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PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
1403
PIANO & CLAVIERS
Piano seul
2267
Piano, Voix
936
Piano Facile
183
Orgue
92
1 Piano, 4 mains
64
Piano, Voix et Guitare
56
Instruments en Do
34
Accompagnement Piano
20
2 Pianos, 4 mains
11
Accordéon
9
Clavecin
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano grosses notes
2
Accordéon - Piano, Voix, Guitare
2
Piano Trio: piano, violon, violoncelle
2
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Clavier
1
Orgue, Piano (duo)
1
Ensemble d'Accordéons
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
167
Guitare notes et tablatures
105
Basse electrique
30
2 Guitares (duo)
27
Ligne De Mélodie, (Paroles) et Accords
19
Ukulele
15
3 Guitares (trio)
14
4 Guitares (Quatuor)
13
Guitare (partie séparée)
6
Ensemble de guitares
6
Paroles et Accords
5
Mandoline
4
Guitare, Violon, Violoncelle (trio)
2
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
2
Mandoline, Piano (duo)
2
Dulcimer
2
Orchestre à Plectres
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
208
Chorale 3 parties
33
Chorale TTBB
29
Chorale 2 parties
23
Voix seule
21
Chorale SSAA
13
Chorale Unison
11
Voix duo, Piano
9
Voix Soprano, Piano
7
Voix Alto, Piano
5
Voix moyenne, Piano
5
Voix Tenor
4
Voix Tenor, Piano
3
Chorale SSATB
2
Voix Soprano
2
Voix duo
2
Chorale SSAB, Piano
1
Voix, Guitare
1
Chorale
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière
118
Saxophone
87
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
83
Clarinette
81
Flûte traversière et Piano
79
Quatuor de Saxophones: 4 saxophones
53
Ensemble de Clarinettes
40
Hautbois, Piano (duo)
40
Saxophone (partie séparée)
40
Clarinette et Piano
40
Ensemble de saxophones
38
Saxophone Alto et Piano
36
Saxophone Alto
35
Hautbois, Clarinette, Basson (trio d'anches)
31
Flûte, Hautbois, Clarinette, Basson
30
Quatuor de Clarinettes: 4 clarinettes
25
Saxophone Tenor
25
Saxophone Tenor et Piano
25
Quintette de Saxophone: 5 saxophones
24
2 Flûtes traversières (duo)
21
Saxophone Soprano et Piano
21
Flûte et Guitare
18
Hautbois (partie séparée)
16
Quatuor de Flûtes : 4 flûtes
15
Flûte à Bec
13
Ensemble de Flûtes
12
2 Hautbois (duo)
11
2 Clarinettes (duo)
11
2 Saxophones (duo)
9
2 Flûte à bec (duo)
9
Quintette de Clarinettes: 5 clarinettes
8
Clarinette (partie séparée)
8
Saxophone Baryton, Piano
7
3 Saxophones (trio)
7
Flûte à bec Alto, Basse continue
7
Saxophone Soprano
7
Clarinette Basse, Piano
6
Trio de Flûtes: 3 flûtes
6
Hautbois
6
Cor anglais, Piano
6
3 Clarinettes (trio)
6
Quintette de Clarinette: Clarinette, Quatuor à Cordes
5
Flûte, Violon et Violoncelle
4
Clarinette, Guitare (duo)
4
Flûte à Bec, Piano
4
Flûte, Clarinette (duo)
4
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violon
3
Flûte traversière, Basse continue
3
Flute, harpe et violon
3
Quintette de Flûte : 5 flûtes
3
Clarinette, Violon (duo)
2
Flûte, Clarinette et Basson
2
Instruments en Mib
2
Piccolo, Piano
2
Flute (partie séparée)
2
Flûte irlandaise
2
2 Clarinettes, Piano
2
3 Flûtes à bec (trio)
2
2 Flûtes traversières, Piano
2
Flûte à bec Soprano
2
Flûte à bec Soprano, Basse continue
1
Flûte à bec, Guitare (duo)
1
Flûte, Hautbois, Basson
1
Flûte, Hautbois, Piano (trio)
1
Flûte à bec Tenor
1
Flûte, Violon, Guitare
1
Flûte à bec Alto, Piano
1
Ensemble à vent
1
Flûte, Hautbois (duo)
1
Clarinette, Contrebasse (duo)
1
Flûte, trombone et piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Trombone (duo)
1
Piccolo
1
Flûte, Violoncelle, Guitare
1
Flûte, Violoncelle
1
Flûte, Violon, Piano
1
Quatuor de Flûtes à bec
1
Flûte, Clarinette, Piano (trio)
1
Hautbois, Clarinette (duo)
1
Clarinette, Tuba
1
Hautbois, Basson (duo)
1
4 Hautbois
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette
81
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
51
Trombone
48
Trombone et Piano
34
Trompette, Piano
31
Trombone (partie séparée)
22
Cor et Piano
22
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Tuba et Piano
19
Trompette (partie séparée)
16
Cor
13
Ensemble de Trombones
9
Quatuor de Cuivres
9
Euphonium, Piano (duo)
9
2 Trombones (duo)
8
Ensemble de Trompettes
7
Cor anglais, Piano
6
Bass Clef Instruments
6
2 Trompettes (duo)
6
Tuba
6
Cor (partie séparée)
5
Tuba (partie séparée)
5
Quatuor de cuivres: 4 trombones
4
Quatuor de cuivres: 4 cors
3
Ensemble de Cors
3
Trompette, Trombone (duo)
2
2 Euphoniums et 2 Tubas
2
Instruments en Sib
2
Trompette, Euphonium (duo)
1
Euphonium, Tuba (duo)
1
2 Tubas (duo)
1
3 Trompettes (trio)
1
3 Trombones (trio)
1
Euphonium
1
Instrumentations suivantes
Retracter
CORDES
Violon
164
Quatuor à cordes: 2 violons, alto, violoncelle
156
Violon et Piano
137
Violoncelle, Piano
73
Alto, Piano
55
Alto seul
43
Harpe
42
Violoncelle
36
2 Violons (duo)
35
Trio à Cordes: violon, alto, violoncelle
26
Violon, Violoncelle (duo)
23
Violoncelle (partie séparée)
22
Violon (partie séparée)
19
Trio à Cordes: 2 violons, violoncelle
18
2 Violoncelles (duo)
16
Violon, Alto (duo)
15
Ensemble d'Altos
11
Violon, Basse continue
11
Violon, Guitare (duo)
10
Alto (partie séparée)
10
Contrebasse, Piano (duo)
10
2 Altos (duo)
9
Violoncelle, Basse continue
9
Contre Basse
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Contrebasse (partie séparée)
7
Alto, Violoncelle (duo)
6
Trio à cordes: 3 violins
5
2 Harpes (duo)
5
4 Violoncelles
5
2 Violons, Piano
4
Trio à Cordes: 2 violons, alto
4
Alto, Guitare (duo)
4
Ensemble de Violons
4
Violoncelle , Guitare (duo)
3
Trio à cordes
3
Violon, Basson (duo)
3
Trio à Cordes: 3 violoncelles
3
Violoncelle, Contrebasse (duo)
2
Quatuor à cordes: 4 violons
2
Violon, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violons et Basse continue
1
Violon, Clarinette, Piano (trio)
1
2 Contrebasses (duo)
1
Violoncelle, Orchestre
1
Flûte, Contrebasse (duo)
1
Harpe, Flûte (duo)
1
Alto et Basson
1
Ensemble de Violoncelles
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
2816
Orchestre à Cordes
110
Orchestre
60
Ensemble de cuivres
45
Orchestre de chambre
42
Batterie
26
Ensemble Jazz
25
Ensemble de Percussions
15
Cloches
8
Fanfare
4
Percussion (partie séparée)
4
Batterie (partie séparée)
3
Jazz combo
3
Percussion
1
Timbales (partie séparée)
1
Xylophone
1
Marimba
1
Quintette à Vent
1
Marimba, Piano (duo)
1
Voix et Orchestre
1
Orchestre, Violon
1
Xylophone, Piano
1
Instrumentations suivantes
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AUTRES
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Swedish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.746958 By Keith Terrett. By Alb…
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Full Orchestra - Level 3 - Digital Download SKU: A0.746958 By Keith Terrett. By Alberich Zwyssig. Arranged by Keith Terrett. Classical,Multicultural,Patriotic,Traditional,World. 29 pages. Keith Terrett #5033583. Published by Keith Terrett (A0.746958). Arranged for the Orchestre national d'ÃŽle-de-France, The Swiss Psalm (German: Schweizerpsalm [ˈʃvaɪtsÉ™rËŒpsalm] / Trittst im Morgenrot daher...; French: Cantique suisse, [kɑ̃tik sÉ¥is]; Italian: Salmo svizzero, [ˈsalmo ˈzvittsero]; Romansh: Psalm Svizzer, [ˈ(p)salm ˈʒviËtser]) is the national anthem of Switzerland.It was composed in 1841, by Alberich Zwyssig (1808–1854). Since then, it has been frequently sung at patriotic events. The Federal Council declined, however, on numerous occasions to accept the psalm as the official anthem. This was because the council wanted the people to express their say on what they wanted as a national anthem. From 1961 to 1981, it provisionally replaced Rufst du, mein Vaterland (When You Call, My Country; French Ô monts indépendants; Italian Ci chiami o patria, Romansh E clomas, tger paeis), the anthem by Johann Rudolf Wyss (1743–1818) that was set to the melody of God Save the King. On 1 April 1981, the Swiss Psalm was declared the official Swiss national anthem.In 2014, the Société suisse d'utilité publique [fr] organized a public competition and unofficial vote to change the lyrics of the national anthem.
$38.00
34.92 €
#
Orchestre
#
Keith Terrett
#
Keith Terrett
#
Swedish National Anthem for Symphony Orchestra
#
Keith Terrett
#
SheetMusicPlus
Souvenirs d'un concert (Serenata) for Tenor and Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.966146 Composed by C. Adolfo Br…
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Full Orchestra - Level 5 - Digital Download SKU: A0.966146 Composed by C. Adolfo Bracco. Arranged by Alexander Timofeev. Romantic Period. Score and parts. 144 pages. Alexander Timofeev #6669179. Published by Alexander Timofeev (A0.966146). This is an arrangement for Tenor and Orchestra of Souvenirs d'un concert (Serenata) by C. Adolfo Bracco. Lyricist: Enrico Caruso. This arrangement of Serenata was inspired by the famous recording sung by Mario Lanza. Tenor range: D3-B4.  Full Score, and Parts are included. The arrangement is scored for Tenor and Orchestra: 2-2-2-2, 2-0-2-0, 1 perc., harp, strings.  The number of parts included in the set: Flutes (2), Oboes (2), Clarinets in Bb (2), Bassoons (2), French Horns in F (2), Trombones (2), Percussion (1), Harp (1), Violin I (8), Violin II (8), Viola (6), Cello (6), Double bass (4).  If more string parts are needed, please purchase two or more copies of this arrangement.
$79.99
73.51 €
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Orchestre
#
C
#
Alexander Timofeev
#
Souvenirs d'un concert
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Alexander Timofeev
#
SheetMusicPlus
Souvenir d'un Musicien d'imprévu // Musician of Memory ..# ISRC 10256
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018807 Composed by Réal Dub…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018807 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069305. Published by Réal Dubois (A0.1018807). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
#
Orchestre
#
Réal Dubois
#
Souvenir d'un Musicien d'imprévu // Musician of Memory ..# ISRC 10256
#
Réal Dubois
#
SheetMusicPlus
Le gars d'Edgar d'imprévu // Edgar's son reel ..# ISRC 10249
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018801 Composed by Réal Dub…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018801 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069267. Published by Réal Dubois (A0.1018801). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
#
Orchestre
#
Réal Dubois
#
Le gars d'Edgar d'imprévu // Edgar's son reel ..# ISRC 10249
#
Réal Dubois
#
SheetMusicPlus
Zima la noire d'imprévu // The black Zima..# ISRC 10259
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018811 Composed by Réal Dub…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018811 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069325. Published by Réal Dubois (A0.1018811). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
#
Orchestre
#
Réal Dubois
#
Zima la noire d'imprévu // The black Zima..# ISRC 10259
#
Réal Dubois
#
SheetMusicPlus
La veillée chez l'voisin d'imprévu // Partying at the neighbour's.. # ISRC 10241
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018800 Composed by Réal Dub…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018800 Composed by Réal Dubois & Marcel Messervier. Arranged by Réal Dubois & Gaétane Poitras & Marcel Messervier. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069265. Published by Réal Dubois (A0.1018800). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
#
Orchestre
#
Réal Dubois & Marcel Messervier
#
La veillée chez l'voisin d'imprévu // Partying at the neighbour's.. # ISRC 10241
#
Réal Dubois
#
SheetMusicPlus
Une p'tite tournée de Mme Hébert d'imprévu // A little reel for Mrs. Hebert..# ISRC 10245
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018810 Composed by Réal Dub…
(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1018810 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069317. Published by Réal Dubois (A0.1018810). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
#
Orchestre
#
Réal Dubois
#
Une p'tite tournée de Mme Hébert d'imprévu // A little reel for Mrs. Hebert..# ISRC 10245
#
Réal Dubois
#
SheetMusicPlus
La tournée des Belltones d'imprévu // The Belltones two step.. # ISRC 10251
Orchestre
Full Orchestra - Digital Download SKU: A0.1018799 Composed by Réal Dubois. Arran…
(+)
Full Orchestra - Digital Download SKU: A0.1018799 Composed by Réal Dubois. Arranged by Réal Dubois & Gaétane Poitras & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069263. Published by Réal Dubois (A0.1018799). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
#
Orchestre
#
Réal Dubois
#
La tournée des Belltones d'imprévu // The Belltones two step.. # ISRC 10251
#
Réal Dubois
#
SheetMusicPlus
Les filles du café d'imprévu // The coffee girl's swing ..# ISRC 10250
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018805 Composed by Gaétane …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018805 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069291. Published by Réal Dubois (A0.1018805). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
#
Orchestre
#
Gaétane Poitras
#
Les filles du café d'imprévu // The coffee girl's swing ..# ISRC 10250
#
Réal Dubois
#
SheetMusicPlus
Ma belle Christine d'imprévu // My beautiful Christine..# ISRC 10242
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018806 Composed by Gaétane …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018806 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Folk,Musical/Show,Standards. Score and parts. 1 pages. Réal Dubois #2069301. Published by Réal Dubois (A0.1018806). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
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Orchestre
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Gaétane Poitras
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Ma belle Christine d'imprévu // My beautiful Christine..# ISRC 10242
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Réal Dubois
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SheetMusicPlus
- La randonnée d'imprévu // The hike..# ISRC 10262
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1018798 Composed by Gaétane …
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Full Orchestra - Level 5 - Digital Download SKU: A0.1018798 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069259. Published by Réal Dubois (A0.1018798). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
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Orchestre
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Gaétane Poitras
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- La randonnée d'imprévu // The hike..# ISRC 10262
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Réal Dubois
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SheetMusicPlus
La petite outarde d'imprévu // The little bustard ..# ISRC 10258
Orchestre
Full Orchestra - Digital Download SKU: A0.1018796 Composed by Gaétane Poitras. A…
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Full Orchestra - Digital Download SKU: A0.1018796 Composed by Gaétane Poitras. Arranged by Gaétane Poitras & Réal Dubois & Imprevu Group. Celtic,Contemporary,Film/TV,Folk,Standards. Score and parts. 1 pages. Réal Dubois #2069253. Published by Réal Dubois (A0.1018796). Aujourd’hui, je vous fais connaître et entendre une musique intrumentale unique et authentiquement du Québec dans une nature typiquement folklorique et traditionnelle. /// Today, I know you and hear a unique instrumental music and authentic Quebec in a typical folk and traditional nature.
$1.99
1.83 €
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Orchestre
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Gaétane Poitras
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La petite outarde d'imprévu // The little bustard ..# ISRC 10258
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Réal Dubois
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SheetMusicPlus
Moonlight Sonata (Movement II) for orchestra
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.998418 Composed by Ludwig van B…
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Full Orchestra - Level 4 - Digital Download SKU: A0.998418 Composed by Ludwig van Beethoven. Arranged by Scott Fields Davis. Classical. Score and Parts. 12 pages. Scott Fields Davis #5986387. Published by Scott Fields Davis (A0.998418). Beethoven’s Sonata No.14, more commonly known as the Moonlight Sonata, is probably his most well-known piano work. Originally composed by Ludwig van Beethoven (1710-1827) and arranged for orchestra by Scott Fields Davis. This download contains the second of the three movements. This movement was originally in D flat Major. However, this arrangement is in A flat Major. The new key setting allows each instrument the opportunity to play in its optimal range. More music and contact information can be found at: compositionsbyscottfieldsdavis.com This download contains the conductor's score and all of the instrument parts for movement 2.Instruments used: Flutes, Oboes, B flat Clarinets, Bassoons, Violin I, Violin II, Viola, Cello, Double Bass. To download the other two movements, click on the following links. Moonlight Sonata (Movement I) for orchestra Moonlight Sonata (Movement III) for orchestra  More music is available at: compositionsbyscottfieldsdavis.com.Please follow me on Facebook and Youtube.
$10.00
9.19 €
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Orchestre
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Ludwig van Beethoven
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Scott Fields Davis
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Moonlight Sonata
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Scott Fields Davis
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SheetMusicPlus
Symphony No. 6 D major
Orchestre
Orchestra - Digital Download SKU: S9.Q12517 Composed by Antonin Dvorak. This editio…
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Orchestra - Digital Download SKU: S9.Q12517 Composed by Antonin Dvorak. This edition: study score. Ernst Eulenburg - Orchester - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Op. 60. Ernst Eulenburg & Co. GmbH - Digital #Q12517. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q12517). Key: D major. German • English.Die 6. Sinfonie gilt heute als eines der besonders nationalbewussten Werke Dvořáks. Sie bereitete den künstlerischen Weg zu seinen bedeutendsten Sinfonien Nr. 7, Nr. 8 und Nr. 9. Auch heute erfreut sie sich beachtlicher Beliebtheit und wird häufig aufgeführt.
$17.99
16.53 €
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Orchestre
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Antonin Dvorak
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Symphony No. 6 D major
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Moonlight Sonata for full Orchestra
Orchestre
Full Orchestra - Level 2 - Digital Download SKU: A0.487331 Composed by Ludwig van B…
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Full Orchestra - Level 2 - Digital Download SKU: A0.487331 Composed by Ludwig van Beethoven. Arranged by Ivan de Andrade. Classical,Renaissance,Traditional,Wedding. Score and parts. 60 pages. Finesse Music #104906. Published by Finesse Music (A0.487331). First movement of Sonata 14 (Adagio Sostenuto). Formatted for A4 or tablet (full score will work in A3). Concert key of D minor. Articulation, fingering and specific marking for each instrument are notated. Clean layout and proper page turns for better sight reading. Check out the video to see the entire arrangement + sheet music and leave a review! Instrumentation: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 french horns, 2 trumpets, 2 trombones, timpani and string section.
$29.99
27.56 €
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Orchestre
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Ludwig van Beethoven
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Ivan de Andrade
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Moonlight Sonata for full Orchestra
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Finesse Music
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SheetMusicPlus
Sonata for Two Pianos in D Major, K.448
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1186304 Composed by Wolfgang Am…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1186304 Composed by Wolfgang Amadeus Mozart. Arranged by Joshua Choe. Classical. Score and parts. 266 pages. JMJ Arrangements #785960. Published by JMJ Arrangements (A0.1186304).
$34.99
32.15 €
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Orchestre
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Wolfgang Amadeus Mozart
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Joshua Choe
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Sonata for Two Pianos in D Major, K.448
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JMJ Arrangements
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SheetMusicPlus
Sonata for Two Pianos in D Major, K. 448, Movement 3
Orchestre
Full Orchestra - Digital Download SKU: A0.1099375 Composed by Wolfgang Amadeus Moza…
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Full Orchestra - Digital Download SKU: A0.1099375 Composed by Wolfgang Amadeus Mozart. Arranged by Joshua Choe. Classical. Score and parts. 112 pages. JMJ Arrangements #703261. Published by JMJ Arrangements (A0.1099375).
$24.99
22.96 €
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Orchestre
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Wolfgang Amadeus Mozart
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Joshua Choe
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Sonata for Two Pianos in D Major, K. 448, Movement 3
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JMJ Arrangements
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SheetMusicPlus
Sonata for Two Pianos in D Major, K. 448, Movement 1
Orchestre
Full Orchestra - Digital Download SKU: A0.1095154 Composed by Wolfgang Amadeus Moza…
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Full Orchestra - Digital Download SKU: A0.1095154 Composed by Wolfgang Amadeus Mozart. Arranged by Joshua Choe. Classical. Score and parts. 94 pages. JMJ Arrangements #699212. Published by JMJ Arrangements (A0.1095154).
$24.99
22.96 €
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Orchestre
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Wolfgang Amadeus Mozart
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Joshua Choe
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Sonata for Two Pianos in D Major, K. 448, Movement 1
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JMJ Arrangements
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.97 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
22.97 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
22.97 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Chester - Full Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.723123 Composed by William Bill…
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Full Orchestra - Level 3 - Digital Download SKU: A0.723123 Composed by William Billings. Arranged by Joel Jacklich (ASCAP). Classical,Folk,Holiday,Patriotic. Score and parts. 22 pages. Joel Jacklich #3111503. Published by Joel Jacklich (A0.723123). William Billings, the first native-born American composer, wrote Chester as a patriotic tune embracing the American disdain for their British overlords and espousing the need for freedom and self-determination. The title, merely reflects a common practice of the time of having hymn tunes named for the location of their composition, rather than for their content. The piece served as a sort of de facto national anthem in the early years of our nationhood. The original words are supposedly by Billings himself.Let tyrants shake their iron rod,And Slav'ry clank her galling chains,We fear them not, we trust in God,New England's God forever reigns.Howe and Burgoyne and Clinton too,With Prescot and Cornwallis join'd,Together plot our Overthrow,In one Infernal league combin'd.When God inspir'd us for the fight,Their ranks were broke, their lines were forc'd,Their ships were Shatter'd in our sight,Or swiftly driven from our Coast.The Foe comes on with haughty Stride;Our troops advance with martial noise,Their Vet'rans flee before our Youth,And Gen'rals yield to beardless Boys.What grateful Off'ring shall we bring?What shall we render to the Lord?Loud Halleluiahs let us Sing,And praise his name on ev'ry Chord.
$19.99
18.37 €
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Orchestre
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William Billings
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Joel Jacklich (ASCAP)
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Chester - Full Orchestra
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Joel Jacklich
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SheetMusicPlus
Divinum Mysterium
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century…
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Full Orchestra - Level 4 - Digital Download SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00
68.92 €
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Orchestre
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12th Century Plainchant
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Robert Myers
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Oboe 1,2
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Divinum Mysterium
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WheatMyer Music
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SheetMusicPlus
Soriadh Leis an Ait
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.1193380 By David Mason. By MhÃ…
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Full Orchestra - Level 4 - Digital Download SKU: A0.1193380 By David Mason. By Mhà ri Mhòr. Arranged by David Mason. Multicultural,Patriotic,World. Score and parts. 28 pages. David D Mason #792837. Published by David D Mason (A0.1193380). In this song Mhari Mhor describes the beauty of her native Skye and expresses her regret that she had to leave her homeland : Farewell to the place where I was Raised             Islands of high mountains where the mist dwells             Where the sun rises early in the rosy sky            to dispel the shade of night and illuminate the Old Man of Storr.
$15.99
14.69 €
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Orchestre
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David Mason
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David Mason
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Soriadh Leis an Ait
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David D Mason
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SheetMusicPlus
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
Orchestre
Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe …
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Full Orchestra - Level 4 - Digital Download SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
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Orchestre
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holidays
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Thomas Oboe Lee
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