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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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AFRICAIN
AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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Note4Piano
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SheetMusicPlus
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Non classifié
1041
PIANO & CLAVIERS
Piano seul
739
Piano, Voix et Guitare
508
Piano, Voix
206
Piano Facile
113
Orgue
56
Accordéon
34
1 Piano, 4 mains
28
Instruments en Do
22
Piano Trio: piano, violon, violoncelle
16
Accompagnement Piano
12
Piano (partie séparée)
8
Piano grosses notes
8
2 Pianos, 4 mains
6
Piano Quatuor: piano, violon, alto, violoncelle
4
Accordéon, Voix
4
Clavecin
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
1
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Trompette (duo)
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
282
Guitare
217
Ligne De Mélodie, (Paroles) et Accords
103
2 Guitares (duo)
35
Paroles et Accords
34
Ukulele
27
Basse electrique
11
Guitare (partie séparée)
11
Ensemble de guitares
9
3 Guitares (trio)
6
Basse électrique (partie séparée)
6
Guitare, Violon, Violoncelle (trio)
4
Mandoline
4
4 Guitares (Quatuor)
4
Dulcimer
3
Banjo
2
Piano, Guitare (duo)
2
Cithare
1
Ensemble de Ukulélés
1
Guitare, Quatuor à cordes
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
385
Chorale 3 parties
178
Chorale 2 parties
118
Chorale TTBB
40
Chorale
29
Voix seule
27
Voix, Guitare
24
Chorale SSAA
19
Chorale Unison
16
Voix duo
15
Voix duo, Piano
14
Voix Soprano, Piano
11
Voix haute
4
Voix moyenne, Piano
3
Chorale SSAATTBB
2
Voix Baryton, Piano
1
Chorale SSATB
1
Voix Tenor, Piano
1
Voix basse, Piano
1
Voix Tenor
1
Voix basse
1
Voix Mezzo-Soprano, Piano
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
117
Quatuor de Saxophones: 4 saxophones
63
Flûte traversière et Piano
60
Flûte traversière
49
Clarinette
48
Flûte, Hautbois, Clarinette, Basson
41
Quatuor de Clarinettes: 4 clarinettes
41
2 Flûtes traversières (duo)
39
Clarinette et Piano
36
Ensemble de saxophones
35
Quintette de Saxophone: 5 saxophones
33
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
31
Saxophone Alto
29
Clarinette (partie séparée)
28
Flûte et Guitare
25
3 Saxophones (trio)
23
2 Saxophones (duo)
23
Quatuor de Flûtes : 4 flûtes
22
Saxophone Alto et Piano
21
Hautbois (partie séparée)
21
Ensemble de Clarinettes
17
Hautbois, Piano (duo)
17
Clarinette, Guitare (duo)
17
Flute (partie séparée)
15
Ensemble de Flûtes
15
2 Clarinettes (duo)
14
Saxophone Tenor
13
Saxophone Tenor et Piano
11
Saxophone Soprano et Piano
11
Flûte, Clarinette (duo)
9
2 Flûte à bec (duo)
7
3 Clarinettes (trio)
7
Saxophone Baryton, Piano
6
Quintette de Clarinettes: 5 clarinettes
5
Quintette de Flûte : 5 flûtes
5
Flûte à bec Soprano
4
Harmonica
4
Trio de Flûtes: 3 flûtes
4
Clarinette, Basson (duo)
4
Saxophone et Harpe
4
Clarinette, Violon (duo)
4
Quatuor de Flûtes à bec
4
Saxophone, Clarinette (duo)
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Cor anglais, Piano
3
Clarinette, Trompette (duo)
3
Clarinette, Harpe (duo)
3
Clarinette Basse, Piano
3
Hautbois
3
Hautbois, Guitare (duo)
3
Ocarina
2
2 Hautbois (duo)
2
Saxophone Baryton
2
Flûte à bec Alto
2
Saxophone Soprano
2
Hautbois, Basson (duo)
2
Hautbois, Harpe
2
Flûte, Hautbois, Basson
2
Hautbois, Flûte
2
Flûte, Violon
2
3 Flûtes à bec (trio)
2
Flûte irlandaise
2
Flûte, Saxophone (duo)
2
Flûte, Hautbois, Clarinette (trio)
2
Instruments en Mib
2
Clarinette et Alto
2
Flûte, Violon, Piano
1
Flûte, Alto (duo)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon, Violoncelle et Piano
1
5 Flûtes à bec
1
Cor Anglais
1
2 Saxophones, Piano
1
Flûte, Violoncelle
1
Flûte à Bec, Piano
1
Flûte, Violoncelle, Guitare
1
Hautbois, Clarinette (duo)
1
Cornemuse
1
Flûte à bec, Guitare (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à Bec
1
2 Clarinettes, Piano
1
Flûte de Pan
1
Piccolo
1
2 Flûtes traversières, Piano
1
Ensemble De Flûte à bec
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Guitare
1
Flûte à bec Alto, Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
93
Trompette (partie séparée)
66
Trombone (partie séparée)
62
Trompette
41
Quatuor de Cuivres : 2 trompettes, trombone, tuba
40
Trompette, Piano
27
Trombone et Piano
22
Trombone
18
Cor et Piano
17
Cor (partie séparée)
17
Tuba (partie séparée)
15
Quatuor de Cuivres
15
Ensemble de Trombones
13
Tuba et Piano
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Ensemble de Trompettes
10
Cor
10
Tuba
6
2 Trombones (duo)
5
Ensemble de Cors
5
2 Euphoniums et 2 Tubas
5
Trompette, Saxophone (duo)
4
Euphonium, Piano (duo)
4
Cor anglais, Piano
3
Quatuor de cuivres: 4 cors
3
Trompette, Harpe
3
Cor et Harpe
3
Quatuor de cuivres: 4 trombones
3
Trompette, Trombone (duo)
3
Quatuor de cuivres: 4 trompettes
2
Instruments en Sib
2
2 Trompettes (duo)
2
4 Tubas
2
Bass Clef Instruments
2
Euphonium, Tuba (duo)
1
Instruments en Fa
1
Cor Anglais
1
Tuba ou Euphonium ou Saxhorn
1
3 Trompettes (trio)
1
Trompette, Cor (duo)
1
2 Cors (duo)
1
Trombone basse
1
Trombone, Cor (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
118
Violon et Piano
78
Violon
54
Violon (partie séparée)
39
Violoncelle, Piano
37
Alto, Piano
35
Harpe
32
Violon, Guitare (duo)
29
Alto seul
27
Violoncelle (partie séparée)
26
Contrebasse (partie séparée)
24
Violoncelle
22
2 Violons (duo)
21
Violoncelle , Guitare (duo)
16
Alto (partie séparée)
15
Violon, Violoncelle (duo)
13
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Trio à Cordes: violon, alto, violoncelle
11
Alto, Guitare (duo)
11
2 Violoncelles (duo)
10
2 Harpes (duo)
9
2 Altos (duo)
8
Violon, Alto (duo)
7
4 Violoncelles
5
Contre Basse
4
3 Harpes
3
Quatuor à cordes : 4 altos
3
Trio à Cordes: 2 violons, violoncelle
3
Harpe, Violoncelle (duo)
3
Alto et Harpe
3
Alto, Violoncelle (duo)
3
Trio à cordes
3
Trio à Cordes: 3 violoncelles
3
Trio à cordes: 3 violins
3
Harpe, Violon (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Ensemble d'Altos
2
Ensemble de Violons
2
Trio à cordes: 3 altos
2
Harpe, Flûte (duo)
2
Trio à Cordes: 2 violons, alto
1
Violon, Orgue
1
Violon, Basson (duo)
1
Harpe, Voix
1
Violoncelle, Orgue
1
Quatuor à cordes: 4 violons
1
Piano Trio: Violon, Alto, Piano
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
683
Orchestre à Cordes
117
Orchestre
97
Ensemble de cuivres
44
Orchestre de chambre
41
Ensemble Jazz
36
Fanfare
35
Percussion (partie séparée)
28
Batterie (partie séparée)
26
Cloches
18
Ensemble de Percussions
11
Batterie
7
Percussion
6
Jazz combo
4
Vibraphone
3
Timbales (partie séparée)
2
Timbales
2
Xylophone
2
Orchestre, Violon
2
Bongos
1
Cajon
1
Piano et Orchestre
1
Voix et Orchestre
1
Marimba
1
2 Caisses Claires (duo)
1
Xylophone (partie séparée)
1
Instrumentations suivantes
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AUTRES
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Anishinaabeg Rhapsody
Orchestre
Orchestra - Digital Download SKU: IZ.OMS171 Composed by Kenneth Piotrowski. Score a…
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Orchestra - Digital Download SKU: IZ.OMS171 Composed by Kenneth Piotrowski. Score and Parts. 129 pages. Duration 13'. Imagine Music - Digital #OMS171. Published by Imagine Music - Digital (IZ.OMS171). 9 x 12 in inches.Although the word Anishinaabeg, best translated as those whence descended or the noble people, refers to many of thenumerous Algonquin indigenous peoples of North America, it is here used specifically in reference to the Ojibwe of theUpper Peninsula of Michigan. It was here that the composer spent many summers and it was those memories that allowedthe Anishinaabeg Rhapsody to come into being.This particular composition is a symphonic tone poem which, unlike the majority of orchestral music which is able to standalone as pure musical thought, evokes historic, pictorial or literary subject matter. In other words, the composer paintsimages and thoughts through sound.The Anishinaabeg Rhapsody, which is scored for 2 flutes, 2 oboes, English horn, 3 clarinets in Bb, 2 bassoons, 4 horns andstrings, conjures images of the wind gently blowing through the pines, the purling of meandering streams, the rippling andwaving of grasslands, the thunderous waterfalls crashing hundreds of feet over cliffs into Lake Superior; in short, it portraysNature itself.
$90.00
83.88 €
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Orchestre
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Kenneth Piotrowski
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Anishinaabeg Rhapsody
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Imagine Music - Digital
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SheetMusicPlus
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Orchestre
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de lo…
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!<br> <br> The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.<br> <br> One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.<br> <br> There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.<br> <br> According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.<br> <br> After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.<br> <br> The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.<br> <br> Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.<br> <br> Interpretation and etiquette:<br> <br> Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.<br> <br> The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.<br> <br> Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.<br> <br> The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.<br> <br> The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.<br> <br> There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.<br> <br> As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.<br> <br> As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.<br> <br> Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00
36.35 €
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Orchestre
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Manuel de Espinosa de los Monteros (1730-1810)
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Keith Terrett
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Spanish National Anthem for Symphony Orchestra
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Music for all Occasions
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SheetMusicPlus
Sinfonia op. 18
Orchestre
Orchestra - Digital Download Composed by Jose Rolon; Michael Meissner J. Classic. Ful…
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Orchestra - Digital Download Composed by Jose Rolon; Michael Meissner J. Classic. Full score. With Language: Spanish. Published by Roba Music Verlag
ISBN 978-3-7378-0607-7.<br> <br> The cover sheet of the autograph says: José Rolon, SinfonÃa en mi menor (op. 18) para grande Orquesta, Guadalajara, Mayo de 1923. Tis date marks the end of the writing of the whole symphony, but the 2nd movement Andante malinconico, was premiered already on May 26, 1923 at the Teatro Esperanza Iris in México City, where it won the 2nd prize of the composers competition, advertised by the Consejo Cultural y ArtÃstico in Mexico City. The 3rd movement Scherzo contains four mexican popular themes, the predominant Los enanos, and in the Trio, El payo, Señor Don Simon and El Aguilote. Rolon published this movenemt later seperately in a larger form as El festÃn de los enanos (The dwarft's party) and premiered it on March 18, 1927 with the Orquesta Sinfonica de Guadalajara – what he had founded in 1916. The FestÃn de los enanos got the 1. Prize in the composers competition of the Primer Congreso Nacional de Musica in 1927. The whole symphony was premiered by the composer and the Orquesta Sinfonica de Guadalajara at the Teatro Degollado in Guadalajara, on March 16, 1924.
$22.29
20.78 €
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Orchestre
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Jose Rolon; Michael Meissner J
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Michael Meissner J
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Sinfonia op. 18
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Roba Music Verlag
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SheetMusicPlus
Manuel De Falla - The Four Spanish Pieces, #2 Cubana, Orchestrated by Arkady Leytush, Full Orchestra
Orchestre
Full Orchestra - Digital Download SKU: A0.1008418 Composed by Manuel de Falla. Arra…
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Full Orchestra - Digital Download SKU: A0.1008418 Composed by Manuel de Falla. Arranged by Arkady Leytush. 20th Century. Score and parts. 23 pages. Arkady Leytush #6440739. Published by Arkady Leytush (A0.1008418). This remarkably colorful part gives great pleasure with its liberation, colorfulness and originality of the Spanish and Cuban musical traditions. Written in three-part form, this music in particular is notable for its peculiar rhythms and metric comparisons. If in the 1st and last parts I use quite recognizable percussion instruments such as: Triangle, Snare Drum, Castanets, Cymbals, Gong, which indicates more Spanish traditions in classical music, then in the middle part it is mostly Cuban folk music, colored and emphasized by such percussion as: Claves, Cowbell, Bongo and Conga Drums. Undoubtedly, the percussion instruments in this part of my transcription are a very recognizable element, but not the only one that can be determined with careful listening.
$20.00
18.64 €
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Orchestre
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Manuel de Falla
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Arkady Leytush
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Manuel De Falla - The Four Spanish Pieces, #2 Cubana, Orchestrated by Arkady Leytush, Full Orchestra
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Arkady Leytush
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SheetMusicPlus
A Finnish Summer Night Finlandia
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.977880 By Miriam Stockley. By J…
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Full Orchestra - Level 5 - Digital Download SKU: A0.977880 By Miriam Stockley. By Jean Sibelius, Miriam Arlene Stockley, and Miriam Stockley. Arranged by NMK Music. Contemporary. Score and parts. 53 pages. NMK Music #6102019. Published by NMK Music (A0.977880). Music is composed by Jean Sibelius with a score reduction and analysis by Nathaniel Kuhns. As always, be sure to LIKE, SHARE and SUBSCRIBE. Like and follow my Facebook page for updates:https://www.facebook.com/NMK-Music-36
$50.00
46.6 €
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Orchestre
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Miriam Stockley
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NMK Music
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A Finnish Summer Night Finlandia
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NMK Music
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SheetMusicPlus
Spanish Dance from The Nutcracker for Full Orchestra
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.712963 Composed by Peter Ilyich…
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Full Orchestra - Level 5 - Digital Download SKU: A0.712963 Composed by Peter Ilyich Tchaikovsky. Arranged by Doug Clyde. Christmas,Romantic Period. Score and parts. 43 pages. ALBEDO MUSIC #4728719. Published by ALBEDO MUSIC (A0.712963). Spanish Dance from the ballet The Nutcracker for Full Orchestra. Composed by Pyotr Ilyich Tchaikovsky. Full Score & Parts. Arranged by Doug Clyde. Instrumentation: Piccolo, Flute 1, Flute 2, Oboe 1, Oboe 2, English Horn, Clarinet in Bb 1, Clarinet in Bb 2, Bass Clarinet in Bb, Bassoon 1, Bassoon 2, Horn in F I, Horn in F II, Horn in F III, Horn in F IV, Trumpet in Bb 1, Trumpet in Bb 2, Tenor Trombone 1, Tenor Trombone 2, Bass Trombone, Tuba, Timpani, Percussion (Castanets), Violin I, Violin II, Viola, Cello, Contrabass. Performance Duration 1:35. AMDS187. © 2016 by ALBEDO MUSIC.
$20.00
18.64 €
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Orchestre
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Peter Ilyich Tchaikovsky
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Doug Clyde
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Parts
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Spanish Dance from The Nutcracker for Full Orchestra
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ALBEDO MUSIC
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SheetMusicPlus
Enrique Granados - Six pieces on Spanish folk songs, Orchestrated by Arkady Leytush
Orchestre
Full Orchestra - Digital Download SKU: A0.1008379 Composed by Enrique Granados. Arr…
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Full Orchestra - Digital Download SKU: A0.1008379 Composed by Enrique Granados. Arranged by Arkady Leytush. 20th Century. Score and parts. 176 pages. Arkady Leytush #5741673. Published by Arkady Leytush (A0.1008379). Preludio, Añoranza, Ecos de la parranda, Vascongada, Marcha oriental, Zambra, ZapateadoThe total duration of the entire cycle is 25 minutes.This suite could perfectly diversify and decorate a number of symphonic programs, which certainly expands the existing standard repertoire of academic music. I also hope to find the interest and empathy of choreographers/directors to create a new ballet divertisment.
$60.00
55.92 €
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Orchestre
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Enrique Granados
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Arkady Leytush
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Enrique Granados - Six pieces on Spanish folk songs, Orchestrated by Arkady Leytush
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Arkady Leytush
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SheetMusicPlus
Bonetrousle - Score Only
Orchestre
Composed by Toby Fox. Arranged by Takuma Nishimura. Video Game. Score and parts. 10 …
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Composed by Toby Fox. Arranged by Takuma Nishimura. Video Game. Score and parts. 10 pages. Takuma Nishimura #697426. Published by Takuma Nishimura
$30.00
27.96 €
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Orchestre
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Toby Fox
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Bonetrousle - Score Only
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Takuma Nishimura
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SheetMusicPlus
Obertura de Concierto
Orchestre
Orchestra - Digital Download Composed by Jose Rolon; Michael Meissner J. Classic. Wit…
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Orchestra - Digital Download Composed by Jose Rolon; Michael Meissner J. Classic. With Language: Spanish. Published by Roba Music Verlag
$22.29
20.78 €
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Orchestre
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Jose Rolon; Michael Meissner J
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Michael Meissner J
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Obertura de Concierto
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Roba Music Verlag
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SheetMusicPlus
CONJUNCTION: The Christmas Star of 2020
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers…
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Full Orchestra - Level 3 - Digital Download SKU: A0.976734 Composed by Robert Myers. 20th Century,Christmas,Contemporary. Score and parts. 99 pages. WheatMyer Music #6496769. Published by WheatMyer Music (A0.976734). CONJUNCTION interprets the convergence of Jupiter and Saturn near the end of the year 2020 as a celestial metaphor for the good news of Christ's birth in a replay of the Star of Bethlehem. Hence, its subtitle of The Christmas Star of 2020. The music, along with narration from selected Old and New Testament scriptures, delivers a message of hope amid the turmoil and chaos of current times.It's written for smaller concert bands hungry for challenging music. Ample cues and doubling allow for flexible instrumentation while mixed meters, varying tempos and textures, and interesting solo lines provide opportunities for strong players to shine. CONJUNCTION is also available with strings for orchestra.PROGRAM NOTES:2020 is widely characterized for its maladies: murders, burning cities, riots, a pandemic, economic shocks, and political turmoil. For some of us, it also held personal tragedy such as my brother’s passing from COVID. But, 2020 also brought a sign of hope, namely the celestial phenomenon known as the Great Conjunction of 2020. For earth-bound observers, this was the closest approach of Jupiter and Saturn in almost 400 years as they appeared to almost touch in the early evening sky to produce the most brilliant evening star of our lifetimes. The occurrence of the event in November-December neatly coincided with the Advent season, peaking just before Christmas Day. One could hardly fail to note the parallels with the Christmas star of Matthew’s gospel which gave the conjunction its alternate name, the Christmas Star of 2020. Thus, this star spoke, to those with ears to hear, the same message the prophet Isaiah wrote about the coming Messiah, The people that walked in darkness have seen a great light. This star thus served to remind us that the LORD has not rejected us; He will show His favor again; His love has not vanished; His promises have not failed; He has not forgotten to be merciful or compassionate; and we are called to remember His mighty deeds (Psalm 77). CONJUNCTION: The Christmas Star of 2020 is inspired by these particulars.For the music, I looked to Gustav Holst’s The Planets for themes that would portray Jupiter and Saturn’s pas de deux. I selected several motives from the corresponding movements mixed and matched in sometimes easily recognized quotations and other times in heavily camouflaged derivations. An exuberant polyphonic passage recaps themes from both Jupiter and Saturn when the music resolves from uncertainty into hopefulness. While Holst’s motives provide CONJUNCTION’s foundation I also used Handel’s Messiah for transitory and climactic material. You will hear his The people who walked in darkness have seen a great light in transitions and a short trombone solo. And a re-harmonization of the opening line from For unto us a child is born brings the music to a joyous climax.Although the music stands firmly on its own, I elected to incorporate some narrative to make the musical sentiment explicit. In a commentary on 2020’s grim events, I took adaptations of Habakkuk 1:2-4 and 2 Tim 3:1-4 and set them over Saturn’s plodding and ominous harmonies. Contrasting replies shimmer with hope as the narration melds Isaiah 9:2 and Luke 1:78-79 over another Saturn motive set against pitch sets from Jupiter’s main hymn theme. Still, it’s the music that tells the story of the Christmas Star of 2020.Please visit my website for a complete score preview: https://wheatmyermusic.com/conjunction-the-christmas-star-of-2020I feel somewhat guilty making claim to this music as almost all the building blocks are taken from other composers. But the end result is neither a medley, nor an arrangement, rather it is something clearly new, so I call it my own with deep respect to those giants on whose shoulders I stand.Robert MyersS.D.G.
$95.00
88.55 €
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Orchestre
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Robert Myers
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He will show His favor again
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CONJUNCTION: The Christmas Star of 2020
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WheatMyer Music
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SheetMusicPlus
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (parts)
Orchestre
Full Orchestra - Level 5 - Digital Download SKU: A0.1009195 Composed by An-lun Huan…
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Full Orchestra - Level 5 - Digital Download SKU: A0.1009195 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score and parts. 248 pages. DoReMi Edition #594857. Published by DoReMi Edition (A0.1009195). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl. The attached mp3 is a performance by the Russian Philharmonic, conducted by the composer, 1998. English Text by Rebekah Wong Orchestration: Flauto Piccolo ( Flauto III), 2 Flauti, 2 Oboi (Corno- inglese), 2 Clarinetti in B flat, 2 Fagotti; 4 Corni in F, 2 Trombe in B flat, 3 Tromboni, 1 Tuba; 4 Timpani, Piatti, Tamburo, Trianglo, Companelli, Celesta, Campana, Wood Blocks ,Sonagliera; Violini I, Violini II, Viole, Violoncelli e Contrabassi.
$300.00
279.62 €
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Orchestre
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An-lun Huang
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Ballet, “THE LITTLE MATCH GIRL”, Op.24,
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DoReMi Edition
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Orchestre
Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.3 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Orchestre
Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00
23.3 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes
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Arkady Leytush
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SheetMusicPlus
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Orchestre
Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arran…
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Full Orchestra - Digital Download SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00
23.3 €
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Orchestre
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Arkady Leytush
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SheetMusicPlus
Late Autumn and Snowy Splendor
Orchestre
Orchestra - Grade 4 - Digital Download SKU: IZ.OMS142 Composed by Jeff Frost. Score…
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Orchestra - Grade 4 - Digital Download SKU: IZ.OMS142 Composed by Jeff Frost. Score and Parts. 46 pages. Imagine Music - Digital #OMS142. Published by Imagine Music - Digital (IZ.OMS142). 9 x 12 in inches.The Keweenaw Peninsula is located in the northwestern part of the Upper Peninsula of Michigan. It is surrounded by Lake Superior on the west, north and east sides. From the late 1800's through the early 1960's copper was mined there. There are still remnants of multiple mines and hoists scattered about the hilly country side. This area can get around 180 of snow each year and winters can be long yet beautiful. There are waterfalls scattered in the hilly country side that are quite beautiful in the spring and summer.I attended Michigan Technological University from 2002-2006 which is located in Houghton, Michigan. Houghton is called the Gateway to the Keweenaw. I composed this piece to paint a picture of the Keweenaw with its waterfalls, hilly country, the sun rising and setting over Lake Superior, and the winter splendor. Because many people on the Keweenaw Peninsula are of Finnish descent, I incorporated the Finnish National Anthem into the melodic material.
$60.00
55.92 €
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Orchestre
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Jeff Frost
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Late Autumn and Snowy Splendor
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Imagine Music - Digital
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SheetMusicPlus
Ikons
Orchestre
Full orchestra - Grade 6 - Digital Download SKU: IZ.OMW072 Composed by Keith Dippre…
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Full orchestra - Grade 6 - Digital Download SKU: IZ.OMW072 Composed by Keith Dippre. Score and Parts. 239 pages. Imagine Music - Digital #OMW072. Published by Imagine Music - Digital (IZ.OMW072). 9 x 12 in inches.By Keith Dippre. Each of the three movements deals with symbols, specifically those that have autobiographical significance to the composer. The first movement, Klee on Loan, pays homage to the famous abstract expressionist painter. The gestures are traditional and all easily identifiable, from the sweeping Mahleresque beginning to the Bartok meets The Rolling Stones motifs found at mid movement. These are the composer's attempts to represent Klee's crosses and arrows through some familiar and abstract sound. Klee's genius, I believe, is found in his ability to make very generic symbols very abstract. The second movement, Roadside Memorial, is a musical journey that goes the route of a dangerous and ominous highway replete with roadside crosses and flowers. Present are the sounds of radio static and the motorist's attempts to find an interesting station in the midst of a punishing blizzard, all the while praying to make the trek safely home. Ikonoklastic is the third and least serious movement of the three, sporting a playful and somewhat schizophrenic waltz. There are childlike melodies set against more serious romantic style gestures. The blending of the serious with the less serious at times combines to create contrapuntal moments. The final movement is the most sublime of the four, and it is solely based upon a loping, adieu-like gesture. The line is continually recycling itself, and the piano takes the role of psychopomp as it escorts the movement to its out of body conclusion.
$90.00
83.88 €
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Orchestre
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Keith Dippre
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Keith Dippre
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Ikons
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Imagine Music - Digital
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SheetMusicPlus
Danish National Anthem (Der er et yndigt land) for Symphony Orchestra (KT Olympic Anthem Series)
Orchestre
Composed by Hans Ernst Krøyer. Arranged by Keith Terrett. Patriotic, Romantic P…
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Composed by Hans Ernst Krøyer. Arranged by Keith Terrett. Patriotic, Romantic Period, World. Score and parts. 26 pages. Keith Terrett #4966415. Published by Keith Terrett
$38.99
36.34 €
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Orchestre
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Hans Ernst Krøyer
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Keith Terrett
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Danish National Anthem
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Keith Terrett
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SheetMusicPlus
Finnish National Anthem for Symphony Orchestra
Orchestre
Full Orchestra - Level 3 - Digital Download Composed by Pacius. Arranged by Keith Ter…
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Full Orchestra - Level 3 - Digital Download Composed by Pacius. Arranged by Keith Terrett. Multicultural, Patriotic, Traditional, World. 27 pages. Keith Terrett #812039. Published by Keith Terrett
$38.00
35.42 €
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Orchestre
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Pacius
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Finnish National Anthem for Symphony Orchestra
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Keith Terrett
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SheetMusicPlus
Sieben Fragmente für Orchester
Orchestre
Orchestra - Digital Download SKU: S9.Q6453 In memoriam Robert Schumann. Comp…
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Orchestra - Digital Download SKU: S9.Q6453 In memoriam Robert Schumann. Composed by Aribert Reimann. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 14 minutes. Schott Music - Digital #Q6453. Published by Schott Music - Digital (S9.Q6453). This most frequently played orchestral work by Aribert Reimann quotes from and makes use of Robert Schumann's last finished composition, the so-called 'Geistervariationen' [Ghost Variations] in E flat major for piano from 1854, composed shortly before Schumann's suicide attempt. Reflecting on Schumann's subsequent life in Endenich, Reimann leaves the lyrical character of the original unchanged. But the breaking up of the theme into the third, fifth and seventh fragments symbolizes the transition from dreamy imagination to sickly brooding.
$33.99
31.68 €
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Orchestre
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Aribert Reimann
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Sieben Fragmente für Orchester
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Schott Music - Digital
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SheetMusicPlus
España Cañí - Pasodoble - Espana Cani
Orchestre
Full Orchestra - Level 3 - Digital Download SKU: A0.1211732 Composed by Pascual Mar…
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Full Orchestra - Level 3 - Digital Download SKU: A0.1211732 Composed by Pascual Marquina Narro. Arranged by Pablo Guerrero-MartÃn. Classical,Contest,Festival,Folk,March,Multicultural,World. Score and Parts. 51 pages. Pablo Guerrero-MartÃn #809346. Published by Pablo Guerrero-MartÃn (A0.1211732). España cañà (meaning Gypsy Spain in Spanish) is a famous instrumental Spanish piece of pasodoble music by Pascual Marquina Narro (1873–1948). The song was written around 1923 and first recorded in 1926. Its main refrain (eight bars of arpeggiated chords that go from E major to F major (with added 4 instead of 5) to G major and back) is arguably the best known snippet of Spanish music and is popular worldwide.Several arrangements of the tune are often used for the Latin Paso Doble dance (to the point that, among Latin dancers, it is known as the paso doble song as it is very commonly played in competition due to the common custom for the choreography to match the phrasing and accents of the music for the full effect of the dance). The song has also been used as the theme song for Pablo Sanchez in the Backyard Sports games.
$49.99
46.59 €
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Orchestre
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Pascual Marquina Narro
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Pablo Guerrero-MartÃn
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España Cañí - Pasodoble - Espana Cani
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Pablo Guerrero-MartÃn
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SheetMusicPlus
Manuel De Falla - The Four Spanish Pieces, #4 Andaluza , Orchestrated by Arkady Leytush, Full Orches
Orchestre
Composed by Manuel de Falla (1876-1946). Arranged by Arkady Leytush. 20th Century. S…
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Composed by Manuel de Falla (1876-1946). Arranged by Arkady Leytush. 20th Century. Score and parts. 33 pages. Arkady Leytush #6462403. Published by Arkady Leytush
$20.00
18.64 €
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Orchestre
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Manuel de Falla (1876-1946)
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Arkady Leytush
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Manuel De Falla - The Four Spanish Pieces, #4 Andaluza , Orchestrated by Arkady Leytush, Full Orches
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Arkady Leytush
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SheetMusicPlus
Manuel De Falla - The Four Spanish Pieces, #3 Montañesa, Orchestrated by Arkady Leytush, Full Orchestra
Orchestre
Full Orchestra - Digital Download Composed by Manuel de Falla (1876-1946). Arranged b…
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Full Orchestra - Digital Download Composed by Manuel de Falla (1876-1946). Arranged by Arkady Leytush. 20th Century. Score. 22 pages. Published by Arkady Leytush
Montañesa, subtitled as"landscape", is the only one of the four that does not refer to aspecific territory. Indeed, the leisurely and calm air of the work seemsto bring to mind a landscape, someone contemplating a place calmly.
$20.00
18.64 €
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Orchestre
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Manuel de Falla (1876-1946)
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Arkady Leytush
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Manuel De Falla - The Four Spanish Pieces, #3 Montañesa, Orchestrated by Arkady Leytush, Full Orchestra
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Arkady Leytush
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SheetMusicPlus
Glasgow Love Theme
Orchestre
By Craig Armstrong. Arranged by Flávio Régis Cunha. Individual Part, Sco…
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By Craig Armstrong. Arranged by Flávio Régis Cunha. Individual Part, Score, Set of Parts. 16 pages. Published by Flavio Regis Cunha
This arrangement was made based on the original Soundtrack for the movie "Love Actually". This is the real deal. Suits very well in weddings. You and your ensemble will love this music.<br> <br> Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99
46.59 €
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Orchestre
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Craig Armstrong
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Glasgow Love Theme
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SheetMusicPlus
Sensemaya
Orchestre
Composed by Silvestre Revueltas; Michael Meissner J. Classic. Full score. With Language: S…
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Composed by Silvestre Revueltas; Michael Meissner J. Classic. Full score. With Language: Spanish. Published by Roba Music Verlag (RX.9783737806053). - full score - classic - Roba Music Verlag
$22.29
20.78 €
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Orchestre
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Silvestre Revueltas; Michael Meissner J
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Michael Meissner J
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Sensemaya
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Roba Music Verlag
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SheetMusicPlus
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