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TRI ET FILTRES
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ACCORDEON
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FORMATION MUSI…
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22
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22
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Soli, choeur mixte et accompagnement
1
Voix haute
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
81
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54
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40
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32
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21
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Flûte à Bec
16
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16
Flûte traversière et Piano
14
Clarinette
13
Ensemble de Clarinettes
11
Clarinette Basse
10
3 Saxophones (trio)
9
2 Clarinettes (duo)
8
Quintette de Flûte : 5 flûtes
8
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7
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Saxophone Alto
7
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7
Saxophone Alto et Piano
6
Hautbois, Piano (duo)
5
Clarinette et Piano
5
Flûte traversière
5
3 Clarinettes (trio)
5
Hautbois, Basson (duo)
5
Saxophone Tenor et Piano
4
Flûte et Guitare
4
Clarinette, Guitare (duo)
4
Quatuor de Flûtes à bec
4
Flute (partie séparée)
3
Flûte, Clarinette et Basson
3
Hautbois (partie séparée)
3
Saxophone Tenor
3
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3
Hautbois, Basson et Piano
2
5 Flûtes à bec
2
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2
Saxophone Baryton, Piano
2
Cor anglais, Guitare (duo)
2
Trio de Flûtes: 3 flûtes
2
Flûte à Bec, Piano
2
Flûte, Trombone (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Trombone (duo)
1
2 Flûte à bec (duo)
1
Flûte à bec Soprano
1
Clarinette, Contrebasse (duo)
1
2 Flûtes traversières (duo)
1
Flûte à bec Tenor
1
Flûte, Hautbois, Basson
1
Flûte, Basson et Piano
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Ensemble de Hautbois
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2 Clarinettes, Piano
1
2 Clarinettes, Basson
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Flûte, Hautbois, Clarinette (trio)
1
Ensemble De Flûte à bec
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Saxophone et Guitare
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Clarinette, Tuba
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Flûte à bec Alto
1
Saxophone
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CUIVRES
Trombone (partie séparée)
41
Trombone et Piano
23
Trompette (partie séparée)
19
Tuba et Piano
12
Ensemble de Trombones
11
Trombone
9
Tuba
8
Trompette
7
Cor et Piano
7
Trompette, Piano
7
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
6
Euphonium, Tuba (duo)
6
2 Trombones (duo)
5
Quatuor de cuivres: 4 trombones
5
Trombone basse
4
2 Euphoniums et 2 Tubas
3
Quatuor de cuivres: 4 cors
3
Cor
3
Cor (partie séparée)
3
Tuba (partie séparée)
3
Euphonium, Piano (duo)
2
Cor anglais, Guitare (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Quatuor de Cuivres
1
4 Tubas
1
2 Cors (duo)
1
Bass Clef Instruments
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
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CORDES
Contre Basse
275
Contrebasse, Piano (duo)
90
Contrebasse (partie séparée)
75
Quatuor à cordes: 2 violons, alto, violoncelle
32
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
Violon et Piano
23
Violoncelle
17
Violoncelle, Piano
16
Alto, Piano
14
Violon
8
2 Violoncelles (duo)
8
Trio à Cordes: violon, alto, violoncelle
7
2 Contrebasses (duo)
6
Harpe
5
Trio à cordes: 3 altos
4
Violon, Violoncelle (duo)
4
Violon, Alto (duo)
3
Alto seul
3
Violoncelle, Contrebasse (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
4 Violoncelles
2
Violoncelle , Guitare (duo)
2
Flûte, Contrebasse (duo)
1
2 Violons (duo)
1
Alto (partie séparée)
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Harpe, Flûte (duo)
1
2 Harpes (duo)
1
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PERCUSSIONS & ORCHESTRES
Ensemble Jazz
98
Orchestre d'harmonie
55
Orchestre à Cordes
35
Orchestre de chambre
14
Orchestre
12
Jazz combo
11
Ensemble de cuivres
11
Batterie (partie séparée)
5
Ensemble de Percussions
5
Ensemble d'École
5
Cloches
4
Fanfare
2
Xylophone
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Piano et Orchestre
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Vibraphone
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AUTRES
Vous avez sélectionné:
Melody for Solo Bass
Orchestre
Partitions à imprimer
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1
Concerto in Bb Major for Double Bass and Orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Pr…
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Full Orchestra - Level 4 - Digital Download SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95
18.17 €
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Orchestre
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Robert E
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Concerto in Bb Major for Double Bass and Orchestra
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R. E. Proctor
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.1 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Melody in F for Full Orchestra // Anton RUBINSTEIN - Vincent D'INDY - Marc GARETTO
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.722894 Composed by Anton Rubins…
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Full Orchestra - Level 4 - Digital Download SKU: A0.722894 Composed by Anton Rubinstein. Arranged by Marc GARETTO. 20th Century,Christmas,Classical,Holiday,Romantic Period. Score and parts. 50 pages. Marc GARETTO - Harmonie Editions #2863529. Published by Marc GARETTO - Harmonie Editions (A0.722894). Melody in F major op.3 n.1 for Orchestra arranged for Modern Full Orchestra by Marc Garetto, from the orchestration by Vincent d'Indy.KEY : FFlute 1 / Flute 2 / Oboe 1 / Oboe 2 / Clarinet 1 / Clarinet 2 / BassoonHorn 1 / Horn 2 / Trumpet 1 / Trumpet 2&3 / Trombone 1&2 / TubaGlockenspiel / TimpaniViolin 1 / Violin 2 / Viola / Cello / Double bass+ Optionnal SOLO Violin or Violaworld parts : 3rd Clarinet (Ob.1) / Alto Sax (Ob.2) / Bass Clarinet (Bassoon)Bb Tuba / 2nd Cello (Ctbass)Video Score :https://youtu.be/C_59caPIVtsGrade : 3,5 - Duration : 4'00''
$68.00
61.92 €
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Orchestre
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Anton Rubinstein
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Marc GARETTO
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Melody in F for Full Orchestra // Anton RUBINSTEIN - Vincent D'INDY - Marc GARETTO
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Marc GARETTO - Harmonie Editions
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SheetMusicPlus
The Last Rose of Summer - for orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.964603 Composed by Traditional.…
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Full Orchestra - Level 3 - Digital Download SKU: A0.964603 Composed by Traditional. Arranged by Betsy Bright. Celtic,Contemporary,Holiday,Irish. Score and parts. 55 pages. Bright Music Company #6854523. Published by Bright Music Company (A0.964603). This original setting of the beloved traditional Irish tune, The Last Rose of Summer, features many soloists throughout the orchestra. The woodwinds present the melody first, followed by a strong verse in the brass. A string quartet follows, bringing a nostalgia and sadness that swells into the full string section. This gorgeous arrangement will leave every audience in tears and gives the orchestra a chance to shine without any strain or complications. Simple enough to be played by a youth orchestra or amateur orchestra, this piece is also musically rich enough to be thoroughly enjoyed by any professional orchestra. The Last Rose of Summer fits beautifully into any type of program, whether as an encore on a Subscription Series or as a feature on a Pops program. And of course any program featuring Celtic music should take the opportunity to include this piece!Duration: 4 minutesDifficulty: Intermediate through advancedInstrumentation: 2.2(1.EH).2.2 - 4.2.3.1 - T+3 - Hp - Strings2 flutesOboe English Horn2 Clarinets in Bb4 Horns in F2 Trumpets in C and Bb3 Trombones (2 tenor, 1 bass)TubaTimpani3 PercussionHarpStrings
$68.95
62.78 €
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Orchestre
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Traditional
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Betsy Bright
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2
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The Last Rose of Summer - for orchestra
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Bright Music Company
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SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachm…
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Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
72.84 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor | Full Orchestra
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Michael Barrera
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SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (187…
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Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes<br> <br> Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.<br> <br> <br> <br> Instrumentation<br> <br> 2 Flutes<br> <br> 2 Oboes<br> <br> 2 Clarinets (B flat)<br> <br> 2 Bassoons<br> <br> 4 Horns (F)<br> <br> 3 Trumpets (B flat)<br> <br> 2 Trombones<br> <br> 1 Bass Trombone<br> <br> 1 Tuba<br> <br> Timpani<br> <br> Snare Drum<br> <br> Tambourine<br> <br> Harp (substitute piano ifnecessary)<br> <br> Violins I and II<br> <br> Viola<br> <br> Violincello<br> <br> Double BassProgramNotes<br> <br> Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.<br> <br> <br> <br> Instrumentation<br> <br> 2 Flutes<br> <br> 2 Oboes<br> <br> 2 Clarinets (B flat)<br> <br> 2 Bassoons<br> <br> 4 Horns (F)<br> <br> 3 Trumpets (B flat)<br> <br> 2 Trombones<br> <br> 1 Bass Trombone<br> <br> 1 Tuba<br> <br> Timpani<br> <br> Snare Drum<br> <br> Tambourine<br> <br> Harp (substitute piano ifnecessary)<br> <br> Violins I and II<br> <br> Viola<br> <br> Violincello<br> <br> Double Bass
$24.99
22.76 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra
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Michael Barrera
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SheetMusicPlus
Chevalier De Sangreal
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1430275 Composed by Hans Zimmer. Arranged by John Langley / Studio Orchestrations. Classical,Contemporary,Film/TV,Religious,Thriller. 102 pages. Www.studio-orchestrations.com #1010904. Published by www.studio-orchestrations.com (A0.1430275). From the 2006 Ron Howard film adaptation of Dan Brown's The Da Vinci Code, this track is taken from the soundtrack which underscores the final late night walk by Robert Langdon (played by Tom Hanks) through the streets of Paris to (possibly and hopefully) conclude his long and testing quest to seek the Holy Grail. No spoilers however. If you've not seen it, then add it to your playlist!The film's soundtrack evokes great emotion throughout and whatever criticisms there may have been over the years about the book, the story, the film etc.. this is definitely one of Hans Zimmer's finest emotional and thought provoking soundtrack scores, drawing from a huge range of musical influences, from the big symphonic oceanic sounscapes to the intimate vocal solo and choral plainchant that are peppered throughout the score. It is an example of how a soundtrack can really make a massive difference to what some might describe glibly as a popcorn movie.Very much like Time in Inception Zimmer takes a relatively simple harmonic and melodic trope and adds layers of melodic counter melody and rhythmic building to create an awe inspiring and (let's face it BIG!) climax, supporting the narrative of the film and story but also creating music that can be taken away from the cinematic experience and enjoyed for its own sake.This orchestration emulkates as closely as possible the soundtrack. Some licence has been taken with the addition of 2 Trumpets which build the climax with the upper strings. SATB choir is also scored as per the original soundtrack but optional as it is mostly covered by orchestral instruments and is also a very brief appearance but - at least for the sopranos - extremely challenging for anyone apart from a professional specialist choral ensemble. The synth section of the keyboard part in the opening pages can also be optional, adding some background sounds that Zimmer is so renowned for (this may be beyond the budget of some performing groups we appeciate). However the piano cues later in the piece are highly desirable as they add a percussive support to the strings.We commend this score to anyone buidling a program of film music for their orchestral event, particularly if you are wishing to include some more modern concert ideas, and in particular a Hans Zimmer classic.INSTRUMENTATON:2 Flutes2 Oboes2 Clarinets2 Bassoons1 Contra-Bassoon (Optional)4 Horns2 Trumpets3 Trombones1 TubaTimpani2 Percussion[Cymbals/Suspp.Cymbal/Bass Drum/Tubular Bells]KeyboardSATB Choir [Optional]Strings.
$150.00
136.59 €
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Orchestre
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Hans Zimmer
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Chevalier De Sangreal
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www.studio-orchestrations.com
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SheetMusicPlus
Violin Concerto No. 1 Full Score and Individual Parts James Nathaniel Holland
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.730459 Composed by James Nathan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.730459 Composed by James Nathaniel Holland. Concert,Contemporary,Holiday,Patriotic. Score and parts. 232 pages. James Nathaniel Holland #3569503. Published by James Nathaniel Holland (A0.730459). (Duration: 26 minutes) One the most gorgeous classical music concertos of our century waiting for its violin virtuoso to champion it… writes the Milan American Music Society Offered here the full score in concert pitch and all individual parts. Instrumentation: picc, fl12, ob12, cl in A, 12, Bcl, Bsn 12, hrn 1234, Bb tpt 12, trm 12, tba, tim, perc. (bass drum, calabasa, tri., susp. and crash cym, sm. gong. and snare), harp, soloist, strings. Echoes of Elgar, R. Strauss, and Vaughn Williams. The concerto begins majestically with the section entitled (the mountains), then transforms into an African type melody (Costa Rica coffee dreams), then a beautiful sentimental melody (sentimental love) and a rousing scherzo (carnival). Reduced piano score with violin part sold separately. YouTube presentation with orchestra at: https://www.youtube.com/watch?v=j6YqKEvfVIU James Nathaniel Holland is an American-Costa Rican classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$63.25
57.59 €
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Orchestre
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James Nathaniel Holland
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Violin Concerto No. 1 Full Score and Individual Parts James Nathaniel Holland
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James Nathaniel Holland
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SheetMusicPlus
He's Always Been Faithful
Orchestre
(Orchestra) - Digital Download SKU: H1.C5462ODP Composed by Sara Groves and William…
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(Orchestra) - Digital Download SKU: H1.C5462ODP Composed by Sara Groves and William Runyan. Arranged by Thomas Fettke. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Contemporary, Hymntune, General Worship, Assurance, Christ's Presence, Comfort, Confidence, Encouragement, Faith & Faithfulness, Guidance, Promise. Set of Instrumental Parts. 67 pages. Hope Publishing - Digital #C5462ODP. Published by Hope Publishing - Digital (H1.C5462ODP). Thomas O. Chisholm & William M. Runyan; New Words & Music by Sara Groves. Genesis 8:22 - Lamentations 3:22 - Lamentations 3:23 - Lamentations 3:24 - 1 Samuel 15:29 - Hebrews 7:21 - Isaiah 49:7 - James 1:17 - Jeremiah 29:11 - Malachi 3:6 - Psalms 33:4 - Psalms 110:4 - Psalms 111:7 - Psalms 145:13 - Psalms 1.Original melody with Great Is Thy Faithfulness This popular new song from Sara Groves combines the hymn Great Is Thy Faithfulness with original contemporary words and music in a seamless blend of old and new that refreshes this beloved classic, and brings new relevance and significance to the timeless message. Orchestration consists of parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, 2 & 3, Horn 1 & 2, Tromtone 1 & 2, Trombone 3/Tuba, Timpani, Percussion 1 & 2, Harp, Rhythm (Piano), Violin 1 & 2, Viola, Cello/Bassoon, and String Bass.
$89.95
81.91 €
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Orchestre
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Sara Groves and William Runyan
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Thomas Fettke
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He's Always Been Faithful
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Hope Publishing - Digital
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SheetMusicPlus
Variations on Joy to the World - Score Only
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1257711 By Jake Rogus. By Isaac…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1257711 By Jake Rogus. By Isaac Watts. Arranged by Jake Rogus. 21st Century,Christmas,Holiday. 24 pages. Jake Rogus #850938. Published by Jake Rogus (A0.1257711). Variations on Joy to the World is an arrangement of Joy to the World for symphony orchestra. The piece starts off with a hoe down featuring a trumpet, oboe, sleigh bells, wood block, and slapstick. Then the fun and games abruptly end, leading to a slower, more calm style. The slow section of this piece features a clarinet solo and the bassoons and contrabassoon. This builds for some time before arriving at a chord, then silence. The violins play a fragmented version of the melody, modulating to a minor key. The scherzo begins. Filled with brassy melodies and woodwind flurries, this ending is exciting! But, not before the flute pokes fun at the orchestra at the end...
$24.99
22.76 €
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Orchestre
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Jake Rogus
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Jake Rogus
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Variations on Joy to the World - Score Only
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Jake Rogus
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SheetMusicPlus
Merry-go-round Of Life
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisai…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1236780 By Kumiko. By Joe Hisaishi. Arranged by Tom Maher. 21st Century,Classical,Film/TV. Score and Parts. 92 pages. Tom Maher #832309. Published by Tom Maher (A0.1236780). Merry Go Round of Life is a beautiful instrumental piece composed by Joe Hisaishi, a Japanese composer known for his work on various Studio Ghibli films. The song is featured in the soundtrack of the 2004 animated film Howl's Moving Castle, directed by legendary Japanese filmmaker Hayao Miyazaki.The piece opens with a delicate piano melody, heard in our arrangement on the vibraphone, gradually building in intensity as the rest of the orchestra joins in. The music captures a sense of whimsy and nostalgia, evoking images of a carousel or a child's music box.In Howl's Moving Castle, the song is used as a recurring theme throughout the film. It is played during several key moments, including the opening credits and the final scene. The music perfectly captures the film's themes of love, magic, and the passing of time.The title Merry Go Round of Life is fitting, as it suggests the cyclical nature of life and the idea that we are all constantly moving in circles. The music also conveys a sense of hope and joy, encouraging listeners to embrace the ups and downs of life and enjoy the ride.This arrangement is meant for intermediate to advanced high school symphonic orchestra. Most instruments play some version of the melody, and many of the figures from the original film version are present, yet written with younger players in mind. The strings should take extra care to play under the vibraphone solos, or the director may choose to double this part on another mallet percussion or piano.Instrumentation: 2 Flutes, 2 Clarinets, Bass Clarinet, Alto Sax, 2 Horns, 3 Trumpets, 2 Trombones, Mallet Percussion, Snare Drum/Crash Cymbal, Bass Drum, Timpani, Violin 1, Violin 2, Viola, Cello, Double Bass.
$80.00
72.85 €
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Orchestre
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Kumiko
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Tom Maher
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Merry-go-round Of Life
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Tom Maher
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SheetMusicPlus
All The Things You Are
Orchestre
Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxop…
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Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Voice,Drums,Guitar,Piano,Tenor Saxophone,Trombone,Trumpet,Vibraphone - Level 5 - Digital Download SKU: A0.1035235 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern. Arranged by Drew Zaremba. Musical/Show. Score and parts. 143 pages. ZarembaMusic #4764663. Published by ZarembaMusic (A0.1035235). This chart is not for the faint of heart! From metric modulations, intense doubles, and a reharmonization to boot, this chart takes a new spin on All The Things. Features trumpet soloist on the melody, and is now featured in Randy Brecker's book. Check out the link to listen on SoundCloud.https://soundcloud.com/drewzaremba/all-the-things-you-are-1
$75.00
68.29 €
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Orchestre
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Jack Leonard with Tommy Dorsey Orchestra
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Drew Zaremba
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All The Things You Are
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ZarembaMusic
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SheetMusicPlus
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