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Nathan Lee
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1
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score and
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Orchestre
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AVANCÉ
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James Nathaniel Holland
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The Discontented Housewife, A
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and ...
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Full Orchestra - Level 5 - SKU: A0.730482 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 292 pages. James Nathaniel Holland #4309153. Published by James Nathaniel Holland (A0.730482). The Discontented Housewife FULL ORCHESTRAL SCORE AND INDIVIDUAL PARTS (Individual vocal parts are not included, Piano Vocal Score sold separately), A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/Â YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch, Individual Vocal Parts are not included. Please purchase the piano vocal score, sold separately.)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$42.99
The Discontented Housewife, A farcical opera in one ridiculously short act Full Orchestral Score
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Discontented Housewife, A
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730481 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and ...
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Full Orchestra - Level 4 - SKU: A0.730481 Composed by James Nathaniel Holland. 20th Century,Broadway,Contemporary,Holiday,Musical/Show,Opera. Score and Parts. 124 pages. James Nathaniel Holland #4305803. Published by James Nathaniel Holland (A0.730481). The Discontented Housewife FULL ORCHESTRAL SCORE ONLY, A Comic Opera in One Ridiculously Short Act Music and Libretto by James Nathaniel Holland Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube presentation of entire opera with singers and piano: https://www.youtube.com/watch?v=XAGjuXCvwzE (Duration: 30') In Czech, fully realized production: Â https://youtu.be/raDiBJAaM_0?si=Yzim2ifUyviLoKRDÂ Twenty some odd years before the Desperate Housewives phenomenon there was a discontented housewife named Margaret. Sung here by Colleen McGrath and Dennis Jesse as her husband Harold. Synopsis: This is the interesting story of Margaret. So begins the screwball one-act chamber opera about an emotionally abused housewife, and the extent she goes to change the situation life has dealt her. Not even the pianist is allowed to sit by and idly accompany Margaret's journey into self-empowerment. Is it a battle between the sexes? Certainly not. It's more like power, domination and the pure thrill of ordering others around. ARTISTS NEEDED: Soprano (Coloratura) Margaret, Harold (Baritone)ORCHESTRATION: Picc, fl12, ob12, cl12, bsn, hrn12, tpt, trm, timp, perc (or drum set), pno, strings. (Full Score in Concert Pitch)Great vehicle for young artists. First premiered at DePauw University, Greencastle Indiana in 1987. Later performed by the New Jersey Concert Opera in 2004. Combine with either J.N. Holland's other one act operas The One Upstairs (comedy) and O Holy Art (tragedy) to make a complete opera evening entitled A New York Triptych All require same type of singers (with some addition and chorus) and same size of orchestra. Other operas also available and published, sold separately.Please note: Although this is a farce, the orchestral should have solid players, an experienced conductor and enough rehearsal time should be given so that the piece won't fall apart in performance. Due to the comedic element, there are constantly shifting tempos and effects that a community or amateur orchestra/conductor might have difficulty with.
$13.35
Symphony No. 5 ... Utopia Parkway (2003) full score
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Orchestre
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Thomas Oboe Lee
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Symphony No. 5 ... Utopia Park
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Obo...
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Full Orchestra - Level 4 - SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003
$9.99
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99
Symphony No. 7 ... Roman Holidays (2008, rev. 2013)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 7 ... Roman Holid
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. Wit...
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Full Orchestra - Level 4 - SKU: A0.869183 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons. 153 pages. Thomas Oboe Lee #3895. Published by Thomas Oboe Lee (A0.869183). Instrumentation: 2 Flutes, piccolo 2 Oboes 2 Clarinets in Bb 2 Bassoons 2 French Horns in F 2 Trumpets in Bb 3 Trombones Tuba TimpaniPercussion 1: triangle, claves, tom-toms, cow-bells Percussion 2: snare drum, bass drum 1st Violin 2nd Violin Viola Cello Double bass This is a transposed score. Program note: My love affair with the city of Rome dates back to the year 1986-87 when I spent just under eleven months at the American Academy in Rome on a Rome Prize Fellowship. During that Fellowship year I was very much inspired by the beauty and culture of the Eternal City, which resulted in a number of works that continue to resonate with me: Twenty-nine Fireflies Book II for solo piano; Concertino for trumpet, timpani and strings; Apples … six dreams by Richard Kenney; String Quartet No 5 … Four Birthdays; and Chôrinhos … opus 38. Since 1997 my wife, Kristin Beckwith, and I have returned to the American Academy in Rome almost every year. I would compose in the morning and then my wife and I would go to our usual haunt at Bar G. for cappuccini and cornetti. And then we’d go to the local bakery and street markets and buy stuff for lunch. In the afternoon we would wander into the city to go shopping and sight-seeing. In the evenings we would dine at one of our favorite local trattorias. Life could not be better in Rome. Musically speaking, several important works in my portfolio had their beginnings during these sojourns at the Academy , among them Yo Picasso, Flauta Carioca, Mass for the Holy Year 2000, Symphony No. 5 … Utopia Parkway, Twenty-nine Fireflies Books IV & V, and Piano Concerto … Mozartiana. Just before the 2008 recession, clarinetist extraordinaire Jonathan Cohler asked me to write a symphony for the inaugural concert of a new orchestra he was planning to create. I came up with Symphony No. 7 … Roman Holidays, my give back to the city of Rome – a compendium of favorite places that continue to live in my thoughts and musings. Although the work is heard in four movements, it is actually divided into seven sections, as in the seven hills of Rome. 1. Prelude: Fontana Paola and the panoramic view of the city of Rome from that vantage point. 2. First interlude: La Befana festivities at Piazza Navona. The Protestant Cemetery in Testaccio at night under a full moon. 3. Second interlude: Fontana delle Tartughe in the Jewish Ghetto. Bernini’s Apollo and Daphne at the Galleria Borghese. 4. Third interlude: Bernini’s Beata Ludovica Albertoni in Trastevere. The Spanish Steps and the view of Rome from the French Academy at Villa Medici. NB: Unfortunately, thanks to the recession, Roman Holidays never saw the light of day. This year (2013) I decided to revisit the work, which lay dormant for 5 five years, and saw that it could use a little tweaking. The new version is essentially the same, musically speaking. I reduced the orchestration a bit (two horns instead of four, and two trumpets instead of three) and added more heft to the lower brass. I completely rewrote the tune for the floating foreign ghosts at the Protestant Cemetery. I also shortened the work by about three minutes by cutting some repeats. Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-7-roman-holidays-2008-rev-2013Video link: https://youtu.be/1DlzEOUmH54
$9.99
Clarinet Concerto ... Sounds of the Islands (2003) for clarinet solo and orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Clarinet Concerto ... Sounds o
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 p...
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Full Orchestra - Level 4 - SKU: A0.869365 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Latin,Romantic Period. Score and parts. 102 pages. Thomas Oboe Lee #29655. Published by Thomas Oboe Lee (A0.869365). Instrumentation: 2222-4321-2perc-pf-strings. When Andrea Bates, executive director of the Brockton Symphony Orchestra, first told me that the Brockton Symphony had commissioned me to write a new work to be premiered in 2003-2004, I immediately thought that since its music director, Jonathan Cohler, is a marvelous clarinetist I would be most attracted to the idea of writing a clarinet concerto for the occasion. Both Andrea and Jonathan were very receptive and enthusiastic about my idea. Andrea also told me that the commissioned work should somehow bring to attention the diverse cultures of the recent immigrants that have settled in the city of Brockton. So in the spring of 2003 I came down to Brockton for a meeting to which Andrea had invited representative members of these new communities. Three showed up: Maria Evora-Rosa, Rick Marrero and Fred Fontaine. Andrea had asked them to bring recordings of the music from their countries for me to listen to. There were CDs of very exciting and fun music from Cape Verde, Puerto Rico, Cuba, the Dominican Republic and Haiti. After spending months listening to the music from these countries, all of them islands in the Atlantic or the Caribbean, I slowly began to get a sense of the beauty and the magic of the musical style and language of each place, each individual island. The end result is a three-movement work for clarinet and orchestra. Unlike the traditional Concerto form which is Fast-Slow-Fast, this work begins with something slow. A fast number follows as a second movement; and then, after a short, slow interlude, another fast number appears. The first movement is my adaptation of the morna of Cape Verde – slow, melancholy and sad. The diva of the morna is Cesaria Evora. Her singing brings to mind a fusion between the African blues and the Portuguese fado. The second movement is my take on the merengue as performed by the inimitable Xavier Cugat. It is dance music through and through!!! The third movement is also a dance number: the ever-popular music from Haiti, the reggae. And in order to give some contrast between the two dance numbers, I added a slow chorale for clarinet and strings that serves as a prelude before the dancing begins in the final movement. I envision the chorale as a little church music before the people go out and dance the night away. Throughout the entire work, the solo clarinet is the principal voice … singing, dancing, and cavorting!!! Gotta dance!!! Have fun and enjoy the music!!! I surely did as I was working on it ….
$9.99
The Oath of Silence, An Opera in Four Acts, Full Orchestral Score (Concert Pitch) - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James ...
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Full Orchestra - Level 4 - SKU: A0.1284590 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. 259 pages. James Nathaniel Holland #875765. Published by James Nathaniel Holland (A0.1284590). FULL SCORE (Concert Pitch).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$34.50
The Oath of Silence, An Opera in Four Acts, Individual Instrument Parts 1 of 2 (WW, Brass, Perc.)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Oath of Silence, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. ...
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Full Orchestra - Level 4 - SKU: A0.1286761 Composed by James Nathaniel Holland. 21st Century,Broadway,Contemporary,Musical/Show,Opera. Score and Parts. 224 pages. James Nathaniel Holland #877785. Published by James Nathaniel Holland (A0.1286761). INDIVIDUAL INSTRUMENTS PART 1 of 2 (Woodwinds, Brass, Percussion).  This four act contemporary opera, original libretto and music, by 21st century American composer James Nathaniel Holland is the story of the triumph of Love over Evil, however delayed, and the power of keeping steadfast to one’s righteous promise.  Based on the German fairy tale The Six Swans, in a kingdom, during Saxon times, the murderous daughter of an evil entity, Ravia, infiltrates and takes over the lives of a royal family due to the King’s rash promise to marry her many years before. The royal children are sent away by their father for safety to a hidden, woodland cottage, but Ravia discovers where they are and hexes the younger siblings, turning them into swallows.  Usha, the eldest, escapes and flees to the wilderness and is visited by the apparition of her dead mother who explains what is going on and that Usha must swear an oath of silence for six years to break the spell and change her siblings back into human form.Five years pass and a dashing and kind king, Rohric, of another kingdom, finds Usha while hunting, falls in love with and marries her, but Usha must remain silent and cannot reveal who she is.  Ravia, who now is sole queen of the old kingdom, is invited by Rohric’s nobles with hope to secure a “proper†wedding for Rohric.  Usha is accused falsely of killing her own child by the two and is sentenced to be burned at the stake, but as the bell tolls she finally can declare her innocence.  To the crowd’s amazement her siblings change back, all truth is revealed, and for Ravia’s failure, she is dragged back to hell by demons.  Singers:  King Alfred (bass), Ravia (soprano), Princess Usha (mezzo), Queen Mother Arna (soprano), the royal siblings (children’s/boy’s chorus), King Rohric (Tenor), The Evil Noble (baritone), An angel/a demon (bass), SATB ChorusScored for full orchestra.  Instrumentation:  picc/treble recorder, fl12, ob12, eh, cl12, bsn12, hrn 123, tpt123, trom12, tba, timp, perc.12 (bd, crash cym, ride cym with soft mallets and stick, small gong, wood blk, glk, chimes, snar, tri), hrp, stringsDuration:  2 hoursFull Orchestral Score (concert pitch), Piano Vocal Score and Instruments Parts 1 (woodwinds, brass, perc.) and Parts 2 (harp and strings) sold separately.
$30.95
Cello Concerto No. 1, Full Score and Individual Parts (Including Solo Cello Part)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Cello Concerto No. 1, Full Sco
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1323804 Composed by James Nathaniel Holland. 21st Century,Contemporary. 246 pages. James Nathaniel Holland #912005. P...
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Full Orchestra - Level 4 - SKU: A0.1323804 Composed by James Nathaniel Holland. 21st Century,Contemporary. 246 pages. James Nathaniel Holland #912005. Published by James Nathaniel Holland (A0.1323804). FULL SCORE AND INDIVIDUAL PARTS (Including Solo Cello and Individual Parts) The first cello concerto of 21st century, American composer James Nathaniel Holland for smaller orchestra and cello soloist. Â Adapted from Piano Concerto No. 6, this lively piece contains three distinct movements. Â Movement one giggles and bubbles with triumphant glee; Â movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities. (License or permission to perform may apply.)Instrumentation: Â Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) CELLO SOLOIST, StringsReduced Piano Score with individual solo and Piano Parts, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration: Â Approximately 30 minutes.
$25.99
Piano Concerto No. 6, Full Score and Instrument Parts
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Piano Concerto No. 6, Full Sco
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1321765 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. 252 pages. James Nathaniel Holland #9...
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Full Orchestra - Level 4 - SKU: A0.1321765 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. 252 pages. James Nathaniel Holland #910231. Published by James Nathaniel Holland (A0.1321765). FULL SCORE AND INDIVIDUAL PARTS (Including Solo Piano and Individual Parts)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$25.95
Cello Concerto No. 1, Full Orchestral Score Only - Score Only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Cello Concerto No. 1, Full Orc
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1323808 Composed by James Nathaniel Holland. 21st Century,Contemporary. 126 pages. James Nathaniel Holland #912017. P...
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Full Orchestra - Level 4 - SKU: A0.1323808 Composed by James Nathaniel Holland. 21st Century,Contemporary. 126 pages. James Nathaniel Holland #912017. Published by James Nathaniel Holland (A0.1323808). FULL ORCHESTRAL SCORE (Only) The first cello concerto of 21st century, American composer James Nathaniel Holland for smaller orchestra and cello soloist. Â Adapted from Piano Concerto No. 6, this lively piece contains three distinct movements. Â Movement one giggles and bubbles with triumphant glee; Â movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities. (License or permission to perform may apply.)Instrumentation: Â Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) CELLO SOLOIST, StringsReduced Piano Score with individual solo and Piano Parts, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration: Â Approximately 30 minutes.
$13.95
Truck Drive - Score Only
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Orchestre
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AVANCÉ
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Film/TV
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Ost
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Chris Siddall
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Truck Drive - Score Only
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Chris Siddall Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1084739 By Ost (original Soundtrack). By Michael Arnold Kamen. Arranged by Chris Siddall. Film/TV. Score and parts. 1...
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Full Orchestra - Level 5 - SKU: A0.1084739 By Ost (original Soundtrack). By Michael Arnold Kamen. Arranged by Chris Siddall. Film/TV. Score and parts. 10 pages. Chris Siddall Music Publishing #688907. Published by Chris Siddall Music Publishing (A0.1084739). “My most completely satisfying participation in filmâ€. That was how composer Michael Kamen described his collaboration with director Terry Gilliam on his dystopian black comedy film Brazil. Brazil is a wonderful dreamscape of music. Kamen manages to successfully blend a dizzying array of styles ranging from symphonic to jazz to thirties pop, weave in allusions to everything from Maurice Ravel to Woody Woodpecker and make the result as gloriously romantic as it is heart-breaking. This cue, titled “Kicked Out†on the manuscript but known as “Truck Drive†on the OST takes place as our hero Sam (Jonathan Pryce) and the woman from his dreams Jill (Kim Greist) flee from government agents. During the frantic chase, we hear hints of Ary Barroso’s “Aquarela do Brasil†which, known simply as “Brazil†to British audiences, is a recurring theme throughout and gives its name to the title of the film. Created from the original manuscript, this release offers a rare opportunity to study film music in its authentic, original orchestration and arrangement. An opportunity not to be missed!
$9.99
Boogie Wonderland
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Earth Wind and Fire
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Bojan Mladenović
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Boogie Wonderland
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Bojan Mladenovic
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1301284 By Earth Wind and Fire. By Allee Willis and Jonathan Lind. Arranged by Bojan Mladenović. 20th Century,Fun...
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Full Orchestra - Level 4 - SKU: A0.1301284 By Earth Wind and Fire. By Allee Willis and Jonathan Lind. Arranged by Bojan Mladenović. 20th Century,Funk,Pop. Score and Parts. 74 pages. Bojan Mladenovic #890922. Published by Bojan Mladenovic (A0.1301284). Full Orchestra Arrangement (+ Band) for Boogie Wonderland - Earth, Wind & FireComplete Score & Parts in pdf file.
$160.00
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Nathan Lee
