English version
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Modal.
Non classifié
202
Piano & claviers
Piano seul
176
Orgue
34
Piano Facile
26
Piano, Voix
12
Piano, Voix et Guitare
7
Instruments en Do
5
Accompagnement Piano
4
Clavecin
3
Piano (partie séparée)
2
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
2
Orgue, Trompette (duo)
1
1 Piano, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare notes et tablatures
67
Guitare
19
Banjo
6
Guitare (partie séparée)
4
Dulcimer
4
2 Guitares (duo)
2
Guitare Pedal Steel
1
Basse electrique
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
129
Chorale 3 parties
48
Chorale 2 parties
30
Chorale TTBB
16
Chorale Unison
14
Chorale SSAA
8
Voix Soprano, Piano
5
Voix Alto, Piano
3
Voix haute
2
Voix Soprano, Orchestre
1
Voix moyenne, Piano
1
+ 6 instrumentations
Retracter
Vents
Saxophone (partie séparée)
14
Clarinette
12
Flûte traversière et Piano
11
Quatuor de Saxophones: 4 saxophones
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Flûte traversière
8
Clarinette et Piano
7
Flûte et Guitare
7
Hautbois, Piano (duo)
6
Quatuor de Clarinettes: 4 clarinettes
5
Clarinette (partie séparée)
5
Flûte, Hautbois, Clarinette, Basson
5
Quatuor de Flûtes : 4 flûtes
5
2 Clarinettes (duo)
4
Saxophone Soprano et Piano
3
Flute (partie séparée)
3
2 Flûtes traversières (duo)
3
Quatuor de Flûtes à bec
2
3 Clarinettes (trio)
2
Clarinette, Guitare (duo)
2
Hautbois (partie séparée)
2
Saxophone Tenor et Piano
2
Saxophone Baryton, Piano
1
Flûte, Clarinette, Violon (trio)
1
Flûte, Clarinette (duo)
1
2 Flûte à bec (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Hautbois
1
Flûte à bec Alto
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte à bec Tenor
1
Clarinette Basse, Piano
1
Cor anglais, Piano
1
Flûte, Saxophone (duo)
1
Flûte, Clarinette et Basson
1
Flûte, Alto et Piano
1
Ensemble de Flûtes
1
Flûte, alto et harpe
1
Flûte à bec Alto, Piano
1
Clarinette, Basson (duo)
1
Quintette de Saxophone: 5 saxophones
1
Ensemble à vent
1
Ensemble De Flûte à bec
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte à Bec
1
Saxophone Alto
1
Flûte, Hautbois, Basson
1
Saxophone Alto et Piano
1
Flûte, Violoncelle
1
+ 46 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
Trompette (partie séparée)
9
Quatuor de Cuivres
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Piano
4
Tuba (partie séparée)
4
Cor (partie séparée)
3
Trombone et Piano
3
2 Trompettes (duo)
3
Cor et Piano
2
Trompette
2
Tuba et Piano
1
Quatuor de cuivres: 4 cors
1
Cor anglais, Piano
1
Tuba
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
+ 12 instrumentations
Retracter
Cordes
Harpe
56
Quatuor à cordes: 2 violons, alto, violoncelle
37
Violon et Piano
11
Violon (partie séparée)
9
Violon
8
Violoncelle
7
Violoncelle, Piano
6
Contrebasse (partie séparée)
5
2 Violons (duo)
4
Trio à Cordes: violon, alto, violoncelle
4
Alto seul
4
Alto, Piano
4
Violon, Alto (duo)
3
Violoncelle , Guitare (duo)
2
Alto (partie séparée)
2
Violoncelle (partie séparée)
2
Contre Basse
2
Violon, Guitare (duo)
2
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Alto, Guitare (duo)
1
Violon, Violoncelle (duo)
1
Harpe, Flûte (duo)
1
Contrebasse, Piano (duo)
1
2 Altos (duo)
1
Autoharp
1
2 Harpes (duo)
1
Violon, Orgue
1
2 Violoncelles (duo)
1
+ 26 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
257
Ensemble Jazz
49
Orchestre à Cordes
35
Orchestre de chambre
14
Cloches
12
Ensemble de cuivres
12
Orchestre
10
Jazz combo
7
Percussion (partie séparée)
2
Batterie (partie séparée)
2
Vibraphone
2
Ensemble de Percussions
2
Marimba
2
Quatuor à Vent : 4 instruments à vents
1
Batterie
1
Piano et Orchestre
1
+ 11 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Page d'accueil
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions Gratuites
0
Partitions Numériques
10
Librairie Musicale
31
Matériel de Musique
39
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Modal.
Orchestre
Partitions à imprimer
10 partitions trouvées
<
1
TE DEUM - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINT…
(+)
Full Orchestra - Digital Download SKU: A0.1112762 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 84 pages. OE OFICINA #714754. Published by OE OFICINA (A0.1112762). Para 4 voces mixtas y orquesta sinfónica - I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$24.99
23 €
#
Orchestre
#
LORENZO ONDARRA QUINTANA
#
TE DEUM - Score Only
#
OE OFICINA
#
SheetMusicPlus
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
Orchestre
Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINT…
(+)
Full Orchestra - Digital Download SKU: A0.1112703 Composed by LORENZO ONDARRA QUINTANA. 20th Century,Praise & Worship,Religious. 48 pages. OE OFICINA #714716. Published by OE OFICINA (A0.1112703). Para 4 voces mixtas y orquesta sinfónica - REDUCCIÓN A 4 voces mixtas y piano In I Centenario Provinciae Capucinae Nav. - Cant. - Arag. ORCHESTRAL SCORES ARE AVAILABLE FOR RENTAL The Te Deum for mixed choir and symphony orchestra by Lorenzo Ondarra (1931- 2012) was composed in 1998 at the request of the Provincial Curia of the Capuchin Friars, to commemorate the First Centenary, in 2000, of the Restoration of the Navarre, Cantabria and Aragón Capuchin Province. The main theme is the Gregorian melody of the Te Deum, a thanksgiving hymn, which combines the melody of the Tonus Solemnis and the Tonus Simplex. The Gregorian melody alternates between the choir and the orchestra, and develops in a free style as a paraphrase, with frequent melodic movements through parallel fourths and fifths: a typical feature of Ondarra’s compositional language. Modal features permeate the entire work, succeeding one another with tonal sections and even bitonal elements. Ondarra’s orchestration reflects an outstanding work, in which the wind instruments, together with the ubtlety of the woods and strings, plays an important role. Through its deep religiosity, the work combines recollection and the invitation to prayer with moments of brilliance in the treatment of the voices, which are exquisitely interwoven with the orchestral timbres. El Te Deum para coro mixto y orquesta sinfónica de Lorenzo Ondarra (1931- 2012) fue compuesto en 1998 por encargo de la Curia Provincial de los Hermanos Capuchinos, para conmemorar el Primer Centenario, en 2000, de la Restauración de la Provincia Capuchina de Navarra, Cantabria y Aragón. El material temático principal es la melodÃa gregoriana del Te Deum – himno de acción de gracias – alternando la melodÃa del Tonus Solemnis y del Tonus Simplex. La melodÃa gregoriana aparece de forma alternada por el coro y por la orquesta, y se desarrolla en un estilo libre a modo de paráfrasis, con frecuentes movimientos melódicos por cuartas y quintas paralelas, propios del lenguaje compositivo de Ondarra. Los rasgos modales impregnan toda la obra, y se suceden con secciones tonales e incluso con elementos bitonales. La orquestación de Ondarra refleja un brillante trabajo, otorgando una presencia importante a los instrumentos de viento, junto a la sutileza de maderas y cuerdas. La obra combina desde su profunda religiosidad, el recogimiento y la invitación a la oración, con momentos de luminosidad en el tratamiento de las voces, exquisitamente entretejidas con los timbres orquestales. Lorenzo Ondarraren abesbatza misto eta orkestra sinfonikorako Te Deum (1931- 2012) 1998an konposatu zen Anaia Kaputxinoen Probintzia Kuriaren enkarguz, 2000. urtean Nafarroa, Kantabria eta Aragoiko Kaputxinoen probintziaren zaharberritzearen lehenengo mendeurrena ospatzeko. Material tematiko nagusia Te Deum -eko melodÃa gregorianoa da, Tonus Solemnis-eko eta Tonus Simplex- eko melodiak aldizkatuz. Melodia gregorianoa txandaka azaltzen da koruaren eta orkestraren bitartez interpretatuz eta Ondarraren konposatzeko eran ohikoa den bezala estilo libre batean parafrasi moduan garatuta eta gehienetan laudun eta bostun paraleloekin egindako melodiekin osatuta dago. Obra ezaugarri modalez beterik dago, sekzio tonalak eraikiz edota elementu bitonalak izanik. Ondarraren orkestrazioak lan paregabea helarazten du, haize-instrumentuen presentzia nagusituz eta zur-instrumentuen eta hari instrumentuen presentzia sotilduz. Obra honek, sakoneko erlijiotasuna eta ahotsen eta orkestraren arteko nahasketa paregabea konbinatzen ditu.
$14.90
13.71 €
#
Orchestre
#
LORENZO ONDARRA QUINTANA
#
TE DEUM Reducción para piano y 4 voces mixtas - Score Only
#
OE OFICINA
#
SheetMusicPlus
Missa Solemnis, op. 27 - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagi…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$100.00
92.03 €
#
Orchestre
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score Only
#
Adrian Gagiu
#
SheetMusicPlus
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh,…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$4.99
4.59 €
#
Orchestre
#
Jeremy Goh, Daniel Cheng
#
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
#
Jeremy Goh
#
SheetMusicPlus
Amazing Grace (for Flex Ensemble or Full Orchestra)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1000004 Composed by John Newton…
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1000004 Composed by John Newton. Arranged by Jay Welenc. Contemporary,Folk,Sacred,Standards. Score and Parts. 22 pages. Jay Welenc #6138861. Published by Jay Welenc (A0.1000004). A fresh instrumental treatment of the treasured melody, this rendition depicts the journey of spiritual awakening. A mix of major and minor modalities adds inspiring harmonies, leading to canonic treatment and a rousing final statement. Perfect for concert or solemn settings. Scored for a flexible ensemble of winds/strings or full orchestra.
$25.00
23.01 €
#
Orchestre
#
John Newton
#
Jay Welenc
#
Amazing Grace
#
Jay Welenc
#
SheetMusicPlus
The Dark Glass Sinfonia (Parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1294001 Composed by Sarah Walli…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1294001 Composed by Sarah Wallin Huff. Classical,Contemporary. Score and Parts. 61 pages. Novel Soundtrax #884482. Published by Novel Soundtrax (A0.1294001). “We See Through A Glass Darkly…â€The Dark Glass Sinfonia is Wallin-Huff’s 2017 composition for symphony orchestra. Built upon an integrated set of hexachordal formulae – blending the concepts of free atonality with modal harmony – this work represents the enigmatic and ongoing, emotional flux of the Soul. Running time: approx. 6 minutes.â€Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra.†(PARMA Recordings).
$100.00
92.03 €
#
Orchestre
#
Sarah Wallin Huff
#
The Dark Glass Sinfonia
#
Novel Soundtrax
#
SheetMusicPlus
Un Piccolo Concerto
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1007901 Composed by Guido Alfon…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1007901 Composed by Guido Alfonso Medina Rivera. Arranged by Guido Alfonso Medina Rivera. 20th Century,Concert,Contemporary. Score and parts. 220 pages. SGAE #3918741. Published by SGAE (A0.1007901). From the formal point of view, Un Piccolo Concerto is structured in three movements: I: Moderato, II: Homage to Ponce, mostly slow and II: Aires Mexicanos, allegro with verve. From the harmonic point of view, in the first movement a modal language is used, with some very tonal parts, the use of pantonalism or a very accelerated path through different tones and some use of blue elements, with a leitmotiv that is will repeat several times, giving the work a minimalist accent. The second movement, however, is very tonal, epic, with different changes of tone and mode in its development. In the third, the procedure is totally tonal, although very modulant, where they try to reflect the Mexican airs, because that is its main purpose. In this movement the same leitmotiv of the first one is also exploited, but with the rhythmic variant that supposes the ternary subdivision (6/8). In all movements, special care has been taken to respect the guitar aspect, both in technique and style. The estimated duration is approximately 17:30, although it could vary according to the sense given to the rittardando, taste of the interpreter and intermediates between movements.
$50.00
46.02 €
#
Orchestre
#
Guido Alfonso Medina Rivera
#
Guido Alfonso Medina Rivera
#
Un Piccolo Concerto
#
SGAE
#
SheetMusicPlus
Gettysburg Portrait
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.755125 Composed by Sy Brandon. …
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.755125 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 93 pages. Sy Brandon #3396749. Published by Sy Brandon (A0.755125). This two movement work contains a jaunty first movement depicting a nearby settlement around Getty’s Tavern. It is modal and primarily homophonic. The second movement is called Battlefield Memorial and contains a rhythmic battle scene followed by a poignant prayer for peace. The score prints on legal size paper and the parts on letter.
$39.99
36.8 €
#
Orchestre
#
Sy Brandon
#
Gettysburg Portrait
#
Sy Brandon
#
SheetMusicPlus
"Space" for symphonic orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1012827 Composed by Endri Sina.…
(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1012827 Composed by Endri Sina. Arranged by Endri Sina. Contemporary. 48 pages. Endri Sina #5361441. Published by Endri Sina (A0.1012827). This is a work for symphony orchestra. This is the space of the modal sounds of the area of ​​Southern Albania, treated through a great rhythmic canon. This work can be played by students. The duration is about 6 min.
$35.00
32.21 €
#
Orchestre
#
Endri Sina
#
Endri Sina
#
"Space" for symphonic orchestra
#
Endri Sina
#
SheetMusicPlus
The Dark Glass Sinfonia (Score)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.800379 Composed by Sarah Wallin…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.800379 Composed by Sarah Wallin Huff. Classical,Contemporary. Score and Parts. 25 pages. Novel Soundtrax #3073541. Published by Novel Soundtrax (A0.800379). “We See Through A Glass Darkly…â€The Dark Glass Sinfonia is Wallin-Huff’s 2017 composition for symphony orchestra. Built upon an integrated set of hexachordal formulae – blending the concepts of free atonality with modal harmony – this work represents the enigmatic and ongoing, emotional flux of the Soul.â€Next comes Dark Glass Sinfonia by Sarah Wallin Huff, in which crumpled dissonances flower into exuberant tonality, capitalizing on the full dynamic range of the orchestra.†(PARMA Recordings).
$32.00
29.45 €
#
Orchestre
#
Sarah Wallin Huff
#
The Dark Glass Sinfonia
#
Novel Soundtrax
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
