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Melody in D Minor
Orchestre
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Orchestral Movement in D minor
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.834364 Composed by Steve Shade.…
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Full Orchestra - Level 5 - Digital Download SKU: A0.834364 Composed by Steve Shade. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 109 pages. Steve Shade #4993543. Published by Steve Shade (A0.834364). The Orchestral Movement in D minor is a single movement piece for symphony orchestra. A slow, sinister melody is introduced by the low strings. This theme is developed across the orchestra until a fast and aggressive theme burst out of the calmness. The energy stops as an oboe solo restates the main theme, paving the way for a woodwind trio that transitions the piece to a lyrical theme in A minor. This slow, expressive melody builds to a gushing climax which resolves with a retransition to the opening themes, both of which are now in A minor. A dissonant deceptive cadences leads to the final section, a coda that restates the main fast theme which is now accelerated, developed, and supported by the full ensemble. The piece concludes with rapid-moving parts from high to low, bringing the piece to an exciting ending. Contents: 109 pages (Cover, Instrumentation List, Conductor's Score, Fully-edited parts for all players)Duration: About 7.5 minutesDifficulty: Early Advanced/AdvancedNotable Features:All strings are given expressive melodiesA Horn quartet is given during the slow A themeFlute, Oboe, and Clarinet are given an expressive trio sectionClarinet is given a solo passage
$39.95
36.22 €
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Orchestre
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Steve Shade
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Orchestral Movement in D minor
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Steve Shade
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.06 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
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