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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
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MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PIANO
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Piano seul
40
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4
1 Piano, 4 mains
4
Piano Quintette: piano, 2 violons, alto, violoncelle
2
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1
Piano, Voix
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2 Guitares (duo)
3
Guitare notes et tablatures
2
Guitare
2
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
VOIX
Chorale SATB
4
Chorale 3 parties
3
Chorale 2 parties
2
Voix duo
1
Chorale SSAA
1
Chorale TTBB
1
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Flûte traversière et Piano
31
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23
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22
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20
Hautbois, Piano (duo)
19
Quatuor de Clarinettes: 4 clarinettes
14
Saxophone Tenor et Piano
14
Flûte, Hautbois, Clarinette, Basson
14
Saxophone (partie séparée)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Saxophone Soprano et Piano
11
Clarinette Basse, Piano
10
2 Saxophones (duo)
10
Saxophone Baryton, Piano
9
Quatuor de Flûtes : 4 flûtes
9
Clarinette
7
Flûte traversière
6
Quintette de Saxophone: 5 saxophones
6
3 Saxophones (trio)
6
Clarinette (partie séparée)
5
Quintette de Clarinettes: 5 clarinettes
4
5 Flûtes à bec
4
3 Clarinettes (trio)
4
2 Flûtes traversières (duo)
4
Saxophone Alto
4
Saxophone, Clarinette (duo)
2
Instruments en Mib
2
2 Clarinettes (duo)
2
Flûte, Clarinette (duo)
2
Cor anglais, Piano
2
2 Flûte à bec (duo)
2
Flute (partie séparée)
2
Ensemble de saxophones
2
Quatuor de Flûtes à bec
1
Flûte, Hautbois, Clarinette (trio)
1
Clarinette, Trompette (duo)
1
Ensemble de Flûtes
1
Clarinette, Basson (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à Bec
1
Hautbois, Flûte
1
3 Flûtes à bec (trio)
1
Cor Anglais
1
Hautbois (partie séparée)
1
Clarinette, Violon (duo)
1
Saxophone Tenor
1
Hautbois
1
Flûte à bec Alto
1
Flûte, Saxophone (duo)
1
Flûte à bec, Guitare (duo)
1
Trio de Flûtes: 3 flûtes
1
Saxophone
1
Quintette de Flûte : 5 flûtes
1
Clarinette, Guitare (duo)
1
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CUIVRES
Trompette, Piano
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trombone et Piano
17
Tuba et Piano
14
Cor et Piano
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Quatuor de cuivres: 4 trombones
10
Quatuor de cuivres: 4 cors
9
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette
7
Trombone (partie séparée)
5
Trompette, Trombone (duo)
4
Ensemble de Cors
3
2 Trombones (duo)
3
Trompette (partie séparée)
3
Quatuor de cuivres: 4 trompettes
3
Cor (partie séparée)
2
Instruments en Sib
2
2 Cors (duo)
2
Cor anglais, Piano
2
Trombone
2
Cor
2
Euphonium, Tuba (duo)
2
Ensemble de Trombones
1
2 Trompettes (duo)
1
Quatuor de Cuivres
1
Euphonium, Piano (duo)
1
Trompette, Cor (duo)
1
Tuba
1
Trombone, Cor (duo)
1
Trio de Cuivres
1
Cor Anglais
1
Trompette, Saxophone (duo)
1
3 Trombones (trio)
1
Tuba (partie séparée)
1
3 Tubas (trio)
1
4 Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
29
Violon et Piano
28
Violoncelle, Piano
24
Alto, Piano
20
Violoncelle
10
Violon
9
Contrebasse, Piano (duo)
8
Violon, Violoncelle (duo)
6
Quatuor à cordes : 4 altos
5
2 Violons (duo)
4
2 Violoncelles (duo)
3
4 Violoncelles
3
Violon, Alto (duo)
3
Harpe
3
Quatuor à cordes: 4 violons
3
Violon, Guitare (duo)
2
Alto seul
2
Trio à Cordes: violon, alto, violoncelle
2
Alto, Violoncelle (duo)
1
Alto, Guitare (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à Cordes: 3 violoncelles
1
2 Altos (duo)
1
Trio à cordes: 3 altos
1
2 Harpes (duo)
1
Contre Basse
1
Trio à cordes: 3 violins
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
36
Ensemble de cuivres
12
Orchestre à Cordes
9
Orchestre
9
Xylophone, Piano
8
Orchestre de chambre
4
Fanfare
2
Percussion (partie séparée)
1
Percussion
1
Timbales (partie séparée)
1
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AUTRES
Vous avez sélectionné:
March from the opera
Orchestre
Partitions à imprimer
9 partitions trouvées
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1
Suite from the opera "Hamlet", op. 64a
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagi…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1370573 Composed by Adrian Gagiu. 21st Century,Classical,Opera. 312 pages. Adrian Gagiu #954918. Published by Adrian Gagiu (A0.1370573). Score and parts of a Suite of orchestral excerpts from Hamlet (2017), a neo-romantic opera in 3 acts (libretto by Gene Tyburn, after Shakespeare), ranging between tragedy, irony and nostalgia: 1. Overture (Largo - Allegro assai e con brio) in D minor to Hamlet (2017). Dramatic composition, developing in sonatina form the main leitmotifs and themes of the opera (and the famous Folia theme in the beginning).2. Intermezzo No. 1 'The Players': humorous and ironic excerpt in B flat major for wind orchestra, accompanying the entrance of the players/actors.3. Intrada ('The Court'): orchestral march in E flat major, illustrating the entrance of the royal court.4. 'The Play': orchestral 'melodrama' in B flat major, illustrating in a satirical manner the play within the play and transforming bits by John Stepan Zamecnik for the silent movies of early 20th century.5. Intermezzo No. 2 'Polonius Chasing Hamlet': a symphonic scherzo in A flat major, illustrating Hamlet as he playfully grabs Polonius' hat and then is chased by him.6. 'Hamlet's Exile', linking together a postlude in F minor and an interlude in C major for string orchestra: after having accidentally killed Polonius, Hamlet feels sorry for him and then leaves in exile.7. Introduction to Act 3, in C minor: after having secretly returned from his exile in England, Hamlet arrives in the graveyard near Elsinore.8. Dead March in C minor: the funeral procession for Ophelia.9. The final chorus, in D major: after the horrors and crimes and Hamlet fulfilling his duty at his life's price, soothing hope returns.Total duration 33 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the Overture.
$100.00
89.95 €
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Orchestre
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Adrian Gagiu
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Suite from the opera "Hamlet", op. 64a
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Adrian Gagiu
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SheetMusicPlus
Bridal March from the Opera "The Birds"
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1256411 Composed by C Hubert H …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1256411 Composed by C Hubert H Parry. Arranged by Typeset by Trevor Denyer. 19th Century,Romantic Period. Score and Parts. 70 pages. Trevor Denyer #849837. Published by Trevor Denyer (A0.1256411). The English composer, Hubert Parry, is best know for his Coronation Anthem I Was Glad, but his catalogue is so much broader than this.This overture from his opera The Birds is powerful, descriptive and emotionally charged. It is full of colour, warmth and variation of orchestration.I hope this edition will bring his work to a much greater public appreciation.
$40.00
35.98 €
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Orchestre
#
C Hubert H Parry
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Typeset by Trevor Denyer
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Bridal March from the Opera "The Birds"
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Trevor Denyer
#
SheetMusicPlus
Scenes from 'The Crucible' for Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Ro…
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Full Orchestra - Level 5 - Digital Download SKU: A0.927988 Composed by Malcolm D Robertson. Contemporary. 75 pages. Mr Malcolm D Robertson #5741511. Published by Mr Malcolm D Robertson (A0.927988). I'd long wanted to compose an opera based on Arthur Miller's masterpiece based around the Salem witchcraft trials in the American colonies in 1692. Knowing that this was unlikely to come to fruition, nevertheless I sketched out some ideas just in case, which I turned into a 3 movement work for a local orchestra in 1999 for performance at their concert in September 2000. During January - March 2020 I revised the work for a larger orchestra adding 2 more movements (nos 3 & 4) and revising the existing movements. The opening movement is intended to be the Prelude to the opera. The 2nd movement the Prelude to the tense 3rd Act. The 3rd movement takes place at the climactic moment of Act 3, when John Proctor's valiant and desperate attempt to expose Abigail Williams' for what she is backfires, leading to his arrest. The 4th movement opens with the Hymn/Psalm associated with the people of Salem and continues with the reconciliation in prison between John Proctor and his wife Elizabeth.The 5th and final movement accompanies John Proctor's march to execution having nobly torn up his confession of witchcraft. The Hymn/Psalm returns before reminiscences of the opening Prelude return ending the work in a sense of uneasy peace. Parts can be made available upon request.
$20.99
18.88 €
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Orchestre
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Malcolm D Robertson
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Scenes from 'The Crucible' for Orchestra
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Mr Malcolm D Robertson
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SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95
35.04 €
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Orchestre
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Thierry Pélicant
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Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry PÅ
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95
26.94 €
#
Orchestre
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Thierry Pélicant
#
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Laudatio Amadeus
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1459569 Composed by Elizabeth S…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1459569 Composed by Elizabeth Skola Davis. Classical,Historic,Opera,Standards. 99 pages. Elizabeth Ann Davis #1038524. Published by Elizabeth Ann Davis (A0.1459569). The quadrille (a precursor to American square dancing) was a dance fashionable in late 18th- and 19th-century Europe and its colonies. It was usually performed by four pairs of dancers in a rectangular formation, and frequently danced to a medley of opera melodies. So, it turns out that a quadrille is just the 19th-century version of a mash-up! This Quadrille features excerpts from: Symphony #38 (Prague), the Impressario overture, Viennese Sonatina No. 1, Symphony #41 (Jupiter), Don Giovanni, Marriage of Figaro, March for Orchestra, KV 189, Queen of the Night aria from Magic Flute, Abduction from the Seraglio, Turkish March, and the finale from Symphony #29. The title comes from Laudatio which means commendation or praise, and Amadeus from Wolfgang Mozart's best known middle name.
$14.99
13.48 €
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Orchestre
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Elizabeth Skola Davis
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Laudatio Amadeus
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Elizabeth Ann Davis
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SheetMusicPlus
Introduction to Ernani
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1284960 By Trevor Denyer. By Gu…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1284960 By Trevor Denyer. By Guiseppi Verdi. Arranged by Trevor Denyer. 19th Century,Opera,Romantic Period. Score and Parts. 112 pages. Trevor Denyer #876085. Published by Trevor Denyer (A0.1284960). This opening extract from Verdi's Ernani is a suitably dramatic and energetic piece for chorus and orchestra. It will fit into an opening section of an opera fiesta, while being less known than many others.While Ernani is not well known these days, it was first performed on 9 March 1844, and it was immensely popular, and was revived countless times during its early years. It became Verdi's most popular opera until it was superseded by Il trovatore after 1853. In 1904, it became the first opera to be recorded completely.As usual with my offerings, print each part double-sided as presented, and the page turns will work.
$30.00
26.99 €
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Orchestre
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Trevor Denyer
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Trevor Denyer
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Introduction to Ernani
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Trevor Denyer
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SheetMusicPlus
I Was Only Nineteen
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1025679 By Various Artists. By …
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Full Orchestra - Level 3 - Digital Download SKU: A0.1025679 By Various Artists. By John Lewis Shumann. Arranged by Brett A Foster (BF Music). Contemporary. Score and parts. 123 pages. Brett A Foster #6474837. Published by Brett A Foster (A0.1025679). I Was Only Nineteen, I Was Only 19 or A Walk in the Light Green is the most widely recognised song by Australian folk group Redgum. The song was released in March 1983 as a single, which hit number one for two weeks. This version has been created for Full Orchestra (with optional TTB choral parts). The piece should be easily playable by Intermediate level Full Orchestra. There are optional parts for English Horn, Clarinet 3, Alto Saxophone, Tenor Saxophone & Contra Bassoon. The piano part is important for the core rhythms section, as is the guitar. The Violin 1 parts does go into third position towards the end, but all other string parts stay in first position. The song itself is a first-person account of a typical Australian soldier's experience in the Vietnam War, from training at a military academy in Australia to first hand exposure to military operations and combat, and ultimately his return home disillusioned and suffering from both PTSD and, it is implied, the harmful effects of Agent Orange. This piece would work well at any ANZAC Day or Memorial Day event for the Armed services.
$60.00
53.97 €
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Orchestre
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Various Artists
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Brett A Foster (BF Music)
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Contra Bassoon
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I Was Only Nineteen
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Brett A Foster
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