous avez sélectionné:
Low Baroque
Orchestre
Partitions à imprimer
23 partitions trouvées
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1
CH075ORC - Dance in the wildflower fields - Folk
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Orchestre
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Carl Van Pevenage
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CH075ORC - Dance in the wildfl
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Carl Van Pevenage
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SheetMusicPlus
Full Orchestra - SKU: A0.921177 Composed by Carl Van Pevenage. Baroque,Folk,World. Score and parts. 17 pages. Carl Van Pevenage #3011961. Published by C...
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Full Orchestra - SKU: A0.921177 Composed by Carl Van Pevenage. Baroque,Folk,World. Score and parts. 17 pages. Carl Van Pevenage #3011961. Published by Carl Van Pevenage (A0.921177). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). They are arranged for Recorder or String Quartets, but can easily be arranged for any group of players. This is an example of what can be done with the songs. It's an arrangement of Chansonnette 075 for a small orchestra and guitar The sounds are still computer generated. Playing it, will bring the music to live.
$9.95
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Bach Harpsichord Concerto no. 2 in E major, BWV 1053
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Orchestre
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Johann Sebastian Bach
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Bach Harpsichord Concerto no.
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Gabriel Vinicius
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1101547 By Johann Sebastian Bach. By Johann Sebastian Bach (1685-1750)j. Arranged by Johann Sebastian Bach. Baroque,C...
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Full Orchestra - Level 5 - SKU: A0.1101547 By Johann Sebastian Bach. By Johann Sebastian Bach (1685-1750)j. Arranged by Johann Sebastian Bach. Baroque,Classical,Instructional,Multicultural,World. Score and parts. 15 pages. Gabriel Vinicius #704925. Published by Gabriel Vinicius (A0.1101547). Johann Sebastian Bach wrote his Harpsichord Concerto no. 2 in E, BWV 1053 in 1738, and it was published in 1854 in Leipzig by C.F. Peters. This concerto is thought to be based on a concerto for a wind instrument, probably oboe or oboe d'amore, and from stylistic considerations, it may have dated from Bach's time in Leipzig. It exists, like BWV 1052, in a later transcription in his cantatas Gott soll allein mein Herze haben, BWV 169, and Ich geh und Suche mit Verlangen, BWV 49, from which further inferences can be made about the original concerto. Bach changed his method of arrangement with this work, significantly altering the ripieno parts from the original concerto for the first time, limiting much more to the tutti sections. The lower string parts were much reduced in scope, allowing the harpsichord bass to be more prominent, and the upper strings were likewise modified to allow the harpsichord to be at the forefront of the texture. A standard rendition of the piece lasts 19 minutes. The work calls for two violins, a viola, and a continuo section, besides the solo harpsichord.
$5.00
"Te Deum", op. 5 - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
#
Adrian Gagiu
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Adrian Gagiu
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"Te Deum", op. 5 - S
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. ...
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Full Orchestra - Level 4 - SKU: A0.1203852 By Adrian Gagiu. By Adrian Gagiu. Arranged by Adrian Gagiu. 20th Century,Baroque,Christian,Classical,Sacred. 133 pages. Adrian Gagiu #802408. Published by Adrian Gagiu (A0.1203852). Neo-Baroque, medium-sized, large scale composition for 4 vocal soloists, mixed chorus in 4 to 8 parts, and full orchestra with organ, setting the traditional canticle text, mostly with church modes and alternating polyphonic intricacies with solemn, intense or profound moments. It would work both for worship and in concert, as it includes powerful outbursts, elaborate counterpoint, and also soft and humble moments, while avoiding any harsh excesses of modernism. Total duration: 46 min. Performing Rights Organization: SOCAN. The audio sample is the 5th movement. The first two choruses, in 4 parts, follow the general outline of the Baroque French overture: a solemn introduction followed by an elaborate fugue. The 3rd movement is a solemn arioso for bass, followed by a grand chorus in 4 and 5 parts. The 4th movement is an arioso for tenor, followed by a complex chorus in 5 parts. The 5th movement is a suite of two ariosos for alto and soprano, followed by a grand, but brief chorus in 6 parts, and then by a mysterious instrumental evocation of the Last Judgment. The 6th movement is a vocal quartet a cappella, based on a well-known Orthodox hymn and alternated with a refrain for chorus in 7 parts and organ, then followed by a grand choral complex ended in humble supplication. The final, 7th movement is a grand motet for double chorus and orchestra, with four themes more and more intricately combined, up to the majestic coda treated in quadruple counterpoint.
$50.00
Rosary Sonatas: The Visitation
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Visitation
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JMJ Arrangements
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and part...
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Full Orchestra - Level 4 - SKU: A0.1081580 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 47 pages. JMJ Arrangements #685702. Published by JMJ Arrangements (A0.1081580). In those days, Mary arose and went with haste into the hill country, to a city of Judah, and she entered the house of Zechariah and greeted Elizabeth. And when Elizabeth heard the greeting of Mary, the babe leaped in her womb; and Elizabeth was filled with the Holy Spirit and she exclaimed with a loud cry, 'Blessed are you among women, and blessed is the fruit of your womb! And why is this granted me, that the mother of my Lord should come to me? For behold, when the voice of your greeting came to my ears, the babe in my womb leaped for joy. And blessed is she who believed that there would be a fulfillment of what was spoken to her from the Lord.' And Mary said, “'My soul magnifies the Lord, and my spirit rejoices in God my Savior, for he has regarded the low estate of his handmaiden. For behold, henceforth all generations will call me blessed; for he who is mighty has done great things for me, and holy is his name. And his mercy is on those who fear him from generation to generation. He has shown strength with his arm, he has scattered the proud in the imagination of their hearts, he has put down the mighty from their thrones, and exalted those of low degree; he has filled the hungry with good things, and the rich he has sent empty away. He has helped his servant Israel, in remembrance of his mercy, as he spoke to our fathers, to Abraham and to his posterity for ever.' And Mary remained with her about three months, and returned to her home. (Luke 1:39-56 RSV-CE).
$19.99
Colossus (SAB Choir & Full Orchestra)
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Orchestre
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INTERMÉDIAIRE
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Paul Barker Music
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Colossus
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Paul Barker Music
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SheetMusicPlus
Low Brass Ensemble,Strings B-Flat instrument,Bassoon,Choir,Clarinet,Flute,Harpsichord,Horn,Keyboard,Oboe,Timpani,Trombone - Level 3 - SKU: A0.726167 By ...
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Low Brass Ensemble,Strings B-Flat instrument,Bassoon,Choir,Clarinet,Flute,Harpsichord,Horn,Keyboard,Oboe,Timpani,Trombone - Level 3 - SKU: A0.726167 By Paul Barker Music. By Paul Barker. 20th Century,21st Century,Baroque,Contemporary,Contest,Festival. Score and Parts. 72 pages. Paul Barker Music #2968737. Published by Paul Barker Music (A0.726167). Colossus is the only Finale you’re going to need this year! This bold new concert piece is set to traditional Latin text for SAB Choir and Full Orchestra and will have your audience on their feet by the end of your concert! Robust and climatic melodic lines and roof-raising orchestration make this piece ideal for Choirs and Orchestras of all sizes and large public performances. Also available for SAB Choir and Keyboard and as an instrumental for Full Orchestra. Includes Conductor Score, Choral Score and Instrumental Parts. Additional Vocal scores are available from this site and www.paulbarkermusic.com Professional Accompaniment MP3 is available from this site and directly from www.paulbarkermusic.com Duration: 3:15 Level: Intermediate/Advanced (UK Grade 5+ & USA 2+) Occasion: Concert - Festivals - Competitions - Concert Finale - Celebration Orchestration: SAB Choir - Full Orchestra - Keyboard
$32.95
Mass for the Holy Year 2000, pt. 1 (2000) for SATB soloists, chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109...
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Full Orchestra - Level 4 - SKU: A0.869362 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Thomas Oboe Lee #25513. Published by Thomas Oboe Lee (A0.869362). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
Mass for the Holy Year 2000, pt. 2 (2000) for SATB soloists, chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Mass for the Holy Year 2000, p
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104...
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Full Orchestra - Level 4 - SKU: A0.869364 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 104 pages. Thomas Oboe Lee #25515. Published by Thomas Oboe Lee (A0.869364). Instrumentation: SATB chorus and soloists plus orchestra 2222-2221-timp-perc-hp-org-strings. Mass for the Holy Year 2000 is in nine movements and scored for SATB chorus, chamber orchestra and organ. I set the entire Latin text from the Ordinary of the Mass: Kyrie, Gloria, Credo, Sanctus and Agnus Dei. In between these sections, I added four settings of contemporary poems written in English. Initially, I wanted to use poems that would bring to the listener's attention the serious humanitarian issues we face every day on earth as we enter a new millennium: religious and ethnic wars, poverty, genocide, AIDS, intolerance, social inequality and racial injustice. But as I began to slowly understand the text of the Mass, I decided that the contemporary poems I would use should reflect and amplify what is already in the Latin text. It is all about faith and redemption. Elizabeth Kirschner (b. 1955) is a poet who lives in Chestnut Hill, Massachusetts. Her poem is about the search for God. Claude McKay (1890-1948), a member of the Harlem Renaissance Poets, was originally from Jamaica. His poem asks for God's presence. Edith Stein (1891-1942) was a Carmelite nun who was killed by the Nazis during World War II because she was a Jew. Her poem celebrates God's presence. The final poem is by the Trappist monk, Thomas Merton (1915-1968). His poem, which was published posthumously, is about the assassination of the civil rights leader, Dr. Martin Luther King.
$9.99
Joy to the World! (Orchestration)
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Orchestre
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INTERMÉDIAIRE
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G
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Michael Ware
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Joy to the World!
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Michael Ware Music
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.728043 Composed by G.F. Handel, Lowell Mason. Arranged by Michael Ware. Baroque,Christian,Christmas,Contemporary,Sacr...
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Full Orchestra - Level 3 - SKU: A0.728043 Composed by G.F. Handel, Lowell Mason. Arranged by Michael Ware. Baroque,Christian,Christmas,Contemporary,Sacred. Score and Parts. 30 pages. Michael Ware Music #3681839. Published by Michael Ware Music (A0.728043). Joy to the World! Enjoy singing Michael Ware’s fresh arrangement of a traditional carol with your choir and congregation. With its joyous melody and festive choral ending, it is well suited for any celebration of the season. The optional orchestration adds even more sparkle to this exuberant setting.This download is the orchestration. (Choral with accompaniment parts available separately.)Choral with accompaniment available here: Watch on YouTube: https://www.youtube.com/watch?v=KAyRrhOiYmkVisit the arranger's website: musicwarepress.com2018 Holiday Contest Entry
$35.00
Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
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Orchestre
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Thomas Oboe Lee
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Symphony No. 1 ... Fallen Ange
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Tho...
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Full Orchestra - SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995
$9.99
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
"Eternal Monarch of the Sky" from JOSEPH & HIS BRETHREN (1743)
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Orchestre
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INTERMÉDIAIRE
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G
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Paul Ferington
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"Eternal Monarch of the S
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Paul K Ferington
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1348242 Composed by G. F. Handel/W. T. Best. Arranged by Paul Ferington. Baroque,Christian,Classical,Religious,Sacred...
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Full Orchestra - Level 3 - SKU: A0.1348242 Composed by G. F. Handel/W. T. Best. Arranged by Paul Ferington. Baroque,Christian,Classical,Religious,Sacred. 25 pages. Paul K Ferington #933037. Published by Paul K Ferington (A0.1348242). A stately and dignified orchestral transcription (2:50) of Handel's final Chorus from JOSEPH AND HIS BRETHREN (1743) from the organ adaptation by W. T. Best; work includes chordal opening followed by brief fugal section; excellent introduction to fugal orchestral writing. Instrumentation 2/1/2+bcl/1  2/2/2/1 Timpani, Strings and opt. Organ; most suitable for Church, community or high school orchestra. For general all-year use as opening overture, voluntary, prelude, or postlude. Incorporation of Organ highly recommended but not required.
$24.95
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149...
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Full Orchestra - Level 4 - SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99
Gavotte: Cello
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Orchestre
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Arcangelo Corelli
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Bob Phillips
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Festival.
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Gavotte: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016711_VC1 Cello. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Part. 1 pages....
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Full Orchestra - SKU: AX.00-PC-0016711_VC1 Cello. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016711_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016711_VC1). UPC: 038081504766.Opening in the key of G, the piece then moves to the key of D, allowing each section to play the melody on their upper strings. With doubling in many sections for a perfect first full orchestra experience, this lovely Baroque masterpiece is from the Corelli Violin Sonata. (2:20)Concert/Contest; Festival.
$3.00
Gavotte: Flute
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Orchestre
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Arcangelo Corelli
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Bob Phillips
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Festival.
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Gavotte: Flute
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016711_F1 Flute. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Part. 1 pages. ...
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Full Orchestra - SKU: AX.00-PC-0016711_F1 Flute. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016711_F1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016711_F1). UPC: 038081504766.Opening in the key of G, the piece then moves to the key of D, allowing each section to play the melody on their upper strings. With doubling in many sections for a perfect first full orchestra experience, this lovely Baroque masterpiece is from the Corelli Violin Sonata. (2:20)Concert/Contest; Festival.
$3.00
Gavotte: Timpani
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Orchestre
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Arcangelo Corelli
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Bob Phillips
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Festival.
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Gavotte: Timpani
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016711_TMP Timpani. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Part. 1 page...
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Full Orchestra - SKU: AX.00-PC-0016711_TMP Timpani. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016711_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016711_TMP). UPC: 038081504766.Opening in the key of G, the piece then moves to the key of D, allowing each section to play the melody on their upper strings. With doubling in many sections for a perfect first full orchestra experience, this lovely Baroque masterpiece is from the Corelli Violin Sonata. (2:20)Concert/Contest; Festival.
$3.00
Gavotte: Mallets
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Orchestre
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Arcangelo Corelli
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Bob Phillips
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Festival.
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Gavotte: Mallets
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016711_M1 Mallets. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Part. 1 pages...
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Full Orchestra - SKU: AX.00-PC-0016711_M1 Mallets. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016711_M1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016711_M1). UPC: 038081504766.Opening in the key of G, the piece then moves to the key of D, allowing each section to play the melody on their upper strings. With doubling in many sections for a perfect first full orchestra experience, this lovely Baroque masterpiece is from the Corelli Violin Sonata. (2:20)Concert/Contest; Festival.
$3.00
Gavotte: Bassoon
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Orchestre
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Arcangelo Corelli
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Bob Phillips
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Festival.
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Gavotte: Bassoon
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PC-0016711_B1 Bassoon. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Part. 1 pages...
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Full Orchestra - SKU: AX.00-PC-0016711_B1 Bassoon. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0016711_B1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016711_B1). UPC: 038081504766.Opening in the key of G, the piece then moves to the key of D, allowing each section to play the melody on their upper strings. With doubling in many sections for a perfect first full orchestra experience, this lovely Baroque masterpiece is from the Corelli Violin Sonata. (2:20)Concert/Contest; Festival.
$3.00
'Spring' from The Four Seasons
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio Vivaldi
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Chris Knapp
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'Spring' from The Four Seasons
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Chris Knapp
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.994957 Composed by Antonio Vivaldi. Arranged by Chris Knapp. Baroque,Classical. Score and parts. 46 pages. Chris Knap...
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Full Orchestra - Level 4 - SKU: A0.994957 Composed by Antonio Vivaldi. Arranged by Chris Knapp. Baroque,Classical. Score and parts. 46 pages. Chris Knapp #599741. Published by Chris Knapp (A0.994957). This vibrant arrangement of the first movement from the Four Seasons, is a great one for pushing an amateur orchestra, allowing soloist opportunities for Clarinet, Flute and Violin 1. N.B: Part for Clarinet are A for this arrangement - parts in Bb are far too difficult under the fingers in my experience. However, parts in Bb are available for free on request after purchase.
$35.99
Gavotte: Score
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Orchestre
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Arcangelo Corelli
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Bob Phillips
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Festival.
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Gavotte: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Full Orchestra - SKU: AX.00-PR-0004995 Score. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Score. 12 pages. A...
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Full Orchestra - SKU: AX.00-PR-0004995 Score. Composed by Arcangelo Corelli. Arranged by Bob Phillips. Masterwork Arrangement. Score. 12 pages. Alfred Music - Digital Sheet Music #00-PR-0004995. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0004995). UPC: 038081504766.Opening in the key of G, the piece then moves to the key of D, allowing each section to play the melody on their upper strings. With doubling in many sections for a perfect first full orchestra experience, this lovely Baroque masterpiece is from the Corelli Violin Sonata. (2:20)Concert/Contest; Festival.
$9.00
Agitate
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Joe Wiedemann
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Agitate
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Joe Wiedemann
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1011584 Composed by Joe Wiedemann. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 181 ...
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Full Orchestra - Level 4 - SKU: A0.1011584 Composed by Joe Wiedemann. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 181 pages. Joe Wiedemann #3416427. Published by Joe Wiedemann (A0.1011584). Each instrument section here has a chance to stir the pot. A real lesson in articulation, this moody piece offers challenging parts for talented orchestras. Lively tremelos and staccatos generate agitation, contrasted by slow and sometimes ominous, foreboding melodies. It makes a good show-starter before more standard repertoire.Duration 8:20Scored for: Piccolo, Flutes I-II, Oboes I-II, Clarinets I-II alt. Bass Cl., Bassoons, Horns in F I-II, Trumpets I-II, Trombones I-II, Tuba, Snare Drum, Cymbals, 3 Timpani, Violins I-II, Violas, Cellos, Contrabass
$19.99
Bach Invention No. 1 for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Scott Fields Davis
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Bach Invention No. 1 for Orche
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Scott Fields Davis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.998446 Composed by Johann Sebastian Bach. Arranged by Scott Fields Davis. Baroque. 21 pages. Scott Fields Davis #5999...
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Full Orchestra - Level 3 - SKU: A0.998446 Composed by Johann Sebastian Bach. Arranged by Scott Fields Davis. Baroque. 21 pages. Scott Fields Davis #5999741. Published by Scott Fields Davis (A0.998446). The Inventions might just be J.S. Bach’s most well-known piano compositions. Whether you are a student or a professional, if you are a pianist, you have played a few of them. Composed by Johann Sebastian Bach (1685-1750) and arranged for Full Orchestra by Scott Fields Davis. This download contains the conductor's score and all instrument parts of my arrangement of Bach's 1st Invention for Full Orchestra.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Horns in F, Violin I, Violin II, Viola, Cello, Double Bass More music at: compositionsbyscottfieldsdavis.com. Please follow me on Facebook and Youtube.
$10.00
Bach Invention No. 3 for Orchestra
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Orchestre
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Scott Fields Davis
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Bach Invention No. 3 for Orche
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Scott Fields Davis
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.998456 Composed by Johann Sebastian Bach. Arranged by Scott Fields Davis. Baroque. 21 pages. Scott Fields Davis #6021...
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Full Orchestra - Level 3 - SKU: A0.998456 Composed by Johann Sebastian Bach. Arranged by Scott Fields Davis. Baroque. 21 pages. Scott Fields Davis #6021279. Published by Scott Fields Davis (A0.998456). The Inventions might just be J.S. Bach’s most well-known piano compositions. Whether you are a student or a professional, if you are a pianist, you have played a few of them. Composed by Johann Sebastian Bach (1685-1750) and arranged for Full Orchestra by Scott Fields Davis. This download contains the conductor's score and all of the instrument parts of my arrangement of J. S. Bach’s Invention No. 3.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Horns in F, Violin I, Violin II, Viola, Cello, Double Bass. More music at: compositionsbyscottfieldsdavis.com. Please follow me on Facebook and Youtube.
$8.00
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© 2000 - 2024
Accueil
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Nouveautés
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Compositeurs
Mentions légales
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Version intégrale
Low Baroque 
