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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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CHORALE - CHAN…
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FORMATION MUSI…
GUITARE
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HARMONICA
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PIANO & CLAVIERS
Piano seul
138
Piano Facile
17
Orgue
12
Instruments en Do
5
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5
Piano, Voix et Guitare
3
1 Piano, 6 mains
2
Orgue, Trompette (duo)
2
Orgue, Piano (duo)
2
Clavecin
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1 Piano, 4 mains
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Accompagnement Piano
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Guitare
11
Guitare notes et tablatures
7
Ligne De Mélodie, (Paroles) et Accords
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3 Guitares (trio)
1
VOIX
Chorale SATB
13
Chorale Unison
6
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4
Chorale TTBB
4
Chorale 3 parties
3
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Flûte traversière et Piano
10
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6
3 Saxophones (trio)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Ensemble de Flûtes
3
Clarinette
3
Quatuor de Saxophones: 4 saxophones
2
Flûte et Guitare
2
Cor anglais, Piano
1
Flûte, Hautbois, Piano (trio)
1
Saxophone Soprano et Piano
1
Flûte, Clarinette, Piano (trio)
1
Clarinette Basse, Piano
1
Quintette de Clarinettes: 5 clarinettes
1
2 Flûtes traversières (duo)
1
2 Saxophones (duo)
1
Flûte, trombone et piano
1
Flûte à bec Soprano
1
Flûte, Violon et Violoncelle
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
5
Trombone et Piano
4
Trompette, Piano
2
Quatuor de cuivres: 4 trombones
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
Cor anglais, Piano
1
Euphonium, Piano (duo)
1
2 Cors (duo)
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
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CORDES
Harpe
18
Quatuor à cordes: 2 violons, alto, violoncelle
13
Violon et Piano
5
Violoncelle, Piano
5
Alto, Piano
3
Trio à Cordes: violon, alto, violoncelle
2
Violon, Violoncelle (duo)
2
Violon
1
4 Violoncelles
1
Harpe, Flûte (duo)
1
2 Violons (duo)
1
Trio à Cordes: 3 violoncelles
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Violoncelle, Contrebasse (duo)
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Orchestre d'harmonie
19
Orchestre
13
Orchestre à Cordes
10
Cloches
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Ensemble Jazz
3
Ensemble de cuivres
2
Orchestre de chambre
1
Jazz combo
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AUTRES
Vous avez sélectionné:
Minor Mood
Orchestre
Partitions à imprimer
13 partitions trouvées
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1
In A Minor Mood - Orchestra v2 Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750955 Composed by Brendan Elli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750955 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 41 pages. BJE Music #5223193. Published by BJE Music (A0.750955). This is an original composition for orchestra in D minor with a slightly oriental flavor. There are sections of pizzicato for the strings as well as dramatic lines for the brass especially the horns - Percussion parts include Tambourine, Woodblock, Timpani, and Drums Set. There is a Violin 3 part which is a sub for Viola.The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 3:03 mins.
$20.00
18.11 €
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Orchestre
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Brendan Elliget MAGA 537
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In A Minor Mood - Orchestra v2 Score and Parts PDF
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BJE Music
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SheetMusicPlus
In A Minor Mood - Orchestra Score and Parts PDF
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750943 Composed by Brendan Elli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750943 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 38 pages. BJE Music #5032459. Published by BJE Music (A0.750943). This is an original composition for orchestra in D minor with a slightly oriental flavour. There are sections of pizzicato for the strings as well as dramatic lines for the brass especially the horns - Percussion parts include Tambourine, Woodblock, Timpani, and Drums Set.The MP3 was recorded with NotePerformer 3.Grade = 4 Duration = 2:45 mins.
$25.00
22.64 €
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Orchestre
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Brendan Elliget MAGA 537
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In A Minor Mood - Orchestra Score and Parts PDF
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BJE Music
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17 (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
190.2 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Symphony No. 3 in A minor, op. 17
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagi…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00
190.2 €
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Orchestre
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Adrian Gagiu
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Symphony No. 3 in A minor, op. 17
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Adrian Gagiu
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SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor | Full Orchestra (Set of Parts)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachm…
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Full Orchestra - Level 3 - Digital Download SKU: A0.998578 Composed by Sergei Rachmaninoff. Arranged by Michael Barrera. Romantic Period. 76 pages. Michael Barrera #6256209. Published by Michael Barrera (A0.998578). Https://www.michaelbarreraflute.com/shop/p/alla-marcia-orchestra-parts Program Notes Sergei Rachmaninoff’s Alla Marcia in g Minor is arguably one of his most popular pieces that is still played today. This prelude was included as number 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this prelude in Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenth note figures setting the mood for a minor march. Following this, the relative major Eb comes in full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of the opening march dissipates as a new lyrical melody takes the forefront, accompanied by sweeping arpeggios. This section is much melancholier than before. As this theme fades, the march returns slowly out of the mist that the previous section created. It builds to the return of the Eb major section that leads into a continuation of the march theme. This fades into a quick rising figure to finish the prelude. This arrangement captures both the energy of the march and the beauty of the lyrical middle section. Instrumentation 2 Flutes 2 Oboes 2 Clarinets (B flat) 2 Bassoons 4 Horns (F) 3 Trumpets (B flat) 2 Trombones 1 Bass Trombone 1 Tuba Timpani Snare Drum Tambourine Harp (substitute piano if necessary) Violins I and II Viola Violincello Double Bass.
$79.99
72.45 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor | Full Orchestra
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Michael Barrera
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SheetMusicPlus
Concerto in G Minor for Trombone and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.809786 Composed by Robert E. Pr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.809786 Composed by Robert E. Proctor. 20th Century,Contemporary. Score and parts. 165 pages. R. E. Proctor #3003007. Published by R. E. Proctor (A0.809786). The G Minor Concerto for Trombone follows the standard format of fast – slow – fast movements. The first being Adagio – Andante and is entitled Variations. The slow or 2nd movement – Lento - is in 6/8 meter and is entitled Remembering the ‘60’s. The movement is based, in part, on a chord progression to a popular song from the 1960’s. The 3rd movement, entitled Now, is up tempo and rhythmic. It’s harmonic structure based in a jazz-like chord progression. It is bright, thoughtful, and sometimes a bit moody. Approximate length 17 minutes and 55 seconds.
$19.95
18.07 €
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Orchestre
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Robert E
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Concerto in G Minor for Trombone and Orchestra
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R. E. Proctor
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SheetMusicPlus
Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra (Score)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (187…
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Full Orchestra - Intermediate - Digital Download Composed by Sergei Rachmaninoff (1873-1943). Arranged by Michael Barrera. Romantic Period. Score. 16 pages. Published by Michael Barrera
ProgramNotes<br> <br> Sergei Rachmaninoff’s Alla Marciain g Minor is arguably one of his most popular pieces that is still playedtoday. This prelude was included asnumber 5 in his Opus 23, a set of ten preludes for solo piano. Rachmaninoff himself premiered this preludein Moscow in 1903, along with Preludes 1 and 2 from this set. It begins with quiet yet decisive sixteenthnote figures setting the mood for a minor march. Following this, the relative major Eb comesin full force expanding this sixteenth note figure with a descant-like melody. After a return to g minor, the energy of theopening march dissipates as a new lyrical melody takes the forefront,accompanied by sweeping arpeggios. Thissection is much melancholier than before. As this theme fades, the march returns slowly out of the mist that theprevious section created. It builds tothe return of the Eb major section that leads into a continuation of the marchtheme. This fades into a quick risingfigure to finish the prelude. Thisarrangement captures both the energy of the march and the beauty of the lyricalmiddle section.<br> <br> <br> <br> Instrumentation<br> <br> 2 Flutes<br> <br> 2 Oboes<br> <br> 2 Clarinets (B flat)<br> <br> 2 Bassoons<br> <br> 4 Horns (F)<br> <br> 3 Trumpets (B flat)<br> <br> 2 Trombones<br> <br> 1 Bass Trombone<br> <br> 1 Tuba<br> <br> Timpani<br> <br> Snare Drum<br> <br> Tambourine<br> <br> Harp (substitute piano ifnecessary)<br> <br> Violins I and II<br> <br> Viola<br> <br> Violincello<br> <br> Double Bass
$24.99
22.63 €
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Orchestre
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Sergei Rachmaninoff
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Michael Barrera
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Rachmaninoff: Alla Marcia in g Minor ~ Full Orchestra
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Michael Barrera
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SheetMusicPlus
Shades of Eltham - Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.750708 Composed by Brendan Elliget. Conte…
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Full Orchestra - Digital Download SKU: A0.750708 Composed by Brendan Elliget. Contemporary. Score and parts. 108 pages. BJE Music #3424551. Published by BJE Music (A0.750708). Shades of Eltham (Eltham Concert Band - 35 Years of Music) - Orchestral VersionDedicated to Ern and Beattie Shade for their contribution to the Eltham Concert Band. The title of this piece is a play on words, of course, indicating both the Shades themselves and the various shades or moods of the music or even perhaps, the shady bushland setting of the area itself. I composed this piece with a few simple ideas in mind. The letters E and A in the word Eltham suggested to me an interval of a fourth, or the other way around, an interval of a fifth – which are both used in many of entries of the themes and musical motifs throughout the work – especially the brass. There are several variations and counter melodies within the work: a bright two-four march-like theme, probably the Main theme, and a variation of this theme in slower three-four time in a minor key with two counter melodies - representing a gentler contrasting mood. On occasions, two or even three themes play simultaneously. A bridging passage in four-four occurs about two-thirds of the way into the composition leading up to a restatement of the main theme. The final climax or Coda actually has both three four melody against the two-four one resolving in the last few bars in a dramatic way. I hope you enjoy my musical tribute to the Shades.The MP3 has been recorded with Note Performer.Grade = 4 Duration = 7:20 Mins
$30.00
27.17 €
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Orchestre
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Brendan Elliget
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Shades of Eltham - Orchestra
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BJE Music
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SheetMusicPlus
Come, Messiah, Come
Orchestre
(Orchestra) - Digital Download SKU: H1.C5585ODP Composed by Jack Schrader. Piano Ac…
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(Orchestra) - Digital Download SKU: H1.C5585ODP Composed by Jack Schrader. Piano Accompaniment with Optional Orchestra. Advent, Sacred. Set of Instrumental Parts. 42 pages. Hope Publishing - Digital #C5585ODP. Published by Hope Publishing - Digital (H1.C5585ODP). Text: Jack Schrader. Isaiah 11:1 - John 1:29 - John 1:36 - John 4:25 - Revelation 22:20.Original anthem With original words and music, Jack Schrader expresses a compelling plea for the Messiah to come and fulfill redemption's story. Easily learned, this SATB anthem for Advent creates an appropriate mood for the season of expectation and waiting, with an unforgettable melody in a minor key. This piece comes from Jack Schrader's best-selling Christmas musical of 2008, Go Tell It! The orchestration contains a Conductor's Score and parts for: Piano, Electric Bass, Flute, Oboe, Clarinet, Trumpets 1, 2 & 3, Horns 1 & 2, E-Flat Alto Sax 1 & 2 (in lieu of Horns 1 & 2), Trombones 1 & 2, Tuba, Percussion, Timpani, Harp, Violin, Viola, Cello, and Bass.
$89.95
81.47 €
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Orchestre
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Jack Schrader
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Come, Messiah, Come
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Hope Publishing - Digital
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SheetMusicPlus
Journey
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.883187 Composed by Eugenia Gold…
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Full Orchestra - Level 2 - Digital Download SKU: A0.883187 Composed by Eugenia Goldman. Contemporary,Standards. Score and parts. 21 pages. Eugenia Goldman #2956801. Published by Eugenia Goldman (A0.883187). Your string orchestra students will love the epic mood of this piece, which is written in E minor and characterized by unhurried melodies, dramatic ostinato rhythm in the accompaniment and a variety of finger patterns and bow strokes. The middle section provides contrast with slurred bowings and arpeggiated passages in middle voices. The primary and secondary material is evenly distributed among the instrumental sections and the piece is the perfect length to hold the attention of young players and audiences alike. String orchestra with optional piano accompaniment and percussion.
$34.95
31.65 €
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Orchestre
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Eugenia Goldman
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Journey
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Eugenia Goldman
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SheetMusicPlus
A Day of Lament ("Days of Change" - Mov. 2) - Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.750999 Composed by Brendan Elli…
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Full Orchestra - Level 3 - Digital Download SKU: A0.750999 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 32 pages. BJE Music #6087511. Published by BJE Music (A0.750999). A Day of Lament (Theme 252) is an original composition based on another tune of mine called A Day of Hope – In the Early Morning (Theme 235) but in a minor key and having a much sombre mood. It is the middle movement of a Suite for Orchestra - Days of Change. This composition was written in the time of the global pandemic (2020).The MP3 was recorded with NotePerformer 3. Grade = 3.5 Duration = 4:45 minsThe Suite for Orchestra - Days of Change will be composed of three movements:1. A Day of Hope – In the Early Morning 2. A Day of Lament 3. A Day of Joy(Approx. 11 mins in duration)
$25.00
22.64 €
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Orchestre
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Brendan Elliget MAGA 537
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A Day of Lament
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BJE Music
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SheetMusicPlus
Bring Me To Life
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1045455 By Evanescence. By Amy …
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Full Orchestra - Level 4 - Digital Download SKU: A0.1045455 By Evanescence. By Amy Lee, Ben Moody, and David Hodges. Arranged by Jennifer Lindberg. Classical,Rock. 74 pages. Jennifer Lindberg #650036. Published by Jennifer Lindberg (A0.1045455). Arranged for rock orchestra - full symphony orchestra, plus vocals, bass, keyboard, and drums. Harp part is cued in keyboard.In the original key of E minor.Instrumentation:2 flute + piccolo2 oboe + english horn2 clarinet + bass clarinet1 tenor sax2 bassoon2 horn2 trumpet2 trombonetubaelectric bassdrum setkeyboardharp (electric lever harp, but can use pedal harp)voicesviolins 1 and 2violacellocontrabass.
$49.99
45.28 €
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Orchestre
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Evanescence
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Jennifer Lindberg
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Bring Me To Life
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Jennifer Lindberg
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SheetMusicPlus
Sarabande from the Dance Suite for Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.809814 Composed by Robert E. Pr…
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Full Orchestra - Level 3 - Digital Download SKU: A0.809814 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 33 pages. R. E. Proctor #3417175. Published by R. E. Proctor (A0.809814). Sarabande - Apparently a notorious dance for it's day, having been banded in Spain by Philip II in 1590. This Sarabnde is written in C minor, in 3/4 meter, and a tempo set to 1/4 note = 44. Moody and somewhat dark, it will not be what your listeners will be expecting. A haunting melody is passed from various instruments over pizzicato strings then the orchestra as a whole. Approximate length 3 minutes and 51 seconds.
$7.95
7.2 €
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Orchestre
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Robert E
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Sarabande from the Dance Suite for Orchestra
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R. E. Proctor
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