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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
May H
Sheetmusicplus
Non classifié
289
Piano & claviers
Piano seul
466
Piano, Voix
323
Piano, Voix et Guitare
41
1 Piano, 4 mains
6
Accompagnement Piano
6
Piano Facile
4
Instruments en Do
4
Piano Trio: piano, violon, violoncelle
3
Orgue
3
Piano (partie séparée)
1
Clavecin
1
+ 6 instrumentations
Retracter
Guitares
Guitare
5
Ligne De Mélodie, (Paroles) et Accords
2
Guitare notes et tablatures
1
Basse electrique
1
Ukulele
1
Mandoline, Guitare (duo)
1
+ 1 instrumentations
Retracter
Voix
Chorale SATB
145
Chorale 2 parties
10
Chorale Unison
8
Chorale 3 parties
6
Voix duo, Piano
3
Chorale TTBB
3
Voix Tenor, Piano
1
Chorale SSATB
1
Pack Instrumental pour Chorale
1
Voix basse
1
Voix duo
1
Voix Baryton, Piano
1
Chorale SSATTB
1
Voix moyenne, Piano
1
Chorale SSAA
1
+ 10 instrumentations
Retracter
Vents
2 Saxophones (duo)
46
2 Clarinettes (duo)
35
Quatuor de Clarinettes: 4 clarinettes
19
Quatuor de Saxophones: 4 saxophones
17
2 Hautbois (duo)
15
2 Flûtes traversières (duo)
14
3 Clarinettes (trio)
13
3 Saxophones (trio)
12
Trio de Flûtes: 3 flûtes
9
Quatuor de Flûtes : 4 flûtes
8
Clarinette
8
3 Hautbois
7
4 Hautbois
7
Flûte, Hautbois, Clarinette, Basson
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Hautbois (partie séparée)
6
Ensemble de Flûtes
5
Flûte traversière
5
Saxophone Alto
4
Saxophone Tenor
4
Saxophone (partie séparée)
4
Quintette de Clarinettes: 5 clarinettes
3
Flûte traversière et Piano
3
Quintette de Saxophone: 5 saxophones
3
Clarinette et Piano
3
Flute (partie séparée)
2
Clarinette, Violon (duo)
2
Saxophone Tenor et Piano
2
Hautbois, Piano (duo)
2
Flute, harpe et violon
2
Cor anglais, Piano
2
Flûte, Violon
2
Saxophone Alto et Piano
2
Clarinette (partie séparée)
2
Piccolo, Piano
1
Flûte, Violoncelle
1
Ensemble de saxophones
1
Flûte, Clarinette (duo)
1
Quintette de Flûte : 5 flûtes
1
Saxophone Soprano et Piano
1
Saxophone Baryton, Piano
1
Ensemble de Clarinettes
1
2 Flûte à bec (duo)
1
Clarinette Basse, Piano
1
+ 39 instrumentations
Retracter
Cuivres
2 Trompettes (duo)
17
2 Trombones (duo)
16
2 Cors (duo)
16
2 Tubas (duo)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette
7
Trombone
4
Euphonium
4
Cor
4
Euphonium, Piano (duo)
3
Trompette (partie séparée)
3
Tuba
3
Trombone (partie séparée)
3
Cor et Piano
3
Trombone et Piano
3
Cor (partie séparée)
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 trombones
2
Tuba (partie séparée)
1
Quatuor de Cuivres
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
+ 16 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
37
2 Violons (duo)
20
2 Altos (duo)
20
2 Violoncelles (duo)
19
2 Contrebasses (duo)
16
Violon
8
Trio à cordes: 3 altos
6
Violon et Piano
6
Violoncelle
6
Trio à cordes: 3 violins
6
Violon (partie séparée)
5
Trio à Cordes: 3 violoncelles
5
Contre Basse
4
Violon, Violoncelle (duo)
4
Harpe
3
Alto (partie séparée)
3
Alto seul
3
Trio à Cordes: violon, alto, violoncelle
3
Alto, Piano
3
Violoncelle, Piano
2
Violoncelle (partie séparée)
2
Contrebasse (partie séparée)
2
Violon, Alto (duo)
1
Piano Trio: Violon, Alto, Piano
1
Alto, Violoncelle (duo)
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe, Flûte (duo)
1
Harpe (partie séparée)
1
+ 23 instrumentations
Retracter
Orchestre & Percussions
Cloches
19
Ensemble de Percussions
17
Orchestre
15
Orchestre d'harmonie
6
Orchestre à Cordes
6
Ensemble de cuivres
3
Orchestre de chambre
3
Percussion (partie séparée)
1
Timbales (partie séparée)
1
Batterie
1
+ 5 instrumentations
Retracter
Autres
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
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TROMPETTE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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FLAMENCO
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JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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TANGO
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Crtitères actifs :
May H
SheetMusicPlus
Partitions à imprimer
15 partitions trouvées
<
1
Concerto for Electric Guitar and Orchestra
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Orchestre
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INTERMÉDIAIRE
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Robert E
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Concerto for Electric Guitar a
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Publish...
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Full Orchestra - Level 3 - SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paul™ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fender™ Stratocaster or Telecaster guitar; a Gibson™ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960’s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3™ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.
$19.95
Mix & Match Ensembles - Volume IV - Quartets
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Orchestre
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INTERMÉDIAIRE
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Lawrence H
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Mix & Match Ensembles - Vo
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Lawrence H Underwood
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.968617 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 86 pages. La...
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Full Orchestra - Level 3 - SKU: A0.968617 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 86 pages. Lawrence H Underwood #6666657. Published by Lawrence H Underwood (A0.968617). Eight original quartets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$13.95
Mix & Match Ensembles - Volume III - Trios
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Orchestre
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INTERMÉDIAIRE
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Lawrence H
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Mix & Match Ensembles - Vo
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Lawrence H Underwood
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.968599 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 59 pages. La...
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Full Orchestra - Level 3 - SKU: A0.968599 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 59 pages. Lawrence H Underwood #6666615. Published by Lawrence H Underwood (A0.968599). Eight original trios – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$11.95
Mix & Match Ensembles - Volume I - Duets
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Orchestre
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INTERMÉDIAIRE
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Lawrence H
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Mix & Match Ensembles - Vo
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Lawrence H Underwood
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.968562 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 36 pages. La...
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Full Orchestra - Level 3 - SKU: A0.968562 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 36 pages. Lawrence H Underwood #6666527. Published by Lawrence H Underwood (A0.968562). 8 original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$9.95
Mix & Match Ensembles - Volume II - Duets
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Orchestre
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INTERMÉDIAIRE
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Lawrence H
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Mix & Match Ensembles - Vo
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Lawrence H Underwood
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.968581 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 44 pages. La...
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Full Orchestra - Level 3 - SKU: A0.968581 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score and parts. 44 pages. Lawrence H Underwood #6666571. Published by Lawrence H Underwood (A0.968581). 8 all-new,original duets – now collected in one volume – at a terrific price! This book contains the score and individual parts for all 8 compositions. All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. Check out all of the volumes in this series: Volume I – Duets, Volume II – Duets, Volume III – Trios, and Volume IV – Quartets!
$9.95
Khe Sanh
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Orchestre
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INTERMÉDIAIRE
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Contemporain
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Walker
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Brett A Foster (BF Music)
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Khe Sanh
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Brett A Foster
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1025682 Composed by Walker. Arranged by Brett A Foster (BF Music). Contemporary. 111 pages. Brett A Foster #6513541. ...
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Full Orchestra - Level 3 - SKU: A0.1025682 Composed by Walker. Arranged by Brett A Foster (BF Music). Contemporary. 111 pages. Brett A Foster #6513541. Published by Brett A Foster (A0.1025682). Khe Sanh is a song by Australian rock band Cold Chisel, released as a 45 rpm single in May 1978, and named after the district capital of Hư�ng Hóa District, Quảng Tr� Province, Vietnam. This arrangement works well as just a pop orchestral work with no vocals, but I have provided the optional TTB vocals, keyboard and rock band parts to use if you are looking for something extra special for a performance feature. There are also optional parts for a saxophones section which will enhance the pop feel and support the horns and woodwinds. Written by pianist Don Walker, Khe Sanh concerns an Australian Vietnam veteran dealing with his return to civilian life. Khe Sanh is one of the most popular songs ever recorded by an Australian act and one generally seen as a resonant symbol of the Australian culture. Don Walker has said the song was inspired by a number of people, including, the guy from the next farm, who came back from Vietnam, severely changed for the worst, and Adelaide guitarist Rick Morris.
$69.00
Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17 Complete
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Bernhard Heinrich Romberg
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Bernhard Heinrich Romberg, Con
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Elaine Baker D'Angelo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1510342 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Original Manuscript Transcriptions, J...
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Full Orchestra - Level 4 - SKU: A0.1510342 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Original Manuscript Transcriptions, John Wion / Piano Red, Elaine Baker D'Angelo. Classical. 131 pages. Elaine Baker D'Angelo #1085534. Published by Elaine Baker D'Angelo (A0.1510342). To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].
$29.95
Bernhard Heinrich Romberg, Concerto for Flute & Orchestra opus 17
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Bernhard Heinrich Romberg
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Bernhard Heinrich Romberg, Con
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Elaine Baker D'Angelo
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1502417 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Transcriptions by John Wion / Elaine ...
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Full Orchestra - Level 4 - SKU: A0.1502417 By Bernhard Heinrich Romberg. By Bernhard Heinrich Romberg. Arranged by Transcriptions by John Wion / Elaine Baker D'Angelo. 19th Century. 16 pages. Elaine Baker D'Angelo #1078222. Published by Elaine Baker D'Angelo (A0.1502417). ROMBERG FLUTE CONCERTOElaine Baker D’Angelo, Representative5 West Ridge Trail, Plymouth, MA 02360To Whom This May Concern:You have purchased an orchestral score and a set of parts for the BernardRomberg Flute concerto, op 17. The product is marked: “for rental only”because the previous distributor had a policy prohibiting purchase of thesematerials. Only the Flute part and the Piano Accompaniment were available forpurchase. John Wion, discoverer of the work has authorized me to now sell thescore and orchestral parts. This enclosure is to provide you with a record ofyour legal purchase in case keeping the parts in your possession was everquestioned.Also, please find below some comments from Dr. Jon Ceander Mitchell of theUniversity of Massachusetts at Boston who conducted me performing theconcerto in April, 2012. His suggestions and errata information will hopefullylend assistance to you as you prepare for your concert.Quoting five Major points:1) There must be at least one very strong 2nd violin player as some melodies areintroduced from there.2) Trumpets can double the horns at the octave, though only in spots and verydiscreetly, and not playing at all in the second movement. It is most unusual tohave timpani but no trumpets.3) 2nd movement halfway through, the descending viola line that needs to becompleted by a cellist. [p.38, 5 before E, one cellist to play f-B-Csharp 8ths]4) An A sharp in the solo line in 1st movement that is critical; otherwise it soundsbluesy [p. 30,5 after H].5) Missed accidentals in 1st violin in the 3rd movement [p. 43, 2nd and 3rd mmand p. 51, 3rd and 4th mm. C naturals].
$19.98
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
HYFRYDOL (Key of E-flat) - hymn orchestration
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Orchestre
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INTERMÉDIAIRE
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Musique Sacrée
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Rowland H
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David Winkler
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HYFRYDOL
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www.DavidWinkler.com
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.742844 Composed by Rowland H. Pritchard. Arranged by David Winkler. Christian,Sacred. Score and parts. 23 pages. Www....
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Full Orchestra - Level 3 - SKU: A0.742844 Composed by Rowland H. Pritchard. Arranged by David Winkler. Christian,Sacred. Score and parts. 23 pages. Www.DavidWinkler.com #4624281. Published by www.DavidWinkler.com (A0.742844). The harmonization of this arrangement corresponds to the version found in the 1990Presbyterian Hymnal. The tune, HYFRYDOL, may be used with several different hymntexts.
$49.95
Elegy for Solo Clarinet and Orchestra
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Orchestre
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INTERMÉDIAIRE
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Joel Jacklich
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Elegy for Solo Clarinet and Or
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.723172 Composed by Joel Jacklich. Concert,Contemporary. Score and parts. 63 pages. Joel Jacklich #6228003. Published ...
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Full Orchestra - Level 3 - SKU: A0.723172 Composed by Joel Jacklich. Concert,Contemporary. Score and parts. 63 pages. Joel Jacklich #6228003. Published by Joel Jacklich (A0.723172). This is the orchestral version of Elegy. Commissioned by Mitch Sturman in memory of our mutual friend, composer John B. Edmondson (1933-2016). Mr. Sturman had commissioned new works for the Wilson Jr. H. S. Warrior Band in El Centro, CA for nine years for annual Concerts of Premieres. John B. Edmondson, one of America's leading composers of educational music, with over 800 compositions and arrangements in his catalog, had been commissioned by Mitch seven times for new works, including his last ever composition, Imperial County Impressions performed in May, 2016, prior to Mr. Sturman's retirement in June, 2016. The first commission John had made for Mitch was his Serenade for Solo Clarinet and Band. Mitch felt it would be a fitting tribute for me to compose a work also for solo clarinet and band. This was composed for a memorial tribute concert for John B. Edmondson at Wilson Junior High School on April 6, 2017, where the seven pieces commissioned for the Wilson Band would be performed. The solo clarinet, first clarinet, and first trumpet require moderately experienced players to play the parts musically. All the rest of the parts are easily handled by a typical junior high school band or orchesra.
$40.00
Johnson Lane March (Orchestra)
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Orchestre
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Joel Jacklich
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Johnson Lane March
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Joel Jacklich
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SheetMusicPlus
Full Orchestra - SKU: A0.723095 Composed by Joel Jacklich (ASCAP). Folk,Patriotic. Score and parts. 51 pages. Joel Jacklich #2163227. Published by Joel ...
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Full Orchestra - SKU: A0.723095 Composed by Joel Jacklich (ASCAP). Folk,Patriotic. Score and parts. 51 pages. Joel Jacklich #2163227. Published by Joel Jacklich (A0.723095). The original band version of Johnson Lane March was commissioned by Mitch Sturman, director of the Wilson Jr. H.S. Warrior Band in El Centro, CA for performance at the 6th Annual Concert of Premieres in May 2013. The following fall, the Imperial Valley Symphony premiered the orchestral version. The march was named for the street upon which the composer lives.
$40.00
Love Divine, All Loves Excelling--Full Score package
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Text: Charles Wesley / Music:
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Lyndell Leatherman
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Love Divine, All Loves Excelli
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Leatherman Music Services
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.829338 Composed by Text: Charles Wesley / Music: Rowland H. Prichard. Arranged by Lyndell Leatherman. Celtic,Christia...
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Full Orchestra - Level 4 - SKU: A0.829338 Composed by Text: Charles Wesley / Music: Rowland H. Prichard. Arranged by Lyndell Leatherman. Celtic,Christian,Sacred. Score and parts. 61 pages. Leatherman Music Services #5775215. Published by Leatherman Music Services (A0.829338). For most of us, Charles Wesley's Love Divine, All Loves Excelling has traditionally been associated with the tune BEECHER. But if you are looking for a way to freshen up this classic hymn, may I offer this arrangement for your consideration. First, I wedded the text to the inspired Welsh tune: HYFRYDOL. Then I arranged the vocals in a flexible three-part format. Then I added a contemporary piano part with a bass line that can be played by the electric bass, and then I included the chord symbols for your guitarist(s). Finally, I orchestrated the piece for pretty much every instrument except trumpets and trombones (though they can adapt the clarinet and bassoon parts if you desire to add them in).
$24.99
Bless This House - Score
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Orchestre
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Joseph M
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Bless This House - Score
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Joseph M. Martin. By Helen Taylor and May H. Brahe. Orchestra. Concert; Patriotic. EPak. 8 pages. Duration 3:48. Published by Hal Leonard - Digital Sheet Mus...
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By Joseph M. Martin. By Helen Taylor and May H. Brahe. Orchestra. Concert; Patriotic. EPak. 8 pages. Duration 3:48. Published by Hal Leonard - Digital Sheet Music
$7.00
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May H