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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
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377
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297
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94
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27
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13
1 Piano, 4 mains
9
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5
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5
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4
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2
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2
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1
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1
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Guitare notes et tablatures
42
Basse electrique
35
Guitare
32
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11
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8
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5
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5
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4
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3
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3
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2
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1
Dulcimer
1
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165
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20
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14
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13
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9
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9
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8
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6
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5
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4
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3
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2
Voix basse, Piano
1
Voix moyenne, Piano
1
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2 Saxophones (duo)
82
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50
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48
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43
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40
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34
Quatuor de Saxophones: 4 saxophones
34
Flûte traversière
34
Flûte, Hautbois, Clarinette, Basson
28
Saxophone Tenor et Piano
24
Ensemble De Flûte à bec
24
Hautbois (partie séparée)
22
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21
Clarinette
20
2 Flûte à bec (duo)
18
Saxophone Baryton, Piano
17
2 Flûtes traversières (duo)
17
Saxophone Alto
15
2 Clarinettes (duo)
15
Saxophone Tenor
13
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11
3 Saxophones (trio)
11
Quatuor de Clarinettes: 4 clarinettes
11
Flûte à bec Soprano
11
Saxophone (partie séparée)
11
2 Hautbois (duo)
10
Flûte à bec Tenor
9
Flûte à Bec
9
Saxophone, Clarinette (duo)
8
Flûte à bec Alto
8
Flûte, Clarinette (duo)
7
Flûte et Guitare
7
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7
Clarinette, Guitare (duo)
6
Clarinette, Violon (duo)
6
Hautbois, Clarinette, Basson (trio d'anches)
5
Cor anglais, Piano
5
Hautbois
5
Hautbois, Basson (duo)
5
Flûte, Hautbois, Clarinette (trio)
4
Trio de Flûtes: 3 flûtes
4
Clarinette Basse, Piano
4
Quatuor de Flûtes à bec
4
Ensemble de Flûtes
4
Cor anglais, Guitare (duo)
3
Clarinette et Alto
3
Flûte, Saxophone (duo)
3
Hautbois, Flûte
3
3 Clarinettes (trio)
3
Ensemble de saxophones
3
Saxophone Baryton
2
Clarinette Basse
2
Saxophone Soprano
2
Cor Anglais
2
Quintette de Clarinettes: 5 clarinettes
2
Clarinette, Trombone (duo)
2
Hautbois, Guitare (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Violon
2
Hautbois, Clarinette (duo)
2
Flûte, Trompette (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Soprano, Piano
1
2 Flûtes traversières, Piano
1
3 Hautbois
1
Quintette de Flûte : 5 flûtes
1
Flûte, Hautbois, Basson
1
Flute, harpe et violon
1
Flûte, Alto (duo)
1
Clarinette, Trompette (duo)
1
Clarinette, Basson (duo)
1
4 Hautbois
1
Saxophone et Guitare
1
Flûte, Violoncelle
1
Flûte, Trombone (duo)
1
Saxophone et Orgue
1
Ensemble de Clarinettes
1
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CUIVRES
Quatuor de cuivres: 4 trombones
40
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
39
Trombone et Piano
33
Trompette, Piano
29
Trompette
27
Cor et Piano
26
Trombone
19
Tuba et Piano
18
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Quatuor de Cuivres : 2 trompettes, trombone, tuba
14
Trompette, Saxophone (duo)
13
Tuba
11
2 Trompettes (duo)
11
2 Trombones (duo)
9
Cor
8
Ensemble de Trompettes
6
Ensemble de Trombones
5
Cor anglais, Piano
5
Trompette, Trombone (duo)
5
2 Cors (duo)
4
Cor anglais, Guitare (duo)
3
Euphonium
3
Cor Anglais
2
2 Tubas (duo)
2
Euphonium, Piano (duo)
2
Trompette, Cor (duo)
2
Trompette (partie séparée)
2
3 Trompettes (trio)
2
Trompette, Trombone, Piano
1
Trombone basse et Piano
1
Ensemble de Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
138
Violon
49
Violon et Piano
49
Violoncelle
38
Alto, Piano
35
Violoncelle, Piano
33
Alto seul
30
Violon, Violoncelle (duo)
24
Contre Basse
23
Contrebasse, Piano (duo)
17
2 Violons (duo)
13
Trio à Cordes: violon, alto, violoncelle
13
2 Altos (duo)
12
Harpe
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Violon, Alto (duo)
10
2 Violoncelles (duo)
8
Trio à Cordes: 2 violons, violoncelle
7
Harpe, Voix
4
Quatuor à cordes: 4 violons
3
Piano Trio: Violon, Alto, Piano
3
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
4 Violoncelles
2
2 Contrebasses (duo)
2
Violoncelle , Guitare (duo)
2
2 Violons, Piano
1
Alto (partie séparée)
1
Harpe et Piano
1
Trio à Cordes: 3 violoncelles
1
Alto, Violoncelle (duo)
1
Alto et Harpe
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
92
Ensemble Jazz
45
Orchestre à Cordes
34
Orchestre
32
Ensemble de cuivres
28
Orchestre de chambre
21
Cloches
12
Batterie
8
Marimba
4
Jazz combo
4
Ensemble de Percussions
2
Percussion
1
Orchestre, Violon
1
Fanfare
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
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My Old Man
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A Soldier's Memory - Instrumental Parts
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.940117 Composed by Christian Ja…
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Full Orchestra - Level 2 - Digital Download SKU: A0.940117 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 99 pages. Christian James Jesse #5751477. Published by Christian James Jesse (A0.940117). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory
$20.00
18.34 €
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Orchestre
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Christian James Jesse
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A Soldier's Memory - Instrumental Parts
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Christian James Jesse
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SheetMusicPlus
A Soldier's Memory - Conductor Score - Score Only
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.940116 Composed by Christian Ja…
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Full Orchestra - Level 2 - Digital Download SKU: A0.940116 Composed by Christian James Jesse. Contemporary,Film/TV,Folk,Holiday,Patriotic. Score and parts. 32 pages. Christian James Jesse #5751467. Published by Christian James Jesse (A0.940116). After each tour of duty, every soldier has a range of emotions and thoughts racing through his or her head as the make the trip home. A Soldier’s Memory explores a few of those emotions including feelings of heroism, memories of being reunited and PTSD flashbacks. I wanted to share my love and support of our nation’s military by telling a more realistic story rather than an idealized victorious celebration. Coming from a family of many veterans, I am honored to write a piece remembering our nation’s veterans’ stories.-A Soldier’s Memory was commissioned by Maestro Hector Guzman for the Irving Symphony Orchestra as part of the SMU-Irving Symphony Orchestra Student Composer-in-Residence program for the 2018-2019 Concert Season. A Soldier’s Memory premiered on November 3rd, 2018 at the Irving Arts Center by the Irving Symphony Orchestra conducted by Maestro Hector Guzman. -https://christianjesse.com/a-soldiers-memory
$20.00
18.34 €
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Orchestre
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Christian James Jesse
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A Soldier's Memory - Conductor Score - Score Only
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Christian James Jesse
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SheetMusicPlus
If He Walked Into My Life
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.872302 Composed by Jerry Herman…
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Full Orchestra - Level 4 - Digital Download SKU: A0.872302 Composed by Jerry Herman. Arranged by Kevin Riley. 20th Century,Broadway,Film/TV,Musical/Show. Score and parts. 31 pages. Kevin Riley #478746. Published by Kevin Riley (A0.872302). Mame is a musical with the book by Jerome Lawrence and Robert Edwin Lee and music and lyrics by Jerry Herman. Originally titled My Best Girl, it is based on the 1955 novel Auntie Mame by Patrick Dennis and a 1956 Broadway play, by Lawrence and Lee. A period piece set in New York City and spanning the Great Depression and World War II, it focuses on eccentric bohemian Mame Dennis, whose famous motto is Life is a banquet and most poor sons of bitches are starving to death. Her fabulous life with her wealthy friends is interrupted when the young son of her late brother arrives to live with her. They cope with the Depression in a series of adventures. In 1958, a film titled Auntie Mame, based on the play, was released by Warner Bros. Pictures, and starring Rosalind Russell who created the stage role. Russell was nominated for an Academy Award and won a Golden Globe for her portrayal. The musical opened on Broadway in 1966, starring Angela Lansbury and Bea Arthur. The production became a hit and spawned a 1974 film with Lucille Ball in the title role and Arthur reprising her supporting role, as well as a London production, a Broadway revival, and a 40th anniversary revival at the Kennedy Center in 2006. This version is for Solo Trombone and light orchestra.
$60.00
55.03 €
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Orchestre
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Jerry Herman
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Kevin Riley
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If He Walked Into My Life
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Kevin Riley
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SheetMusicPlus
Symphony No. 9 ... My Imaginary London (2014)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869302 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869302 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 75 pages. Thomas Oboe Lee #431491. Published by Thomas Oboe Lee (A0.869302). Instrumentation: 2222-2221-timp-perc-hp-strings Program note. When I told Gil Rose that I had written symphonies for the cities of Paris and Rome, he said Why don’t you do London as your next symphony? I told him, But I’ve never been to London. He said, Well, now you have an excuse to go there. That never happened; going to London, that is. But I was very intrigued about writing a London symphony. So, I decided to go ahead, and instead of London as a travelogue symphony, something I did for Paris and Rome, I came up with an alternative idea. Why not compose a London Symphony in homage to three of my favorite English composers: Benjamin Britten, Ralph Vaughan Williams and Edward Elgar? Symphony No. 9 … My Imaginary London is in three movements with multiple sections within each. 1. Prelude: Benjamin Britten (1913-1976) Moderato Scherzo I Trio I Reprise I Allegretto 2. Interlude: Ralph Vaughan Williams (1872-1958) Lento Scherzo II Trio II: Adagio Reprise II Allegro con fuoco 3. Postlude: Edward Elgar (1857-1934) Largo This work is dedicated to my wife and muse, Kristin Beckwith.Enjoy!!!Vido link: https://youtu.be/q0qmqVz9IhwAudio link: https://thomasoboelee.bandcamp.com/album/symphony-no-9-my-imaginary-london-2014
$9.99
9.16 €
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Orchestre
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Thomas Oboe Lee
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going to London, that is
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Symphony No. 9 ... My Imaginary London
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Thomas Oboe Lee
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SheetMusicPlus
THIS IS MY LIFE - Film Music Song
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.889781 Composed by Rainer Fabic…
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Full Orchestra - Level 4 - Digital Download SKU: A0.889781 Composed by Rainer Fabich. African,Film/TV,Pop,World. Score and parts. 96 pages. Fajora Music #2162881. Published by Fajora Music (A0.889781). Very expressive finale song from the TV-documentary Der Glanz der Schattenwirtschaft / United Street Sellers Republic a film by Jan Kerckhoff about informal economy in NIgeria and Burkina Faso. Awards: German Economy Film Award 2015, Grand Prix Victoria in gold /International Economy Film Festival, Vienna 2016.Orchestral premiere by Münchner Runfunkorchester (Bayerischer Rundfunk) in Munich 2016. Conductor: Ulf SchirmerScore and parts, 96 pages, duration: ca. 4 minSoundtrack CD: Rainer - Der Glanz der Schattenwirtschaft / United Street Sellers Republic, listen audiotracks on itunes, spotify, deezer, tidal ...
$24.95
22.88 €
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Orchestre
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Rainer Fabich
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THIS IS MY LIFE - Film Music Song
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Fajora Music
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SheetMusicPlus
The American Seasons (violin solo part – violin and string orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Conno…
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Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
$22.50
20.64 €
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Orchestre
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
The American Seasons (2nd violins part – violin and string orchestra)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Conno…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
$15.00
13.76 €
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Orchestre
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Mark O'Connor
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The American Seasons
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Mark O'Connor Musik International
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comThe Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
35.77 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Celtiberian Landscape For Harp And Orquestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos T…
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99
22.92 €
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Orchestre
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp And Orquestra
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Luis Anjos Teixeira
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SheetMusicPlus
Symphonie in C, 1. Allegro Vivo
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1404615 Composed by Georges Biz…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1404615 Composed by Georges Bizet. Arranged by Donald Jay Smith. Classical,Contest,Festival,Historic,Instructional,Romantic Period. 164 pages. Donald Jay Smith Music #987680. Published by Donald Jay Smith Music (A0.1404615). I adapted this movement of Bizet's only symphony for my high school orchestra so that they would have the experience and challenge of performing a major symphonic work written by Bizet when he was 17 years old-like many of them. The movement fit programing concerns (only lasting 12 minutes, 8 minutes without the repeat) and instrumentation demands for the orchestra I had at the school at that time. I found limited similar repertoire available that was appropriate to challenge my students. I was also personally motivated to dig deeper into this piece by adapting it, much like early composers learned by serving as copyists for previous musical legends. More recently, I performed this as a guest conductor with a senior level honors orchestra in Massachussetts. In both cases the work was the focus of musical stimulation as well as inspiring fully engaged student conversation about many aspects of this movement. In short, the students enjoyed preparing and performing the piece, almost as much as the audiences were impressed by the performances. Hopefully Bizet's teacher at the Paris Conservatiore, Charles Gounod, rewarded Bizet with a good grade! I put in the extra time to publish this so that many other students would have the opportunity to study this piece, composer, style and period of music. I sincerely hope that you and your orchestra will enjoy Allegro vivo from Symphonie in C Major!
$49.99
45.85 €
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Orchestre
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Georges Bizet
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Donald Jay Smith
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Symphonie in C, 1. Allegro Vivo
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Donald Jay Smith Music
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SheetMusicPlus
Rosary Sonatas: The Finding of the Child Jesus in the Temple
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1081597 Composed by Heinrich Ig…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1081597 Composed by Heinrich Ignaz Franz von Biber. Arranged by Joshua Choe. Baroque,Classical,Sacred. Score and parts. 48 pages. JMJ Arrangements #685713. Published by JMJ Arrangements (A0.1081597). Now his parents went to Jerusalem every year at the feast of the Passover. And when he was twelve years old, they went up according to custom; and when the feast was ended, as they were returning, the boy Jesus stayed behind in Jerusalem. His parents did not know it, but supposing him to be in the company they went a day’s journey, and they sought him among their kinsfolk and acquaintances; and when they did not find him, they returned to Jerusalem, seeking him. After three days they found him in the temple, sitting among the teachers, listening to them and asking them questions; and all who heard him were amazed at his understanding and his answers. And when they saw him they were astonished; and his mother said to him, 'Son, why have you treated us so? Behold, your father and I have been looking for you anxiously.' And he said to them, 'How is it that you sought me? Did you not know that I must be in my Father’s house?' And they did not understand the saying which he spoke to them. And he went down with them and came to Nazareth, and was obedient to them; and his mother kept all these things in her heart. And Jesus increased in wisdom and in stature, and in favor with God and man. (Luke 2:41-52, RSV-CE).
$19.99
18.33 €
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Orchestre
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Heinrich Ignaz Franz von Biber
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Joshua Choe
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Rosary Sonatas: The Finding of the Child Jesus in the Temple
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JMJ Arrangements
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SheetMusicPlus
Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone (or Bass) and Orchest
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathan…
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Full Orchestra - Level 3 - Digital Download SKU: A0.730317 Composed by James Nathaniel Holland. Broadway,Concert,Contemporary,Holiday,Love. Score and parts. 49 pages. James Nathaniel Holland #2891095. Published by James Nathaniel Holland (A0.730317). The sonnet of William Shakespeare set to music and arranged for orchestra and Baritone (or Bass with upper notes). (Range A2 to E4) The piece begins loud and dramatically with crashes and booms, then contrasts with a beautiful and romantic second part. Orchestration: Fl12, Ob12, ClBb 12, Bsn 12, Hrn 12, Trmp 12, Tim, Sus cym with soft mallet/tri., piano, strings Full Score (concert pitch) and parts included. Vocal score with piano reduction sold separately. This art song is from A Cycle of Sonnets Music by 21st century, American composer James Nathaniel Holland SONNET 29 When, in disgrace with fortune and men's eyes, I all alone beweep my outcast state And trouble deaf heaven with my bootless cries And look upon myself and curse my fate, Wishing me like to one more rich in hope, Featured like him, like him with friends possess'd, Desiring this man's art and that man's scope, With what I most enjoy contented least; Yet in these thoughts myself almost despising, Haply I think on thee, and then my state, Like to the lark at break of day arising From sullen earth, sings hymns at heaven's gate; For thy sweet love remember'd such wealth brings That then I scorn to change my state with kings. YouTube video presentation (with Tenor): https://www.youtube.com/watch?v=ry0b9cLOYc4 James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles.
$14.95
13.71 €
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Orchestre
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James Nathaniel Holland
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Sonnet 29 "When in Disgrace with Fortune and Men's Eyes" Art Song for Baritone
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James Nathaniel Holland
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SheetMusicPlus
Concerto for Orchestra
Orchestre
Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: …
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Orchestra - Digital Download SKU: S9.Q19130 Composed by John Casken. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 20 minutes. Schott Music - Digital #Q19130. Published by Schott Music - Digital (S9.Q19130). My Concerto for Orchestra (2007) is a twenty-minute work in which different sections of the orchestra, as well as individual solos and duos from within the orchestra, are highlighted as the music unfolds. The work continues my interest in two-movement forms that began with my Cello Concerto (1991), and was later developed in Sortilège (1996) and Symphony (Broken Consort) (2004). In these works, and in the Concerto for Orchestra, each movement is given equal weight and importance with the second developing earlier material and taking it in new directions. The two-movement form of the Concerto for Orchestra derives from a symphonic sonata structure, reshaping the traditional four-movement form and combining this with aspects of sonata form, a tradition that goes back to Liszt, Schoenberg and Sibelius: 1st movement (i) exposition of ideas - dramatic and sudden (ii) scherzo and development 1 - resolute 2nd movement (iii) adagio - calm and unhurried (iv) development 2 with recapitulation - intense and energetic The Concerto for Orchestra was commissioned by the Musikalische Akademie des Nationaltheatre-Orchesters Mannheim with the support of Die Landesbank Baden-Württemberg for its first two performances on 31st March and 1st April 2008 conducted by Friedemann Layer. The score is dedicated in friendship and admiration to Ronald Zollman. John Casken3(3.pic).2.ca.2(2.Ebcl).bcl.3(3.cbsn)-4.3(1.Dtpt).2.btbn.1-timp.3perc(crot, vib, tub bells, sizz cym, Chinese cym, h.h, Swiss cow-bell, gong, horizontal gong, 2tam-t, tamb, bng, s.d, 5tom-t, b.d, clav, casts, marac, 5tempbl, wdbl, cabaça, vibraslap)-hp-str.
$35.99
33.01 €
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Orchestre
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John Casken
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Concerto for Orchestra
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Schott Music - Digital
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SheetMusicPlus
Truck Drive - Score Only
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1084739 By Ost (original Soundt…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1084739 By Ost (original Soundtrack). By Michael Arnold Kamen. Arranged by Chris Siddall. Film/TV. Score and parts. 10 pages. Chris Siddall Music Publishing #688907. Published by Chris Siddall Music Publishing (A0.1084739). “My most completely satisfying participation in filmâ€. That was how composer Michael Kamen described his collaboration with director Terry Gilliam on his dystopian black comedy film Brazil. Brazil is a wonderful dreamscape of music. Kamen manages to successfully blend a dizzying array of styles ranging from symphonic to jazz to thirties pop, weave in allusions to everything from Maurice Ravel to Woody Woodpecker and make the result as gloriously romantic as it is heart-breaking. This cue, titled “Kicked Out†on the manuscript but known as “Truck Drive†on the OST takes place as our hero Sam (Jonathan Pryce) and the woman from his dreams Jill (Kim Greist) flee from government agents. During the frantic chase, we hear hints of Ary Barroso’s “Aquarela do Brasil†which, known simply as “Brazil†to British audiences, is a recurring theme throughout and gives its name to the title of the film. Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
9.16 €
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Orchestre
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Ost
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Chris Siddall
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Truck Drive - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
Orchestre
Full Orchestra - Digital Download SKU: A0.1503603 Composed by Schubert/Crossland. C…
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Full Orchestra - Digital Download SKU: A0.1503603 Composed by Schubert/Crossland. Classical,Romantic Period. 410 pages. Neil Crossland #1079059. Published by Neil Crossland (A0.1503603). My completion of Schubert’s Symphony No. 8 (Unfinished) brings to life the tantalizing fragments he left for the third and fourth movements. The third movement follows closely Schubert's surviving short score, where his intricate melodic ideas are expanded with a full orchestration that honors his harmonic language. This movement, true to Schubert’s symphonic style, carries a lively yet graceful energy, interspersed with contrasting themes that reflect both joy and contemplation.The fourth movement begins with a nod to Schubert’s Rosamunde Overture, seamlessly transitioning from the grandeur of the third movement. Drawing from the overture’s distinctive opening, I introduce a bold and majestic theme that acts as a foundation for the final movement. From here, the symphony unfolds into a dramatic and richly textured conclusion. My aim in this movement was to capture Schubert’s gift for lyrical, expansive melody while incorporating the dynamic tension and rhythmic drive that characterizes his symphonic writing.Throughout the fourth movement, I intertwine moments of serene beauty with powerful orchestral climaxes, echoing the drama of the symphony’s first movement. The use of Schubert’s melodic genius is central to this completion, with soaring strings and resonant winds building to a thrilling finale. The symphony concludes with a recapitulation of the opening theme from the first movement, bringing a sense of unity and closure to the entire work.The entire symphony, now lasting 50 minutes, forms a cohesive continuation of Schubert's original vision. This completion fills the second half of the concert program, offering a balanced and dramatic conclusion to the work Schubert began but never had the chance to finish.
$69.99
64.19 €
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Orchestre
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Schubert/Crossland
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SCHUBERT SYMPHONY NO. 8 IN B MINOR COMPLETED BY NEIL CROSSLAND - 3rd & 4th MOVEMENT - SCORES + PARTS
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Neil Crossland
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SheetMusicPlus
Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin …
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Full Orchestra - Level 3 - Digital Download SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Worship,Traditional,World. 27 pages. Keith Terrett #5205655. Published by Keith Terrett (A0.746971). The National Anthem of Montenegro arranged for Symphony Orchestra. There are versions for Brass Quintet & String Orchestra in my on-line stores.Oj, svijetla majska zoro (Montenegrin Cyrillic: „Ој, Ñвијетла мајÑка зоро, trans. Oh, Bright Dawn of May) is the official National anthem of Montenegro adopted in 2004. Before becoming the anthem, it was a popular folk song of the Montenegrins, with many variations of its text. The oldest one is dated to the 2nd half of the 19th century, known as Oh, Bright Dawn of Heroism, oh!, a popular Montenegrin folk song.It was played in public for the first time in 1863 in the national theater in Belgrade. It was a component song of the Battle of Grahovo or blood feud in Montenegro (Бој на Грахову или крвна оÑвета у Црној Гори) heroic play in three parts. It is unknown if the text’s authors are also the play’s, namely the following Montenegrin composer/writers: the father of Marko Car Jovan Car and an unknown Obrad Vitković. The play and the Montenegrin folk song was also played/sung in the National Theater again in 1870 and 1876. Its first record in Montenegro itself dates to 1887, when it was included into the regular school program of Montenegrin national songs for pupils in the 3rd grade. It was reconfirmed in the teacher’s plan for Montenegrin schools of 1888, which speculates that it must have been an established folk song for decades by then.Sekule Drljević, party strongman of a minor political party which was active in the Yugoslavian Kingdom in Montenegro known as the Montenegrin Federalist Party, rewrote the text and published it in 1937 in the book of then’s Croatian writer of Montenegrin origins Savić Marković Å tedimlija known as Crvena Hrvatska (Red Croatia), which confounded the thesis not of a Serb ethnic origin of the Montenegrins, which was the dominant one back then, but rather from the Croats. Its name was Eternal Ours… (VjeÄna naÅ¡a). When Nikola Hercigonja wrote down Oh, Bright Dawn of May shortly after WWII ended after 1945, he erroneously concluded that Drljević was the original wholesale author of this song, which also led to its considerable decline in popularity as a Montenegrin folk song altogether.The song survived until today under various names as a popular Montenegrin folk song under the name Oh, Bright Dawn of May (Oj svijetla majska zoro). This version of the song has been one of the several versions proposed in 1993 during the first discussion on the official anthem, however, on which there was no consensus because of the disputed melodic value.Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Love national anthems, then join me on twitter, facebook, instagram & soundcloud for frequent updates on my Olympic anthems!
$36.00
33.02 €
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Orchestre
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Montenegrin folk song
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Keith Terrett
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Montenegrin National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99
9.16 €
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Orchestre
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Thomas Oboe Lee
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Focus on Grace ... A concerto for jazz saxophone and orchestra
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Thomas Oboe Lee
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SheetMusicPlus
Symphony No.2 Op.8 (Cheeky Chap!)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.558779 Composed by David Burndr…
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Full Orchestra - Level 5 - Digital Download SKU: A0.558779 Composed by David Burndrett. Contemporary. Score and parts. 140 pages. David Burndrett #5371739. Published by David Burndrett (A0.558779). This symphony is dedicated to my loyal companion Sam who is a eleven year old yellow Labrador Retriever.I composed this symphony between April-July 2019 and revised it on April 9th 2020.His mischievous ways have led to all manner of entertaining stories!
$14.95
13.71 €
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Orchestre
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David Burndrett
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Symphony No.2 Op.8
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David Burndrett
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SheetMusicPlus
Twentieth Century Fox Trademark
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1016134 Composed by Alfred Newm…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1016134 Composed by Alfred Newman. Arranged by Elliot Goldenthal. Contemporary. Score and parts. 3 pages. Lasse Karhu #6591039. Published by Lasse Karhu (A0.1016134). My aural transcription of Elliot Goldenthal's arrangement of Alfred Newman's iconic 20th Century Fox Fanfare which appeared in the opening of Alien 3 motion picture directed by David Fincher.
$49.99
45.85 €
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Orchestre
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Alfred Newman
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Elliot Goldenthal
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Twentieth Century Fox Trademark
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Lasse Karhu
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SheetMusicPlus
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
9.16 €
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Orchestre
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Thomas Oboe Lee
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Concerto for Orchestra, opus 111
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Thomas Oboe Lee
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SheetMusicPlus
Forgotten Moments for Symphony Orchestra (Keith Terrett Hollywood Film Cue Series)
Orchestre
Full Orchestra - Digital Download Composed by Keith Terrett. 21st Century, Movies, …
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Full Orchestra - Digital Download Composed by Keith Terrett. 21st Century, Movies, European. Score, Set of Parts. 36 pages. Published by Music for all Occasions
A little original reflective/melancholic work entitled ''Forgotten Moments'' for Symphony Orchestra. Part of my Hollywood Film Music Cue series.<br> <br> If there are any film producer's/director's out there looking for music for a film, I have many more examples. E-mail me your requirements:keithterrett@gmail.com<br> <br> Some of my favourite film composers include:<br> <br> Bernard Herrmann, John Barry, Vangelis, John Williams, Ennio Morricone, Hans Zimmer, Jerry Goldsmith, John Carpenter and of course James Horner Franz Waxman & Erich Korngold!<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.A little original reflective/melancholic work entitled ''Forgotten Moments'' for Symphony Orchestra. Part of my Hollywood Film Music Cue series.<br> <br> If there are any film producer's/director's out there looking for music for a film, I have many more examples. E-mail me your requirements:keithterrett@gmail.com<br> <br> Some of my favourite film composers include:<br> <br> Bernard Herrmann, John Barry, Vangelis, John Williams, Ennio Morricone, Hans Zimmer, Jerry Goldsmith, John Carpenter and of course James Horner Franz Waxman & Erich Korngold!<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
$30.00
27.52 €
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Orchestre
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Keith Terrett
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Forgotten Moments for Symphony Orchestra
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SheetMusicPlus
Why
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1235198 By Annie Lennox. By Ann…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1235198 By Annie Lennox. By Annie Lennox. Arranged by Reimund Merkens. 20th Century,Pop,Soul. Score and Parts. 16 pages. Reimund Merkens #830734. Published by Reimund Merkens (A0.1235198). This is my second arrangement of greatest pop songs of all time for symphony orchestra. The song Why, words and original music by Annie Lennox, although already 31 years old, is a very impressive emotional soul ballad about relationship breakdown. In this song a woman (maybe Annie herself) asks herself why there is so much conflict in her partnership and in the world as well and describes her feelings and the pain her conflict brings. For me it is one of the most sensitive song lyrics ever written with an extremely soulful music.
$49.99
45.85 €
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Orchestre
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Annie Lennox
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Reimund Merkens
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Why
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Reimund Merkens
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SheetMusicPlus
EASIER SCHOOL ORCHESTRA SERIES 2 Radetzky March J Strauss Sr.
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.984860 Composed by Johann Strau…
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Full Orchestra - Level 2 - Digital Download SKU: A0.984860 Composed by Johann Strauss Sr. Arranged by John Beale. Romantic Period. Score and parts. 60 pages. John Beale #4775993. Published by John Beale (A0.984860). I arranged music for my school's musicians to come together and perform in our school concerts. I chose and arranged many well-known pieces but, unfortunately, can only publish the public domain music. They were mostly grades 1-3. I tried to arrange the parts to be meaningful but at the same time maintaining an effective, complete and pleasing sound. I often arranged parts with individuals in mind. The piano part is there for support and filling in. This was one of my most successful arrangements with 4 percussion players particularly enjoying their part. Violin 1 and Flute hold the tune.
$15.00
13.76 €
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Orchestre
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Johann Strauss Sr
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John Beale
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EASIER SCHOOL ORCHESTRA SERIES 2 Radetzky March J Strauss Sr.
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John Beale
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SheetMusicPlus
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
9.16 €
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Orchestre
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds of the Islands
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Thomas Oboe Lee
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SheetMusicPlus
Symphonic Poem # 6 - Snowstorm
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.935325 Composed by Aere Greenwa…
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Full Orchestra - Level 5 - Digital Download SKU: A0.935325 Composed by Aere Greenway. 20th Century,Contemporary,New Age,Romantic Period. Score and parts. 76 pages. Aere R Greenway #6301785. Published by Aere R Greenway (A0.935325). I composed this piano piece in my mid-teen years. Now, in retirement, I have orchestrated it, adding new music. Young and old, making music together. The piano piece (my first) was called Etude in B-flat Major, but the orchestration keeps its subtitle: Snowstorm.
$14.97
13.73 €
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Orchestre
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Aere Greenway
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Symphonic Poem # 6 - Snowstorm
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Aere R Greenway
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SheetMusicPlus
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